
Optimist

You never know what we'll churn up in cleaning a stall


The top level of governance in the Society of Friends is the yearly meeting, so-named because it gathers once a year in decision-making sessions. The constituent local congregations, in contrast, are termed monthly meetings, since they gather in business sessions once a month. (Yes, it’s confusing, since we sit together in worship at least once a week as well.) Everyone active at the local level is welcome to participate in the annual sessions.
Rather than having a single overarching yearly meeting, ours exist independently, originally on a regional basis. Something like the various strands of Eastern Orthodox, for that matter, with the Greek Orthodox and Russian Orthodox the best known of many.
Among Quakers, New England Yearly Meeting is the world’s oldest, founded in 1661, and was held in Newport, Rhode Island, until 1903. Since then we’ve gathered for a week each August on college campuses or other residential sites around the six-state region. In my time here, that’s been Hampshire in Massachusetts, Bowdoin in Maine, and Castleton in Vermont, and I’ve heard tales of the years the event was held in a camp on Lake Winnipesaukee in New Hampshire.
It’s a solemn and joyous occasion, one that many participants – and many families – schedule their work vacation time around. It’s something like a huge class reunion, too, where you reconnect with many people you hold dear. And living in a college dorm, as most of us do, it’s not uncommon to find that random pairings among those of us who go solo turn into regular roommates, year after year.
So I’m still stunned by the announcement a few weeks ago that we will not be meeting in person this summer, due to the coronavirus. Yes, we will be attempting something online, but it won’t be the same.

Just as jarring is the more recent cancellation of summer sessions at Friends Camp in Maine. For many of our kids, it’s a highlight of their year, and friendships they form there sustain them through high school and college. As one of our neighbors says, a camper who became a counselor, the news is a bummer.
Amen.
In developing sections of The Secret Side of Jaya, a novel upcoming this fall, I found myself applying a technique I’d developed in a genealogical project. There, as I had conflicting accounts regarding a specific instance or detail, rather than trying to lean toward one over the other, I let them all stand in contrast to each other. Sometimes there were two sources, sometimes three, each seeing a person or event quite differently.
It makes me recall the way forest fires are located from lookout towers. Each observer has a horizontal azimuth for determining the direction of the fire from the tower. Once two other lookouts can zero in on the plume of smoke or the flames, the position can be triangulated on a map and forest firefighters dispatched. My technique resembles looking along that line and seeing what comes in front of the fire and what lies beyond.
By acknowledging the different observers in my stories and histories, I also allow for the wider terrain and error in positions. (The smoke might be rising from an unseen valley or be blown by wind.) In these applications, I feel the alternatives make for a richer, more lifelike story.
Well, that’s how it looks from here.
Wow, I really have been all over the map in getting to here. That’s what’s stirred up as I look at the range of experiences reflected in my novels and poetry as well as here at the Barn. That ‘scape has covered a childhood in the Midwest, college in a Big Ten school, an inner city ghetto during my hippie years and then the farms that followed, as well as desert and mountains, more Midwest and then Baltimore, along with my first marriage and some wild romances, and finally New England and my little city farm here.
Sometimes I wind up feeling dizzy. Those pins and needles are all over the place.
Are you one of the lucky ones who got to stay put?

