Just in time for the new political season

My series of polemic political poems – they’re not exactly protest songs, but I wouldn’t complain if they were – has moved from Thistle Finch editions to Smashwords.com, where they’re now available in a range of ebook formats, hopefully for a wider readership.

In the transition, the poems are now presented in a single volume rather than six shorter chapbooks.

These blasts of alarm and rage, 1976-2008, are an emotional mirror of events leading up to today, a not-so-distant past that’s been intensifying toward devastation. Let them stand as a call for personal honesty and engagement, too.

Take heed, if you will.

For me, this also presents the excitement of my first book release since September/October ’22, when Quaking Dover appeared. It comes with an admission that these poems are largely spontaneous, as in combustion, and sometimes sophomoric. I’ll ride with that, considering the fervor of adolescence, including ambitions.

While the poems are rooted in recent history and its headlines, they’re more pertinent than ever.

Having originally appeared as six short chapbooks, this collection is now available on your choice of ebook platforms at Smashwords.com and its affiliated digital retailers. Those outlets include the Apple Store, Barnes & Noble’s Nook, Scribd, and Sony’s Kobo. You may also request the ebook from your local public library.

Please take a look.

Vincent Katz and my little red journal

When I set about planning and packing for a week on the water last year, I knew I wouldn’t be bringing my laptop. The electrical power on the schooner was mostly from some powerful batteries and two small solar panels. We could charge our cell phones and had small lights in our cabins, but that was about it.

I did pack a Paris Review and a Harper’s magazine, should I feel like indulging in reading, but the heart of my “literary” life focused on a small red journal I had picked up a year or so earlier plus a few printouts of Vincent Katz poems that set a direction that has intrigued me.

Katz, like his father, the American painter Alex Katz, can look at mundane things in a seemingly flat tone that feels seminal.

Consider the line, “I wish I lived here but I do live here,” from “Francis Bacon.” It’s a feeling I know.

As he says in “Back on 8th Ave.”:

The job of the poet is not easy:
be utterly observant, tracking,
and to note down, in plain language,
with minimal emotional distortion,
what s/he sees.

 

For me, it had been ages since I’d sat down before a blank page and started off without any idea of where the words would be going. My usual journaling at least has a calendar full of events to catch up on, plus notes I’ve scribbled out, maybe even emails. And my more public writing has been things like this, with a purpose.

My goal was to fill the little notebook in a week. Quality or substance was not the measure. Just look and listen and try to be very much in the present moment.

It was a harder assignment than you might think. But it did provide much of the text for many of the posts you’ll be seeing this year.

Here are a few samples of what I entered:

looking for the obvious can be a challenge

 ~*~

Yellow house
behind a brown one
on a hill
flagpole and staircase
down to a wharf

the dreadful verses
you attempted
page after page
of aspiring youth
reached and fell

that stuff now is flatter
but more secure

likely no more profound
or less

don’t worry, Jnana, nothing’s happening
you’d think I could fill this small notebook with drivel in a week
but I’m halfway short

I did end the entries

[to be continued]

Hopefully, on an upcoming cruise in late summer.

Time in the creation of poetry and much else

Robert Bly once said that to write a line of poetry requires two hours. Not so much for the actual writing.  Not even for the inspiration. Though certainly for the revision.  As well as compression and redistillation. And more revision.

His estimate, to me, seems quite optimistic.

I’m thinking it can be applied to many more examples of where human creative action is involved, too.

Go ahead, name one where you wish you had more time for the project.

When a painter writes poetry, too

I love the idea of artists who are inspired by other artistic fields. Too often, alas, they’re stuck in their own genre.

The term for what I’m discussing here is cross-disciplinary.

For example, I’m primarily a writer, lately of fiction as well as a poet, but I’m moved most intensely by classical music and then opera, jazz, folk, film, theater, and yes, painting and related visual fields. And I consider myself essentially a visual person?

Maybe you get the idea.

So a few months ago, I got news that a friend now living in California had a new book, Roots, Stones, & Baggage, and I assumed it was a catalog for his most recent gallery presentation. He is, after all, a marvelous painter, still active in his 90s.

What arrived in the mail was mostly his selected poems, revealing a whole other side of himself. They’re good, by they way. He respects craft. And there is a sampling of his paintings over the years, too.

I remember his reply during a Q&A at his gallery show opening at the Ogunquit Art Museum in Maine when he said he understood Blake’s poetry, something that left many dumbfounded. Think of understanding as gut-level rather than legalistic, OK?

The new booklet’s worth getting even for the wonderful introduction by his son, the celebrated novelist Jonathan Letham.

And the poet slash painter in question is Richard Brown Letham, still going strong.

Dipping in glorious waters

I haven’t written a real poem
in at last a decade
prose, especially fiction, has taken the fore
plus relocating to a remote Maine island
do I even consider the photography

How else do you think
other than by talking to yourself even silently
or through the fingers or feet

I’ve long preferred instrumental music, abstract
or airs in languages I don’t understand
and usually forget the lyrics and lines in scores
I’ve sung in concert

So I was swimming a half-mile a day
before the pandemic but haven’t been back
in deep water, fresh or surf, indoor or out till today,
my first venture in a little-known river pooling
too rocky for laps but perfect for extending myself
in the familiar chill under a cloud-strewn afternoon sky

yes, it’s glorious and refreshing
in a way I discovered my first year after college
in hippie abandon or the New England coast
and Dover’s Olympic pool later
it’s the sunlight and breeze
stretching above, around

a call to attend to my rooting as well
in meditation, prayer, Scripture, favored poets
all as seemingly impractical