Tag: Poetry

ARID SHADOW

~ Jnana Hodson ~ 1 Comment

The conditions that created the desert where we lived created what was sometimes called a “rain shadow.” It was ironic, actually, considering that we got far more sunlight by living on that side of the Cascade Mountains than if we’d been in, what, the rain glow?

Sometimes, though, it seemed to dry up all of our emotions, too.

A journey into the murky places of endless fog, mist, and rain, in contrast, could do wonders in the soul.

~*~

Olympus 1For a free copy of the complete American Olympus, click here.

A SECLUDED COURTYARD, IF YOU WILL

~ Jnana Hodson ~ 1 Comment

I’ve already mentioned it, the patio-like space beside the barn where we grill and dine through the summer. The place we call the Smoking Garden.

Originally, I envisioned it as a haven for the kids’ grandmother to sit with her cigarettes, but she never used it. Preferred the porch to the barn, if anywhere.

We inherited the arrangement when we bought the place. A couple of thick maple branches had to be removed, since they were blocking any passage at chest level. But the round fiberglass table was already in place, with pea-gravel on the ground and three adjoining panels I’ve since cleared and planted.

Now we’ve added tiki torches and twinkling Christmas lights overhead, plus the hammock.

Pour me a glass, please. Turn up the music.

~*~

 let me praise the secluded outdoor corner
as part of an urban dwelling:
a patio or deck
(my last apartment lacked one)
the courtyard with a fountain
a large porch or gazebo
at the least, a place to sit
or, better yet, cook
any place close enough to the kitchen
with a degree of privacy and a view of something

Poem copyright 2015 by Jnana Hodson

THE SCYTHE

~ Jnana Hodson ~ 2 Comments

Our first spring in the house, we discovered that our lawnmower wouldn’t work. Maybe we wouldn’t have been able to use in it the Swamp anyway, considering how wet that side yard can be. By the time the mower was back, though, the Swamp had gone wild. Waist-high with growth.

That’s when our elderly neighbor, Ernie, told me he had a scythe, offered to lend it to me, showed me how to cradle it and cut, and just how sharp he’d honed it.

So off I went. He was right, there’s a trick to using it right. But it’s work, all the same. Hard work.

So it’s something I’ve now done once in my life. And, hopefully, never again.

Yes, there’s good reason weed-whackers have taken over.

SCYTHE

 in the meantime, waiting to refurbish
the red cobwebbed mower my wife salvaged
from her first marriage. The plot grows waist-high
and matted until our elderly neighbor extracts
a scythe from his garage and demonstrates its use

after which I vow, “never again!” while admiring
its hungry edge and once commonplace muscular skill

yes, before I get a functioning lawnmower
the swamp erupts in waist-deep weeds

on its far side, elderly Ernie laughs knowingly
before lending my his scythe
and demonstrating its use

“just call me Scythemaster”
my girls are instructed
watching me rock the cradle

oh, then, do I ache deeply …

poem copyright 2015 by Jnana Hodson

 

TAKING WHOSE TIME?

~ Jnana Hodson ~ 2 Comments

Got a rejection letter last week. All authors, and especially poets, are used to them. What was striking for me was that I hadn’t sent off any hard-copy submissions in the last three years. Repeat, THREE years.

As I’ve explained, a while ago I shifted over to online-only submissions as a consequence of much higher acceptances that way and of simplifying the difficulties of trying to maintain duplicate sets of files. (One for online, and a duplicate for hardcopy.)

So it took the editors of this particular journal more than three years to decide? What’s their problem? No wonder they’re feeling swamped!

This also touches on the issue of exclusivity in sending out work for publication. In the old days, meaning when I started, you didn’t dare send your work simultaneously to different periodicals. It was more a kind of serial monogamy. Or serious business.

Although the hard-and-fast requirement started melting, I stayed with exclusivity more as a matter of keeping track of what was out where – but I did keep an unmentioned caveat: after six months, if I’d heard nothing, it was fair game to send out again. In more than a thousand acceptances, I don’t recall more than a half-dozen cases where this became a problem.

Suppose I could look up the five poems to see if they’ve been published elsewhere in the interim, but frankly it’s not worth it.

You might have even seen them here, at the Barn.

OVERLAPPING TIME AND SPACE IN NEW ENGLAND

~ Jnana Hodson ~ Leave a comment

When my private-time writing returned to poetry shortly after relocating to New England three decades ago, my attention turned to this unfamiliar place where I was now living. Quite simply, it felt much different than any of my previous locales, and the spirit of specific locations has always been a central concern in my literary ventures.

My personal writing has often been a way for me to assemble thoughts and impressions. In many ways, it’s the way I work through a problem or gain focus on an issue. So when it came to the exercise of looking at my new environment, I soon envisioned a set of poems along the line of a monthly almanac or even a calendar of words rather than color photographs.

I’ve long had a fondness for those large monthly calendars anyway, and by the time I got serious in pushing the almanac, I had a good selection of images to draw from as additional inspiration. Just what images does the region conjure up, anyway?

That’s when New England’s famed Winged Death headstone engravings came into play, and each month began to compress the overlapping centuries this corner of the United States embodies – more so than other parts of the nation, at least.

Winged Death 1New England also has a strong tradition of authority and dissent. The Puritans, after all, came to these shores in their dissent from the Church of England, and Samuel Gorton, Roger Williams, Anne Hutchinson, and their followers in and around Salem, just north of Boston, were soon challenging the Puritan hegemony before being banished, in waves, to Rhode Island. Early Quaker firebrands were soon adding to that upheaval, and that’s included in my spiritual legacy.

