Ten popular Greek dishes

In my novel What’s Left, Cassia’s family runs a landmark restaurant but realizes many of the Greek dishes they make at home are just too exotic for their clientele in southern Indiana, at least during most of the timespan of the story.

They do add roasted Greek potatoes as an option, but that’s about it.

Well, by the early ’80s, when they have a vegetarian line going, they might add dolmathes, the stuffed grape leaves, or vegetarian stuffed peppers to their offerings, perhaps along with tzatziki, the distinctive cucumber yogurt sauce distinguished by its dill and lemon.

Oh, but how much are the holding back on? Consider these ten options.

  1. Gyro. It’s a yummy handful, a wrap made of warm pita bread filled with strips of seasoned grilled lamb and beef with tzatziki and sliced tomatoes. (No onions on mine, please. They don’t agree with my system.)
  2. Souvlaki. Around here, it’s usually kabobs of char-broiled marinated pork, ordered by the skewer. “Give me two sticks, please,” is the way to order. Rounded out with things like rice pilaf, beans, and Greek salad on the plate. My favorite came from a wood-fired stove at the Common Ground Fair in Maine.
  3. Spanakopita. Or spinach pie, made of filo dough baked with layers of spinach and cheese.
  4. Loukaniko. Greek sausage made with orange peel, too. Great appetizer.
  5. Kolokythokeftedes. A Cretan vegetarian appetizer ball featuring feta cheese. (Feta is big in our house.)
  6. Lamb shank. This slow-baked, savory hunk o’ meat is one of the glories of our local Greek festival. Or, for those who want something a little less messy to eat, the slices of roast lamb are delightful, assuming you like lamb. If not, go for the lemon-pepper roast chicken. (Admittedly, I’m cheating in trying to keep this a Tendril. Just ten dishes? Oh, my, impossible!)
  7. Pastichio. Layers of baked macaroni with cheese and seasoned beef are a common entrees , as is Moussaka, made of layers of baked eggplant, potatoes, and ground beef.
  8. Keftethes. Meatballs. Bet you can’t eat just one.
  9. Baklava. This honey-infused filo is a heavenly dessert, but be warned, it has to be eaten while fresh. That honey can get sticky.
  10. Let’s not overlook Loukoumades. Bite-sized golden puffs of fried dough often sprinkled with syrup, walnuts, and cinnamon are another celestial way to round out the meal. I have heard some heated discussion, though, about whether the next generation can live up to the standards this one requires. The debate can be quite amusing, especially when the stand is being operated by closely supervised children.

Now, as for your Greek favorites?

 

Ten counterculture identities

I’ve been considering some differences and similarities of beatniks and hippies, but they’re just part of a much longer tradition that is often called bohemian.

Without trying to distinguish what identifies each of these (I do get awfully confused at times), here are ten to consider.

  1. Hipster.
  2. Boho.
  3. Grunge.
  4. Punk.
  5. Goth.
  6. Dread.
  7. Deadhead.
  8. Freak.
  9. Punk.
  10. Stoner. (Oops, I just saw that this one can be broken down into ten more categories!)

How would you distinguish any or all of these?

What would you suggest for the list?

Considering the negative image of some, what would you offer as more positive alternatives when it comes to alternative awareness and living?

Ten things hippies and beatniks had in common

While many beatniks despised the hippies who followed on the counterculture trail, the two did have some commonalities.

Here are ten I see.

