ROUNDED WITH LIGHT

rounded stones of the shoreline
or a garden path glisten
many navy blue or nearly straw

others speckled with indecision
speckled, within and without
what grows hard as rock on a rock

nearly black stones exposing white ridges
to the light, blue veins, like mothers
slate-blue orb cleft with white quartz

some color of cooked lobster
glow of berries
in dull eddies

of clamshell or snout of rising seal
given an eye, the face of a cod or shark
approaching with its mouth closed

another burnt
and still burning
none yet look like washed potatoes

between them, broken mussels and sand
firm in clear brine
each retaining its shape, for now

Poem copyright 2016 by Jnana Hodson
To see the full set of seacoast poems,
click here.

BY UNINTENDED DESIGN

relocating
once again recognize
some possessions as useful

simplicity, sincerity, modesty, honesty, justice
that dwell in the Life and Power

when goods are tools
style arises within purpose

*   *   *

addressing basic practices
ordering well-made clothing
that’s both simple and expressive
and fits properly
liberates
from inbred feelings of victimization and deprivation
O Holy One

to choose what is not fickle
instills elegance
of clear function

I’m a sucker for clean, balanced design
outward expression of orderly life
gingerly facing the idolatry of things
made from metal, wood, stone
and yes, plastic

look, there’s nothing wasteful

O Holy One
elegant is also simple in design and execution
though not always easily accomplished
(the skillful hand and eye – the years of mastery)

Poem copyright 2016 by Jnana Hodson
To see the full set, click here.

IN PLANNING FOR THE YEAR

Just what more do we need
in addition to the beginnings of two panels of ferns
behind the lilacs – my woodland mirror

or a blooming tepee with gourds and climbing beans
surrounded by zinnias for my Lady of Sunday Comics
in the heart of the exposed swamp

and the race to implant the kitchen-door garden  …

Poem copyright 2016 by Jnana Hodson
For more,
click here.

BY DAY, BY NIGHT

1

I admire a lighthouse more than a ship
without masts, as a qualifier

anchored in some upstanding foundation

I, who have roved the continent
and no further
gaze from the shore

or out, from the water,
to peer at each obelisk
instructing the coastline

yet masts, in open sail
could make this a wash
or a wish-list

2

I look in vain for a painting or photograph
of ocean only
always some shoreline
or ships – naval battle
conflict or simply
what attempts to bridle wild space

the lighthouse, as a genre, especially
countering the fabled variations of blue

at last, O’Keeffe’s large canvas of clouds and sky
comes closest
even more than her cross by the sea

3

costly as a ship
to construct and to run

this marker
of commerce, progression, and change
made obsolete, still

a warning as welcome

faithfully alludes to danger
in homecoming

a way around obstacle
a passage through the mouth
to safe landing

as much as the other abode
sailors justly dread

4

in daylight, a solitary standing figure
a sentinel
upright numeral one

a spire, a prayer
shrine, stupa
gravestone

defiantly erect penis

by night, its repetition
insisting
“Here! I’m here!”
as much as “Beware!”
in a tally of shipwreck

once with its whale oil and great lenses
arrayed on a crystalline comb
investment in life

such magnification
casting its spark
so far

this rock, uttering its expletive
to death

pinprick of light

Poem copyright 2016 by Jnana Hodso
To see the full set of seacoast poems,
click here.

LEVIATHAN, AS AN EMBLEM

1

now to see
North Atlantic
in my sphere

landlocked
till twenty-eight

that week, camping tide-to-tide
beside North Pacific

and you speak of turning to Christ?

2

who found the eagle in the desert canyon
and high mountains
before the Upper Mississippi
or Great Falls of the Potomac?

still, moose fail to inspire me
as elk did

3

whales, then
rather than moose
in contrast to elk of the Yakima Valley

this mirror of historic economy

besides, moose and whales do not leave tracks
everywhere we trek here,
unlike the elk out west

to say nothing of ticks

4

water, defining land
defining water
and the overlap

I want to know what the ocean voices
in its repetition
addressing the absent moon
or distance, even in the erasure

bank of fog
curtain of resounding
fog horn or bell

or vast silence
before

the hundred thousand variations of nor’easter
just off this point

no need to circle the planet

we have our fill of floundering
agents of change

Poem copyright 2016 by Jnana Hodson
To see the full set of seacoast poems,
click here.

