Maybe it’s not really news but it counts

Heyduck

In my novel What’s Left, Cassia’s aunt Nita writes a daily newspaper column focusing on local people and their real interests. It’s not all that different from CeCe Cobb’s in my earlier novel Hometown News, but Nita’s is far less corny and far newsier.

In Dayton, where I grew up, it was Marj Heyduck of the Journal Herald. Her mug shot on her daily column featured a new hat each week as a signature touch. And in Cincinnati, it was TV host Sally Flowers.

But I can think of others who just seem to know everybody.

Does your community have a local voice? A minor celebrity or just a naturally curious friend of all?

As a zealous professional

so pleased entering my apartment to see everything tight, still in place, no vandals, though the temperature was 89 degrees, apparently the maintenance crew had come in and set the thermostat at 80 to get the radiators going and then left while ignoring repairs to one of those single joy-stick faucets that takes an eight-dollar washer kit to repair, I know, because the three-dollar one I bought had the wrong kinds of springs and plugs and doodads, and none fit

 

Keeping track of a big cast

A multi-generational family tale like the one in my novel What’s Left can lead to a lot of characters, and keeping them all straight can be a problem.

My plot line takes a few twists that minimize their numbers, but when you get four generations over time, it’s bound to create a challenge, no matter how hard you try. Sometimes it helps to stick with somebody who knows everybody, when you’re circulating through the crowd.

When reading a big book, do you have tricks for keeping track of the individuals? Anything you’d like to share?

~*~

Just listen to the melody.

Construction report

behind plaster we rip from the kitchen crumbling accounts of protracted death Floyd Collins 15 days 1925 age 36 Sand Cave Crystal Cave Kentucky as published in Boston, accounting inescapably cold mud and implacable rock when my own parents were first walking, yet this story my mother related as if she were on the carnival rides of its macabre vigil but now we find nothing holding this roof to the walls so much callous indifference riding on the blind arrogance a foolish turn, perchance, or just dumb luck when it comes to catastrophe of course, I remember living on the roof of a cavern down in muddy Indiana

Remarkably, it seems

what’s happened I no longer want to travel or climb the high mountains or is it just all the moves across the continent and back, my years on the road, my commute daily so stretched I’d contract into my nest and grounds for reading or revision, the places I’ve been and people I’ve known so many I want to know my own better . people come from all over the globe to see the landscape I call home

 

Family terms of affection

While walking down the street after finishing a revision of my novel What’s Left, I noticed a vanity license plate with five letters, PAPOU. I smiled, recognizing the Greek for “grandpa.” The car was parked in front of the Orthodox church. Wonder if I know him.

Do you have a similar affectionate term for your grandparents?

 

Seriously, Saul

stuffed in the official portrait how Happy it is Ground Hog’s Day already with its SOLAR SEASON running six weeks ahead of the calendar, thus the first half of spring overlaps I don’t care what some people say, a photocopied Christmas message still delivers So how was the Holy Land?

 

Drawing on strong roots

While my novel What’s Left picks up a generation after the final events in my Subway Visions tale, I found myself needing a better understanding of the five siblings’ roots. That meant going back not just one generation but two in this case.

Have you ever done genealogy or looked into your family’s history? Are there stories you feel would make for good fiction? How about the characters, too?

~*~

Here’s how her ancestry might have looked back in the Old World.

Merrily, Noelle

what news you published, contorting that instant, overcome with discomfort, a whirl as alert as any orchestra as that last confused and perplexing note confirms coyly your reckless addiction to lost causes, frankly in retrospect, it really didn’t take hours to start your obligating my leap without a job I’d subscribe to, oh, yes, the lifeblood we identify when you demand a reply, there simply isn’t enough time in two days for whatever prevented your return to the meetinghouse that weekend