Ever been out on the Plains?

My novel Nearly Canaan starts off in a railroad crossing called Prairie Depot, and my story The Secret Side of Jaya returns there.

Prairie can be found as far east as Ohio, but it’s more extensive out on the Great Plains.

Here are some tidbits about the landscape.

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  1. It’s bigger than I thought. The region runs from the Rio Grande river bordering Mexico all the way to the Arctic Ocean in Canada, and along the Rocky Mountains to the west. Its width is about 500 miles and it covers about a seventh of the continental U.S.
  2. Rainfall ranges between 13 and 20 inches a year, too little to sustain trees.
  3. Its natural vegetation is a variety of grasslands. And it’s flat or gently rolling.
  4. It had immense herds of bison as well as pronghorn. Prairie dogs, coyotes, prairie chicken, and rattlesnakes remain prominent.
  5. Native American tribes included Blackfoot, Crow, Sioux, Cheyenne, Arapaho, and Comanche. The nomadic tribes followed the bison migration through the year.
  6. The introduction of the horse from Europe dramatically changed the Native culture.
  7. The rural Plains have lost a third of their population since 1920. Ghost towns, which have lost so much population they’re considered extinct, are the most common category of towns.
  8. The climate includes cold, harsh winters and very hot, humid summers.
  9. Without natural trees, hills, or mountains, there’s no protection against wind and erosion.
  10. The region includes Tornado Alley, based on the frequency and intensity of the twisters generated in its open spaces.

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What surprises you here?

Facing up to downsizing

After nearly 21 years in the same house – the one with the small red barn – we’ve come to a difficult decision.

It’s time to move on. Not only is the place too big for just the two of us – remember, there were once five us of living here – it’s also eating up too much of our retirement budget and time. We can’t continue to watch our meagre savings shrinking. For that matter, we can’t even keep up with the gardening and cleaning routines, not if we’re going to indulge in the other desired things on our proverbial plate. An estimate for reroofing the house may have been the tipping point.

We’ve run the numbers of having others renting space here or trying to swap what we own for something smaller close by, and we do love the community, as you’ve gathered from reading the blog, but no enticing alternative has jumped out. Dover’s simply a very hot housing market at the moment.

What has caught our fancy, thanks to a daughter’s investigation, is a small down-on-the-heels city on the ocean at the other end of Maine – one with an active arts community and a nearby Quaker meeting. It is as far from where we are now as is Manhattan in the opposite direction – a five-hour-plus drive. Half of the townships you pass though in the last two hours of that route are uninhabited, except for the black flies, mosquitos, and moose.

Even without that prompting, we still need to sort through our possessions and cull what we can. It’s not just clutter, either. So much of this is essentially frozen time – things we thought we’d want to get to someday or debris from the past, souvenirs we probably won’t ever revisit again. (There’s more on decluttering on my Chicken Farmer blog.)

The key question we’re asking ourselves, “Is this something I’ll need or use in the next five years?” Or, for that matter, really miss.

And so, independently, we’ve started. No matter how liberating the task ultimately becomes, getting there is often painful.

In our case, it’s a multistage process, as I’ll discuss in future posts.

We’ve started with the books, mostly, because there are so many of them and they occupy the most space. They’re also heavy to move.

After that we get to clothing, kitchen goods, garden and home maintenance tools, our personal collections.

For me, that leads to writing supplies and files, concert program notes and playbills from events I’ve attended, my vinyl, CD, and tape recordings.

 

About that feminine point of view in my novels

Why a young female as my protagonist? Fair question. Since my novel What’s Left began as an attempt to answer a younger generation’s questions about the hippie movement, I felt a girl would be more receptive to its issues and sensations. Many girls have, after all, continued the identity, while it appears that boys have largely become more militant or even sullen.

As the novel developed, Cassia’s parents and their values retreated into the background. Far more compelling is Cassia’s own identity, development, and confrontations. Hope you agree.

My new series focuses on Jaya and her evolving awareness. Yoga is part of it, along with career issues and close relationships. She has a richer encounter with the events, I’d say, than Joshua does – there are many points where he’s largely a reactive or passive presence. Ultimately, The Secret Side of Jaya has no parallel in his more limited vision or imagination.

I have to confess the story didn’t start out to be told from her side, but it does feel much more fitting this way.

But I am speaking as the author. Readers and critics are open to their own takes.

Care to weigh in?

The Secret Side of Jaya

Here’s another consideration of your worldly possessions

If your house caught fire, what would you miss most?
Or, if you had time, what’s the first thing you would you save?

You know, that Dolley Madison thing of grabbing the portrait of Washington when the White House was burning. (OK, a slave actually deserves the credit, but back to the point.)

I have to admit that having so much of my work now backed up in the cloud, rather than on paper, greatly refocuses my response here.

My journals would be a big loss – there are too many to take them out all at once.

Other people would top the list, and after that, whatever’s closest at hand, probably starting with my laptop.

Among the non-family members in his past, the one now called Liz

As Cassia delves into her father’s photo negatives in my novel What’s Left, she’s bound to come up with a slew of Liz, who became his first lover.

Somewhere there’s also the experimental short movie he made, the one that made the rounds of avant-garde showings. The one featuring Liz’s shimmering breast.

Cassia’s aunt Nita had been Liz’ dorm roommate when the whole thing began. She’d tell her niece plenty, should the kid ask. She’s also a central figure in Daffodil Uprising and Pit-a-Pat High Jinks.

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Romantic love is only one of the options when it comes to emotional spiraling.

Could you tell about telling me of some event that knocked the floor out from under your feet?

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Cassia’s roots included inspiration like this Orthodox icon of Saint Agatha. Via Wikimedia Commons.

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