

Well, it is the premise of this blog. For the record, a lot of our junk was stored under this floor, though this barn in York, Maine, was never ours.
You never know what we'll churn up in cleaning a stall


Well, it is the premise of this blog. For the record, a lot of our junk was stored under this floor, though this barn in York, Maine, was never ours.
Not everybody loves them, but they are a Thanksgiving tradition, jellied or stewed or otherwise.
Here’s some background.




Here’s how they look much of the rest of the year around here. And there are a lot of them who surprisingly disappear this time of the year.
Miles between houses in dense forest
Irving
Wood
Lands
Grange halls falling into disuse

As you can see, Stephen Sanfilippo is more than a maritime historian. He can sing his research findings. Small concerts like this one upstairs at the Pembroke public library are one of the delights of living Way Downeast.
One of the benefits of donating even a modest amount to the Metropolitan Opera’s broadcast fund is that you receive an annual schedule booklet, 36 colorful, glossy pages with the casts, broadcast times and estimated lengths, and summaries of the plots. The booklet arrives a month or two before the next season begins, and I keep mine as wonderful future references.
The upcoming Saturday matinee broadcasts, which start airing on Dec. 9, have already been controversial, due to the company’s shifting focus toward increased contemporary and sometimes realistically gritty works. The first presentation of the season, in fact, is Florencia en el Amazonas, inspired by the writings of Gabriel Garcia Marquez and only the third Spanish-language opera to be performed at the Met. (Carmen, after all, is in French and will be heard on Jan. 27.) Other works from our own era are Dead Man Walking (Jan. 20), X: The Life and Times of Malcolm X (Feb. 3), Fire Shut Up in My Bones (April 27), John Adams’ opera-oratorio El Nino (May 4), and The Hours (May 18).
That unprecedented string of operas by living composers doesn’t mean the usual masters aren’t on the menu. Mozart (3), Wagner, Verdi (4), Puccini (3), Bizet, Gounod, Donizetti, Johann Strauss Jr., and Gluck are all in the lineup, with two of the dates yet to be announced. Conspicuously absent is Richard Strauss.
Two of the archived presentations feature my favorite-ever conductor, Max Rudolf: Mozart’s Le Nozze di Figaro on Dec. 30, with Victoria de los Angeles and Cesare Siepi, and Donizetti’s L’Elisir d’Amore on April 6, with Luciano Pavarotti, Judith Blegen, and Ezio Flagello. As one conductor once told me, Rudolf could have been famous, if he had wanted that. At the Met, he worked largely behind the scenes as Rudolf Bing’s artistic administrator before going to Cincinnati and rebuilding that city’s great orchestra.
Also of note is that the long-running broadcast series has a new sponsor, the Robert K. Johnson Foundation, only the third in its history. The series was underwritten by Texaco from 1940 to 2003, followed by Toll Brothers luxury homebuilders (2005 to 2023).
Gee, have Texaco’s red-star gas stations been gone from the landscape 20 years already?
Even tradition changes.
The label does have a range of applications, from residents of the six-state New England region or Connecticut in particular to a Manhattan professional baseball team to anyone north of Dixie (often prefaced with “damn”) to anyone from the USA who lands in a foreign country.
Along with the shortened “Yank.” Or its many uses as an adjective.
The word’s origins, though, are contested.
None of these quite convince me, but I feel Scottish, Swedish, and even Persian roots are even less likely.


Diminutives, yes, but nothing like Sonny or Bunny.
I don’t know what that means, other than perhaps a lack of imagination.
~*~
Well, Dad was known as Sandy, but only at the office. Guess it was because of the time he was stationed in Florida during the Second World War.
As long as we’re at the Common Ground Fair in Unity, Maine, let me mention a few presentations today that go beyond the solid fare of food, forestry, livestock, fleece and fiber.
For instance, a home funeral demo is followed by discussions on green cemeteries and community death care teams for those interested in alternatives to costly funeral traditions. There’s also a blacksmithing demo and a hands-on assembly of a ¼ scale timber barn. Chicken first aid could be amusing, as could the basic of breeding your own pigs.
Of special interest to me are the two contradances, a traditional shape-note sing (hope I remembered to pack my Sacred Harp hymnal) alas at the same time as an Indigenous storytelling session, and three Maine legends appearing together: folksinger Noel Paul Stookey, comedian Tim Sample, and guitarist David Mallett.
I’ve sung in the choir behind Stookey twice and can say he’s an amazing person and musician.