EVEN FOR A BUCK OR LESS

Going through our bookshelves the other day, I was struck by how many of my first paperbacks were picked up for under a buck, new. How many, in fact, came in at under a half-buck. These were serious literature, mind you.

Yes, gasoline cost about a quarter a gallon, too, but just compare the impact of inflation over that period. While regular gas now runs up to $4, those fifty-cent paperback titles are now listing around $16, plus – more than twice as much inflation, relatively speaking.

Newspaper and magazine prices have also spiked, for a variety of reasons beginning with the cost of paper itself and distribution.

My concern as both a reader and a writer is that the figures for traditional publishing have simply become too prohibitive to take risks on unknown talent. For instance, I’m very unlikely to shell out $25 for a hardback novel, yet if that title doesn’t sell sufficiently, we’re unlikely to see the trade paperback, which can still be borderline prohibitive for modest incomes.

Public library budgets, meanwhile, keep getting shaved, forcing reductions in both new acquisitions and the staffing and open hours.

All of this means you’re less likely to find a new voice you find personally exciting. It’s all about blockbuster sales for one title rather than a wide offering catering to quirky interests and pleasures. And it’s not just commercial publishing.

Not long ago an official of an academic press related the painful decision they’d made regarding an important history manuscript that would not sell more than 400 copies, according to their marketing research. And so, in the absence of a major subsidy (such as an underwriting grant), the volume would not appear.

Since much of my own fiction falls in the category of “experimental” literature, the response I’ve received from some literary agents and presses has been that the work deserves publication but that it’s not “economically viable.”

The threshold for economically viable, I should point out, has been rising steadily through the four decades I’m reviewing.

I remember hearing the novelist Wright Morris in a televised interview where he said how lucky he was to have a niche following where a press run of eight-thousand copies was sufficient to support him. That’s hardly the case today, especially when the field has been consolidated into two publishing houses handling the bulk of American fiction.

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Even so, hundreds of new novels appear every week, many of them from small presses run as a labor of love. Few of the authors will get any notice, even though some, as I’ve found over the years, are a fine alternative to the cookie-cutter work typically found in commercial fiction. At least the Internet is opening new opportunities to be heard and discovered – and even for readers to pick up a fresh writer for a few bucks once again.

So who are you reading these days you feel speaks directly to you? Or whose style bristles in ways you find delightful? And how did you come across this author in the first place?

Maybe his or her successful niche following is around the corner if we all talk about literature as if it counts in our time. Just maybe.

HAS THEE BEEN REFRESHED?

It’s an ancient question after the hour of worship, along with “Has thee been fruitful?” or “How has Truth prospered?” A related question would ask just what draws each of us to sit in the communal quiet in the first place. On the one hand, there’s a need for relief from the conflicts of daily life – a desire for a time of lightness and joy. But ours is not a religion of escape, and I’ve become quite aware that the quest for social justice is also a central Biblical theme. Some weeks, in fact, we come quite close to “praying the newspaper,” as our hearts carry a world of suffering to the invisible altar.

While we reflect on the world, on one hand, we also examine ourselves in our worship. Maybe it’s impossible, if not just difficult, to be as thoroughly honest with ourselves at the deepest levels as we’d like. A therapist, after all, keeps redirecting the client back to the questions being skirted. Still, it’s important we try. Salvation, including being saved from our own negative thoughts and actions, has a root word related to healing. As I’ve been sitting on a succession of Psalms week after week, I’ve come to appreciate the authors’ growing candor – first, to admit the array of enemies, something many of us might have difficulty addressing – and then, in asking that they be smited or the petitioner be sheltered from their assault, which becomes an act of distancing and handing over the desire for revenge; it’s not, after all, no longer, “Let me smite them!” As we survey the realm of struggle around us, let me suggest that saving the world has a direct connection to saving ourselves, in all senses of the meaning. (I’ve always liked the bumper sticker, SAVE THE WHALES.)

Placing the question “Has thee been refreshed?” within this framework has a dimension of renewal and recharging for the work at hand. It’s for more than an hour, then, isn’t it.

