within some perspective, the past and future as an hour-and-a-half chat in part about her new love or lover, how could Squirrel not be pained trying to separate truth from layers of self-deception making him wonder if she’d ever seen him clearly as he was after all moving into other circles as one eligible male the single women had their eyes on yet what shock he realized later seeing how blinded he’d been, his heart solely on her, the news coming amid gossip of that “intimate little dinner that breaks things off” where he heard, fourth party from a third, “first, pour me something stiff” and salty as teardrops running for miles while most really do want nuts, no matter what they say

The gap between well-crafted prose, especially fiction, drama, or comedy, and the art of poetry has long tempted  and then eluded writers. The definition of poetry as “slow prose” further complicates the issue, I suppose, although some see that end of the spectrum as limp verse – many elements make poetry, after all, and can take a piece far from simple conversation or logical progression. Just because something is structured in broken lines doesn’t raise it to music.

Well, that does point to the appearance of rap as standing somewhere between poetry and fully developed music, rather than chanting or a rhythm section … and opera did emerge out of an attempt to recover the tonal nature of ancient Greek language.

So the possibilities of the genre of prose poems stand as a provocation, and the trials can fascinate. As a rule, I’ve found shorter is sweeter – around a hundred words, max, lest you start writing paragraphs and the piece at hand lose its energy.

This year the Red Barn will be presenting a prose poem each Saturday, drawing on a collection published in 2018 at Thistle Finch. I am grateful to the editors of the following journals for giving some of the prose poems their first airing: Bounce Is Bard, Crack the Spine, Jerseyworks, Ray’s Road Review, Red Coral, The Screech Owl, The Singularity Review, Souvenir Lit Journal, Subliminal Interiors, and The Vein.

Most of them arise from correspondence in my years before relocating to the New Hampshire seacoast and thus represent events now somewhere back in my foggy past. The persons they’re addressed to in these whirlwinds are abstractions, more than actual individuals. What I do know is that I could not create these works today, my outlook is so different.

I hope you enjoy them.

and so having examined his cards she shot off fireworks from a waist-high bank of snowy night bottle rockets, the progression silence – whoosh – bang! in some bereavement overcome by momentary pyrotechnics in a furtive event, just once and it’s over who knows how she added fractions to appropriate repeated waves of painters, musicians, singers while he saved five years for some overcast studies prowling the night trajectories into hooting night forest only to detect he has zero bearing as a nightmare impostor posted KEEP OUT and call it quits, entering darkness Better luck next time