Ten ancestors I wish I could meet

As a genealogist, I’m not alone in facing situations where key questions are unlikely to ever be answered. If only we could go back in history and ask the individuals themselves, hoping they might know. (Dealing with more recent situations, I’ve found three different people often have quite different recollections. Take that as a caveat.) And that’s presuming we could even understand each other, considering the differences in dialect and customs.

So, back to the ancestors. They had to be dead before I was born, right?

  1. George Hodgson, 1700/01-1774. I want details on the ill-fated ocean crossing, including the names of his parents and siblings, who perished on the trip.
  2. His wife, Mary Thatcher, 1712-1764. There are enough hints to make me suspect she was far more independent, even rebellious in the face of her tyrant father, than we might expect of a Quaker maiden. In addition, I imagine she would have much to add about their relocation to the Pennsylvania frontier, in what’s today’s Adams County, and then on down to North Carolina’s Piedmont region as one of its first English-speaking settlers.
  3. Someone on his mother’s side. For now, their neighbor Moses Harlan, 1683-1749, seems a prime candidate.
  4. George’s father himself. So far, this is the weakest link in taking the family back to Cumbria, England. I want confirmation for my circumstantial argument, or at least correction.
  5. Peter Ehrstine, . Who were your parents?
  6. Elizabeth Ehrstine, if she is indeed his mother.
  7. Pleasant Hodson, 1827-1908. I would especially like to his account of “bushwhacking” in the wild rather than serving in the Confederate Army.
  8. Pleasant’s mother, Delilah Britton, 1794-1883. She was born to an unmarried mother and apparently orphaned between 1800 and 1804, when she was recorded as 10-year-old and assigned to the Eleazor Hunt household. While her surname was often reported as Hunt or Rayle, I am left wondering about a child born before her marriage to George Hodson. Her father, meanwhile, was Matthew Rayle. She lived through a lot, including the Civil War.
  9. John Hodgson, buried 1675, Pardshaw Meeting, Cumbria, husband of Eliner. Apparently the first of my Quaker Hodsons, he could clear up much of the early line in England. Was he, in fact, the same John Hodgson was wrote, as a former Parliamentarian army officer, a Quaker tract addressed to other soldiers or the John Hodgson imprisoned for his faith in 1660 or 1664.
  10. My grandfather, Cecil Munroe, 1903-1945. From everything I’ve seen since turning my attention to him about 30 years ago, he was the affectionate, even artistic, male figure who was missing in my childhood. I suspect my life would have been much different had he survived beyond his early forties.

~*~

How about you and your roots?

As for the best newspaper editors

These are ten I’ve personally learned from.