NAMING THE CHANGES

My fondness for mountain laurel goes back to my days of living in the ashram in the Pocono Mountains of Pennsylvania. There, the undergrowth of the forest was filled with these blossoms in season.

Over the years, my own spiritual practices have undergone many changes. Even in a tradition like the one I’ve embraced, seemingly free from the annual routines of a liturgical calendar or outward emblems, there appear cyclical changes mirroring those of the seasons. Cycles, too, like those of progressing from childhood and parenthood into retirement or release. In Salem Quarterly Meeting in Ohio, the session each Fifth Month meant rhubarb in the applesauce. See it as sacrificial and special.

There are times of struggle, doubt, and distrust. Times of whirlwind passion and excitement. Times of discovery. Times of drought or deep winter, relying on what’s brought out of storage. Times of renewal and recharge.

This has manifested as periods where I’ve been able to dedicate significant time to meditation, solitude, travel in ministry, prayer, Bible study, research into history and theology, organizational service, teaching, correspondence, or writing, as well as to regular disciplines such as fasting or physical spiritual exercise (the hatha yoga sessions or even wilderness hiking). Emphatically, however, one would predominate while others would likely be absent or greatly diminished. In addition, they would be strongly impacted by the events of my daily life itself – whether I was single, married, divorced, or “in relationship,” my hours and nature of employment, my friendships and faith community, my driving patterns through the week.

The result of all of this would be a crazy-quilt tapestry or a ricochet trajectory if it weren’t for a spiraling within it. That is, over the years, various periods and interests begin to overlap one another, creating a kind of harmony or accumulated depth. My asparagus bed in New Hampshire has roots in my experience of asparagus along irrigation canal banks in Far West desert three decades earlier. A dog sitting through Quaker meeting here is a reminder of dogs sitting through predawn meditation sessions in the Pocono Mountains, or of the cats aligned on the scaffolding outside the windows, as if they, too, were deep in concentrated worship. I read a particular Psalm and see the passage taking twists I hadn’t perceived earlier.

In my own life, my childhood was filled with natural science, hiking, and camping, each with its mystical visions and moments. Adolescence led into politics, classical music, opera, and writing complicated by unrequited sexual yearning. Without romantic companionship, a Lone Ranger journey. Rejection of existing creed while ensconced in church office was followed by flight into atheism and hippie excess landing, inexplicably, in a yoga ashram with its Hatha exercises and sustained meditation. From there, into Quaker practice, though of the ABC – or “anything but Christ” variety. The ashram lessons were applied here, in circles of deepening prayer life. By steps, I moved toward Christocentric and Plain speech, and an especially faith fervent language. Among the Wilburite Friends as well as Mennonites, especially, I came to wrestle within Scripture while similtaneously undergoing repeated Dark Night journeys and questioning. Turning to therapy, I wondered if anyone could come along with me through all of this. By now I was no longer meditating to get high, or transcend, but rather to center down to the Seed. Here, with all of its committee work, I was engaged in a religion that combines mystical experience with social witness and activism. In a nutshell, then.

Each swirl also stirs up something from before. What failed in earlier marriage or relationships reappears. What has been left unfinished is not left entirely behind. What has been shredded remains to be woven. I heard this opera in its entirety a hundred times. Have I ever heard this note before?

I moved from the Midwest to the East Coast and back before heading on to the Pacific Northwest in what seemed an epiphany but instead shattered amid volcanic eruption and devastation. I left the wilderness for another kind of wilderness, back across the Midwest to the East Coast. The pendulum, as they say. Here, I now see life as both linear and circular – that is, spiraling. The spirit requires flesh, or is it that flesh requires spirit? Seasons include times that are full or overflowing, and times that are barren or dry. I now welcome the questioning that is not hostile is both essential and healthy.

My first spring in the orchard, I expected all of the trees to blossom simultaneously. They don’t. The apricots and cherry petals give way to plums, pears, and peaches. The apple blooms arrive last, when others are already gone.