  1. Alternative living: They both dressed in ways that weren’t socially acceptable, part of their rejection of bourgeois attitudes of American respectability. Hippies, especially, advanced that into group living.
  2. Beards: The beat goatee was signature. Hippies took facial hair in many distinctive directions.
  3. Sandals: On men, especially. Forget the polished wingtips.
  4. Incense: It became a staple of small alternative stores, along with interesting teas like Earl Grey and Gunpowder.
  5. Pot: Jazz musicians were the root for the beats. Having a toke together became a communal expression among hippies.
  6. Free love: Although the birth control pill was approved for public use in 1960, it was still illegal in eight states four years later. Still, it quickly grew in popularity, garnering the condemnation of Pope Paul VI in 1968. Well, if extramarital sex was already taboo, what additional fault would using the contraceptive have? This was having fun while scoffing at conventionality at the same time.
  7. Eastern spirituality: Zen Buddhist and Theosophist influences championed by the beats spread into yoga, Sufism, and other strands of Buddhism in the hippie era.
  8. Pacifism: Opposition to war, though, did not always carry a corresponding nonviolent outlook by hippies, who instead focused their opposition on the military draft and stopping that by any means possible.
  9. Cool: Beatniks liked to “play it cool.” Hippies had their own nuance in preferring to “be cool” as a way of displaying their individuality.
  10. Mass-media caricatures: Both were portrayed negatively in the mass media, usually as warped stereotypes.

Ten ways hippies differed from beatniks

While many hippies were profoundly influenced by beatnik writers such as Jack Kerouac and Allen Ginsberg and their alternative lifestyles, many beatniks were contemptuous of the flowering of the hippie movement.

The term “beatnik” itself was coined by San Francisco Chronicle columnist Herb Caen on April 2, 1958, after the Russian Sputnik satellite went into orbit. It quickly encapsulated what had been happening since the early part of the decade in the city’s North Beach district.

The word hippie probably springs from the much older word “hipster,” and came to prominence when 100,000 young people from across the country converged on the city for the Summer of Love in 1967.

Here are ten ways the two cultures differed:

  1. Prime time: 1950s and early ’60s, the beats. Late ’60s and early ’70s, the hippies. A half-generation apart. My guess is that unlike beatniks, hippies grew up with television in the house, along with rock ‘n’ roll, and that this influenced the thinking.
  2. Hangouts: Coffee houses and bookstores, especially in San Francisco’s North Shore and Manhattan’s Greenwich Village, for the beats. San Francisco’s Haight-Asbury districts before moving out to communes and college campus fringes, for the hippies.
  3. Philosophical roots: Nonjudgmental, noncombative attitudes influenced by Eastern religions and philosophies, along with nuclear arms opposition, for the beats. Hostility to the military draft and parental control, plus opportunities for sexual freedom, for the hippies.
  4. Personnel: The beats were a much smaller group, primarily poets and essayists, centered on the fine arts and artists themselves. The hippies sprang largely from runaways, initially, and drug experimenters, musicians, war protesters, and laissez-faire independents.
  5. Political orientation: Beatniks eschewed political involvement but did benefit from crucial court decisions, especially involving pornographic expression. Hippies were politically vocal, especially with protests and rallies.
  6. The beat, er, sound: Jazz, primarily, and folk, for the beats. Breakthrough venue: Newport Festival in Rhode Island, starting in 1954. For the hippies, rock and some folk, for the hippies. Breakthrough venue: Woodstock, 1969, as well as the Filmore Auditorium in San Francisco beginning in 1966.
  7. Threads: Dark clothing, usually black with a European look, for the beats. Women went for dark leotards and long, straight dark hair. For the hippies, clothing was anything comfortable, often ratty, drab as well colorfully excessive with occasional global or back-to-the-land historical flavors. Think Gypsy, Native American, even India for influence.
  8. Recreational drugs: Beatnik pot use became widespread among hippies. LSD, though, was definitively hippie. Beats were known for cool. Hippies, for stoned.
  9. Mass media stereotypes: Turtleneck sweaters, bongos, berets, and dark glasses, for the beats. Tie-dye, long hair, headbands, tassels, beads, and bell bottoms, for the hippies. Both usually portrayed in negative light.
  10. Artistic expression: Poetry and novels, the beats. Rock and filmmaking, the hippies. Abstract impressionist painting, the beats. Installation art, performance art, and graffiti, for the hippies.

Mixmaster? Just look at ‘Pit-a-Pat High Jinks’

Sunbeam’s Mixmaster quickly became a staple of 20th century American kitchens. Didn’t we all grow up with one? The line about radio interference, by the way, refers to the way the machine could disrupt the AM radio signal you were trying to listen to, often elsewhere in the house.

What, me as a Mixmaster?

