Tag: Thoughts

Getting the rest of the story about one of my heroes from adolescence

~ Jnana Hodson ~ 1 Comment

One of the joys of blogging has been the way it’s opened connections I wouldn’t have otherwise found.

An example of that came after an email exchange with Paul Glover, who had come across my references to Hub Meeker, who had been the fine arts columnist at my hometown newspaper, the morning one that later gave me an internship as my first professional stint.

Hub had a position that was long my dream job, but a rarity in American journalism. Fine arts coverage is marginal, at best, and these days often limited to press releases rather than performance reviews. Even the Washington Post is a near zero on that front.

And there I was in the same newsroom, sometimes even going to lunch or dinner with him.

You can imagine.

Shortly before my graduation from college, Hub moved on from Dayton and eventually from sight altogether. And his position went to another, more established figure, rather than me, despite my own little fan club in the room. At this point, I’m thinking it would have turned out disastrously.

(I need some time for that thought to sink in.)

~*~

Turns out Paul knew Hub from a different perspective, a stepson of sorts, though falling in that range of family relationships that currently lack an exact word that fits.

He related that Hub had recently died and was wondering if I had any memories

or stories of interest that I could send his way in British Columbia.

So here’s my quick stab.

~*~

Naturally, you’ve stirred up so much more.

For starters, I’m not sure what high school he attended or even college. Ohio University? As for a major? Or even how he got hired at the Journal Herald, though Glenn Thompson had an eye for the unusual. Glenn hired me because of a letter to the editor I had submitted and then talked me into changing my major at Indiana University, from journalism to political science.

I graduated from Belmont in ’66 and gather that you’re a decade or so younger. Do fill me in.

The art institute, as you probably know, was undergoing a major shift at the time, from a collection that had included samurai armor and an Egyptian mummy in its displays to instead focus on picking up first-class works in a particular style or period rather than second-rate works by big names. Hub was happy to proclaim the purchase of pre-Columbian pieces at a time when nobody else was aware of their glories.

The DAI was also on the cutting edge of the arts scene, including its degree-producing art school, which several of my friends attended. Or, as my high school art teacher once said during a visit to her home when I was home from college with my girlfriend (from the other side of town), it was the kind of place that displayed the constructions of my girlfriend’s mother and her close friend slash mentor. Don’t know if she called it rubbish, but she certainly didn’t see it as “painting.”

By the time of Kent State, Dayton was already in a downward economic cycle — National Cash Register had laid off almost all of its workforce and was demolishing its factories, and General Motors’ five divisions were all getting hammered, too. The dysfunctional school board’s refusal to work on racial imbalances led to court decisions that, well, pretty much destroyed public education in town.

You were lucky to escape.

You touch on your parents’ marital difficulties. From meeting Hub’s wife a few times, I got the feeling that their relationship was rocky. Yes, she was British and daffy and likely neurotic — a smoker? — all with their charms, and, yes, quite pretty (brunette?) to my 20-year-old eyes. I later wondered how much of that factored in the decision to move to Rhode Island. Looking back, I do believe she really was hitting on me late one afternoon, though I rather brushed it off at the time. (Gee, I was still virgin. Hard to admit that, even now.) (Ditto, for another encounter, at school a few months earlier.)

I’m also wondered how Hub managed financially after leaving Dayton. Writing is rarely lucrative, even for some major authors, as I’ve learned from one friend who envied my steady income while I envied his New York Times critical acclaim. Well, Paul, you know the arts scene. Did you continue in that vein or find another path?

Being together 50 years, though, is quite an achievement. I always saw Hub as a gentle soul. I hope he was that in your relationship, too. Stepping in as the new male authority figure is rarely smooth, as I found in my own remarriage.

I am impressed by your efforts on the memorial service and hope it brings comfort to your mother, you, and the rest of those closest to you.

Oh, yes, and thank you for visiting the Red Barn. I was surprised to see I had mentioned Hub five times over the past dozen years.

~*~

This must have been in a follow-up dispatch:

Hub had what for me was a dream job on a newspaper. His wasn’t just a column – ideal enough – but one covering the fine arts, all of them – visual, literary, and performing – just as they were becoming important in my own adolescent life.

At the time, Dayton was a thriving industrial hub that also had a heavy Air Force presence. It wasn’t someplace you thought of as having an artsy side, even as the ‘60s took shape.