Experiencing a new place through a full year or repeated years provides a much different understanding than a tourist gets – even one who spends several months there. Relocating requires a year-and-a-half to gain familiarity with the new surroundings – to get beyond the obvious, to establish friendships, to be oriented with the elements one finds essential or special. A favorite restaurant, a woodland pathway or place to swim, a boutique or gallery.

There are seasons for a person of faith, from winter to spring elation and then into fullness, dryness, struggle, or disillusionment. To harvest, perchance. Marriage? Family? Children? Extended into joy, compassion, humility, appreciation – one begins observing and naming.

The turning point in my own journey came when I accepted a new name.

MARIAH WATKINS

One of my wife’s childhood heroes, George Washington Carver, is proof that some of the best mothers never have children of their own. After his own mother’s death as a consequence of being stolen from one slave-owning family and carried off to a plantation, before being bought back – how vile, the entire institution – young George was cared for, first, by the sickly wife of the slaveowner, and third, by an art teacher who directed him on to her own father, a college professor of botany. But most important was Mariah Watkins and her husband, Andrew.

We know very little about this black couple, except for her influence on the boy who emerged from spending a night in their barn. In another circumstance, George might have been shot. Instead, she called out for him to wash up and come inside for breakfast. What’s your name, she asked. Carver’s boy George, came the reply. No, she corrected, from now on you’re George Carver. (The Washington came later.) He lived with them while attending the Lincoln School for Negro Children. She gently instilled a deep religious awareness in him, presenting him with her beautiful, large family Bible, which he used daily for the remainder of his life, and also nurtured a sense of responsibility for the advancement of his own people. Essentially what we know about her comes in the correspondence they continued over the years. (Among the few other bits we know is that she was a midwife who cared for about 500 babies, including the painter Thomas Hart Benton.)

You can also trace the two connections between George and another great agricultural reformer, Norman Borlaug, whose Green Revolution is credited with saving the lives of a billion people.

Indirectly, then, by feeding a single child that first morning, Mariah put into motion events that would feed a billion humans – a miracle overshadowing the multitude Jesus’ disciples fed with those few loaves and fishes on the banks of Galilee.

HOW HUMBLING

Even though I’ve never asked previous clerks how they experienced sitting at the head of an institution founded in the 1660s, I found it humbling. The mere thought of superintending the construction of our present meetinghouse (1768) is overwhelming, as is the faithfulness that led the congregation through the Revolutionary and Civil wars. To think of the succession of mighty Quakers who came here in traveling ministry reflects the history of the movement itself, beginning with Elizabeth Hooton, who first nurtured George Fox in the emerging faith. Dover Friends sat down to worship originally in homes and barns, then in our first two meetinghouses, and finally in the room we know so well.

Visit historic Plimoth Plantation, and you get a taste of what Dover must have been like – already four years old at the time those enactors portray. It’s probably not that different from what the first Friends encountered just 3½ decades later when they stirred up what would become our Meeting. Just think of the differences in dialects and vocabulary. (Plimouth, to represent a population of slightly more than a hundred people, employs seventeen dialects, moderating them enough to make them understandable to modern visitors; Dover was likely no less divergent.) From all the evidence of smoke-filled houses, bitter winters, mosquito-infested summers, this must have been a rough-and-tumble community where Friends required generations to evolve into the sedate image we often treasure.

There aren’t many places in the United States having organizations with such long histories. We know only a portion of ours. Even so, we’ve been entrusted with this legacy, and to fulfill it and pass it on. How humbling, indeed.

PASSAGE INTO THE QUIET

From my earliest days of practicing meditation, I’ve been aware of an invisible wall of resistance or restlessness before passing into the comforting depth on the other side. For whatever reasons, it reminds me of those early experiences of a sonic boom, when planes overhead would “break through the sound barrier” – not that we sense a loud crack of arrival, but there is a distinct change all the same. Maybe it’s an awareness that the air in the room feels different – heavier, like water, is one description. Maybe it’s not that far removed from the ancient Jewish priests who “passed through the veil” to offer sacrifice in the most holy space in the Temple.

