The range of the bard’s vocabulary and situations long appeared to be beyond the possibilities of the man’s background and training.
Long ago I came to a sense that he might have simply been the recorder and editor of a more free-form ensemble, an improv troupe, if you will.
Now I’ve come across arguments that the real playwright was Amelia Bassano, and it’s far more convincing.
A digital search will point you to the arguments, pro and con.
Anyone else like the idea that the most important writer in the English canon was a woman? One of Italian and Jewish descent, at that?
