Yes, variables of place

A major influence on my work has been an awareness of the variables of place. When I lived in the ashram, my yoga teacher returned from her first trip to India and described with wonder her sensation that each locale there felt different – to the extent that each village or region had its own god or gods to embody its distinct character or, as she put it, vibration.

Fifty years later, having lived and worked in eight states, I can say that’s true in America, too, even though we’ve muddied much of the indigenous awareness. I’m especially convinced that people in deeply prayerful states do somehow leave an imprint on a place.

That sensation has unexpectedly led me to Quaker meetinghouses and burial grounds or arisen in the midst of conversation in old houses of worship.

How have you felt special locales?

A few critical measures in compressed language

One test of a poem (for me, at least) is based on the qualities of good vocal ministry arising in the traditional quiet worship of Quakers: incantatory language and prophetic whirlwind. Unlike “slow prose” as a kind of sermon.

In vocal ministry, how often the message comes from within our current conflict or personal struggle!

Yes, we wrestle with God.

Poems and prayers you feel in your hands more than bounce around ‘tween your ears.

Moving on?