Ten ways this ‘Subway’ is new and improved

My new novel Subway Visions comes a long way from its earlier incarnation as Subway Hitchhikers.

Here are ten ways it’s new and improved.

  1. The novel no longer serves as an introduction to three other volumes but stands fully on its own in a more timeless Gotham.
  2. The central character is now identified as Kenzie, in line with the other novels in my Freakin’ Free Spirits cycle. Gone are the Duma Luma and later D.L. monikers. He’s more grounded than they were.
  3. The action is now built on a clear chronology that runs parallel to his ongoing life to the north. For that, you can read Pit-a-Pat High Jinks.
  4. He now has monthly opportunities to visit the Big Apple and ride its rails, thanks to a floating three-day weekend off from his job. This gives more plausibility to his familiarity with the city while living hours to the north. He is young and ready for adventure, after all.
  5. With his Tibetan guru living in Manhattan’s SoHo district, Kenzie’s Buddhist studies now run through much of the story. His sessions there become his principal motivation for the monthly visits.
  6. The story is now anchored by a set of regular characters, beginning with his guru and Buddha buddies like Holly and Wilson before expanding in the second half with the wild tagger T-Rex.
  7. As one reader said of the earlier version, “I really dig that chick Holly.” Now there’s a lot more of her. (And Wilson and T-Rex are altogether new.)
  8. The language is tighter; the sentences, more staccato, befitting the grimy trains and their stations.
  9. The funky sweet surrealism of the original tale now floats over the substance of an inescapably malodorous substratum. There’s nothing bland and disinfected in this gritty demimonde of endless night where Kenzie encounters the most remarkable souls and visions.
  10. These events are now seen in a historical perspective, thanks to the unseen presence of Kenzie’s daughter Cassia while I was revising the tale. Credit her for the snippier tone, too.

Be among the first to read my newest novel.

Ten facts about the Ohio River

In a whimsical twist in my novel What’s Left, I placed the town along the Ohio River. Well, the navigable waterway is a defining element of southern Indiana.

  1. Length of the Ohio River: 981 miles
  2. Length along Indiana: 240 miles before adding twists. Drains all but the northernmost area of the state.
  3. At its mouth: It is considerably larger than the Mississippi, making it the main hydrological stream of the whole river system.
  4. Number of states feeding into the Ohio River: 15.
  5. Largest tributary: Tennessee River, 652 miles long. Its watershed includes Virginia, North Carolina, Georgia, Mississippi, Alabama, a corner of Louisiana, as well as Tennessee and Kentucky.
  6. Largest northern tributary: Wabash River, 503 miles long. It originates in Ohio and flows across Indiana before becoming part of the border with Illinois.
  7. Average depth of Ohio River: 24 feet.
  8. The biggest city along its way: Pittsburgh, metropolitan population of 3.5 million. The river begins with the confluence of the Allegheny, from upstate New York, and the Monongahela, which drains part of West Virginia and Maryland as well as Pennsylvania, at Point State Park in the Gold Triangle.
  9. Next largest: Cincinnati, metropolitan area population of 2.2 million. Can be seen as the waterway’s hub.
  10. Major hurdle: Louisville, Kentucky, sits at the Falls of the Ohio, which once presented a barrier to river traffic. The McAlpine Locks and Dam stand where the Louisville and Portland Canal was built in 1830 to allow vessels to bypass the falls. It was the first major engineering project on the river and, by some accounts, the first on an American waterway.

Ten counterculture identities

I’ve been considering some differences and similarities of beatniks and hippies, but they’re just part of a much longer tradition that is often called bohemian.

Without trying to distinguish what identifies each of these (I do get awfully confused at times), here are ten to consider.

  1. Hipster.
  2. Boho.
  3. Grunge.
  4. Punk.
  5. Goth.
  6. Dread.
  7. Deadhead.
  8. Freak.
  9. Punk.
  10. Stoner. (Oops, I just saw that this one can be broken down into ten more categories!)

How would you distinguish any or all of these?

What would you suggest for the list?

Considering the negative image of some, what would you offer as more positive alternatives when it comes to alternative awareness and living?

Ten things hippies and beatniks had in common

While many beatniks despised the hippies who followed on the counterculture trail, the two did have some commonalities.

Here are ten I see.

  1. Alternative living: They both dressed in ways that weren’t socially acceptable, part of their rejection of bourgeois attitudes of American respectability. Hippies, especially, advanced that into group living.
  2. Beards: The beat goatee was signature. Hippies took facial hair in many distinctive directions.
  3. Sandals: On men, especially. Forget the polished wingtips.
  4. Incense: It became a staple of small alternative stores, along with interesting teas like Earl Grey and Gunpowder.
  5. Pot: Jazz musicians were the root for the beats. Having a toke together became a communal expression among hippies.
  6. Free love: Although the birth control pill was approved for public use in 1960, it was still illegal in eight states four years later. Still, it quickly grew in popularity, garnering the condemnation of Pope Paul VI in 1968. Well, if extramarital sex was already taboo, what additional fault would using the contraceptive have? This was having fun while scoffing at conventionality at the same time.
  7. Eastern spirituality: Zen Buddhist and Theosophist influences championed by the beats spread into yoga, Sufism, and other strands of Buddhism in the hippie era.
  8. Pacifism: Opposition to war, though, did not always carry a corresponding nonviolent outlook by hippies, who instead focused their opposition on the military draft and stopping that by any means possible.
  9. Cool: Beatniks liked to “play it cool.” Hippies had their own nuance in preferring to “be cool” as a way of displaying their individuality.
  10. Mass-media caricatures: Both were portrayed negatively in the mass media, usually as warped stereotypes.