Unlike many journalists, who lust after the scoop – to be hailed as the first to the punch in revealing the newest surprise in a hot ongoing drama, especially – I preferred to wait for the dust to settle a bit so we could discern the bigger picture. Yes, I was still competitive, but too often all the latest clamor struck me as confusion. What’s REALLY going on here, rather than who’s speaking the loudest or all that, is what I wanted to hear.
(Actually, with the presence of ’round-the-clock cable news and Internet connections, it’s gotten much worse. Just look at how the current resident of the White House stirs up something fresh before the outrage of his last errant lunacy can even sink in.)
The Covid-19 situation is turning into something similar. Who can keep up with the story? There are so many elements, not just the latest numbers or locations.
We’re definitely facing some ominous long-term impacts here, and we’re not getting much clarity yet.
A big exception has been voices like the Atlantic, as well as the New York Times and Washington Post.
~*~
For me, many of the biggest issues emerge around the question:
Who’s going to pay for this?
Wall Street still hasn’t factored in the debt load, unless maybe as inflation. Make that HUGE debt load and HUGE inflation, unless the wealthiest five percent of the population come to the rescue, whether they want to or not. We can look at their gains via tax cuts as longterm loans to be repaid royally now.
As a few of the clairvoyants have noted, many of the problems now emerging have been long simmering and coronavirus is merely bringing them to the fore.
Student debt loan would be one, especially if bankruptcies become widespread.
The future of retailing would be another. And the entire medical system.
The lack of antitrust action in the face of cable operators, Amazon, Walmart, and the like would be yet another.
We get glimmers here and there, but little in the way of big pictures, which are ominous.
As one voice emphasized, we do have socialization in America, but not for the people. We’ve privatized profits while socializing risks for big corporations. That’s not real capitalism. Just watch as they line up for a bailout at the public trough. Keep an eye especially on the ones laying off people and closing plants while taking the aid for themselves and their overpaid top executives. How about tying any aid to an exchange of stock placed in public trust funds, for starters?
By the way, is anyone else aghast at the Donald’s insistence on putting his signature on those relief checks, as if he’s paying out of his own pocket? Such bombast!

~*~
One canary-in-the-mine-shaft question of mine asks:
How will performing arts organizations survive this shutdown?
For me, they’re essential components to society. The artists have trained all their lives for what are often marginal wages, and the supportive structures are not easily created. Rebuilding audiences will not be easy, especially in the face of damaged incomes in general. Yet they’re crucial to the fabric of civilized community.
Unlike sports, the arts don’t have huge advertising revenues. They reflect a number of similar services that make our communities better places to live, no matter how modest their seeming place in the overall scene. We need to make note of them, too, and redress the suffering.
~*~
Is anyone else watching the impact as Covid-19 spreads from the big cities into the suburbs and rural areas – that is, from urban (which also translates as black and immigrant and blue) into red-district Trump country? The virus is no longer a safe distance from “them,” or what was originally dismissed as a liberal hoax to tarnish their cult leader, and instead clearly appearing as a cruel reality. We’re back to the already fragile state of health care in rural America, for starters.
~*~
The fact is, at the rate Covid-19 cases were initially multiplying, we could have had 40 million infected people by Easter, had we not gone into quarantine. As I almost quipped back then:
How would the nation’s funeral industry cope with an extra 450,000 corpses?

The application of positive and negative spaces — that is, the contrast of light and dark — is a basic concept in visual art. One of these will appear solid; the other, empty. Think of black versus white, with no shades in between.
In another way, think of a doughnut or bagel, defining an empty hole.
In my novel What’s Left, she applies a similar strategy after her father vanishes in an avalanche when she’s 11. She yearns to know much more about who he was — in fact, intends to recover him in her own way — so she assembles everything she can find to create a positive impression and then dives into the remainder, the negative, to dig up the rest. Maybe you’d see this as trying to assemble a jigsaw puzzle.
Since he was a professional photographer, she carefully investigates another kind of negative for answers — the many strips of film stored in his studio. At first what she views is reversed from normal perception, where everything that’s light should be dark and everything that’s dark should be light, but then she learns to transform what’s there into contact sheets and glossy prints. Just like he did.

Thanks to digital photography, negatives are ancient history. Maybe that’s somehow appropriate, since Cassia’s life at that point would now be ancient history, too, even as she’s investigating what she would consider ancient history.
Have you ever handled photographic negatives? Is there some other way you’ve looked at things reversed from normal? How about funny mirrors? How did it change your perception?
~*~
Remember, What’s Left is available at Smashwords.

It’s like we’re living with no destination. We can go out for a walk but can’t stop casually at the store or the library or café. Maybe wave to neighbors through a window.
To call what we’re doing “monastic” misses the mark. After all, monks live in communities, working and praying together. And being single, as he is, still doesn’t mean monkish.
We can’t hug or even touch anybody outside of our household, not if we’re maintaining quarantine.
Humans are social animals, after all.
At the moment, the one thing that makes sense doing is prayer.