You never know what we'll churn up in cleaning a stall
When it comes to my novels, any resemblance to actual persons is greatly exaggerated … meaning it’s truly fiction, not fact.
Of course, they way they see themselves, or did, is also far from any reality.
The places, of course, are rendered with perfect faithfulness.
~*~
For a free copy of my latest novel release, click here.
Jaya, in Promise, isn’t the only character in my fiction to address a concept I’ve dubbed the DLQ, or Dedicated Laborious Quest. But she does, I’ll argue, come closest to aspiring to an artistic expression for its encounters.
The DLQ, as I envision it, is the long-range discipline of spiritual pursuit, one that can be found in any number of variations in any number of religious, artistic, social activist, or even athletic lines of action. It’s a blending of heart and head, body and soul, awareness and discovery – the poet Gary Snyder refers to something similar as the Real Work, for instance, or maybe simply “daily practice” will touch on it as well.
One of Jaya’s concerns is a search for a fitting vehicle to embody the experience. Essays are too prosaic. Poetry? Sometimes. Drawings or paintings? To a degree. Maps of a kind? Getting closer, I’d hope.
Even so, I’ve wanted to leave the ultimate form she uses open to the imagination.
And then, more recently, I came across something that comes closest. An exhibition of Shaker art and artifacts at the Farnsworth Museum in Rockport, Maine, introduced me to what are called Gift Songs or Gift Drawings or Gift Paintings, which take their name from the faithful artist’s position as a medium receiving the song or design from a deceased member of the sect (that is, given) to be conveyed to another, living member of the sect (also, as given). To be appreciated, these must be seen in the original, full size, since much of the detail gets lost in reproduction. Sometimes the words are in a secret, private language and alphabet. Sometimes they blend. The lines flow, turn upside down, sideways. The works are sprinkled with artwork as well as words. Are they magical? Or simply mysterious?
Whichever, they spring from a tradition and discipline and practice to utter something deep in the heavenly desire and earthly community of a particular recipient.
I can tell you Jaya would have been most impressed. Definitely.
~*~
To turn to my novel, click here.
It’s mildly amusing to see how many of my fellow bloggers apologize when they haven’t posted anything for several days. Or weeks. Or months.
I want to cry out to them, “Don’t worry!” And then, “No need to apologize!” After all, there’s no shortage of material on the Web or even here in our WordPress networks. Nobody’s paying you to write, there are no hard deadlines you’re required to meet, you’re not being graded. The whole point is to have fun and then, if time allows, share your experiences and insights. In reality, few of us are keeping track of who’s posting daily … we just enjoy reading good stuff when it’s there, especially when it’s coming from a circle whose company we enjoy.
That, I should emphasize, is the crucial detail: post when you have something to say, not just to fill space.
Unlike many of you, I have a whole lifetime of writing to fall back on, but as you already know, the Red Barn is a different kind of blog, one with its own mission. And accept my thanks for stopping by when you visit. Especially those of you who leave comments, where I never know what to expect.
Now, what’s on the menu for tomorrow? We’ll see. Maybe I need to step out and check the garden.
As I said at the time …
For too long, there’s been a huge gap between the blockbuster superstars and the rest of the practitioners, many of them far more innovative or penetrating.
Paris for American ex-pat writers? Again, I smile. By the time you and I came along, the destination was Seattle or San Francisco or Greenwich Village. Or some mountainous terrain, for those of us who couldn’t afford anything better. (Or thought so.) And then Minneapolis and, of all places, San Antonio. As it turns out, New Hampshire has far more than its share of authors, probably because of its proximity to both Manhattan and Boston, in addition to its tax structure – so again, I’m in a decent spot.
Especially compared to many of the others.
Curiously, growing up in Ohio, I was nonetheless somehow fascinated by mountains. They arose in my early drawings. On family trips, it didn’t take much for a wooded hill to become a mountain in my mind. An astrologer might argue it has something to do with all the air signs in my chart. Whatever the reasons, a ridge line or summit calls to me.
There were a few tantalizing early encounters in childhood trips to the Great Smokies and eastern Kentucky. My true initiation, however, came at age eleven with a week of backpacking on the Appalachian Trail in Tennessee and North Carolina. It was miserable and magical, and left lessons for a lifetime.
Still, it wasn’t until after my college graduation that I came to fully appreciate mountains – living, by turns, in the Southern Tier of Upstate New York, the Poconos of Pennsylvania, the Cascades and Olympics of the Pacific Northwest, as well as Maryland (with its Catoctins and access to the Shenandoah Valley) and finally New Hampshire.
Many of my poems arise in some of those experiences over the years.
We could collect them as “By Gully,” playing off Louis Ulrich’s vow to climb Ulrich Couloir to the summit of Mount Stuart (9,415-foot elevation) one final time – “my gully,” as he referred to the trajectory more than four decades after he and two partners established the now basic mountaineering route in July 1933. A climber explores a slope, recognizes the avalanche chutes along the higher crests, approaches summits themselves via passes, gaps, or notches, usually following a streambed. The connection of gullies and mountains is established. By Gully.
