LOOKING FOR AN UNCOMMON GROUND

If you’re part of a faith community, you can ask this about your own circle: What do we have in common? That is, if we were required to write a “confession of faith” (in my case, for our Quaker meeting), what would we profess? What I’m envisioning is not a listing of what we do together, which our annual State of Society Report too easily becomes, but rather what lies under and behind our actions. I know that some Mennonite congregations from time to time draft what they call a “constitution,” although a corporate “mission statement” may also do here. The idea is to sharpen the focus of what a group already possesses and where it would like to go into the future. It’s a way of acknowledging and enlarging on the strengths and dreams of its members. Think of one retailer’s slogan, “Let’s build something together,” with its unvoiced understanding that they’re talking about people’s homes, rather than their investment portfolios, and maybe you get the picture.

I would hope that what we have in common is something other than similar tastes, income, educational attainment, lifestyles, party affiliation, or the like. Perhaps, in asking the question, we can even come to a clearer understanding of what diversity we, in fact, possess, and the potential it offers us.

Answering the question would, I suspect, be far more difficult than we might originally anticipate. On one hand, answering candidly might actually prove divisive. We’ve seen this as we responded to New England Yearly Meeting’s attempt to revise Faith and Practice for the next generation. On the other, delving into the question might also lead us into a clearer understanding of the core energies at the heart of our worshiping community. I recall Caroline Stephen’s amazement Friends can do anything, considering that Quakers are essentially a body of mystics. We’ve heard others compare trying to get us moving together like “trying to herd cats” or go somewhere with “a wheelbarrow full of frogs.”

What I do know is the difficulty of maintaining a witness – even plainness – apart from a community of faith. Community, with its definition of common unity. In the end, it requires far more than strength in numbers. It’s a matter, I’d say, of strength from our hearts.

*   *   *

Now, for my stab at the statement:

Dover Friends Meeting (Quaker) is a body of individuals and families who together encourage and pursue the New Testament goals of simplicity, equality, honesty, integrity, nonviolence and pacifism, and divine love in daily life. At its organizational core are the weekly hour of open, waiting worship in the presence of the Holy Spirit and the monthly meeting for business, both conducted in accord with the longstanding manner of the Society of Friends.

ESCAPE? OR ENCOUNTER?

A comment by Aaron James a few days back in response to my post “The Novel as a Time Machine” has prompted me to rethink my own expectations of literature, both as a reader and a writer. It was one of those elephant-in-the-room moments, actually, in which the most obvious thing can sometimes be the hardest to see.

Quite simply, when he said “a lot of people like to read as a form of escapism,” an alarm was triggered, based on a deeply engrained value from my formative years, the one that derided escapism as, well, unhealthy at its core and essentially fluffy. Looking back, I suspect the message was that escapism had the social relevance of sugar overload or a wild drunken night on the town. You know, it just wasn’t serious enough.

At a deeper level, I suspect the reaction also touches on the lingering historic distrust of the arts from my dad’s Quaker and Dunker roots, perhaps even some from my mother’s mix of Calvinist traditions (never mind Sir Walter Scott), and that’s even before we get to Tertullian and his critique of the “pagan” arts during the formation of the early church itself. You know, it all begins with assuming a role of another’s identity, something that’s simply counterfeit and a lie. (My apologies for way oversimplifying a marvelous line of reasoning. And, for the record, many modern Quakers are fine writers, actors, and artists.)

Still, as I was reflecting on Aaron’s comment, I had to admit how much I enjoy work that crosses from “reality” into a magical realm, one of fantasy or surrealism. I like to be taken places – or, as he hints, be given a sense of travel where exploring and learning are part of the sensation of the trip.

Is that escapism? Or is it encounter?

My inclination is to argue the latter. But does that make for a more rugged route? It even has me thinking about the “diet” we allow ourselves when it comes to literature – do we go vegan, for instance, or kosher, or out-and-out hedonistic? What’s “good” and what’s “bad”? And what’s simply another guilty pleasure?

GETTING FLOCKED

Don't mock these humble birds. They're great fundraisers, as I remarked in a post the other day. Now he's the rest of the story, the one I thought I'd published long ago ... but hadn't.
Don’t mock these humble birds. They’re great fundraisers, as I remarked in a post the other day. Now here’s the rest of the story, the one I thought I’d published long ago … but hadn’t.

At a party one night in our Smoking Garden, a friend was telling about a fundraiser her church youth group had done back in Massachusetts.

“That’s a great idea,” I said. After all, she was a United Church of Christ pastor with all kinds of connections. “UCC,” for short.

Next thing I knew, a big sign and box appeared in our Quaker meetinghouse, warning Friends to buy flamingo insurance. This is New Hampshire, remember, not Florida.