My actual experience of meditative worship has also changed, from the initial goal of getting naturally high or stoned – of transcending out of the world – to the present centering down into the essence of life, but the wall remains. Some weeks it’s more pronounced than others; other weeks it’s quite faint. Even so, coming to that point Bill Taber referred to as “soft eyes” worship, where Friends begin removing their eyeglasses, is delicious. Even the clock stops ticking.

Frequency of practice can make a difference. Sitting in meditation twice a day, for instance, generally allows a deeper session than an every-other-week or once-a-month schedule does. Suitable physical exercise, charitable activity, or spiritual reading may also guide the experience. We speak of preparing for worship, but rarely of the unspoken flow within the hour itself. What I do know is how much easier it is to pass through that barrier when I’m sitting with others. That is, as early Friends sensed, even when two or three gathered in the Name.

SEASONS OF THE SPIRIT

To perceive a spiritual journey as Seasons of the Spirit acknowledges how much of it is out of our own hands, like the weather. We yield to the Spirit and are guided by it, to the extent we are faithful. “Which Spirit is thee speaking of?” I hear echoing, a memory of elder Mary Hawkins of rural Ohio before she counseled me of other spirits, such as anger and jealousy and so on. For the record, then, this is what I now call the Spirit of Christ – specifically, the Light and Life addressed in the opening chapter of the Gospel of John. You may define your encounters as you may. My interest here is with an experienced connection with the Divine and a heightened awareness of its manifestations among us.

While everyone talks about the weather, few openly discuss religion. Too often, those who do raise the subject seem unwilling to listen, at least openly, and their arguments are cast along the lines of dogma or creed. Again, my focus is not on what we have been taught about faith, but what we can say about its workings in our own lives. When we can get past the formulaic responses, a discussion of religious experience allows us to search some of the deepest desires and fears of human existence. It can also unleash extraordinary social reform, as we might see looking through history, or be constrained to do the precise opposite.

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To speak of Spirit in this manner requires us to search for the ways it becomes embodied in our lives and our world. That is, how it takes flesh. What is abstract reveals itself in concrete decisions and actions, as well as thoughts and emotions.

A LIVELY CAST

One of our favorite TV comedies has been Little Mosque on the Prairie, a Canadian series about a small, struggling Muslim community the fictional prairie town of Mercy, Saskatchewan. I’ll let those of you in other faith traditions weigh in on the parallels, but I suspect you’ll find each of the show’s characters already existing in your own congregation.

You’ll also see many of the same dividing lines and tensions. Traditionalists versus modernists, for instance, or those bred to the faith versus converts. There are even the basic questions of identity and self-identity or motivation and discipline.

As I look at my own Quaker circles, I sometimes see a line between those drawn to the hour of worship itself and those drawn to the peace-and-justice witness, such as gender and racial equality, global non-violence and fair trade, prison reform, environmental concerns, and the like. Sometimes the difference shows up most sharply in the announcements that come at the end of our period of silence – those who want to leave quietly, savoring the calm, and those who instead urge us to attend all kinds of lectures, discussions, demonstrations, fundraisers, and other gatherings in the coming weeks.

Sometimes the lines even cross.

THERE’S A REASON IT’S CALLED WORK

Perfection: the goal. The end of craft. The essence, completely uncovered. Yet writing is never perfect. Can never be. Not even in its own era, its own place, its own vernacular. So we’re working within a field of potentialities, choosing one aspect over another. Liquids at play. The words themselves will change over time. Energy fields. Northern lights. Sunsets. The mind and flesh, mixing.

