Is bassist Ron Carter the most recorded jazz musician of all time?

I found myself asking that several times after hearing radio announcers rattle off the performers’ names on jazz recordings and thought, “Carter again? Isn’t he everywhere?” And I’ve finally looked it up.

The answer? Yes! Though usually as a side man. He started recording in 1960 and by 2015, at last count, he had 2,221 issues on that instrument. There were others on cello. And he’s still plucking away.

While we’re at it, we should acknowledge the Wrecking Company, a loose affiliation of studio musicians in Los Angeles who are credited with being the most recorded, though not all at the same time.

As for most recorded, period? That honor goes to two sisters in India, Lata Mangeshkar and Asha Bhosle, who turned out more than 25,000 songs for Bollywood.

Now, how does a song compare to an LP or CD?

Comparisons do get tricky.

Where creativity and community meet

That’s the slogan of the Eastport Arts Center, housed in the 1837 Washington Street Baptist church after that congregation moved up the road and renamed itself Cornerstone Baptist in 2005.

Eastport Arts Center, Washington Street.

Only two blocks from the waterfront downtown, the center is the home of the Stage East theater company, Northern Lights Film Society (how I’m awaiting its reawakening from its Covid hiatus), Quoddy Voices, Passamaquoddy Bay Symphony, a series of visiting musicians in many genres, lectures of all stripes, and even yoga and New England contradances. Its activities range from performances and rehearsals to exhibitions and workshops, physical fitness and dance, open mics and communal meals. It’s also available for rental.

Upstairs features a 106-seat theater/concert hall, while downstairs has an open community gathering space, gallery, and commercial kitchen.

The venture itself was spearheaded by the eight artists who cofounded the Eastport Gallery on Water Street, which by 1990 had become a hub and magnet for creative spirits in town. The gallery remains a constituent organization member of the center.

I’m especially glad it’s all just a short walk from my doorstep.

Quite simply, I see it as the heart of the community, something that makes Eastport unique. Recent Sunday afternoons have hosted a delightful cycle of music, discussions of visual arts and local businesses, historical insights, and even free mustard.

Across the country, one institution often dominates the culture life of the wider community. In Cincinnati or Cleveland, for instance, I’d say it was the symphony orchestra.

In New Hampshire, was the New Hampshire Symphony, before its demise, or the Currier Gallery of Art.

What’s the biggest cultural influence where you live?

Ah, yes, it’s orgy season again!

Not to disappoint you, but I’m referring to Harvard University’s radio station WHRB-FM, which does stream online, should you be interested.

Its orgy season is a tradition that occurs during finals exams’ week (plus), originating when one student who was so elated at surviving the tests that when he went into the studio, he celebrated its end by playing all of Beethoven’s symphonies, on 78s, in order.

How modest that seems now. A year and a half ago, the station played everything Ludwig ever wrote in honor of an anniversary.

Bob Dylan received a similar accolade a few years ago.

This year Franz Schubert’s in the focus, more than 120 hours, by the way, which creates a smaller orgy of its own for the baritone Dietrich Fischer-Dieskau, who was acclaimed for his many, many recordings of the many lieder, or songs.

In fact, when his daughter was asked what her daddy did, she quipped, He makes records. So many, in fact, he’s among the most recorded artists ever.

My late German mother-in-law would have been out of this world over this orgy.

Well, as I post this, the station’s just getting going.

 

Just made my unanticipated theater debut

Eastport may be small, but its lively arts scene includes the Stage East company, with some rather lively programming.

At the moment, for example, they’re preparing a world-premiere musical for performances next month.

It’s the kind of place where you quickly get to know half of the town, too, so I wasn’t surprised to get an email from the director Thursday morning, even if its contents were unexpected. Could I participate in a play reading that evening and the next two nights?

An original work, the winner of the company’s inaugural playwriting competition?

I’d never done anything like that before, but in a pitch-in kind of community like ours, you learn to step up when asked, and so I replied fine. Honestly, I felt honored, and it couldn’t be too different from a poetry reading, right?

The initial reading was fun, both times through the one-act play. Better yet, my part was the shortest of the four and the least complicated. And then I learned we’d be doing it in front of a live audience the next night, meaning last night, and again tonight.

The playwright is Wilder Fray Short, a Bowdoin College senior and soccer fan, and the one-act play is In the 45th, about sibling rivalry and a lot more.

The competition, open to young full-time Maine residents and including a week-long residency and $1,000 prize, itself honors the late Jay Skriletz, the company founder, prolific playwright, and believer in social change.

To which I’ll add, it was an amazing experience and if you’re anywhere nearby, show up tonight!