One night after our party, our renowned sculptor Jane and her husband had come home to find her flock of pink flamingos missing from their yard and garden, but a sign stood in their place: “They needed to be quarantined.”

Uh-huh. I was as baffled as anyone that Sunday as we entered the meetinghouse and faced that big sign and its box of warning.

Here’s how it worked: you could donate any amount for insurance, but if someone else trumped that figure by offering more, you could still get flocked. And if you were flocked, there would be an envelope for another donation for their removal. In other words, you could get hit coming and going.

Then the plastic birds – and wooden cutouts – began appearing in Friends’ lawns. Folks living in apartments weren’t immune, either: the birds showed up strung around balconies or in the backseats of cars left unlocked or wrapped around cars that had been locked.

For the most part, it was great fun – even for the police officers called out to investigate rustling sounds in the night. We had no idea who was in on it, and nobody from our Smoking Garden party guest list was looking guilty.

When we were hit, one of our neighbors laughed and explained why she knew we hadn’t selected the birds as permanent decor: “You’re too organic.”

(Ouch!)

The Sunday morning the operation came out in the open, a guest to Meeting told me, “We did the same thing, down in Connecticut.”

“UCC?” I countered.

“Yes, how’d you know.”

“Just a lucky guess.”

So it had been the Meeting’s kids who were keeping the secret, along with a couple of very, very discrete adults. The money we raised went to the Heifer Project. Our children had to decide what kind of animals they’d send to the Third World – something big, like a cow, or something smaller, like a lot of chickens? And then they took a field trip to the project’s New England farm to check out all the options.

It’s a much better story than the one about my ex-wife’s two birds – the ones a friend of hers stole from my yard after the separation.

 Flocked

 our Lady of Pink Flamingos keeps taunting
“Have you been flocked?”

where’s it going, our summer of plastic flamingos?

 poem copyright 2014 by Jnana Hodson

RETURNING TO THE MONET WINDOW

The window I long viewed from my seat on the facing bench in the meetinghouse may also be regarded as an icon or mandala – a piece of art to facilitate the practice of spiritual focus and release. As an image used to settle a person into meditation, the window is hardly static. I’d settle in and close my eyes, as usual. At some point, though, I’d open them, softly, gaze around the room and then the window. Where is my heart today, truly? Where are my emotions? Let my thoughts still, for now. One looks out, to look within.

I recall another Friend, Randy Kezar, who once proposed photographing the view from another window in the room. His concept was to shoot the same scene from the same spot, at the same hour every Sunday for a full year. The record would show the small wooded slope blooming and in fullness, autumn color, snowfall and melting. Sunny days and rain. Glimpses of the city cemetery beyond.

On most Sundays after that, I would ask myself which artist best related to the scene framed before me. It turned out to be quite a collection.

And then there was that one April morning when I realized the visual quality of the air itself had changed. We’d crossed out of winter and into the light that accompanies summer. In the coffee hour afterward, a former TV producer told me of the ways his cameraman had to have the film adjusted to accommodate for this change every spring and again every autumn.

Just as telling was that one morning in May when I was struck by the hues of green and blue in the window and saw what resembled a Monet painting. While this was not a reference many of the earlier Friends in the room would have acknowledged or accepted, it definitely was one I could … along with most of the others present that day. The view in that color continued for three weeks but has never returned quite the same.

If I watch my own window hoping for a return of the Monet experience, I can too easily miss what’s present.

AN ILLUMINATING DIALOGUE

I’ve suggested meeting with some of the historic Friends sitting on our meeting library shelves, and mentioned the possibility of finding one or two who converse intimately with you, usually in the English of another era. (I’ve seen this happen rather frequently, even if it takes time to find the unique voice.) In this sense, one or two may become timeless companions in your inward growth. Or maybe an old Quake is simply a mentor along the way.

Knowing them can also help us as a PEOPLE of faith. Their range of experiences and concerns provides insights into other streams of Friends today, as Dover Friends have found in our relationship with Cuban Quakers. It also gives us a basis for renewed dialogue on everything from worship and teaching to outreach and social justice issues. We quietist Friends have as much to learn from Evangelical Friends as they do from us – even as we explore our branching out from the same powerful roots.

I’ll leave this for now, saying only that in digging for Quaker roots, it’s possible to find yourself jolted, like grabbing onto a live wire. And who knows where that will lead.

*   *   *

Now, for an update. For ease of convenience, let me point you to overviews of these earlier Friends, all at my As Light Is Sown blog:

MEETING WITH HISTORY

Some have observed that Friends look to their history more than most other denominations do. They say a group that lacks dogma, creed, or liturgy will by necessity rely on its tradition for its guideline and authoritative reference. Well, maybe so. After all, to function as a Society of Friends, we need a common language that enables us to convey our diverse experiences, insights, desires, and needs in ways that knit us together. English Quaker Caroline E. Stephen (1835-1909) was amazed that any group of mystics could actually operate together at all, yet Friends do – and have. Eventually, I think, that functioning becomes part of the attraction early Quakers, especially, extend to us.

