Tag: Writing

A FEW QUICK THOUGHTS ON THE LONG AND SHORT OF WRITING

~ Jnana Hodson ~ 1 Comment

As a writer, I love long pieces that allow a thorough investigation of a topic. Tell me the why and how of a situation, not just the final action.

The Wall Street Journal used to have those front-page, full-column “leaders” that jumped inside, often filling most of the inside page. These pieces actually telescoped a series of mini-stories into a comprehensive whole. How I admired those, even as I was being told to cut stories to much shorter length. (It often felt like reducing prime rib to hamburger.)

The longer stories, if well written and thoroughly researched, provided a sense of feasting, and I could point to research that showed some readers stayed around for those meaty offerings. I knew I had a feeling of getting my money’s worth after I’d savored one of those.

Not that I felt all stories should run long – I was also a big believer in running columns of briefs, in part to make room for the longer reports.

These thoughts return to me as I blog. In fact, I’m having a lot of fun “writing short” here at the Barn. You know, a couple of sentences and that’s it – especially with the photos.

For the longer efforts, though, I’ll point you to As Light Is Sown, Chicken Farmer I Still Love You, or the Orphan George Chronicles. Or to my novels. As I was saying …

THE INSPIRATION OF PICASSO

~ Jnana Hodson ~ 4 Comments

There it was on a public television broadcast, a curator proclaiming that no other artist had made as many bad lithographs (and maybe other kinds of prints) as Picasso. But, came the rejoinder, no other artist had made so many of genius, either. The freedom of one was necessary to open the other.

I took the message to heart. Genius, of course, is another matter.

AFTER THE FROST

~ Jnana Hodson ~ 1 Comment

As everyone’s been saying, New England had a strange summer. It felt shorter than normal, and despite some uncommonly hot spikes, was overall on the cool side. June was drier than usual, while July was wetter. And we swimmers were finding the ocean already growing uncomfortable toward the end of August, rather than leading into the glorious days of September we often anticipate. (The Gulf of Maine takes time to warm, after all.) I barely got my value’s worth out of my season pass to Fort Foster beach, unlike last year, even though I’m officially fully retired now.

As the buzz went, the fall foliage was better than we’d had in years, although it seemed to run about a week ahead of schedule and then essentially drifted off. And, after a few near misses in September, we were finally hit with killing frosts before the last week of October.

Not that many years ago, I would have said that was the end of the garden season, but that’s no longer the case. The cold gives the Brussels sprouts and kale a sweet edge, the parsley hangs in well for a few more weeks, and root crops like carrots, parsnips, turnips, and leeks can stay in the ground until it’s too frozen to spade.

Maybe part of my sense of a shortened summer can be laid to my revived activity as a novelist, thanks to the Smashwords publishing. With Hippie Drum released at the end of May, I found myself busy getting the word out through June and then spent much of August and September revising and formatting more works. Unexpectedly, but with a renewed sense of direction, I even drafted large sections of new material. What all this meant, of course, was time at the keyboard instead of outdoors.

Now that Ashram is in circulation again, I’m once more reflecting on attempting to establish a right balance in my life – time for exercise and home projects, for instance, renewed cooking and expanded social activity. Who knows, maybe I’ll finally reach that sweet spot.

For now, that includes cleaning up the garden, removing the dead zinnia stalks, eggplants, peppers, tomatoes. Pruning the raspberries. Turning compost. And then there’s moving the fig tree to the cellar, putting the hoses and Smoking Garden lights away, dismantling the hammock, stacking the tomato cages.

Already I’m looking at the dandelion leaves and calculating how soon they’ll be emerging from winter and heading to our plates.

Just don’t tell me it’s going to be a hard winter or there will be tons of snow to shovel.

Balance means savoring just one day at a time, right? Or can it mean all of them?

A LOGICAL CONCLUSION

~ Jnana Hodson ~ 1 Comment

As far back as three decades, when I was selling editorial-page columnists and cartoonists to newspapers, even openly liberal editors had become shy of picking up anything except conservative voices.

