Eastern
AND
Atlantic
~*~
Or even simply the message:
“Welcome to Canada”
without even having to cross the border.
You never know what we'll churn up in cleaning a stall
AND
~*~
Or even simply the message:
without even having to cross the border.
Eastport is smaller – much smaller – than the model for my fictional Prairie Depot was, and I thought that place was small. Yet somehow Eastport feels more vibrant and whole.
At least in summer.
For a little perspective, the entire winter population could ride a single New York City subway train.
Do you ever have something float into your mind, seemingly at random, only to have a cluster of related bits fly up all around, too?
I recently had that regarding the Los Angeles Master Chorale, of all things.
I had long assumed that it had grown out of a marvelous ensemble, the Roger Wagner Chorale, which I heard twice in my early concertgoing exposure. The touring group consisted of 24 excellent professional voices blended into velvety perfection by a choral conductor who, at the time, was considered one of the two best in America.
Robert Shaw was the other and went on to eclipse Wagner. That’s another story.
In the day, both directors assembled programs ranging from Renaissance to Broadway and Hollywood – Shaw had even been groomed to be successor to Fred Waring at the Pennsylvanians before being veered off into hard-core classical by Arturo Toscanini and George Szell.
A close friend of mine told of his high school choir director’s annual summer trek to study under Wagner, returning with a sharpened sense of diction – something I never really considered until becoming a choir member myself – along with some mysterious but nifty tricks to obtain it. (Wish I knew more now.) And then Wagner faded from sight, not without leaving some highly regarded musical tracks on well-known movies.
In southern California, the Master Chorale had somehow taken on a life of its own and was best known in the wider concert world for its work with the Los Angeles Philharmonic. I rather assumed it had morphed into the orchestra’s in-house choir, like the Tanglewood Festival Chorus with the Boston Symphony, but somehow had roots with Wagner. From time to time I’d hear broadcasts concerts.
More recently, in trying to practice for Quoddy Voices on Zoom, I found myself exploring some incredible warmups and performances on YouTube. I chanced across several of a Palestrina motet I’d performed with Revelsingers in Boston, and it was fun to get out my score and sing along. One tape, though, turned out to be 21 minutes of grueling rehearsal with a rather overbearing, name-dropping guest conductor who never let them get beyond the fourth measure, mostly because of diction issues regarding the Latin. Who did he think he was, I objected. The piece itself barely runs three minutes.
Paul Salamunovich?
Turns out he was the Master Chorale’s recently retired leader, and before that Wagner’s right-hand man. And that sent me piecing all of these random thoughts together in a kind of corrective surgery – or is it more like one of those clear-glass globes you turn over in your hand to launch a snowstorm?
By the way, I had the pleasure of watching Shaw live four times in Cincinnati, Cleveland, and Bloomington. Maybe I’ll get around to posting that experience someday.
“We usually think of a Poppy as a coarse flower; but it is the most transparent and delicate of all the flowers of the field,” Celia Thaxter enthused in her classic An Island Garden book based at the other end of the Maine coast. Noting that the “Poppy is painted glass; it never glows so brightly as when the sun shines through it. Wherever it is seen, against the light or with the light, always it is a flame, and warms the wind like a blown ruby.”

After a half-page of descriptions of the color range of its many varieties, she quotes an unnamed English master of prose, “The splendor of it is proud, almost insolently so,” and then Browning’s line of “the Poppy’s red effrontery.”
Here on Moose Island, after blazing intensely, they give way all too soon.

To me, they glow like miniature suns.
How fitting, with our sunrise now approaching 4:42 and sunset around 8:19 – and nearly 17 hours of visible light.

Some of these have already passed into oblivion, but they were still part of the transformation.
And let’s not forget toilet paper to our roll of advances.
It’s edged out by Vermont and is a hair ahead of New Hampshire, according to 2014 figures from Pew.
It also has the oldest population in the nation and not much in the way of other civic associations and social clubs these days, from what I see. Are people even getting together anymore? What’s been happening with traditions like hunting and fishing or the Grange?
When I say “unchurched,” I’m referring here to active attendance and membership, not the buildings, institutions, or hierarchies. It’s the interactions of a body of believers.
Somehow, I view the decaying landmark white churches and spires as mirroring a general decay in employment opportunities and a fraying social structure. As for families and friends? They’re not what they once were, either.
This is New England, after all, with images of Minuteman patriotism, Puritan uprightness, and democracy-in-action town meetings, not the Far West. “The way life should be,” as one of Maine’s travel slogans proclaims while overlooking some serious and troubling realities.
Are there any viable alternatives on the horizon?
How do we care for “the least among us” when we all seem to be racing to the bottom line?
Devastating downtown fires were a big hazard for 19th century American cities, large and small, from New York, Chicago, Boston, Baltimore, Pittsburgh, and St. Louis down to Portsmouth, New Hampshire, and Portland and Bangor, Maine, closer to home. (For the record, San Francisco actually suffered more from the fires than from the 1908 earthquake just before them.) It’s a long list, actually, and some center cities were leveled by flames and intense heat more than once.
Eastport was one of them, with great fires in 1839, 1864, and 1886 – the last one barely missing our house but leaving the rafters spookily charred.
That blaze, in October, started in one of the sardine factories on the waterfront and spread quickly, consuming almost every building along the harbor.

Remarkably, the city rebounded quickly, with most of the Water Street buildings completed and reopened within the next year or two – many of them designed by the same architect and resulting in a visual unity for the five-block stretch.
Today the entire downtown district is on the National Register of Historic Places.
Still, here’s what we have. Put another way, every city needs a center, and a shopping mall just ain’t the answer.


A downtown is more than a place to shop, for one thing, though that helps. It should be pedestrian friendly, with places to stop and sit and meet folks and chat or maybe just stroll afterhours. Cafes, restaurants, and pubs help, too. A post office and banks as well. Throw in a few theaters, nightspots, galleries, churches. Then offices, hair stylists and barbers, upstairs residences, even a hotel or more.


Tell us something that makes your community special. Where would you take us if we visit?
Anne and Rebecca
Artists & Repertoire
Foghorn.
Fishing boats.
Neighbor’s rooster.
Dripping coffee water.
Rabbits scratching at their cage, itchy to get out.
As for you?