SUGGESTING A CREATIVE TENSION BETWEEN INSPIRATION AND TECHNIQUE

In another of the grandiose outbursts I surgically excised from the final version of my new novel, What’s Left, her uncle Dimitri and her father-to-be are engaged in a heated late-night debate.

While their dialogue springs out of a consideration of photography as a fine art, it could extended much broader – perhaps even onto the plates served in the family restaurant.

Here’s how it stood:
Any fine art of the future cannot be an end in itself. It must reflect a much more comprehensive spiritual current. It must instill an awareness of a community. You, of all people must have noticed the only thing the university can teach is technique. The profs can’t instill the leap of psychic thunder. They may encourage a few people to take up vital self-discipline and daily practice.

~*~

Surgically excised? Looks like I actually used one of Barney’s super-sharp chef knives!

The dynamic of formal teaching and learning ultimately fell outside the parameters of my new novel anyway. The important thing is that Cassia’s Baba finds a true home.

I’d say her uncle Barney, the chef, practices a fine art, in his own way, and he’s never attended college. He just has an active curiosity and a place to engage it. Maybe that’s why he and her Baba get along so easily.

Do you practice an art or a craft? Have you ever tried to define your “mission”? How do you explain your motivation or activity? Who gives you the most positive feedback?

~*~

This Victorian house, with its witch-hat tower and roof, was erected in Allentown, Pa., around 1891. It is shown here in 1926 during construction of the New Pergola Theater next door. The house was torn down in 1960, replaced by Van’s Diner, a glass and aluminum structure. (Photo via Wikimedia Commons.)

In my novel, the family home could have looked like this.

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