Glenn Thompson, editor-in-chief of the morning newspaper, one of a moderate Republican stance, believed in raising readers’ visions a bit higher. Somehow, in recognizing Hub’s potential, he created the State of the Arts beat.

For Hub, this was an opportunity to discover creative work in many veins, and in doing so, he nurtured a growing scene. Vanguard Concerts surfaced to bring top-notch chamber music to town; an opera company was formed, presenting some up-and-coming stars along the way; his coverage of new architecture was cited by, I believe, it was Time magazine. The local art museum was hailed by the New York Times as, “Dayton, Dayton, rah-rah-rah,” no doubt influenced by Hub’s columns.

He did get to cover the arts elsewhere, too. Some of his columns reveled in the richness of London, which had all of five symphony orchestras.

Turning to Cincinnati, with its zoo, he opened a report with “Hip, hop, hippopotamus, it’s the zoo. Where …” and then took us behind the scenes with a world we’d otherwise never see. The story was accompanied by a page-wide photo of a giraffe’s neck stretched out to an ice cream cone.

Every fall he and the outdoors writer headed off to the hilly part of Ohio to review the fall foliage. Their columns then ran side-by-side. Fun stuff, seeing the same event from different perspectives.

And then, in my sophomore year of college, I got to intern at the Journal Herald and actually meet the guy, go out to lunch – I remember the open-face cheeseburgers from one of those at an old-fashioned downtown dive, even share a staff party or two.

He admitted feeling he was on thin ice, trying to cover so much. I think the spirit of wonder and curiosity he conveyed made up for any lack of formal expertise. He did come from humble roots on the wrong side of the river, as I recall – well, my part of town wasn’t exactly classy, either. And then there were rumors of a used hearse Hub and his wife drove, perhaps somewhat scandalously.

And then, shortly after I transferred to Indiana University, the paper announced that Hub was off to Rhode Island.

It hit me as a shock. He had been a crucial influence shaping my own artistic tastes and outlook.

~*~

What I learned in return was that Hub had left journalism but done some writing along the way. Spent his later years in Canada and serving in community service of various strands. In the photo that was enclosed, both he and his longtime sweetheart look very happy.

On to the Pacific Northwest via the prairie and Ozarks

~ Jnana Hodson ~ Leave a comment

My second brace of fiction, ultimately three books in all, addressed the dozen years in the aftermath of the hippie outbreak, though I’ve tried to fudge the era precisely. I do think much of it is continuing.

Naturally, for me, they were semi-autobiographical, even though the protagonist is now a woman named Jaya who winds up with a much younger lover who becomes her husband.

The pivotal piece is Yoga Bootcamp, with her now as a central character, along with the guru they sometimes called Elvis or Big Pumpkin. My residency in the ashram was a transformative period in my life, even in the face of details I’ve since learned. We were a rogue outfit in the period when yoga took root in America. This down-to-earth story will probably scandalize your local yoga studio instructor, but the experience did reshape many of our lives, hopefully for the better. I’ve certainly carried many of its lessons far through some other faith traditions.

The central piece is now compressed into Nearly Canaan, originally an ambitious triptych that comprised the hefty novels Promise, Peel: As in Apple, and With St. Helens in the Mix. At the outset, a sense of place was central as Jaya relocated from a small town on the prairie in the American Midwest to the hardscrabble Ozarks to the apple orchard country in the desert of the Pacific Northwest, but the central theme now condenses as the question of how much influence one person can extend over others, hopefully for the better. I can ask now whether it would have been more compelling if she’d been conniving and manipulative.

The third book, The Secret Side of Jaya, is a set of three novellas, each one set in the places she lived after leaving the ashram. Each one, quite different, is premised on hearing and seeing figures in a locale that others don’t. Maybe you encounter them, too, where you are.

You can find these books in the digital platform of your choice at Smashwords, the Apple Store, Barnes & Noble’s Nook, Scribd, Sony’s Kobo, and other fine ebook retailers. They’re also available in paper and Kindle at Amazon, or you can ask your local library to obtain them.

Thinking of repeated-digit birthdays  

~ Jnana Hodson ~ 2 Comments

11 – In an American Midwest industrial city during a gray period. Boy Scouts and chemistry were everything in my world. Hiking and camping, especially. Much of the rest was a blur.