  1. Hugh Macdiarmid, city editor, Dayton Journal Herald: A Princeton alum and former young flash at the Washington Post, he brought his own flair to the Midwest in the mid-’60s. I remember him standing at his desk at the head of the newsroom, a twinkle in his eye and a cigar in his mouth, shirt-sleeves rolled up (a then-trendy striped shirt, not the bland starched white like those folks at the rival Daily News), as he barked out orders to someone at a far-back desk. He went on to prominence at the Detroit Free Press as a political columnist.
  2. Jim Milliken, his right-hand man: Even handed and patient, he was insistent on detail, clarity, and class. He also seemed to preside at the midnight gathering after work at any of several nearby bars.
  3. Harry Perrigo, copy desk chief, Binghamton (N.Y.) Press Herald:  A veteran of the Journal Herald before moving to Upstate New York, Harry usually had a pipe in his mouth and a cool regard for the headlines being submitted by the copy editors sitting at the horseshoe around him. If they passed, he put them in a small clear-plastic canister and then the vacuum tube that whisked them to the Linotype operators. He was a stickler for the accurate headline, including a host of arcane rules of what was and wasn’t acceptable, and he hated puns. Standards have really slipped since.
  4. Russ Warman, sports desk chief in Binghamton: His approach was cornier than I would have preferred, but he was a great guy in an otherwise dour workplace. Someone else wore the title of sports editor, but the actual job was essentially all his.
  5. Doc Bordner, editor, Fostoria (Ohio) Review-Tribune: Retired Army sergeant hunkered down in a small town with a skeleton staff to cover five counties. It was a tough assignment, and he had his nose to the ground. His periodic columns, run on the front page, were always lively and often controversial.
  6. Steve Kent, managing editor, Yakima (Washington) Herald Republic and then the Dubuque (Iowa) Telegraph: A former Associated Bureau chief, he believed in hiring talent and running with it. He certainly turned Yakima into a sterling newspaper before the company brought in a chief officer who seemed intent on scuttling everything. Coming across a photo of Steve the other day, I’m surprised how young he was – and we looked to him as our older, wiser guide!
  7. Bob Mellis, executive editor, Warren (Ohio) Tribune Chronicle: Again, I was in a situation where we were in pursuit of quality, and Bob brought with him a solid track record at some big papers. He had been the lifestyles editor at one, and he moved me over into that role and all of his expectations.
  8. Bernie Hunt, city editor, Warren: A lively sparkplug from northern England, he rode herd on a mostly young crew, often with a humorous twist. He also had a fondness for beer after hours, which added to his following.
  9. Peter Swanson, Sunday Editor, New Hampshire Sunday News: Quirky, sometimes cranky, he took an aggressive stance toward covering the Granite State in an unconventional way, whenever possible, sometimes even with flashes of brilliance.
  10. Sherry Wood, night editor, New Hampshire Union Leader: Nobody could rival her for her calm under pressure or the range of skills demanded in the position.

~*~

Looking back, let me add that all of them were in high-stress situations.

If we were looking at the top tier nationally, I’d have to name paragons at the New York Herald Tribune in its final years or some of the outstanding pros I called on during my stint at Tribune Media Services.

Some Native names regarding the Cascades mountains

Many of the Pacific Northwest’s most prominent features are known by the names of Europeans or their descendants, rather than their earlier Native designations. Since the tribes on one side of the Cascade mountains had a different language stock than those of the other side, the names could be quite different.

  1. Mount Washington: Tahoma or Tacoma
  2. Mount Adams: Patoh or Klickitat
  3. Mount Hood: Wy’east
  4. Mount St. Helens: Loowit or Louwala Clough
  5. Mount Baker: Kulshan
  6. Mount Jefferson: Seekseekqua or Kuassal Teminbi
  7. Mount Shasta: Ako-Yet or Yeh te che na or Et ti ja na
  8. The Cascade Range: Yamakiasham Yaina
  9. Columbia River: Wimhal or Wimal, Nch’I-Wana or Nichi-Wanna, Swah’netk’qhu
  10. Bridge of the Gods: Tanmanhawis

~*~

There’s some rich mythology involving these names and their personalized characteristics. For instance, the brothers Patoh/Klickitat and Wy’east, after traveling down the Columbia River from the far north to resettle, entered into some heated rivalry for the fair maiden Loowit/Louwala Clough. Their volcanic eruptions of jealousy and earth quaking even resulted in the collapse of the Bridge of the Gods across the river, producing a series of rapids.

There’s plenty more, if you chose to investigate. Any to share from where you live?  

 

Some remarkable teachers I’ve had

No, the philosophy prof who wore the same suit to every class the first semester and another one for the second – he doesn’t count. These are ones who really shaped my thinking.

  1. Ethel McLennan, high school English teacher. She instilled a love of grammar I’ve relied on religiously the rest of my life.
  2. Vincent Ostrom, political science professor. He was keen on nurturing independent scholars who could critically assess a proposition and articulate their own position.
  3. Lavern Berry, high school student teaching summer workshops at the Dayton Museum of Natural History. He was a star who then vanished from sight. Still, his two-week chemistry course got me through a semester in college, and his advice about learning in general was something a kid like me needed.
  4. Professora Hughes, high school Spanish. The best.
  5. Jane Meyer, high school visual art. Much of what I learned in four years with her got applied throughout my career as a journalist when I designed pages and cropped photos.
  6. Harold Weiner, middle school visual art. Opened my eyes to modernism.
  7. Helen Rayner, third grade. I’m still fond of jack-in-the-pulpits.
  8. Miss Gillespie, sixth-grade English. She broke our hearts when she moved to a high school across town and again a bit later when we heard of her engagement. Did I mention she was beautiful and fresh out of college?
  9. Swami Lakshmy, Poconos ashram.
  10. Dick Allen, college creative writing.

