A matter of relative size

Eastport is smaller – much smaller – than the model for my fictional Prairie Depot was, and I thought that place was small. Yet somehow Eastport feels more vibrant and whole.

At least in summer.

For a little perspective, the entire winter population could ride a single New York City subway train.

When one seemingly random thought leads to a mental snowstorm

Do you ever have something float into your mind, seemingly at random, only to have a cluster of related bits fly up all around, too?

I recently had that regarding the Los Angeles Master Chorale, of all things.

I had long assumed that it had grown out of a marvelous ensemble, the Roger Wagner Chorale, which I heard twice in my early concertgoing exposure. The touring group consisted of 24 excellent professional voices blended into velvety perfection by a choral conductor who, at the time, was considered one of the two best in America.

Robert Shaw was the other and went on to eclipse Wagner. That’s another story.

In the day, both directors assembled programs ranging from Renaissance to Broadway and Hollywood – Shaw had even been groomed to be successor to Fred Waring at the Pennsylvanians before being veered off into hard-core classical by Arturo Toscanini and George Szell.

A close friend of mine told of his high school choir director’s annual summer trek to study under Wagner, returning with a sharpened sense of diction – something I never really considered until becoming a choir member myself – along with some mysterious but nifty tricks to obtain it. (Wish I knew more now.) And then Wagner faded from sight, not without leaving some highly regarded musical tracks on well-known movies.

In southern California, the Master Chorale had somehow taken on a life of its own and was best known in the wider concert world for its work with the Los Angeles Philharmonic. I rather assumed it had morphed into the orchestra’s in-house choir, like the Tanglewood Festival Chorus with the Boston Symphony, but somehow had roots with Wagner. From time to time I’d hear broadcasts concerts.

More recently, in trying to practice for Quoddy Voices on Zoom, I found myself exploring some incredible warmups and performances on YouTube. I chanced across several of a Palestrina motet I’d performed with Revelsingers in Boston, and it was fun to get out my score and sing along. One tape, though, turned out to be 21 minutes of grueling rehearsal with a rather overbearing, name-dropping guest conductor who never let them get beyond the fourth measure, mostly because of diction issues regarding the Latin. Who did he think he was, I objected. The piece itself barely runs three minutes.

Paul Salamunovich?

Turns out he was the Master Chorale’s recently retired leader, and before that Wagner’s right-hand man. And that sent me piecing all of these random thoughts together in a kind of corrective surgery – or is it more like one of those clear-glass globes you turn over in your hand to launch a snowstorm?

By the way, I had the pleasure of watching Shaw live four times in Cincinnati, Cleveland, and Bloomington. Maybe I’ll get around to posting that experience someday.

Even untended, they’re glorious  

“We usually think of a Poppy as a coarse flower; but it is the most transparent and delicate of all the flowers of the field,” Celia Thaxter enthused in her classic An Island Garden book based at the other end of the Maine coast. Noting that the “Poppy is painted glass; it never glows so brightly as when the sun shines through it. Wherever it is seen, against the light or with the light, always it is a flame, and warms the wind like a blown ruby.”

After a half-page of descriptions of the color range of its many varieties, she quotes an unnamed English master of prose, “The splendor of it is proud, almost insolently so,” and then Browning’s line of “the Poppy’s red effrontery.”

Here on Moose Island, after blazing intensely, they give way all too soon.

To me, they glow like miniature suns.

How fitting, with our sunrise now approaching 4:42 and sunset around 8:19 – and nearly 17 hours of visible light.

Ten 19th century developments that greatly improved life where I live … and in much of the rest of the world

Some of these have already passed into oblivion, but they were still part of the transformation.