22 – My senior year at Indiana University, deeply head-over-heels with my first lover and spinning into hippiedelic as a promising young journalist. But just ahead was an unexpected change of events, pointing my route into Upstate New York and then yoga. See Daffodil Uprising, Pit-a-Pat High Jinks, and Yoga Bootcamp for parallels.

33 – Back in Ohio, in a Rust Belt small city, after four years of what I considered my Promised Land, the interior Pacific Northwest. My marriage was rocky, but I was gaining recognition as a poet, despite the exhausting hours I was working as a management-level newspaper editor in some admittedly exciting work. On the other hand, I was also moving into Wilburite Quaker circles of deep spiritual grounding. See Hometown News for parallels,

44 – Now in New Hampshire after a round in Baltimore and a stint as a field representative for a major newspaper syndicate, I was recovering from a divorce and crushing engagement. But I did have a first novel in print and a trove of manuscripts in hand, along with being active in New England contradance circles and about to explode into my second summer of love – the first having been nearly half of my life earlier. The Quaker practice now had a tinge of Mennonite, too.

55 – At last, I had remarried, this time with children, and relocated to what we called our City Farm in New Hampshire’s seacoast region – the place with my Red Barn. What a whirlwind! I was being widely published as a poet, had a decent income for a change, and enjoyed union representation as a member of a Newspaper Guild local. Both ocean beaches and mountains were at hand. Life had never been better, apart from my getting older.

66 – Finally retired, I could focus what I considered the Real Work of literature, mostly. The blogging was underway, as were the novels as ebooks. I was even applying my Mennonite part-singing abilities to more demanding scores as a founding member of the Boston Revels community chorus. I was amazed to be surrounded by such fine singers and grateful it was not an auditioned choir.

77 – In the throes of downsizing, I’m now residing in a remote fishing village with a lively arts scene on an island in Maine. Yes, I’m feeling my age but not complaining. It’s been a remarkable span, overall. You’re reading about it here on this blog.

88 or 99 – I wouldn’t bet on either. I’d much rather take each day as it comes. However much longer.

No, I’m not going swimming nude in a group at a summer lake any more

~ Jnana Hodson ~ Leave a comment

As I’ve previously mentioned, for much of my adult life, I’ve thought of myself as a retired hippie. Or I’ve simply been called one by others. One of millions and, unlike many, one who’s not embarrassed to admit it, that was a time to remember, no matter how short we’ve fallen from its promise and potential, even though I’m not so sure how much I’d want to go skinny-dipping with others these days or even sleep on the ground or a mattress on the floor.

That said, I’ll also admit that much of my first year after graduation from college in the height of the hippie movement was deep misery and loneliness punctuated by playful discoveries. The writing of Richard Brautigan definitely fits in here.

What’s often overlooked in the era is that the central element was the hippie chick. Plus, personally, I was without one, since mine had moved on and left me stranded. (Oh, misery, oh, woe, I am sounding pathetic, but let’s move ahead.) My novel, Hippie Farm, celebrated her in her many guises, even if you can’t even use the term “chick” anymore without being corrected. At the time, though, it was a badge of honor and invitation – one leading, in this case, to that rundown farmhouse in the mountains outside a college town I definitely restructured in terms of fiction.

A second novel, Hippie Love, retold the same plot line from a different perspective, one more of a what-if optimism. I would love to have heard that story retold from their impressions. Ouch? Were they as lost as I was? One I’ve been in contact with all these years has shared her insights, helpfully, and another, reconnecting much later, barely remembered who I was. And here I had thought she might be The One. Oh, my.

In the light of the publication of What’s Left, those two books were then greatly revised and newly released as a single volume, Pit-a-Pat High Jinks. Compressing the two was a major effort, but ultimately satisfying, at least for me. So much happened personally within that short span.

The inspirations cover quite a cross-section of people, with one becoming a United Way executive, another a U.S. Attorney, yet another one an OBGYN physician. Not that you would have guessed it at the time. As for most of the rest, I have no clue. Some were real losers, likely lost to drugs now. Others, tragically damaged. Being hippie wasn’t always a quest for enlightenment, justice, and equality. And when it was, it was countered by powerfully invested self-interests. Sometimes I’m surprised any of us survived, even before we look at the Vietnam veterans on the other side and their continuing traumas. Not all addicts, by the way, were hippies.

Flash ahead, then, and I don’t see youths today finding community anywhere, much less a shared cause. This is supposed to be an improvement?