~*~

Any great teachers in your past?

Words or phrases I overuse

All those years in the newsroom, I still tend to conditionalize everything, rather than strike for a bold statement.

  1. I think.
  2. I guess.
  3. Maybe.
  4. Would. (Example: It would seem that …)
  5. I hope.
  6. I fear. (Or worry.)
  7. I realize.
  8. That sucks.
  9. Are you sure?
  10. Martini. As in, Quitting Time.

~*~

What I find difficult to say is “I need” or “I want.” At least directly. I usually beat around the bush with soft questions.

How ’bout you?

Glorious auditoriums in my life

Often, the halls where I’ve encountered the most incredible musical performances have been pretty utilitarian. Some were cramped, others had questionable acoustics or sight lines, and many were bland to the eye. Something, quite simply, was missing.

The big auditorium at Indiana University comes to mind or the related high school where the weekly Saturday night operas were presented or my hometown’s Memorial Hall and National Cash Register Company’s venue. (NCR’s back in the day before naming rights.) Even Philharmonic Hall in Manhattan, as it was known then, or Chicago’s.

Here are ten I remember quite differently, with fondness.

  1. Music Hall, Cincinnati. The acoustics up in the second balcony, where I usually sat, were crisp and clear. The two-tier Italianate horseshoe balcony looked timeless. And the proscenium was encased in a lacework of small golden lights. Yes, it was a large hall and still is, even after some judicious trimming. Home of the Cincinnati Symphony, as well as the opera and May Festival. My favorite of all time.
  2. Musical Arts Center, Bloomington, Indiana. Designed primarily as an opera house, it has some of the best technical support for creative stagecraft in the New World, and acoustics to match. It’s a small theater by American standards, a plus for the singers and audience alike, and its three-tier balcony makes you feel like you’re onstage when it comes to observing the action. The hall’s still flexible for orchestral and ballet performances by the world-acclaimed Jacobs School of Music students and faculty and guests.
  3. Sanders Theater, Harvard University, Cambridge, Massachusetts. It’s like an indoor version of Shakespeare’s Globe, with plenty of glowing wood all around. It’s a small stage, although the Boston Symphony used to play there in its early days. For us, it’s the home of the Boston Revels’ Christmas productions, first and foremost.
  4. The Meyerhoff, Baltimore. Opened in 1982 in the Mount Vernon neighborhood, the hall is a delight that includes clean sight lines throughout the auditorium and wonderful spaces for audiences before, after, and during intermissions. When I lived just up the street, folks in the know were still lamenting the orchestra’s move from the Lyric Opera House a block away, but I never had an opportunity for comparison.
  5. Symphony Hall, Boston. For many, this is the ideal hall, rich in history. Two-thirds the size of Cincinnati’s, its acoustics are often praised, but I sense it’s a case of the sound onstage, where musicians can hear each other with ease, versus what’s heard in the audience. (Carnegie Hall in Manhattan is a similar situation.) I’m hoping to get back, maybe taking the train down for a Friday afternoon BSO concert.
  6. Jordan Hall, New England Conservatory, Boston.  Having undergone an expensive restoration, it’s a jewel of a historic concert hall. Just the right size for performers and audience alike.
  7. Severance Hall, Cleveland. It’s like being encased in pearls, the best I can explain it. The orchestra’s summer home, the Blossom Music Center, has a similar feel, except it’s in glowing wood and open on all sides – I’ve always heard the concerts while sitting on blankets on the sloping hillside.
  8. The Peristyle, Toledo Museum of Art, Ohio. The open space is more like an Italian garden without the greens. The idea of attending concerts in an art museum leads to other memories, especially Dayton’s delightful hall with tapestries on the wall or Manchester, New Hampshire’s, before the additions.
  9. Akron Civic Theater, Ohio. A wonderful example of preserving an old movie house.
  10. Music Hall, Portsmouth, New Hampshire. A small horse-shoe balcony type house built in 1878 for vaudeville and lovingly restored, it’s home to everything from live music and dance to lectures to classic movies and the Met’s Live-in-HD series.

