Which part of my work would I most want “discovered”? Note, I didn’t say which part of me. How telling!
Apart from my journaling itself, it’s always hard for me to imagine writing that’s not intended for circulation, either among a small select circle or else a wide public. Anything else could be left as notes to myself. So I’m always surprised to hear otherwise, yet apparently there are many who practice the art purely for their own private pleasure.
On the other hand, I’ve also worked so hard, so long, to be invisible. To be among those sharply objective observers. The dispassionate yogi – even though ultimately, as I’m finding, passion is what counts, in life and in art. Read the Psalms, if you must, for divine confirmation.
For one thing, as I’m finally admitting, I’m finding how liberating and energizing the effort to candidly proclaim “I hate” x, y, or z can be. No more nice face requirement, but the full range of feeling, from noble to disgust.
Face it, there’s no visibility as a poet – and even novelists are surprisingly marginal these days.
So here it is, and there you are, doing whatever we do.
Jnana's Red Barn 