Contrary to many people who lived through the era, I saw much that happened needs to be remembered and often cherished, even comically. It’s a place where people can begin rebuilding. I’m holding on, then, in my Quaker Meeting as one root to be grafted.

Look closely at the women, especially, and see how much of the legacy continues in spite of everything. (The kids today have it right, their perception of hippie as a girl thing.) Or, as they say. We’ve come a long way, Baby.

Yet that hippie label, I should add, has undergone its own transformation, rarely positive. Alas. Especially for us males.

Most of them, I hope, come across better in the book.

Still, it’s an account of history as we encountered it.

You can find Pit-a-Pat High Jinks in the digital platform of your choice at Smashwords, the Apple Store, Barnes & Noble’s Nook, Scribd, Sony’s Kobo, and other fine ebook retailers. It’s also available in paper and Kindle at Amazon, or you can ask your local library to obtain it.

For better or for verse, here are more lodes I’ve also mined  

~ Jnana Hodson ~ 1 Comment

By the standards of many, I’ve been a prolific poet, though if you consider that just one new poem a week would come to more than three thousand now.

Sounds about right, even with the arduous revisions they underwent, pressing the original inspiration into something quite different, always in an “experimental” rather than traditional vein. Add in all the hours of submitting the results to journals and small press openings, and all the rejection slips that followed, it was an obsessive amount of time – I had been warned that even “successful” poets averaged 20 rejections for every published poem. And beyond that, simply preparing a “clean” page for those submissions back in the days of typewriters pressed the limits of patience.

Still, poetry could be done in shorter spurts than fiction in my free days and nights while I was engaged working fulltime in a newsroom. As a minus, it did divert my attention from the local news scene and related gossip, but it did sharpen my editing and writing skills, both of which chafed at the limitations of newspaper style.

Many of my early poems sprang from my journals, something that changed over the years, especially as I got into Deep Image and related techniques. While more than a thousand of my poems were published in journals around the globe, book-length collections remained elusive. Now, however, some are available as ebooks, allowing you a chance to sample my evolution over six decades.

Here’s a lineup:

American Olympus: This longpoem is also a mythopoem set in a single week of camping on the Olympic Peninsula of Washington state. The book came close to being published by a prestigious letterpress imprint but fate intervened, sending me spiraling back eastward. Many other nature and landscape poems reflecting my experiences from one end of the continent to the other and back in my early adult years await full collection. Please stay tuned for future appearances of those works.

The volume has a new cover, one that’s a departure from my usual design style. I do find the leap rather exciting, and suitably unconventional.

Braided Double-Cross: Intense attraction, sexual ecstasy, and long-term dreams ignite this set of contemporary American love sonnets that reflect the conflicting emotions and unspoken expectations that surface in the eruption of breakdown and breakup. The set, my first run of poems composed as a series, explores passions that sugarcoat realities and betrayals. Sometimes something so truly hot leaves a lover branded for life.

Blue Rock: Continuing in the conflicted passions line, these poems reflect attraction, romance, and the aftermath in today’s society. Just groove to their beat.

Trumpet of the Coming Storm: Admittedly polemic, these are brimming with buried anger erupting at last. Sometimes you just can’t ignore politics, even in a historical perspective.

Hamlet, a Village of Gargoyles: This playful investigation of human identities alternates between gossipy and confessional, set within the context of close community. The collection now hits me as somehow prescient, considering that I’m now living in a real village with characters I hadn’t considered. The tone is contemporary with nods to Shakespeare and Chaucer.

Ebook formatting does limit the visual array of what you would otherwise find on a defined page of paper, but it does make my daring work available inexpensively around the world. I can live with that and so can you, especially if you’re reading on a smart phone.

I promise, there will be more.

You can find these in the digital platform of your choice at Smashwords, the Apple Store, Barnes & Noble’s Nook, Scribd, Sony’s Kobo, and other fine ebook retailers. Or you can ask your local library to obtain them.

On my own, I was writing contemporary literature, except that it turned into underground history

~ Jnana Hodson ~ Leave a comment

When I was starting out in my career and sitting at the edge of the semi-circular copy desk, one broad story I kept seeing in the headlines didn’t reflect what I was finding in daily life. It was the hippie experience, told one the public side as drug busts, antiwar protests, and rock concerts, while the personal side I sensed something much broader and transformative, which was largely ignored.

Tom Wolfe, who had come to prominence as a newspaper columnist, was right in saying that the great hippie-era novel needed to be written, though he was wrong in thinking a single book could cover it.

