REGARDING THE DLQ

Jaya, in Promise, isn’t the only character in my fiction to address a concept I’ve dubbed the DLQ, or Dedicated Laborious Quest. But she does, I’ll argue, come closest to aspiring to an artistic expression for its encounters.

The DLQ, as I envision it, is the long-range discipline of spiritual pursuit, one that can be found in any number of variations in any number of religious, artistic, social activist, or even athletic lines of action. It’s a blending of heart and head, body and soul, awareness and discovery – the poet Gary Snyder refers to something similar as the Real Work, for instance, or maybe simply “daily practice” will touch on it as well.

One of Jaya’s concerns is a search for a fitting vehicle to embody the experience. Essays are too prosaic. Poetry? Sometimes. Drawings or paintings? To a degree. Maps of a kind? Getting closer, I’d hope.

Even so, I’ve wanted to leave the ultimate form she uses open to the imagination.

And then, more recently, I came across something that comes closest. An exhibition of Shaker art and artifacts at the Farnsworth Museum in Rockport, Maine, introduced me to what are called Gift Songs or Gift Drawings or Gift Paintings, which take their name from the faithful artist’s position as a medium receiving the song or design from a deceased member of the sect (that is, given) to be conveyed to another, living member of the sect (also, as given). To be appreciated, these must be seen in the original, full size, since much of the detail gets lost in reproduction. Sometimes the words are in a secret, private language and alphabet. Sometimes they blend. The lines flow, turn upside down, sideways. The works are sprinkled with artwork as well as words. Are they magical? Or simply mysterious?

Whichever, they spring from a tradition and discipline and practice to utter something deep in the heavenly desire and earthly community of a particular recipient.

I can tell you Jaya would have been most impressed. Definitely.

Promise~*~

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QUERIES IN THE SOCIAL HOUR

Some of the most profound and lasting messages I’ve received among Friends have come outside of the Meeting for Worship – and often as questions. It may surprise many of you to learn that in my first years with Quakers, I was generally pretty hostile to anything smacking of Christianity. And yet seeds were planted. I recall, for instance, Norris Wentworth’s observation while giving me a lift in his car – something to the effect that because America has an underlying Christian mindset, Eastern religions would have trouble taking root here.

Or “What do you think of Jesus?” during my clearness session for membership in what turns out to be one of the most universalist meetings in America. (Our preparative meeting was about 150 miles away in the desert of Washington state.) Followed by a remark to me, “I fear that we’re losing our Christian connection.”

A few years later: “What do you think of the Bible?” as an elderly Wilburite Friend in Whittier, Iowa, drilled her eyes in my direction. I doubt my analogy of a sharpening-stone wheel satisfied her.

Or, a year or two later: “And just what spirit was thee speaking of?” Mary Hawkins, an elder at Middleton Meeting in Ohio, before adding. “there are many spirits – anger, envy …” Since then, I have since been careful to say, Holy Spirit or Spirit of Christ.

The most influential Friend, though, was Myrtle Bailey, a recorded minister at Winona, Ohio. I’ve been thinking a lot lately about her asking me what I considered the perfect meeting, and my response, which seemed to surprise both of us. Rather than looking at meeting as the experience of worship, I looked at it as a community – a woodpile, in fact. We need good pieces of seasoned wood, as well as kindling; but also green wood, to begin seasoning. Here at Dover, we seem to be falling behind on the green wood supply. Which leads us to the next question.

BRUISED DESERT

Three hundred sunny days a year in a fertile land may seem like Paradise.

But it’s surrounded by desert.

~*~

Desert turns everything to bone. That, or to stone. Even the scattered tufts of cheat grass and the isolated clusters of flowers turn into straw skeletons. Social conventions, too, dry away. In pursuing clarity, which parched spreads possess abundantly, I also enter an order of madness. Paradoxically, to preserve my sanity in dealing with people, it becomes periodically necessary for me to revisit this incomprehensible delirium. Settle back on this my bedrock, readjust to my own frame. Here, then, I return afresh to spaces within and without. Wait. Listen. In this place, wind is a clearing, spiraling on itself. Then, when this twisting reverses, screwing into bony alkaline soil, we give praise. At times, I even see my own heart clearly. As I come to know my way around more securely, I lift a cup of clear spring water and pour it on bleached parchment at my feet. Selah. The next day a bouquet of tiny flowers rises like fingers bent by wind. Always somewhere, wind.