Consider a square grid sheet neatly intersected, and then place yourself at the center, where the four quadrants intersect. Take the horizontal line and name it for one continuum, say “highly emotional” at one end and “completely rational” at the other. Now take the vertical line and apply another continuum, say “public” at one end and “private” at the other. As if we could actually measure any such qualities and then scale them on the grid. (We could even consider this as a color field, with white/black as one dimension and red/green or blue/orange as the other.) We could even consider this as a kind of Chinese checkerboard, but stepping outward. The point is, you have to move: to stay at the center produces a muddy gray: nothing unique emerges. The fulcrum remains static and lifeless. As one proceeds away from the center, a kind of balloon or blob may appear on the grid: you’re working somewhere between selflessly emotional and rational, for instance. Or maybe it’s highly focused. In an art – and possibly other areas of life – I see the goal being to move out to an arc from the ends of the horizontal and vertical axis lines – somewhere along an optimal and growing frontier of two qualities. Beyond that, however, destruction awaits. An orchestral conductor, for instance, can emphasize a work’s inner rhythms or its singing lines – or, more likely, arrive at some combination – while counterpoising them with architectural structure or emotional outpouring. The choices determine whether the result is an orthodox repetition of familiar security or an insightful and exciting (and even disturbing) revelation.

So there’s the question of when to stop, on a given piece. When we’ve depleted ourselves. Or when we’ve moved on. Or when it’s more or less accomplished what we set out to do – the less ambitious works having more prospects for success than do those that attempt to soar closest to the sun. Or when the piece moves off into the marketplace, one way or another. Or when we die or grow infirm. Or when we realize we’ve completely missed the mark.

My focus here is primarily on poetry and fiction, although the concepts can be readily expanded outward through all of the arts and probably into a number of other fields as well.

WHAT SILENCE? WHERE?

Yes, we’re called a silent meeting. But there’s silence and, well, then there’s silence. As nuns would tell parochial school students at the beginning of chapel, “Quaker meeting has begun, no more talking or chewing gum.” Who knows where that originated, much less why certain people – such as the priest – might be considered exempt. Let me declare, I know of no authentic silence. Nowhere on this planet! (Outer space, maybe? Deafness?) Even when we have no spoken messages arising in our worship, we still have the pulses of breathing, to say nothing of the clock, with its measure annoying some and reassuring others. Waves of restlessness, late arrivals, and traffic and sirens along Central Avenue, too. In summer, birds and crickets. Maybe a bagpiper at the edge of the cemetery. In winter, the furnace kicking on, children murmuring, a cough or sneeze. A coat crackling as it’s taken off or put back on.

There’s even silent noise arising in stray thoughts. Imagined lists of things to do. Recollections of things done in the previous week or decades earlier. News reports echoing through our minds. Sometimes, rain. Or simple wind. Maybe “stilled” is a more accurate description than “silent” or even “unprogrammed.”

Yes, I’ve heard stories of city dwellers who come to the countryside and are soon troubled by its relative quiet. I have to chuckle, realizing how much they miss. I think of a meeting for worship one May morning along Broadway in upper Manhattan, when I heard little else outside the room but birdsong, countered a week later in rural Ohio by loud farm tractors and semi-trailer rigs. Remember, too, a few Mays before that, when the kids came into the meeting room, saying that the boom heard a little earlier was Mount St. Helens exploding. Their classroom faced the west and the volcano eighty miles away, with its inky squall line soon blotting out the noontime sun.

What we have, of course, is a practice of acute listening, capable of detecting far-off explosions as well as the motions of the heart. What we enter is not silence exactly but something I often find more akin to swimming underwater. Something that can be calming, peaceful, refreshing, renewing, good – as in good to eat, too. Filling. “Has thou been fruitful?” as they used to say.

My description of what we have is QUIETIST worship, rather than “silent” or “unprogrammed.” Hushed, still, clearing, typically peaceful, not showy, and unobtrusive being a few of its earmarks. Though this hardly covers the experience, either.

While Quakers traditionally did not hire preachers, they did recognize individuals who had abilities as lay ministers and others with the spiritual gifts of elders (that is, bishops, within the congregation) and still others whose skills might help the members in their everyday struggles. When Meeting gathered for worship, these “weighty Quakes” would sit at the front of the room, in what we know as the “facing benches.” Somehow, their presence still lingers in the room, sweet as it is.