From my perspective, a traditional facts-and-quotes approach couldn’t touch the emotional reality, pro or con. Interviewing celebrities posing as leaders wouldn’t work, either – they largely betrayed us, maybe like never-a-hippie Trump would do later. Hippie was a grassroots movement on many fronts, many of them outside of the big media headquarters in the biggest cities.

In previous Red Barn posts, I’ve touched on many of the hippie movement’s continuing influences, things our kids and grandkids take for granted, but so much – especially of the broadest nature – remains to be examined and presented. I’ll leave that to someone else who can give it full and fresh attention.

For my part, I leave four novels as foundations for others to build on.

I’ve looked hard for work by others but found little yet faithfully left reviews online where I’ve could. Those works are, alas, slowly vanishing. Yes, we are passing.

I am haunted by a definitely hippie copy editor from the year I interned as what we called the rim, but he was gone when I returned a year later, perhaps after pressing for union organization. A lot had changed in those nine months. I wish I knew more about him, other than the ticket for Woodstock that I couldn’t accept, considering the scheduling and my bicycle as my only transportation.

~*~

The core of my perceptions remains in four novels to my credit.

 Daffodil Uprising: I was on campus when the repressive constraints of institutional America blew apart in the late 1960s. Crucially, many of the radical currents emerging on both coasts began connecting in academic nerve centers in the Midwest – places like Daffodil, Indiana, where furious confrontations exposed positions that later generations now take for granted. My novel revisits the upheaval and challenge, both personal and public, triumphant and tragic. As I still humbly proclaim.

Pit-a-Pat High Jinks: The hippie movement that is usually thought of as the Sixties actually appeared most fully during the Nixon administration, 1969-74, and brought changes that younger generations now take for granted. Yes, the ‘70s. In my case, that was Upstate New York where I lived in bohemian circles near the downtown and then on a rundown farm out in the hills where a grubby assembly split the rent and a bit more. My, we were so green and so wild-eyed.

Subway Visions: There were good reasons so many of my freaky housemates and new friends came from the Big Apple. My jaunts to The City, as they called it, provided high-voltage flashes of inspiration that ranged from grubby to psychedelic. It was a whole new world to me, even as a frequent visitor.

What’s Left: So much remained unvoiced and unexamined in the aftermath. I drafted a series of essays that came together as a creative non-fiction volume, but that went nowhere. But then I had the flash to reshape it from the encounters of the hippie protagonist of the previous three books but explored by his curious and snarky daughter. My intention for a big book about the revolution of peace and love turned into one asking what is family, primarily. Hers was quite the colorful circus.

~*~

I still believe there’s much in these that’s “still news” despite the dated surfaces that usually pass for the era.

This year, though, I’m finally saying good-bye to maintaining an effort to engage in an awareness. It’s ultimately in others’ hands.

You can find my novels in the digital platform of your choice at Smashwords, the Apple Store, Barnes & Noble’s Nook, Scribd, Sony’s Kobo, and other fine ebook retailers. They’re also available in paper and Kindle at Amazon, or you can ask your local library to obtain them.

If only I could have come out as a bloody liberal

~ Jnana Hodson ~ Leave a comment

Or maybe that should be, “bloodied.” The experience has been bruising, even without physical violence.

For the record, half of the newspapers where I worked had Republican identities on the editorial page. Of the remainder, one was liberal, one was neutral, and two did not endorse political candidates, period. And in the ‘80s, when I was presenting editors with a range of political columnists, the only ones that sold were conservative.

Early on in my career, I learned that as a true journalist I had to put personal feelings aside and attempt to listen to both sides of an issue. Much later, in Quaker decision-making I saw how that could lead to a third, and much better, solution to a problem before us, not that the general public seems open to that these days.

As for critical neutrality, the critical lesson came the time I was an intern and wore a Nelson Rockefeller button sticker into the newsroom after our paper endorsed him for president. I was told to remove it, and I did. Remember, he was a Republican and this was a Republican newspaper in a town that still had two – the other one was pro-labor and Democratic and had the bigger circulation. And this was during the period presented in the TV series Mad Men. My daughters are still aghast and intrigued by the outrages and great fashion style of that period the series presented. They’re still appalled by the hippie influences that followed, the very ones I found liberating.

