I love the idea of artists who are inspired by other artistic fields. Too often, alas, they’re stuck in their own genre.
The term for what I’m discussing here is cross-disciplinary.
For example, I’m primarily a writer, lately of fiction as well as a poet, but I’m moved most intensely by classical music and then opera, jazz, folk, film, theater, and yes, painting and related visual fields. And I consider myself essentially a visual person?
Maybe you get the idea.
So a few months ago, I got news that a friend now living in California had a new book, Roots, Stones, & Baggage, and I assumed it was a catalog for his most recent gallery presentation. He is, after all, a marvelous painter, still active in his 90s.
What arrived in the mail was mostly his selected poems, revealing a whole other side of himself. They’re good, by they way. He respects craft. And there is a sampling of his paintings over the years, too.
I remember his reply during a Q&A at his gallery show opening at the Ogunquit Art Museum in Maine when he said he understood Blake’s poetry, something that left many dumbfounded. Think of understanding as gut-level rather than legalistic, OK?
The new booklet’s worth getting even for the wonderful introduction by his son, the celebrated novelist Jonathan Letham.
And the poet slash painter in question is Richard Brown Letham, still going strong.