What emerged from all this is a craggy, even Baroque, collage that reflects the evolution of the Yankee character in its landscape of harbors and mountains. It’s now available as a free PDF as my latest Thistle/Flinch edition. To read more, click here.

FEED THE BEARS NO MORE THAN YOU MUST … AND THAT GOES FOR MOOSE, TOO

~ Jnana Hodson ~ Leave a comment

There are good reasons, of course, for the resemblance between bears and people. But it’s smart to respect the difference.

Still, they have their role in the poems of my In a Heartbeat poetry volume. As do moose and whales.

Here's the cover.
Here’s the cover.

This 35-page echapbook is available free from the Barometric Pressures author series at Kind of a Hurricane Press. The trail to your own copy opens here.

JUST PAGES APART

~ Jnana Hodson ~ 1 Comment

As I said at the time …

For me, writing means watching my own shifting mind while opening myself up to all the living energies around me. It means simplifying, following unexpected leadings and openings, sometimes to dead ends, other times to unanticipated ranges. Some time ago I discovered that to write poetry I had to be sitting in meditation every day. And later, I found once a week would suffice.

If ego is an ever present trap, the practice can introduce repeated humbling. As do the rejection slips.

Detachment: who wrote that! And when? (The surprise of rediscovering your own work five or ten years later. Who wrote that, it is so incredibly fine! Or: Who wrote that piece of tripe? I’m glad it never saw publication. Sometimes only pages apart.)

And then the piece goes its own way: a living organism: readers, editors see it differently from you. What you would cut they love. What you love they see as sore thumb.

What we’re most fond of is likely to be what bothers others the most; what we’re about to toss out in the next revision may be what is most effective with our readers. (Point raised, I believe, by Joyce Carol Oates; true to my experience.)

As critics of others’ work: harshest, at times, on those whose work is most like our own! Too much mirror? Push ourselves as far as we can, coming to a point where we no longer know if a piece is any good or not only that we’ve done everything in its pursuit that we possibly can at this period in our life.

Prophetic practice: light in the wilderness.

The dilemma of arts/responsibility/spirituality brought into focus by looking at something like the Florentine court of the Medici: High Art interwound with brutal political/economic force. (Throw the man out the fourth floor window; nowadays, we have helicopters. How exquisite.)

The dilemma of the news photographer: Should I save the victim and lose the opportunity of taking a great photograph? Or should I be “professional” and observe the world as an outsider? This holds for all artists: at one point are we being selfish in our pursuits? At what point is our solitude essential for the well being of all?

Into solitude / the Silence / the Holy Now, as Thomas Kelley phrased it.

At its core, I write to discover / remember / connect / distill.

In my writing I collect – that is, bring myself back together. More and more, I think on paper. I write to find what is under the words and phrases before me. Go deeper, and then wider. I write to listen. Eventually, I write to sing.

REGARDING THE THREE-FINGERED MOUSE

~ Jnana Hodson ~ 5 Comments

I’m inclined to agree with Bukowski in blaming Disney (with all that “happy, happy, happy”) for America’s problems. Or even the world’s. Not that I’d agree with his solution for escaping them, meaning cigarettes and the bottle or a barroom brawl and violent sex.

You see, I’m uneasy when it comes to “happiness” as a goal or a life’s purpose. There’s too much suffering and oppression around us, after all, and no spiritual unity with the universe can exist by denying that. Still, that’s not to argue we need to be pulled under with its negative impact.

As for “fun”? I see that as a self-defeating destination. Its flipside, we should note, is boredom.

Joy, however, is another matter. It’s central to the message of Jesus, as the 16th chapter of John makes clear.

To that we could add bliss or contentment, not in the sense of denying the upheavals and evil of the world but rather in the dimension of accepting a personal inner peace that allows one to labor in furthering the Kingdom of Heaven on earth.

For me, this means learning to be more loving, and that’s a never ending challenge. It’s quite different from being giddy or depressed or self-centered or even blaming, gee, I was at the beginning of this post.

Oops! Back to Square One, once again.

BRUSSELS SPROUTS & LETTUCE (INCLUDING UNDER PLASTIC)

~ Jnana Hodson ~ 9 Comments

Some vegetables turn sweeter if you leave them in the garden after the first hard frost. The Brussels sprouts and kale are good examples.

My wife’s best friend and I are the ones who love the miniature cabbages, and that’s led to a tradition at our Thanksgiving and Christmas dinners, regardless of whether we’re all sitting down to eat at their place or ours. Yes, like me, she’s especially fond of the sprouts, any way they’re served. So here’s looking ahead, with anticipation.

BRUSSELS SPROUTS ETC.

out in the garden, I use an ax to dig out Brussels sprouts
from under two feet of snow
for Christmas dinner

and maybe some kale
to boot

 poem copyright 2014 by Jnana Hodson

A LITERARY CREDO

~ Jnana Hodson ~ 1 Comment

I read – and write – not to escape the world but rather to more fully engage it. So literature for me hardly falls into the Entertainment category, even when it’s entertaining.

Likewise, my goal in the written word is to perceive some basic or essential connection with new clarity, understanding, and compassion.

This makes a world of difference, page by page. Maybe I’m just looking for holy scripture, even of a secular sort. Or at least the Holy One along with the mundane.

Often, my approach to writing and other fine arts resembles the essence of a dream – one foot in the present, the other in the past. Or, in another way, one foot in concrete reality, the other in fantasy of some sort, such as surrealism, as a way to engage more than I’d otherwise apprehend.