Maybe it was a mistake earlier this year to reopen the draft of my latest novel, which I’d put aside in July 2015 to season. But I did. (And then, once opened, something like this can become impossible to close tight again – at least until it’s done for now, whenever it decides.)

For the most part, I’m very happy with what I found – nothing embarrassed me, and some sections struck me as quite exciting, especially when I kept asking myself, “Who wrote this!”

Still, it’s been a very slow process for what was supposed to be a read-through, mostly for continuity and consistency. Admittedly, it’s a big book – about twice the length of a typical novel, or 35,000 words more than my longest one yet published. The challenge has been in finding the blocks of time to tackle each of the 16 chapters, and moving along while I have all of the characters floating around in my head. (That alone can turn an author into a rather distant person within a household, even in the middle of conversations.)

I’d made one decision to shift as many of the verb tenses as I could to more accurately reflect the way many people speak when relating events, but determining which verb to change and which one to leave alone – even in a single sentence – could be slow hoeing. (Or is that slow rowing? Another detail to check out later. Even slow going? Yipes, it gets endless.) We’ll see how successfully the verb strategy works.

And then there were the additional details to better explain the action. Instead of big cuts, which I’d anticipated as a normal part of the process at this stage, I found a need to say more. In one chapter, I found that adding no more than two pages actually makes the section move along faster and feel shorter. Anyone else have that experience?

On top of that, as I’ve found in previous manuscripts, certain words repeat through the story and no matter how crucial their underlying meaning to the emerging theme, they simply start sounding like sour notes. In this case, independent, business, gather, vague, vision, even fit topped the demand for thesaurus treatment. Each synonym then amplifies the message and infuses a wider understanding. Still, that step’s tedious.

At the moment, I’m lifted by elation and can breathe that big sigh of relief. It’s done, for now. I’ve shipped off copies to my two harshest in-house critics and can return to other projects before those two fire back with their caustic reactions, brilliant suggestions, essential additions, more essential deletions, smarty quips for my free use, or whatever.

And when that input has gone into the manuscript, I can send it off to a round of beta readers. The ones I’m hoping will be kinder.

There’s no denying my elation, even knowing how much remains to be done before going public.


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