When several of our lifeguards were complaining about their high-school term papers and having to meet the length requirements, I decided to show them a couple pages of my novel in progress, the book that’s emerged as What’s Left.
They were blown away.
It wasn’t any different from what I’ll assume all serious writers do. Just look at the examples in the Paris Review’s acclaimed author interviews. I remember my own shock at the first few I saw – what, we don’t write flawlessly the first time? Oh, the folly of youth!
Well, nowadays we don’t always work from typescript or even printouts – what I showed the teens-to-whom-I-fully-trusted-my-life had now become the exception. I should have photographed some for posterity but instead trashed them during a purging of my studio under the rafters.
Few readers imagine how thoroughly a serious writer or editor will rework a text – major sentences, even paragraphs, are struck out, new words and notes are scribbled everywhere, even fresh pages of inserts are taped to one side or the other of the page.
Tell them this is from the fifth or seventh revision of the manuscript, they’re even more incredulous. The discarded material is a flood compared to the drop or two they struggle to compose.
As the saying goes, inspiration goes in the first draft, genius comes in the revisions.
As we might add, if one’s lucky.