The first and most learned

pattern of fern shadows cast by candles playing into snug culmination rented theaters where hillsides tottered in the unspoken gamble of her slightest motion, some indication if anyone commenced singing against the walls and ceiling of an unclothed expanse of potential a warm hand broaches, scratching its initials on frosted windows and then a lower back arched for precision a cappella with the choir we clocked a blizzard of treetop squirrels far below whatever our season and there you have it . tenderly

Mortality and the passage of time

Realizing I really did need to get some regular physical exercise last winter, I finally caved in and ventured into the senior center for fitness class twice a week. It took three friends to nudge me into it, and it’s embarrassing to have to admit what 50 years of neglect have done to my body. I’m a long way from my yoga glory. Well, I’m also the only male in the circle, not that it inhibits the lively, enlightening, and laughter-riddled banter that occurs while we’re plodding through the routine. Their hour-plus dialogue could fill a hit sit-com or bestseller novel, if only I could find a plot. Well, much of the running commentary there is also about ailments afflicting folks in the community, sometimes leading to offering rides to their specialists or food deliveries – what I’ll call “good gossip.” And, oh yes, I much prefer to refer to the place as the Old Firehouse, skirting around the stigma of “senior center.”

That has me recalling an aside years ago when our managing editor told of a phone call he’d received from a reader complaining about being referred to as elderly.

“How old are you,” my boss asked and was told 78. “I see,” was the best he could respond with.

After that, I always struck “elderly” from news copy, along with “little” from child or kid.

Getting older is a multistage passage, most notably with the skin and stiffening joints, but the physical changes are only part of the experience.

One part is an awareness of being on borrowed time. Even when I was editing obituaries, I noted how many of the deceased were younger than me, and that was a little more than ten years ago.

Moving around the country has lessened some of the impact of aging, since I haven’t had to watch us grow older together. My high school classmates, for instance, will always never be more than 18 in my mind. Ditto for others left behind, they’re all frozen in time, even the few who are still in correspondence.

So another part is hearing that more of these colleagues of my generation are passing – a situation akin to personally knowing more people who have had been diagnosed with Covid and the recognition that it’s not just multiplying “out there” somewhere – that is, knowing only the abstract – but close at hand.

I recently posted two memorial minutes of Friends I worked with clerking Dover Meeting and have been reflecting on others in my Quaker circles.

Now I get word of the passing of an esteemed reporter who was six years younger than me, and somehow it hits more than those from the workplace who died earlier. To my surprise, it has nothing to do with how close we were in our daily interactions. (He and I weren’t, apart from a comment or two in passing. I should note that he produced “clean copy,” requiring little editing, and that meant little interpersonal friction.)

In his case, I think the blow comes as a sense of an end of an era. He carried institutional weight in covering the New Hampshire’s political scene and soared nationally during the first-in-the-nation presidential primary. With the decline of newspapers in general, his replacement at the statewide Union Leader will never achieve such prominence or influence.

Regarding the myth of the self-made man

You know, “I did it all on my own,” with no credit to anyone else.

It’s not the way things really work, for one thing. Think of all the support needed to survive, learn, and achieve — family, teachers, coaches and mentors, colleagues, customers, buyers, employers, friends, partners.

For another, every man for himself leaves no room for God, much less other people.

Deep down, that has to be incredibly lonely. How does someone like that mask the pain or the fear of falling?

Negative environmental impacts quickly followed

The fur traders’ hot market for beaver pelts in colonial New England soon reduced beaver populations, and fewer beavers meant fewer beaver ponds, an important source of the local Native diet, including roots and waterfowl.

Beavers were only the first of many species afflicted by European settlement in the Piscataqua watershed.

That was followed by the construction of mills, which were powered by water, and that meant dams. Some impounded incoming tides for release a few hours later. These were tricky to operate, though, and changed speeds depending on the strength of the incoming tide or the level of the water during its release.

Dams at the waterfalls became more common.

Either way, dams impeded upstream migrations of fish trying to return from the sea to their spawning grounds. These included salmon, sturgeons, eels, and river herring. Their reduced stocks afflicted both the Natives and the English inland fishing industry.

The mills also produced copious amounts of sawdust that choked river bottoms, reducing and killing off additional species.

The demand for timber itself cleared land all the way back eight to ten miles from the riverbanks, further eliminating wild game. The wood was needed not only for the sawmills but also as fuel for brickmaking, domestic cooking, and warmth through winter. Heating a house commonly required 40 cords of wood a year – no small feat of labor.

And runoff muddied and silted the streams.

Let’s not get too sentimental about the bucolic nature of the era, OK?

~*~

Welcome to Dover’s upcoming 400th anniversary.