 ~*~

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Kokopelli 1

WESTERN HARVEST

With its cloudless skies, it could be an ideal agricultural cornucopia. If you had water.

~*~

In other climates, you commonly overlook the element of space, unless looking into the heavens on a brittle night. You observe objects, and space becomes the measure of distance between an object and you, or else some arrangement of objects. In contrast, desert appears more as a vacuum — a juxtaposition of surfaces, of sky and earth extending outward not to some imaged convergence (such as the perspective point where the twin rails of a train track become one) but rather away from any focus, and thus outward around both of the observer’s ears. Here, space itself becomes obvious, as if turned upright, like a wall in your face. So often in life, what should be most obvious is the hardest to see. The spider is on the window; the spider is on this page.

~*~

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Kokopelli 1

A STRANGER AT THE DOOR

No Friends Meeting is ever the same – whether with the same body of people, in the same location, or while visiting around the world. This awareness casts a new light on the concept of expectant worship, in that you never know exactly what to predict, other than the possibility of being blessed by something wondrous and remarkable.

Traveling among different strands of Friends expands that concept.

In one pastoral Meeting, for instance, I encountered “silent singing” – no, they did sing from a hymnal, but the room was awfully quiet. Maybe all of their best voices were away in Philadelphia that weekend.

In one Evangelical Friends Meeting, as the pastor told me the following week, the Holy Spirit had been so powerful he had to put his sermon aside; I’m sure he wasn’t expecting that!

Or I was introduced to karaoke, of a contemporary Christian vein, in a midweek Meeting in central Pennsylvania. Who’d a’thunk.

So what do you say, greeting the stranger at our meetinghouse door, ready to sample Quaker worship for the first time? This is what not to expect?

“Maybe we’ll have a rare, totally silent worship,” seems to be as good as any. You never know.

IRRIGATED BLOSSOMS

Making the orchards bloom was a labor of irrigation. No matter how fertile the volcanic soil of the valley, water was the missing element man worked to provide.

~*~

There’s good reason the rattlesnake-infested, corrugated humps encircling the orchard valley are pale brown: they receive none of the snowmelt impounded from late March into July in the high mountains. Agencies release and distribute that water through blazing summer into October. Green agriculture parallels the river and irrigation canals, defying the tough, roasted inclines above, where sagebrush and bunchgrass stroke tawny eternity. In this compass, wind rarely precedes rain. Beyond lucrative strips of orchards, the principal agriculture involves herds or hay; because of irrigation and unfettered sunlight, five mowings a year are common; bales are trucked to dairy cows and pleasure horses on the rainy side of the tall mountains. Desert has few chickens — and no pigs to speak of. Somewhere out there, Basque shepherds elude the heat. Forests begin at the top of high ridges observed fifty miles distant.

~*~

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Kokopelli 1

 

SNOBBERY, ALL THE SAME

To see the old meetinghouse at China, Maine, as it’s been turned into a Friends Camp arts studio (a messy one, at that) is a pointed symbol of the tensions many of us encounter as we attempt to live out our faith – and not just on the cultural front. (For the record, I am, after all, a published poet and novelist, a professional journalist, an avid contradancer, gallery-goer, foreign film buff, occasional violinist and harmony singer, and a lover of opera and classical music – all of which can raise eyebrows in various spiritual circles, and most of which would have been forbidden in traditional Quaker discipline – all this even before we turn to the struggles of the workplace, families, neighbors, or politics. Call me a snob, if you will.) The fact remains that the Society of Friends today is filled with many artists pursuing every imaginable medium. Dover Meeting is not alone in its range of talent.

A while back, I spoke of practice as something that’s ongoing and never finished, in contrast, say, to a performance or even a rehearsal. Practice as something done more for its own exploration and pursuit of a discipline than for any finished product. Practice as being part of a bigger encounter: the practice of prayer, practice of poetry, practicing musical scales, play practice, football practice, even medical practice. Something done with care, and if freedom follows in critical situations, as we often hear in interviews after a Patriots’ game, then all the better. Weeding and composting, I suppose, are part of the practice of gardening, apart from any harvest.