As a consequence, we’ve had no new voices to speak from the left, especially not in general syndication. Think about it.

Meanwhile, newspaper circulation has been plummeting.

Could it be those conservative voices are deadly dull? (At least, when they’re not shrill?)

Think about it.

A bird with only a right wing won’t fly far.

Yes, think about it.

GET OUT OF THE WAY

~ Jnana Hodson ~ 1 Comment

In newspaper reporting, you try to observe an event as invisibly as you can without intruding into its action. Yes, you may need to interview individuals, but you quote what they say without inserting yourself into the dialogue.

But the appearance of television cameras and their glaring illumination, especially, tips the equation. Too often, they’re not neutrally observing a natural event but rather turning all of the participants into actors and the scene into a stage. Who knows what’s real as a consequence?

I remember one reporter coming back from a county commission meeting and saying that the commissioners had already voted before the TV crew showed up and pressured them for a revote. The second time around, the tally was different.

So just what was the valid decision? The moral questions multiply.

Equally offensive to me is the canned shot of the TV “reporter” standing in front of the courthouse or floodwaters or crash or fire and talking into the microphone and camera. Look closely and you see the story is more about “we were here” than what really happened. That’s not news, friends – it’s hype, usually accompanied by editorializing rather than just the straight facts.

Here, I had enough trouble about reporters doing interviews over the telephone, rather than face to face. You miss much when you’re not a direct observer, believe me.

So what do we do now about Skype?

DASHES DON’T SHOUT

~ Jnana Hodson ~ 1 Comment

100_9040The Cocheco Arts and Technology Academy, a public charter high school, has begun its new school year in a fresh location after moving from the Washington Street mill where it had resided the past five years. In its location on the top floor, CATA looked more like a lively arts colony than a high school, but the lively part had a downside, I suppose, especially when it came to music.

One of the things I’ll miss is the quirky fire door that had been painted with a wonderfully succinct set of English grammar and syntax rules. In fact, I can think of a number of people who think they’re writers (and have even been paid for their efforts) who could definitely benefit by taking these to heart.

There are parts I love, such as the “helicopter” concept for commas that close a phrase. Although I’ve had to live with newspaper style for much of my career, I’ve long preferred to use the closing comma in a series of three or more items, and from the door I’ve learned the technical term is the Oxford Comma. My!

But I will dispute the claim that dashes shout. I think they breathe. Exclamation points shout.

100_9032

The Punctuation Door to the tower stairway stood next to the Holy Quotes.
The Punctuation Door to the tower stairway stood next to the Holy Quotes.

Mentioning this to one of the students on moving day, I was told she had penciled the rules on the door and then other students painted them. Since their brushes ranged from thin to thick and their abilities varied, the lettering is hardly uniform. I think it adds to the charm.

In the meantime, thanks to Vikki for getting this started. Now the whole world gets to see it.

GOING PUBLIC

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Writers and artists who work alone may know the feeling. It might even fit composers, playwrights, and screenwriters. A piece looks quite different in manuscript or the studio than it does in a small-press journal or small gallery. It looks different, again, in galley proofs for correction or an exhibition. And it’s altogether different in full-length book publication or a major museum.

We could even consider all of the varied emotions that accompany these stages.

When the published novel’s in my hand, I’m not even sure I’d recognize its having any commonality with the manuscript or drafts all those steps earlier.

I suspect the experience for performers – especially those in groups – goes another direction. The rehearsals build a teamwork that’s carried forward to an audience. Could there even be occasions when the finished result is less satisfactory than some points beforehand?

We talk about a creative process, but I’m left acknowledging there are many.