While much can be learned by exploring the history of Friends, there’s even more to be gleaned by uncovering a historic Friend who resonates especially with YOU. Sometimes these appear in the published journals, which relate inward and outward journeys through life (a gem may pop up in the middle of an otherwise tedious stretch of travel). Other times, they’re in memorial minutes, letters, or tracts. Sometimes, the words of an obscure Friend begins a lifetime dialogue. Ask around meeting, and there will be many suggestions. Or simply delve into the meeting library (the leatherbound collection holds many surprises, too).

In my experience, I can say that in actively invoking these ancestors, we cross a point where they’re no longer quaint (that nostalgic view of the smiling Quaker Oats man or people in some country meetinghouse) but instead astonishingly revolutionary. Their struggles and discoveries may suddenly speak to our own, even if what erupts is a loud argument – like the one Lewis Benson and John Curtis had in the mid-20th century before concluding that George Fox meant exactly what he was saying, scriptural citations and all. To speak of walking cheerfully in the face of brutal oppression and imprisonment is startling – and a starting point for transformation. It’s beneficial, too, when we discover we don’t need to constantly reinvent the wheel in our practice of faith, but also disconcerting when we realize how much of the work they began remains for us to continue. At least they stand ready to help us.

COMPOSTING AS PRAYER

One of my annual rituals involves emptying the large compost bin as we prepare to enrich the garden for our new plantings, and then refilling it with layers of collected leaves (bagged by our neighbors, especially, each October), a winter’s worth of kitchen garbage, and bunny-cage hay and its prized pellet-manure. The production of “organic matter” to counter our clay soil is also part of our battle against what my wife calls Dead Dirt Syndrome, and it’s been a wonder to observe progress over the years we’ve been at it.

The Apostle Paul has exhorted Christians to pray without ceasing – an impossibility, as we know – yet as I lift forkfuls from the big bin, reline its sides, load and unload the wheelbarrow, I often find myself entering a prayerful zone of reflection. First, there’s the reminder that humus – the stuff of compost – and humility are words sharing a common root, and that both are nurturing elements for life. Then there’s an awareness of our essential abundance – all the meals we’ve enjoyed; the reality that children in America are familiar with tastes that kings in earlier times would have never imagined. We haven’t gone hungry. In fact, there’s so much waste to lament, a resolution to be more frugal or attentive, and then a sense of contrition knowing that we’re still putting this to work rather than tossing it out to the local landfill. Soon I’m appreciating the stages of transformation as I observe how matter breaks down into something resembling potting soil – rich, dark, soft. But I also know this always requires patience and will go at its own pace, no matter how I might try to rush it.

I’ve learned to watch the stages of change, too. That period when the pile begins steaming and its interior reaches 140 degrees or so. Followed by that period when the red wigglers (or is it wrigglers?) appear and proliferate. My buddies, reducing the leaves and hay and newspaper and cardboard and garbage into finished compost. You could view them as angels, arriving from wherever to bless the home and garden. At least I do. Yes, gratefully.

Already, as the compost pile thaws, the Cadillac of worms is digging into work. A happy sight, indeed.
Already, as the compost pile thaws, the Cadillac of worms is digging into work. A happy sight, indeed.

SPIRITUAL ENCOUNTERS FROM THE HIPPIE ERA

Nowhere do we see a bigger before-and-after contrast of the hippie impact than when looking at mainstream religion in America.

The idealized smiling family of father and sons in suits and ties and mother and daughters in their hats, dresses, and heels – maybe even with gloves – was once a common image with the church and steeple in the background. But that has become a rarity, and even at funerals and weddings the dress is likely to be casual. Intact families are a minority – weekends are often custody matters – and going to church or temple is a low priority.

Before we blame it all on hippies, we need to look at other influences from recent decades, including the elimination of blue laws, and the expansion of weekend job demands and children’s soccer leagues and the like.

Still, I see a few glimmers where the hunger many hippies felt for a spiritual connection has taken hold.

First is the practice of meditation, which is no longer considered exotic. Even health providers are urging people to turn to it daily, maybe not as a religious pursuit but at least for letting go of some of the daily stress.

Second, yoga studios are everywhere. It may not be with the strong spiritual teaching I feel is essential, but it is another way of opening ourselves to inner awareness and peace.

Third is a recognition of the feminine side of the holy, including the Jewish and Christian traditions. For that matter, think of all the women pastors and rabbis now found across the continent. Others will point to Native American, Wiccan, and other teachings with feminine components that now proliferate.