As a journalist, the point I learned was that to listen to people, I had to be neutral, all ears. Unlike Fox TV, still far off in the future. It’s still not news in any vein I respect. But I come from a camp that abhors sleeping with your sources, OK?

Apart from that, the reporters and editors I knew weren’t paid enough to identify with the rich? Our incomes were an embarrassment, even to the local Catholic priest the first time I married. As well as my-then wife’s uncle. If we identified with the poor at a gut level, we had good reason. And, across the nation, most of our newsrooms were non-union – trying to organize in the face of national conglomerates was suicidal, since they could outsource at a moment’s notice. Do note the party divide here.

For much of my career, newspapers were incredibly lucrative. Period. Not that pay levels reflected that. But then the business model, sustained by advertising far surpassing the newsstand or subscription price, came crashing down. Somebody has to pay the bills of covering a community. Walmart definitely wasn’t, nor were the other Big Box stores and their colorful inserts didn’t match the rates of those local ads abutting the news.

So, even apart from that, I’m not surprised American newspapers are in crisis. In my four decades as a professional journalist, I saw news coverage under attack – not just from the outside, but more crucially from owners who first bled billions from its renewed growth and vitality and then started giving the product away online without a viable business model in sight. My novel, Hometown News, paid homage to the battle and what could have been, along with journalists’ role in the survival of communities across the continent and democracy itself. In the book, it was like Richard Brautigan and Molly Ivins met Dilbert and Kafka in an industrial city vaguely in the Midwest, even when their names, sex, and races were changed.

My career as a journalist placed me in enough decaying Rust Belt industrial cities to shape one novel of high-level global investor intrigue, though it will likely remain in unpublished draft. It definitely rambles.

What is available for you to read begins as a factual distillation of some of the communities and newsrooms where I labored, but it soon turns surreal in the face of corporate management (make that mismanagement) and global conglomerates that step-by-step decimate the local economy and very existence.

While the initial draft of the book was completed in the mid-80s, revisions took time, and the work failed into fall into a marketable genre. Publishers saw it as too much of a risk and then, as newspapers lost their power and prestige on the public stage, reader interest in what really happens in newspapers dropped sharply. We are in trouble.

Let me emphasize, though, I never saw political arguments sway the development or placement of developing news stories. The decisions were made on other factors, like is it interesting? Does it have impact? Oh, really?

If we true journalists do have a bias, it’s for factual truth. We hate being lied to or being used as unwitting dupes. The consequences to that, unfortunately, have been diluted under the right-wing deluge.

For local perspective, let me recall a candidate for the board of education telling me point blank, for the record, that he wouldn’t be moving away after winning reelection and renewing the contract of a controversial school superintendent – and then he did precisely that, It still leaves a dirty taste in my mouth, may he rot in hell, no matter his professions. We ran his quote, that much was exactly what he said. But he lied, on behalf of a Republican majority on the board. Would that affect how I saw the rest of them? You betcha. And it wasn’t the first time, even back then.

But they would still get a fair hearing, even if I hadn’t moved on.

Something similar went on elsewhere with a maverick sheriff who got elected to Congress as a Democrat while being investigated for Mob connections and a host of corruption charges. Somehow I’m recalling that an undercover agent fell from above the ceiling and onto the restaurant booth table where our suspect was dining – or whatever. We pursued that story and more, not that it didn’t keep him from winning and being reelected. For details, look up Jim Traficant’s wild record.

For that matter, he could have been an inspiration for Trump.

~*~

Leap ahead to the current polarization in the political spectrum. My decision to subtitle the novel “Reports from Trump Country,” seems prescient, given the array of Blue states as metropolitan centers with a sense of vibrancy and a future – largely on the East and West coasts – while the Red states are more rural and stagnant in between.

The hometown in my novel wound up on the rocks and, from what I’ve seen since, that hasn’t changed.

What I am finding disturbing is the rampant spread of patently false stories. It appears that way too many people don’t want to face verifiable facts, like half-empty arenas. As journalists, we knew all too well that some seemingly great stories proved baseless once we made “one phone call to many.” Do note the unsupported delusions being repeated by people with very definite biases.

Maybe I’m shouting in vain to the wind, but I’ll leave that up to you to determine.

You can find Hometown News in the digital platform of your choice at Smashwords, the Apple Store, Barnes & Noble’s Nook, Scribd, Sony’s Kobo, and other fine ebook retailers. It’s also available in paper and Kindle at Amazon, or you can ask your local library to obtain it.