END OF THE LINE

~ Jnana Hodson ~ 1 Comment

Maybe the last of the high-visibility newspaper chiefs was Dave Burgin, an abrasive, volatile, but brilliant editor who began his legendary career at the New York Herald Tribune in 1963 and then went on to head a dozen-and-a-half major metropolitan daily newspapers, most of them already in their death throes, ranging from the Washington Star to the Orlando Sentinel (his one big success story) to the Dallas Times Herald to the San Francisco Examiner (where he was fired – twice) to the Oakland Tribune. Of course, it’s hard to leave a lasting impact if you don’t stay long in any community.

Still, one boss I had always returned in amazement after a visit with Burgin. Said he was the only person in the entire business with a real vision for a future or the changing needs of younger readers, along with the reasons they were avoiding newspapers en masse. He, too, saw the value of the weird comic strip “Zippy” for his Bay Area readership and was willing to run it page-wide on Page A2. Not that it would fly quite the same in Dallas.

One of his lasting bits of wisdom was the question, “What do I have in the paper today that will bring a reader back tomorrow?” I’ve looked at a lot of newspaper copy with that question over the years and felt we were missing the answer.

Actually, it’s a good question for a lot of businesses. I think it’s even a matter of getting down to the basics.

FREE OF THE ENTOURAGE

~ Jnana Hodson ~ 1 Comment

Most newspaper writing and editing is done is large, open newsrooms rather than small, private offices. It’s amazing to think anyone can actually concentrate and work amid the surrounding mayhem, especially when the scanner is blaring police and fire dispatches and the television’s on overhead. (Well, I took to streaming opera and music by living composers to blot out that hysteria.)

Still, a few management-level editors had offices, and we’d get visitors who’d head there or to the conference room for private meetings. Usually, the men would be in navy blue suits, along with a woman or two in high heels. That is, they’d arrive and depart as a team. Since New England Cable News also had a presence in our newsroom, I’d sometimes get a phone call from my younger daughter, the political activist. “Do you know who’s standing behind you?” No, I hadn’t looked. I was too busy working. And she’d call out the candidate’s name.

Not that they were all politicians. Sometimes they were business executives or lobbyists of one stripe or another. Even the writers and artists seemed to travel in packs. And often a face would look familiar, but I couldn’t quite place it. Let me add that many of them look quite different in person than they do on video.

Late one afternoon, though, I looked up from my terminal and noticed a dignified solitary personage striding into the room. He was taller than I’d suspected but the face was one I soon identified. David Broder, a Washington Post columnist my college professor had called the best political reporter in the country decades earlier, an evaluation that remained dead right.

I didn’t interrupt with a greeting as he walked past. Respected his space and thinking. But I was far more impressed than I’d been by any of the celebrities who had posed behind me.

RAT-TAT OSCAR

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The title of a chapter in Bill Adler Jr.’s Outwitting Squirrels says everything: “Know the Enemy.” (My copy was a Christmas present, one of many squirrel-related items the family wraps and presents me, in their own vein of humor.) While Adler’s focus is on the difficulties squirrels cause bird feeders, including me, the bush-tailed mammals can be a homeowner’ nemesis – “tree-climbing rats,” as one friend insists – causing a number of fires as they gnaw through wiring and insulation. Ditto for the electrical utility.

In combat, however, one side can begin to resemble the other: their actions and thoughts parallel and overlap. A canny devil may even earn respect.

Many of the poems in a series I call Rat-Tat Oscar poems originate in my encounters with squirrels as part of my second marriage – evicting them from the walls of the house, from their raids on the bird feeders and garden, and eventually from the haunts in the barn – and are spurred by my wife’s quip, watching me transport them away in a Have-a-Heart trap, that I was operating a squirrel taxi. They can drive a man to madness or violence.

The poems also draw on annual Christmas letters to friends and family over two-and-a-half decades, turning the encounters to a would-be squirrel’s perspective. Of course, my wife and children will also insist I’m often more than a tad squirrelly.

Surprisingly, there’s not a lot about squirrels in mythology. Maybe the most prominent one is the Norse Ratatoskr, along with a handful of Native American stories. Maybe they had as much trouble making sense of squirrels in the universe as I do.