Three sections from MOTET I

1

pick a language . a religion . a star, somewhere

of what I’ve distrusted
and yet seek

in the night of spring greening
where birds begin arguing (the males, as usual

but listen

good questions
guide better
than many answers

let me relate notations
of elk found on mountains
behind mountains – beside mountains, too
where streams run fast and clear
in everlasting rapture

before they appeared to me in their flesh
before I had children
before you appeared
but now

we’ll argue theology over lunch or dinner
or the menu

but first, grace

2

all this is not the same
as sitting by yourself

not the same as watching
anything

or listening to anything
or tasting anything

you can touch

since you asked, I’ll tell
you everything I know

if you tell me
where you’d like to start

3

to be completely honest
is so simple
you would think

until facing others
until facing yourself

all the temptations
all the screw-ups

all the aspirations
all the ruins to your back

all the idealized masks and labels
you wear
the childhood you’ve never left
all the flattery and self-delusions
all the false accusations you can’t quite shake

all the flaking paint on the siding of your house
all the cracking plaster within

as you age, all the lost years
you deny
all the shortcuts

so much of what your mirror
never reveals

no matter what you say
no matter what they say

the sins of omission
as well as commission

all the skills of a Philadelphia lawyer
all the skills of public office
all the skills of executive decision

any or all

the impossibility of saying exactly who you are
or why

Poem copyright 2016 by Jnana Hodson
To see the full set, click here.

GARDEN DIMENSIONS

“They already were like gods
made in Yahweh’s own image
and didn’t even know it.”

“I could see the Woman would be easier
to convince. She appreciated color and
the bouquet, where the Man noticed
only the fruit’s heft and taste.”

Every snake has its own hole.
Sometimes a snake is just as snake,
Doctor Freud.

And the Serpent went on to make a fortune
developing shopping malls lined with retailers
promising to cover everyone’s nakedness.

* * *

God creates a Helper for the Man
and she helps him, all right:
helps him get into trouble,

helps him to the forbidden fruit,
helps him get ejected from Paradise.
Not only that, but I’d venture

she believed she was doing something
beneficial for him all along,
something for his own good.
(And it was very good)

* * *

Where has Eden gone? Maybe
it’s now ahead of us, down
the road, rather than behind
with its gates shut tight.

As for Original Sin,
life’s not fair.
Some parents gamble
away the mortgage,
their children’s
college tuition.
Others get to be boss
through the injustice
of genetic roulette.
But that’s not really
part of this story.

* * *

Where do the other people come from?
Maybe the question becomes, for us,
where do other people COME FROM?
You! My neighbors! My antagonist,
my friend, my spouse, my children?

Perhaps they come from that other couple
God created, in the first creation story,
just before Eden. Perhaps they, too,
are ejected from their own Eden.

Perhaps there were other gardens
that were also released –
the ones whose stories we’ve forgotten.

Poem copyright 2016 by Jnana Hodson
For more,
click here.

OF MASTS, SPARS, AND BROKEN YARDS

1

in moonlight
Cape Ann, two months after the Perfect Storm
maybe three
while standing back on a broad outcropping
25 feet above the roiling and ebb

unpredictably, a wave explodes above me
from behind
washes around my feet

I could have been swept away

so step back, gingerly, if you will

2

driving a ridge, no view of shimmering expanses

between country club and great estates
sand plowed like snow
two feet deep, both sides of the state highway

mixed with kelp

3

nothing to trifle with
this fluid motion
in its hypnotic attraction

all recitative
with cymbals and snare drum

Poem copyright 2016 by Jnana Hodson
To see the full set of seacoast poems,
click here.