  1. Window screening. Maine is loaded with black flies and mosquitos. Somebody still had to go outdoors, though.
  2. Steamships. Not just allowing you to get away or back, but conveying the mail, especially. Think Internet and email for comparison. Remember, Eastport was a major port, including the exportation of canned sardines.
  3. Railroads. Ditto for mail and newspapers. As well as exporting goods to market. Or deliveries back. (Think Amazon.)
  4. Canning. Home canning, of course, but also grocery stores. Out-of-season food options suddenly exploded. Winter wasn’t mostly beans. Not that we’re so fond of it now that we have frozen food choices. But sardine canning also became the economic powerhouse of Eastport.
  5. Sanitation. Let’s start with antiseptics and move on to indoor plumbing as well as the rotary washing machine. Nowadays, that also means the clothes dryer and dishwasher.
  6. Electrical lighting. Especially in those truncated winter nights we have up here.
  7. Linotype. I used to live in Baltimore’s Bolton Hill, where its inventor resided. Daily newspapers and cheap books became commonplace.
  8. Telephone. Did any other invention save more steps? Or do more to relieve loneliness?
  9. Sound recordings. You no longer had to be a musician to have decent music any time you desired.
  10. Automobile. John William Lambert invented the first practical American gasoline automobile in 1891 in southwest Ohio and later moved his operations to Anderson, Indiana. I remember visiting a friend and seeing an old car with an impressive Lambert name in brass across the radiator sitting at an open garage door. “Ann,” said I, “is that car any relation to you?” She replied that her grandfather used to make them but otherwise conveyed no knowledge that he had been so prominent a figure.

And let’s not forget toilet paper to our roll of advances.

Maine is the one of the most unchurched states in America

It’s edged out by Vermont and is a hair ahead of New Hampshire, according to 2014 figures from Pew.

It also has the oldest population in the nation and not much in the way of other civic associations and social clubs these days, from what I see. Are people even getting together anymore? What’s been happening with traditions like hunting and fishing or the Grange?

When I say “unchurched,” I’m referring here to active attendance and membership, not the buildings, institutions, or hierarchies. It’s the interactions of a body of believers.

Somehow, I view the decaying landmark white churches and spires as mirroring a general decay in employment opportunities and a fraying social structure. As for families and friends? They’re not what they once were, either.

This is New England, after all, with images of Minuteman patriotism, Puritan uprightness, and democracy-in-action town meetings, not the Far West. “The way life should be,” as one of Maine’s travel slogans proclaims while overlooking some serious and troubling realities.

Are there any viable alternatives on the horizon?

How do we care for “the least among us” when we all seem to be racing to the bottom line?

Up from the ashes of 1886, our downtown

Devastating downtown fires were a big hazard for 19th century American cities, large and small, from New York, Chicago, Boston, Baltimore, Pittsburgh, and St. Louis down to Portsmouth, New Hampshire, and Portland and Bangor, Maine, closer to home. (For the record, San Francisco actually suffered more from the fires than from the 1908 earthquake just before them.) It’s a long list, actually, and some center cities were leveled by flames and intense heat more than once.

Eastport was one of them, with great fires in 1839, 1864, and 1886 – the last one barely missing our house but leaving the rafters spookily charred.

That blaze, in October, started in one of the sardine factories on the waterfront and spread quickly, consuming almost every building along the harbor.

An antique store window is fun to browse, even when the shop’s closed.

Remarkably, the city rebounded quickly, with most of the Water Street buildings completed and reopened within the next year or two – many of them designed by the same architect and resulting in a visual unity for the five-block stretch.

Today the entire downtown district is on the National Register of Historic Places.

Still, here’s what we have. Put another way, every city needs a center, and a shopping mall just ain’t the answer.

The big challenge, of course, is finding the right mix of business and residence to keep it vibrant. Eastport’s off-season populace falls short of what’s needed but just may be changing in the aftermath of Covid-19.
We have art galleries, thank you.

A downtown is more than a place to shop, for one thing, though that helps. It should be pedestrian friendly, with places to stop and sit and meet folks and chat or maybe just stroll afterhours. Cafes, restaurants, and pubs help, too. A post office and banks as well. Throw in a few theaters, nightspots, galleries, churches. Then offices, hair stylists and barbers, upstairs residences, even a hotel or more.

A tucked-in amphitheater overlooking the harbor actually has concerts in the summer. It also provides one more place to simply sit and relax.
The street’s not one-way but should be, if we could only conveniently connect it as an easy round-trip..

Tell us something that makes your community special. Where would you take us if we visit?