Ten ways hippies differed from beatniks

While many hippies were profoundly influenced by beatnik writers such as Jack Kerouac and Allen Ginsberg and their alternative lifestyles, many beatniks were contemptuous of the flowering of the hippie movement.

The term “beatnik” itself was coined by San Francisco Chronicle columnist Herb Caen on April 2, 1958, after the Russian Sputnik satellite went into orbit. It quickly encapsulated what had been happening since the early part of the decade in the city’s North Beach district.

The word hippie probably springs from the much older word “hipster,” and came to prominence when 100,000 young people from across the country converged on the city for the Summer of Love in 1967.

Here are ten ways the two cultures differed:

  1. Prime time: 1950s and early ’60s, the beats. Late ’60s and early ’70s, the hippies. A half-generation apart. My guess is that unlike beatniks, hippies grew up with television in the house, along with rock ‘n’ roll, and that this influenced the thinking.
  2. Hangouts: Coffee houses and bookstores, especially in San Francisco’s North Shore and Manhattan’s Greenwich Village, for the beats. San Francisco’s Haight-Asbury districts before moving out to communes and college campus fringes, for the hippies.
  3. Philosophical roots: Nonjudgmental, noncombative attitudes influenced by Eastern religions and philosophies, along with nuclear arms opposition, for the beats. Hostility to the military draft and parental control, plus opportunities for sexual freedom, for the hippies.
  4. Personnel: The beats were a much smaller group, primarily poets and essayists, centered on the fine arts and artists themselves. The hippies sprang largely from runaways, initially, and drug experimenters, musicians, war protesters, and laissez-faire independents.
  5. Political orientation: Beatniks eschewed political involvement but did benefit from crucial court decisions, especially involving pornographic expression. Hippies were politically vocal, especially with protests and rallies.
  6. The beat, er, sound: Jazz, primarily, and folk, for the beats. Breakthrough venue: Newport Festival in Rhode Island, starting in 1954. For the hippies, rock and some folk, for the hippies. Breakthrough venue: Woodstock, 1969, as well as the Filmore Auditorium in San Francisco beginning in 1966.
  7. Threads: Dark clothing, usually black with a European look, for the beats. Women went for dark leotards and long, straight dark hair. For the hippies, clothing was anything comfortable, often ratty, drab as well colorfully excessive with occasional global or back-to-the-land historical flavors. Think Gypsy, Native American, even India for influence.
  8. Recreational drugs: Beatnik pot use became widespread among hippies. LSD, though, was definitively hippie. Beats were known for cool. Hippies, for stoned.
  9. Mass media stereotypes: Turtleneck sweaters, bongos, berets, and dark glasses, for the beats. Tie-dye, long hair, headbands, tassels, beads, and bell bottoms, for the hippies. Both usually portrayed in negative light.
  10. Artistic expression: Poetry and novels, the beats. Rock and filmmaking, the hippies. Abstract impressionist painting, the beats. Installation art, performance art, and graffiti, for the hippies.

Mixmaster? Just look at ‘Pit-a-Pat High Jinks’

Sunbeam’s Mixmaster quickly became a staple of 20th century American kitchens. Didn’t we all grow up with one? The line about radio interference, by the way, refers to the way the machine could disrupt the AM radio signal you were trying to listen to, often elsewhere in the house.

What, me as a Mixmaster?

Just look at the topics percolating in my novel Pit-a-Pat High Jinks.

Here are ten:

  1. The early ’70s. The counterculture movement has changed. It’s no longer centered in a handful of big cities or a few isolated communes but is now found across the country, often revolving around college campuses.
  2. Back to the earth. For those who move out into the countryside, the new digs could be perplexing. Most of the hippies came from the city or suburbs, and few knew much about gardening or raising chickens or general household maintenance or even cooking. It could be a steep learning curve.
  3. Intentional households. Settling in with a group living together presents unique problems, even when it’s not a full-fledged commune. Just what are the advantages and disadvantages, anyway?
  4. Friends and housemates. Kenzie arrives in a place where he knows only one person but quickly encounters a host of friendly new faces. And through them, his adventures really take off. Where would he be without them?
  5. Each one is different.
  6. That first full-time job. Learning to cope can be a challenge.
  7. For Kenzie, this arises as Tibetan Buddhism and its daily practice.
  8. Couch surfing. The term hadn’t been coined yet, but here he is, spending many nights in friends’ apartments rather than back at the farm.
  9. His best friend’s collection of drums provides a counterpoint to the narrative. Just listen to how expressive this can be.
  10. Personal healing and growth. Kenzie undergoes a transformation through this time of seeming retreat. He emerges stronger, more caring, and happier, especially.

Be among the first to read my newest novel.