Yet that is only half of the equation. Mysticism, as I’ve known it, keeps a foot to the ground, and often a hand or the butt, too. The spiritual journey leads to the mountaintop and back – if you don’t run ahead of your Guide.
~*~
It’s the background for some of my novels and poetry now appearing at Thistle/Flinch editions. To read more, click here.
As I said at the time …
So you’re moving out – congratulations! For one thing, it puts you on much firmer ground when you do commit to a live-in relationship – rather than jumping from your parents’ care into the care of another. Yes, your parents are much more liberal than mine were, but I too was forced to spend my first year-and-a-half of college at a local commuter school (fortunately, it had an excellent English department) and to live at home – something that deeply stunted my emotional growth. Getting away to Bloomington was a lifesaver, even if I wound up in political science and urban studies instead.
Well, I have another reading coming up Tuesday, same venue. This time, plan to read one poem – a longpoem in thirty-seven sections. Should take just under an hour. A piece that was nearly published by a highly regarded press twenty years ago – and was withdrawn because of deep cutbacks in federal funding for the arts. When I began to submit sections to journals a couple of years back, acceptances quickly followed. Now, to get the full piece out!
So here I am, wishing you could be with me in that smoke-filled room – have you on as the next reader, in fact, unless I gallantly step aside to let you wow them with an extended reading of your own. Or, more intriguing yet, share the stage, alternating pieces. Yes, I like that!
Oh, yes, you start to apologize about talking so much about him and that love poison. But I wonder, unless we are blessed enough to have a fulfilling life with our initial childhood sweetheart, whether a great deal about any current affair is actually an attempt to work out the failings of the previous hot fling. For one thing, we really do become attuned to the other person’s touch, timing, interests, movement – everything that makes him or her distinct. Nicolas Mosley, an English novelist, has argued that every coupling is actually a triangle – or more accurately, two triangles, with each partner having a side affair, a past, a demanding career, or whatever attached here. I’d agree.
Now, if you decide to hop on that bus and head off to some escape, what can I do to lure you here? (Just phone ahead, to make sure I’m not seriously involved with a very jealous girlfriend by then.) As I was saying, how do you like your coffee? Ever gone contradancing or English country dancing? And you wouldn’t be the only person in this neck of the woods dressed in black and stainless steel or exhibiting striking jewelry piercings, unlike New Orleans. In fact, a number of years ago, Donald Hall once wrote that there’s something Gothic about New England. I was living in the desert of Washington State when I read that, and it intrigued. Even more so, now that I’m living here. But that’s another conversation.
Well, it’s my turn to be up way too late – and to write disjointed stuff. Hope it makes sense. Now, for me, off to engage in, hopefully, some sensual and sensational dreams of my own. Care to bet if you’re starring?
Keep sizzling!
~*~
For a free copy of the complete American Olympus, click here.
I still miss the Douglas firs and the Western red cedars. In their maturity, they stand tall – not quite to redwood stature but still impressive, especially when they’re massed together or the clouds roll through the branches.
Close your eyes and let the aroma present another unforgettable impression.
Maybe off in the distance of night you’ll hear the singing.
~*~
For more, click here.
The land was often golden in the bright sunlight. Not green, but a permanent range of yellowish brown only flecked with green in a few weeks of spring passing.
Once I adjusted to its palette and air, I hoped we’d live there forever.
~*~
It’s the background for some of my novels and poetry now appearing at Thistle/Flinch editions. To read more, click here.
A call to my cell phone the other Monday threw me for a loop. I was on the way back from my daily swim when I got the news that the first round of three cords of stove wood was on the way.
What it meant was that one end of our driveway would soon be buried in cut and split wood and my plans for the rest of the week would drastically change. Except for one day of thunderstorms and rain, I’d be stacking – always a lesson in the process of writing and revising, actually, including its exercises in structure and observation. Do it right, and it’s solid for seasoning into several winters. Sloppy, and it all falls apart.
Among my other thoughts was the question of how many more years I might be doing this. The wood felt heavier than I remembered. Even with my new routine of daily exercise, achy muscles and joints started appearing. At least I had the perspective of knowing how long you just have to keep plugging away before you notice any progress – and then, somewhere in a sensation of futility, you might experience that flash of realizing you’re making progress. The second half usually seems to go faster than the first half, too, unless you get overly anxious.
Now I sit back and admire that wall of stacked fuel – the one I’ll take down, piece by piece, all too quickly some winter.
Not every desert is a Sahara or a place of giant cacti. The interior Pacific Northwest is a prime example. Its dry grasses rattle like swords in the unobstructed wind.
~*~
It’s the background for some of my novels and poetry now appearing at Thistle/Flinch editions. To read more, click here.
Jnana's Red Barn 