WITH GRATITUDE FOR THE INSPIRATION

You know the disclaimer, “Any resemblance of the characters to real people living or dead …” Something along the lines of purely unintentional.

But let’s be frank. The fiction is that you can create a character without having someone real in front of you, somewhere in your past or present. No, you need flesh and blood somewhere. Anything else would be a caricature.

It’s a special problem when you’re composing in a semi-autobiographical vein. You’re trying to be true to the dictum, Write about what you know. The details, especially.

(Oh? What, then, makes it fiction? Other than changing a few dates?)

Admittedly, the personalities work best when you take your inspiration and abstract it, so that a real individual would no longer recognize himself or herself – or those who were no way involved will imagine they, themselves, were.

And, by way of further confession, I’ll note that my most recent outings have led me to new characters lacking immediate introductions for me – but I’ll know them when I meet them if I haven’t already come across them here and there in pieces.

But back to the argument at hand.

I have one character, Nita, who runs through four of my five Hippie Trails novels and is a major character in the new one I’m writing, set years later. She was inspired by impressions I had of a friend’s girlfriend – or more accurately, mostly his impressions conveyed to me at the time – as I sat down to draft a half-dozen years or so later. She becomes a catalyst for much that happens around her.

In reality, we all drifted away.

And then, a few years ago, I met her again.

Nothing like I’d remembered. Or the idealized character in my fiction, now infused with another two or three people I’ve met. The lines blur.

I can say this person never did X, Y, or Z, unlike the character. Or that these two worked together on a controversial project or became known for certain accomplishments. In fact, she doesn’t resemble the other one at all, not anymore, if she ever did.

Still, it’s an eerie feeling. Something other than deja vu. Something still spurring gratitude for the inspiration.

For more on the series, click here.

~*~

POOL BUM

“Hey! You! Come here!” Black man, about thirty, in Pitt sweatshirt and Pirates cap, stands at the fence and motions one of the tough talking grade-schoolers over. “I said, Come here! Yes, YOU! I’m warning you, leave my daughter alone. Don’t call her, don’t talk to her, don’t approach her.” He fiddles with his car keys. The kid smirks. “Listen to me,” I suspect he wants to add “you little asshole,” but he restrains. “If I ever hear that you’ve said anything like that again, you’re in deep trouble. Understand me? Real deep trouble. And that goes for my wife, too. You’re to leave them both alone, got that. You can tell your mother what I’ve said to you, I don’t care. You can tell your pa, too. I don’t care. But I’m warning you, hear?”

(The blond brat, walking back to the pool from the fence, smirks to his buddies.)

I’m itching like crazy. This has been going on the past two weeks, ever since the first flea bites. Those are gone now but the itching gets worse. Hellfire. Mites? Fungi? Anemia? Allergies? (WATER! Hot showers or swimming?) Negative effects from the sun? First sunbathing in three weeks: my tan’s faded to half.

Hot shower and soap up thoroughly. No relief.

Much lotion, which I’ve been using for a week and a half anyway.

Iron pills.

Spray, for relief: Solarcaine. Tinactin. Bactine.

Avoid water now. Salute the dad.

Riverside 1~*~

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IN ITS URBAN DECAY

It’s life in the inner city, usually not far from downtown and often in an enclave near the river. High density population, at least compared to the suburbs, and filled with children. Usually blue-collar or poor or a mix of students added in, it’s noisy and lively, even colorful in its urban decay. You can walk to the store or corner bar.

We lived on the second floor and later, a street over, on the third.

That’s where these poems originate and resonate still.

Riverside 1~*~

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MOODY RIVER WINDING AWAY

What may appear to be a lazy river meandering amid its wooded isles deserves consideration and room to run wild.

Passions arise and freeze over. The flow dwindles to rock. Rats run along the shoreline of factory brick at the dam. A few miles on, either direction, the dairy herds gather.

All of it reflecting my soul when I lived there.

Susquehanna 1~*~

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TRIPLE PLAY

Any writer tackling a large work such as a novel or screenplay will need to consider the matter of structure. The easiest way out, of course, is to follow a conventional model.

In fiction that might mean 60,000 words, more or less, spread out over 20 to 24 chapters, typically in a straight chronological order, past tense. For the film, something that would come in a little under two hours. To that you’d add pacing, points of conflict, resolution, number of main characters, and so on.

Sometimes, though, you find that’s not the best way to organize your material.

For example, in its revisions, Promise emerged with three sections, each set in a different locale – Prairie Depot, the Ozarks, and finally the Katonkah Valley. Each one, as it turns out, can be viewed as a novella held together by the central couple, Erik and Jaya.

I didn’t intend it this way. The original version had five sections, for one thing, which I came to feel were simply too unwieldy. The cuts provided what I feel gives a better balance.

Let me also admit to a fondness for shorter novels. Novels, mind you, not simply novellas, no matter how much I enjoy them, as well. Maybe it’s a reflection of my typically crowded schedule.

Still, both short stories and novellas stand as kinds of orphans in today’s literary scene. They should be more popular than they are. An occasional solution, one I’ve enjoyed reading, runs a central character through a set of short stories to culminate in a volume of novel length. It’s a tricky strategy, though, and hard to pull off.

Maybe that’s one more reason I feel a special satisfaction with Promise.

Hope you do, too.

Promise~*~

For your own copy, click here.