Just look at the topics percolating in my novel Pit-a-Pat High Jinks.

Here are ten:

  1. The early ’70s. The counterculture movement has changed. It’s no longer centered in a handful of big cities or a few isolated communes but is now found across the country, often revolving around college campuses.
  2. Back to the earth. For those who move out into the countryside, the new digs could be perplexing. Most of the hippies came from the city or suburbs, and few knew much about gardening or raising chickens or general household maintenance or even cooking. It could be a steep learning curve.
  3. Intentional households. Settling in with a group living together presents unique problems, even when it’s not a full-fledged commune. Just what are the advantages and disadvantages, anyway?
  4. Friends and housemates. Kenzie arrives in a place where he knows only one person but quickly encounters a host of friendly new faces. And through them, his adventures really take off. Where would he be without them?
  5. Each one is different.
  6. That first full-time job. Learning to cope can be a challenge.
  7. For Kenzie, this arises as Tibetan Buddhism and its daily practice.
  8. Couch surfing. The term hadn’t been coined yet, but here he is, spending many nights in friends’ apartments rather than back at the farm.
  9. His best friend’s collection of drums provides a counterpoint to the narrative. Just listen to how expressive this can be.
  10. Personal healing and growth. Kenzie undergoes a transformation through this time of seeming retreat. He emerges stronger, more caring, and happier, especially.

Be among the first to read my newest novel.

 

Those dark-roasted coffee beans and the Cuisinart

The automatic coffeemaker came from a yard sale. A Cuisinart for, as I recall, five bucks or so. It even grinds its own beans at 4 in the morning, just like we ordered.

We like our brew with a Latin kick. Cuban roasted, for instance. Like espresso, which I turn au lait – or, in this case, Ole’!

Even curbing back my caffeine intake to a cup a day, as my doctor ordered, it’s heavenly.

Imagine rolling over in bed, hearing the grinder kick in downstairs, and then finding the pot freshly made.

What a way to say good morning to the world!

Food as the new cultural touchstone

My wife came across an article that noted the primary cultural focus in 21st century America is fine food and wine. It’s what intelligent people discuss, even argue about, in casual conversation. And just look at all the writing focused on it today.

A related factor the article raised was that in modern history, in each century one nation has dominated in one art form rather than many. That’s had me thinking, even though I think America led on two fronts in the 2oth century.

Here are ten examples that spring to my mind.

  1. Painting and sculpture. 16th century Italian masters.
  2. Theater. 16th century England. Shakespeare is unrivaled.
  3. Painting. 17th century Dutch masters.
  4. Painting. 19th century France culminating in Impressionism.
  5. The symphony. 19th century Germany towering in Beethoven and Brahms. Do we think of Vienna as essentially German?
  6. The novel. 19th century England and America. Moby Dick and Huckleberry Finn may be flawed but they remain original masterworks.
  7. Opera. 19th century Italy. Verdi and Puccini remain the core of the repertoire.
  8. Ballet. 19th century Russia. Its great symphonists excelled here. And look where the great dancers and teachers still come from.
  9. Movies. 20th century America. (Shall we consider Hollywood as a nation unto itself?)
  10. Popular music. 20th century America as jazz and then rock evolve. (Note that this happens more in the eastern half of the country – New Orleans, Kansas City, Memphis, Cleveland, Nashville, but especially New York.)

I’ll leave it to others to look for the food trends over time. 

What else would you add to this list?

Mixmaster? Just look at ‘What’s Left’

What, me as a Mixmaster? Just look at the topics percolating in my novel What’s Left.

Here are ten.