~*~

Let me add honorable mentions to Mechanics Hall in Worcester, Massachusetts, and Faneuil Hall in Boston. I’ve been inside both and am impressed but have yet to hear a live performance in them.

 

A sampling of my favorite reporters

This post intended to focus on national, even international stars, but I quickly realized how many masters I’ve seen and even worked with the local level.

Here’s a mix of ten.

  1. Hub Meeker: fine arts reporter at the Dayton Journal Herald. I’ve mentioned editor Glenn Thompson before, and he had an eye for talent. Hub covered everything from architecture to opera to even the zoo with his State of the Arts column and daily reporting. His writing shaped much of my artistic sensibility when I was a teen, and I always wanted to have my own column like his.
  2. The Yakima Quartet: Their names slip away from me at the moment, and besides, I couldn’t pick just one over the others. We had attracted four hotshot young reporters who were aggressive and yet soon admired each other’s work. One was even honored one year as the best arts reporter and the best business reporter in the Northwest, beating out the pros in Seattle and Portland.
  3. Jim Gosney: Also in Yakima, he switched from sports, as I recall, and launched a daily column that profiled regular folks who made the Happy Valley a more interesting place to be. It was a harder assignment than you might assume, and he had a knack for it.
  4. David Broder: The Washington Post’s top political writer, he was deeply informed, clear, and a paragon of objective observation. I remember watching him stride tall and self-composed across our newsroom once, and unlike most of the other celebrity journalists, print and broadcast, who showed up with entourages, he was solo. That alone says tons.
  5. Richard L. Stout: Christian Science Monitor writer and author of the weekly “TRB from Washington” column, he was considered the dean of Washington reporters. His coverage of Watergate had an added twist, since he had earlier covered the Teapot Dome scandal. His strategy for the column was to find something to get mad about and then sit down on Wednesday and pursue it.
  6. Mike Royko: A product of the rough-and-tumble Chicago school of journalism, especially the independent City News Bureau, before becoming a columnist for the Chicago Daily News, the tabloid Sun-Times, and finally the Trib. He knew the streets and could be tough, despite his reputation as a humorist. He was also fiercely independent.
  7. Jimmy Breslin: At his best, as in his days at the Herald-Tribune, he was the epitome of the “new journalism” as a columnist who covered live news rather than reflecting on what others had reported. His career had its ups and downs.
  8. Ted Bingham: The opinion page editor of the Dayton Journal Herald, he also researched and wrote the bulk of its editorials. They were short and to the point. The ones I remember, though, were humorous, usually the bottom one of three or four on the left-hand side of the page. These often commented on news that hadn’t otherwise made it into the paper – say the return of the starlings to downtown or the manhole cover thieves in Karachi.
  9. Roger Talbot: He was a master at the carefully researched in-depth article, not that he couldn’t cover breaking news expertly, either. At the New Hampshire Sunday News, he often tackled a fat state agency or legislative report and dug up enough hot material to play big on the front page and then have the rest of the media chasing the rest of the week. It was kind of the approach that had made I.F. Stone famous on the national level a generation earlier.
  10. Jeanne Morris: Another S’News colleague, she was great at researching and pursuing an offbeat front page report that no one else would have come up with. The most creative, as far as I remember, was the one where she took one car to 20 state inspection stations to see how they compared. Somehow, she had to keep removing the new sticker and replacing it, a feat that still confounds me, before taking it to the next shop. Half passed the vehicle, and half failed it, for varying reasons. And then, for a baseline, she took it to the state police garage, where it was impounded for its numerous defects. Her report wound up saving old-car owners and inspectors a ton of grief.

~*~

Well, that’s a sampling. I could keep going on, but it’s your turn.

Who would you hail as a fine reporter?