THE INVISIBLE FACTOR

In the buildup of national elections, once again a major influence remains the elephant in the room. I’m referring to the legacy – make that plural, legacies – of the hippie outburst, especially in contrast to those on the Vietnam war side of the divide.

The wounds and tensions haven’t gone away. Just look at the continuing proliferation of POW-MIA black flags across the landscape, on one side.

For the other, the lines are much more hazy yet festering. As I’ve been arguing, hippies came – and still come – in all varieties and degrees, and likely nobody ever fit what’s become the media stereotype. With the end of the military draft, the movement lost a crucial motivating force and focusing definition.

Complicating the situation was the distancing many youths on the antiwar side felt when it came to politics. With its support of the military at the time, liberal politics were tainted with outdated Cold War ideologies like those of the conservative side. For hippies, radical was the label of honor. And the Democratic Party base of the left was splintered as its youthful potential allies had nowhere to turn or direct their forces in the political arena.

The horror meant going from a hawkish LBJ administration to one of Richard Nixon.

Fast-forward now to the present American landscape. Gone are the grandparents and parents of many of the now senior baby boomers – the core of the hippie movement versus the older generations. Yet political candidates still tiptoe around many of the reality issues, beginning with marijuana and other illicit substances, as if they’re too hot to touch. Let’s get real. Want to talk about litmus tests?

As we look at candidates, ask where each stands on a scale of continuing issues from the hippie stream. I find it enlightening.

  • Peace and social justice activism.
  • Sexual equality … including abortion rights.
  • Racial equality.
  • Environmental and ecological issues, including the outdoors.
  • Educational alternatives and opportunities.
  • Sustainable economics and fair trade.
  • Spirituality and radical religion.
  • Fitness along the lines of yoga, bicycling, kayaking, hiking.
  • Organic and natural foods.
  • Marijuana reform.
  • Arts and crafts.
  • Community as common wealth, including health care.
  • Labor as a matter of respect and a livable income.

Well, we have Bernie running straight true to the cause. Hillary, more cautiously so. But on the right? Let me suggest being wary of anyone in the pro-war camp who hasn’t served. Period. As for other life experiences?

~*~

All of this returns me to my Hippie Trails series of novels. I’d love for you to come along. Just click here.

 

 

REAMS OF CORRESPONDENCE

She wanted to review our email exchanges from our days of courtship but couldn’t find copies of what she’d sent me. Hoped I had printouts.

I’ve been downsizing, so some things weren’t where I expected to find them. Knew I had a loose-leaf binder somewhere.

Nowhere in my studio, though, the one in the attic. No, not the bookshelves or even the remaining filing cabinets or the knee-high closet under the roof. Nor in the first sweep of the loft of the barn. Not in the drawer of surviving correspondence there, either.

Naturally, I was perplexed.

One more round, though, and I came across a crate of binders. Aha! First one had Quaker letters, back before Internet. Second one, other letters. And then, a three-inch thick binder, our nine months of emails. My first emails, actually. How embarrassing … and fascinating! So long ago, it now seems.

Has me reflecting on how much times have changed, too – amazed, on one hand, how much I actually sent out in the postal system and received in reply. Where did the time come from? And reflecting, on another side, at how much today would be a click and later delete … and thus lost. (Printouts? Too tedious, most of the time.)

Another question even has me pondering how much of my poetry and fiction would have simply been shot off as blog posts rather than tediously typed and retyped, revised and condensed into literature, had another option existed?

If my small-press acceptances letters fill three filing drawers, as they do, the rejections would take up 20 times the space. Where would I put them? Or why?

Now, back to the juicy stuff …

ADULTS-ONLY DISHES

Think of a food a child in your life refuses to eat. Or glance back to your own childhood. Something you, as an adult, now find heavenly as you anticipate that first bite.

I’ve long held a theory that there are certain items that should be made adults-only, you kiddies keep your hands away.

We could begin with asparagus, Brussels sprouts, clams and mussels. Coffee, beer, and wine are no-brainers. Maybe even lobster or lamb or Swiss cheese or spinach or salmon.

What would you add to that list?

EVERYDAY BEAUTIES, IN RETROSPECT

After recently coming across some now-historic Playboy centerfold playmates online – models we adolescent boys worshiped – I was struck by how average they were in retrospect. Not surgically enhanced nor abnormally thin waists nor even fashionably tall, as we’ve come to expect. Even their hair looked like the girls we knew – or dreamed of knowing.

Looking back, let me say it was the smile, more than anything, that got us.

And then, in the midst of the sexual revolution of the hippie era came a feminist rejection of Hugh Hefner’s free-love philosophy, even as events pushed far beyond his now pathetically comic hedonism. Quite simply, he went one way and we went another.

Yes, the glossy periodical was a rich patron for short-story writers and novelists, interviewers, and cartoonists, no matter the reality they were window dressing all along. Still, in many ways, Playboy appeared as a hip rival to the more staid New Yorker. For a while, it was even Chicago versus Manhattan in the realm of publishing.

And then Penthouse and Hustler attacked Hefner’s little empire from the other side of the respectability divide.

Oh, how long ago that all seems!

These days I’m reflecting on the magazine’s admission it can no longer compete with the nudity that’s readily available online for free and its decision to go more respectable, as Esquire did decades earlier. No more centerfold? Wasn’t that the magazine’s identity? What else has been stripped away?

In light of today’s world of publishing, let me say, Best wishes!

Especially considering Tinder and the rest of the new social-media lifestyle.