I tried.
And tried.
And tried.
Damn it.
You never know what we'll churn up in cleaning a stall
I tried.
And tried.
And tried.
Damn it.
Out of the blue, she asks that, not as an interruption to anything.
Believe me, the question always shuts me up. Or down.
Duh?
Even more than “What is the meaning of life?” without platitude or getting pedantic.
Yeah, this is the big day for roses and chocolate and those mood-drenched candlelight dinners. Let’s put it all in some perspective.
So far, I haven’t found perfumes, love potions, or aphrodisiacs on the list.
In no particular order:
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Well, that’s what’s first coming to mind …
As for you?
My novel Pit-a-Pat High Jinks gives good reasons for Cassia’s future father to celebrate once he’s finally met her mother, as he does in my novel What’s Left. She quickly becomes the love of his life, and they’re well matched.
Do you know any couples who were brought together by a sage introduction from someone who knew them both well?
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Just what was I thinking? Was this supposed to be a philosophy class moment? A reflection on time versus space? Or fate versus free will? No wonder the paragraph failed to take root in my novel What’s Left.
History is filled with unique moments when something flashes up and takes hold. Or a singular intersection of trajectories appears in the universe of motion.
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The novel, by the way, has many of these situations, just as life itself does. We just didn’t need to get preachy.
I suppose this just might fit a story about baseball. Or think of football. The great play no fan will ever forget.
There are also those accidents, seemingly chance encounters, like the late-night crash that kills Cassia’s grandparents or the avalanche that claims her father. A few moments one way or the other, and her story would be much, much different.
I was more likely reflecting on those seconds where you have to make a decision one way or another. Say something. Do something. Yes or no. The beginning of a romance, for instance, once you’ve introduced yourself. Uttered the joke that could have as easily fallen flat.
Can you recall a significant moment in your life when something had to happen right then — or never at all? One with no second chances? Please share it! Be bold!
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In the final revision of my novel What’s Left, the voice and direction of the story changed greatly. For one thing, it became much more Cassia’s own.
To my surprise, some of the material about her father lost its urgency or importance. Here was one passage that would be refocused and condensed:
The crucial turning point comes, she says, just before Baba arrives here. Tara’s always defended her own space — what she perceives as her essential freedom — and as long as he could accept that, they could spend time together. At heart, though, he’d require more commitment than she would offer, but this once, knowing he’d be headed to the monastery, the situation forced him to take that out of the equation. He had to admit he had no idea what would follow his cloistered withdrawal from the world, and demanding a commitment he couldn’t return at this time would be unrealistic and unfair. That insight, in turn, gave both of them a rare freedom space to concentrate on the present rather than planning an ironclad future together. We can enjoy the next few months together, at best, and they could take everything at that. It was the healthiest — and most rewarding — relationship he’d had. Neither was clinging to the other.
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When it comes to relationships, individuals can vary greatly in their needs and expectations and what they can provide for their partner.
Would you feel comfortable in a relationship like this? For how long?
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In my novel What’s Left, Cassia’s aunt Nita personally knew three important non-family members in Cassia’s father’s past.
Tara is one she viewed mostly from a distance, the lover who matched him best before meeting Nita’s sister.
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Here’s a longer look, one I condensed in the final revision:
If anything, Tara was a lioness. It’s not just her sunburst of hair. It’s the way she moves and regards the universe. The way she even purrs, when pleased, or growls when vexed. It manifests in an insistence on social justice and rails at power-seeking machinations of any kind, public or private. No, she shares our aversion to anything underhanded or sneaky. But the whole time she and Baba are lovers, she’s far from ready to settle down. She’s searching, even probing, for the direction she wants to follow. What Baba never sees is her underlying anxiety or the ways it’s on the verge of explosion. Still, she opens his eyes and heart to so much.
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There have been moments in my life when I ponder how things would have gone when someone like Tara was finally ready to settle down but I was otherwise engaged.
Personally, what do you think of Tara?
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Why a young female as my protagonist? Fair question. Since my novel What’s Left began as an attempt to answer a younger generation’s questions about the hippie movement, I felt a girl would be more receptive to its issues and sensations. Many girls have, after all, continued the identity, while it appears that boys have largely become more militant or even sullen.
As the novel developed, Cassia’s parents and their values retreated into the background. Far more compelling is Cassia’s own identity, development, and confrontations. Hope you agree.
My new series focuses on Jaya and her evolving awareness. Yoga is part of it, along with career issues and close relationships. She has a richer encounter with the events, I’d say, than Joshua does – there are many points where he’s largely a reactive or passive presence. Ultimately, The Secret Side of Jaya has no parallel in his more limited vision or imagination.
I have to confess the story didn’t start out to be told from her side, but it does feel much more fitting this way.
But I am speaking as the author. Readers and critics are open to their own takes.
Care to weigh in?

As Cassia delves into her father’s photo negatives in my novel What’s Left, she’s bound to come up with a slew of Liz, who became his first lover.
Somewhere there’s also the experimental short movie he made, the one that made the rounds of avant-garde showings. The one featuring Liz’s shimmering breast.
Cassia’s aunt Nita had been Liz’ dorm roommate when the whole thing began. She’d tell her niece plenty, should the kid ask. She’s also a central figure in Daffodil Uprising and Pit-a-Pat High Jinks.
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Romantic love is only one of the options when it comes to emotional spiraling.
Could you tell about telling me of some event that knocked the floor out from under your feet?
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