  1. Questions of personal identity. For Cassia, this moves from a desire to fit in with what she considers normal for her peers and classmates and turns into something more solitary Goth before she hits stride as a rock concert manager.
  2. Questions of just what, exactly, identifies a family. Hers has its landmark restaurant as well as a circle of close cousins and siblings she calls the Squad. But she’s still missing her dad.
  3. Greek-American experience. She grows up in her mother’s extended family, the fourth generation after two brothers and their spouses, two sisters, arrived in Indiana from Greece. It’s a colorful tradition.
  4. Family owned-and-operated business. Their landmark restaurant means the kids learn to work early, and their parents often have to miss big events at school or sporting events. It also presents uniquely troubling aspects when company clashes erupt or a member dies and inheritance taxes are due.
  5. Guerrilla economix. Her uncle Dimitri advocates a community of small-is-beautiful economics using the restaurant as its base. Seeing himself as a socialist capitalist, he champions generous worker benefits, funding worthwhile startups, and creating considerate rental housing.
  6. In this family, even its initial hot dog joint adds distinctive touches. When they acquire burger-and-fries Carmichaels’, they look for local sources to give them an edge, especially in their daily soups and specials. And then when they branch out into upscale and vegetarian lines, the thinking turns especially creative.
  7. Bohemian life. There’s Gypsy, from one direction, and hippie, from another. And Cassia’s aunt Pia, so full of kefi, makes the most of it.
  8. Keys to success. Cassia soon realizes the ideal of the self-made man is an illusion. Her family is a model of working together, even mentoring. Her father’s fame would have never come about without their support.
  9. The Dharma. Members of her family, especially her father, take up Tibetan Buddhist practice before she comes on the scene. It gives her a dual outlook on religion and spirituality.
  10. Emotional loss and recovery. Cassia loses her father to a mountaineering accident when she’s 11, setting her on a course to recover whatever she can of him. But ultimately everyone in her family suffers a deep personal loss, and how each of them addresses it leads either to bitter despair or else emotional growth and wisdom. Guidance often appears in the most unexpected times and places.

 

Ten favorite restaurants in my experience

Some of these no longer exist, other than in my memory. And while some are expensive, others are quite the affordable but deserve kudos for skillful preparation and good ingredients.

  1. Big Night, Dover. Anything Chris and Linda did here or in their later incarnations in South Berwick, Maine, was always masterful, often with a French or Mediterranean base. Small-scale, as in a two-person operation, can truly be beautiful. They’re the standard by which we now measure all others.
  2. Fore Street, Portland, Maine. On a larger scale and an industrial style room, this is simply great food. We had a sauvignon blanc that was delivered with very little markup from retail simply because the owners thought this would be perfect for our meals – and we’re still searching for another bottle that comes close. My wife will rattle off the details of our meal and why we were so thoroughly impressed.
  3. North, Providence, Rhode Island. Another small setting – 18 seats, plus a small bar – this Asian fusion laboratory was a revelation with tastes I didn’t know even existed.
  4. Gasperetti’s, Yakima, Washington. A small setting – about 48 seats at the time – this was considered by many to be the best Italian restaurant in the Pacific Northwest when we lived there.
  5. A tiny Japanese restaurant near Golden Gate Park, San Francisco. Four tables, as I recall on my first and only visit to the city. My introduction to raw fish (shashimi), sake, and plum wine. Heavenly.
  6. PB Boulangerie, Wellfleet, Cape Cod. Wonderful French with a chef proprietor from Lyons.
  7. Little Saigon, Worcester, Massachusetts. I love Vietnamese, and this one most of all.
  8. Lobster in the Rough, York, Maine. Many fine Sunday afternoons here with a cover duo and families playing bocce. They knew how to make fine onion rings and French fries, in addition to haddock and lobster. And don’t overlook the slaw. Straight-forward fare like this can be a tough test for many restaurants. We really admire the ones that pass with flying colors.
  9. Wonderland Café, Watertown, Massachusetts. Unpretentious Chinese cuisine that demonstrated the importance of fresh ingredients. This was takeout that was welcome a two-hour drive away a day later. ’Nuff said?
  10. Ta-boo, Palm Beach, Florida. My first truly upscale restaurant experience, thanks to my girlfriend’s parents. Had my first raw oysters and first orange flambe while being entertained by a Yale glee club. After that, everything’s a delirious swirl.

~*~

So how about your favorites? And what makes them stand out?

~*~

A Corinthian column on the exterior of the Bradford Congregational Church in Haverhill, Massachusetts, is a classic touch. The screening is to keep birds at bay.

Of course, this is totally unrelated to the theme. Just another thing on my mind.