NOT QUITE SILENT

We speak of silent Quaker worship, though it’s not exactly silent. If I refer to it as meditation, or even group meditation, others may quibble. Let me explain.

First, within the gathered silence of traditional Quaker worship, someone may begin to speak or, more rarely, sing or pray. It’s a response we call vocal ministry, and it’s usually brief. Ideally, it’s a prophetic response, a Spirit-led message that takes the assembled body deeper into the mystery. At others times, the message is not in the stream of the day’s worship, and the sounds can disrupt that flow. In larger or more established meetings, including Dover, the individual rises from his or her seat before speaking; in smaller circles, the Friend may remain seated.

Second, the understanding of meditation, especially from Asian religious tradition, has it being an intensely personal practice. In one branch of Zen Buddhism, for instance, the sitters face the wall and away from the middle of the room. Typically, any physical movement is prohibited, and the practitioner’s focus is increasingly inward, leaving the physical surroundings behind. While Quaker worship demands a similar personal engagement, which we call centering, there is an expectation that it will open into a group experience involving everyone in the room, even if not one word is spoken. Not everyone centers through meditation, as such – some may sit with an open book, others may simply drop into deep reflection; some may sit with their eyes closed tight, while others gaze softly across the room. Whatever the individual approach, the result is Quaker meeting.

Actually, this blending of inward and outward might not be all that far removed from some of the Asian disciplines. There, the period of group meditation itself may run between twenty and thirty minutes, and be followed by scripture reading, chanting, or a lecture from the teacher. In Quaker practice, the first half-hour often – but not always – remains silent, with vocal messages appearing in the second half of the hour.

Still, with or without any words uttered, it’s group meditation, in my book.

I love the simple elegance of old Quaker meetinghouses.
Touches of good design, reflecting care, without ostentation.
How beautiful the wood itself can be, left unimpeded.
Elements we see echoed in the most exemplary architecture of our own era.

ON TURNING SIXTY … FIVE!

The milestone demands some acknowledgement, or at least a hard assessment of my life to date. To be honest, when I graduated from college, I hardly expected to survive past my mid-thirties, and the way things were going, maybe I wasn’t far off the mark. On the other hand, I never anticipated the turns this journey has taken.

For one thing, I rarely thought of journalism as my lifetime career, but rather as a steppingstone to something else. While the field could be exciting at times, getting caught up in the management side of the business took a toll, and the more recent downward spiral of the professional publishing industry in general is downright frightening.

I had envisioned myself either returning to my hometown and writing for a newspaper that no longer exists, or else working in the heart of a large metropolis with its range of concerts, galleries, lectures, and theater, possibly after going back for a law degree. Of course, neither way opened, but the ashram route did. And I, who started adulthood somewhere between agnostic and logical positivist, was now on a spiritual pathway that would lead me to Quaker practice.

As I look back on my adult life, the only thing that has made sense has been this spiritual evolution. Each of the geographic moves, ostensibly in pursuit of a career, actually introduced the next step in an expanding faith and practice. Now my generation is having to move into places once filled by the “mighty old oaks” who came before us – the most troubling aspect being that we are, all these years later, still the younger members of Meeting or, for that matter, much of literature and the fine arts.

The craft of writing has itself has taken its own curious twists within this; while the poetry and fiction have often arisen in the discipline of keeping my skills sharp in the face of the daily grind, and thus have often veered toward the “experimental” side of literature, they’ve also served as a tool for investigating the unfolding experience – something quite different from trying to “create” a poem or story. Examining a situation honestly and directly, rather than trying to be ironic, cute, entertaining, or ideologically correct, is one of the consequences; on the other hand, you’re constantly measured against some standard of innovation. It ain’t easy, balancing the two.

Nevertheless, I’ll confess to a lot of remaining frustration. All of the unfinished work before me, for instance, or the difficulty in achieving successful book-length publication, despite having more than a thousand poems and short stories published in literary journals, at this point, on five continents. On a more personal level, I could look at all of the social skills to be fostered, to say nothing of a round of grandparenting, should that happen.

Even so, as I told my wife a few months back, I have nearly everything I’ve wanted, though it resembles none of what I imagined. The crux here is in being receptive and grateful, which proves surprisingly elusive when we’re in the middle of the usual swirl.

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This is something I wrote for myself at sixty. And here it is, with a few tweaks, five years later. Just as applicable.