Fourth is a sense that faith is not an obligation, to be performed as a social requirement, but rather a relationship that includes hands-on, sensory experience. As the axiom went, “If it feels good, do it,” extends to religion this way.

As a fifth facet, I’ll point to outdoors encounters with their Transcendentalist streak. God, as you’ll be reminded, can be felt keenly when you’re close to nature.

Look closely and you can see the hippie influence working. There’s a desire for community and caring, on one hand. And the mega-churches with their rock-concert emotions, on the other, as well as the praise songs with their repetitions function more like Hindu chanting (kirtan) than the motets and hymns of Christian tradition.

But there are also examples of shoots gone astray. I keep thinking of Jim Jones’ Peoples Temple and its cyanide-laced Kool-Aid, especially.

As we kept watch in the ashram, the warning was this: “You’re on a false trip.” No matter how exciting it might have felt at the moment, there was always the danger of ego-based excitement rather than a deepening surrender to the Holy One.

For me, then, the most crucial part of the legacy is in having a circle of others committed to the practice, to encourage one another and keep each of us on course, as best we can. This form of discipleship is rather communal, actually – and far from what I saw growing up in the pastor-and-sheep model.

So what are your spiritual encounters these days? And how’s the “inner hippie” responding?

OF MINISTERS, ELDERS, AND OVERSEERS

Traditionally, Quaker meetings recognized and nurtured individuals who had spiritual gifts as ministers, elders, or overseers. These roles could be filled by men or women, and their service extended over the entire congregation.

A person who offered vocal ministry during worship might be designated as a minister, if the messages were considered theologically sound. Because a minute would be drafted and approved in the meeting’s records, the individual would be known as a recorded minister.

Elders were those who held the ministers and ministry in prayer through the service. In other traditions, they might be called bishops, except that in Friends meetings, they function within the congregation, rather than over it. In the novel, Miz Lil and the Chronicles of Grace, Miz Lillian Leander upholds this role, even though her Lutheran denomination might not recognize its importance.

Overseers were individuals who were skilled in sensing the needs of others and in knowing how to respond. They were the ones who could transform the meeting for worship into a community of faith or a people of God.

After the painful divisions within the Society of Friends in the 1800s, these distinctions typically fell by the wayside. For quietist Meetings, there was an increasing aversion to hierarchy, especially one where ministers or elders might be appointed for life; other Friends, especially those west of the Appalachian Mountains, moved progressively toward services led by a pastor – someone who was often expected to embody all three gifts.

Still, the work’s there to be done, by somebody. Some forms, I’ll argue, work better than others.

HISTORIC UPDATES, CONTINUED

As I said at the time, so long ago now …

No changes on the love-life front. Maybe I really don’t have the time or energy these days to invest there. Just too much going on with the writing and publishing – plus the Quaker responsibilities as clerk of Quarterly Meeting (which is something like being bishop of New Hampshire congregations would be in some other denominations).

Besides, am trying to be careful this time not to connect with my previous patterns – a radar that seems to pick up on emotionally troubled romantic partners or seems to draw them to me. Important thing is to keep myself nourished and centered. There are, however some encouraging new friendships, including those arising from a local poetry group (the “Prozac Poets” meeting at Barnes and Noble) and a weekly open reading in Concord. Will be the “featured poet” at another, which raises its own set of concerns: do I basically read from one extended series or period, or do I instead select a sampler from the past thirty years? Any suggestions?

Am leaning, at this point, toward opening with a Hindu chant that’s supposed to be efficacious at warding off tigers and poisonous snakes and closing with a wonderful quote by William Penn, a piece that wasn’t written as a poem but certainly works as one and points toward both Walt Whitman and Greenleaf Whittier. After the opening chant, I would say a few words about poetry arising in the sacred, which includes sexuality and even the more successful sacrilegious efforts, then go into a long piece, “Flight With Sun and Moon,” from the early 1970s. After that, I anticipate a grouping of five micropoems to change the pace, then maybe three sections from a longpoem, Recovering Olympus, followed by five more micropoems, leading into three to five pieces from one of my more recent “Police Blotter Love Poems” series. I would then end my own work with a five-page piece from Maine, addressed to my favorite poet and the influence he’s exerted throughout my own moves during the past three decades. Guess I’m just thinking aloud here. Sound reasonable? Like all good plans, it’s subject to a slew of revisions!

Yipes, it’s time to run already. Another Tuesday, the last day of my “weekend,” and the sun’s just set (well, it is late afternoon) – need to get something to eat before running off to a poetry reading. Some good stuff being done around here, as well as the usual dross.

Am looking forward to all of those pictures you’re promising in your always scintillating ‘zine. And no, no way are you what they accuse. You’re a poet, remember? But you already know that.

Oh boy indeed!

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