When I think about qualities that mark Quaker artists, I would tentatively suggest: placing the ongoing work ahead of themselves; “cool” rather than “hot”; a sense of experience and discovery rather than make-believe or escape; honesty rather than pretense; wonder rather than irony; humility rather than egotism or arrogance; candor rather than flamboyance; a preference for simplicity over complexity; directness rather than confusion; economy rather than extravagance; calmness rather than shrillness; curiosity and listening rather than dogma or bombast.

We might also turn the old Quaker views toward a critique of today’s cult of celebrities (almost universally entertainment/professional sports figures) and their exorbitant incomes – a situation that I believe accompanies a lessening of power within our communities. To that we could add the ways the arts are often used as a secular religion to sanctify public occasions. As for the Oscars?

But maybe that’s just another part of our unfolding spiritual awareness.

CANYONS OF DESIRE

Follow the rivers, then. Some lead into the mountains and form the “passes” to the high breaks in the crest line. Others lead out the other way.

You can also follow the currents of your passions.

~*~

Having come to the desert, we now know the fuller value of water. Something simple, essential. No one can live without it. The list of necessities is a short one; the possibilities of embellishment, endless.

There are rivers on every map you rely on. Sometimes when I walk out into the expanse, I encounter one. Sometimes, one deep enough to block my way. And then I turn to the page for a bridge.

Or, better yet, call out for my buddy, Kokopelli.

~*~

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NORTHWEST OASIS

Three hundred sunny days a year in a fertile land may seem like Paradise.

But it’s surrounded by desert. And every irrigated ribbon of orchards was a relief.

~*~

In rain on Mount Cleman, sage and conifers become cloud wisps treading updrafts. Black talus glistens. The mountain’s so quiet that what seemed important hardly matters any more. Boulders float past the relics of the lookout, elevation 4,884. Step away. Over the edge, where black scree cascades, the carbon rods and oxidizing metal loops and plates of electrical batteries from some previous decade are now scattered among elk and deer scats. On downed trees and furry branches, too. A battered coyote skull stares up between shellrock. The mountains gasp repeatedly in their wrinkled embrace of limbs stretching out from the forest. Cupping vistas of orchards and rivers, the desert yawns.

~*~

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Kokopelli 1

 

OF BIRKENSTOCKS AND USED VOLVOS … OR MORE RECENTLY, PRIUS

As I said at the time …

A rather telling article in Pennsylvania Mennonite Heritage was by a woman who admitted she never felt that she fit in with the others in her home congregation. Never mind she was the preacher’s daughter. I sometimes feel the same way in Quaker circles, especially when everybody else is wearing Birkenstocks or has a used Volvo parked in the lot or carries any number of postgraduate degrees behind her name. Once, addressing a group of about forty Friends in Philadelphia, I mentioned the predominance of blue eyes in our circles – and about six other people nodded vigorously. The six who had brown or hazel eyes, like mine; the rest of the group seemed thoroughly bewildered.

It’s all about this sense of not being fully embraced by the circle.

I wonder how we would react if a soldier in uniform showed up to worship with us, or a woman wearing a great deal of makeup, or a man straight off a lobster boat. Yes, we would tolerate them (I hope). But would we feel awkward – to say nothing of them? Would we be able to truly extend a welcome? How would we all feel, in the end?

Our possessions and style extend subtle signals reflecting our places in a larger society. Dover Friends Meeting is not a blue-collar community. Our vocal ministry often relies on “big words” and metaphors – something we seem to prefer, rather than pointed messages that drive home an unmistakable point. Even so, while we stand apart from the larger society in many ways, perhaps we engage ourselves in it too much. These are ultimately matters to consider when striking a balance between inclusion and identity, nurture and welcome, growth or decline.

To be accurate, Birkenstocks and Volvos aren’t the indicators anymore – they’ve been replaced by Teva and Prius or some other brand name I don’t even recognize. What I do suspect is that whatever the current “humble” status item is, I won’t have it, except by accident. Whatever that means in the context of belonging.