PRELUDE & FUGUE 34/

the angel Aquarius, with a bare foot pointed to the stars
reclines on a stone bench
in front of a domed courthouse

*   *   *

Vermont green in decline where money
was once transformed into Corinthian columns
and porticos overlooking lawns high over reflected
water as much as the Grand Hotel first-floor porch
the length of a building that would blast your yuppie façade

hidden opposite a kitchen under an atrium lined
with classical Greek busts inscribing some tryst
in Greek drama nightlife countered by the classical proportions
of a domed courthouse goddess in laurel and a red gown
far from the masted ships in a storm, her arms bared

her bare feet Vermont green, reclining where
once money was made carving Corinthian columns
uphold a portico on a Grand Hotel high over the water
with a first-floor porch the length of the lawn and
your blasted yuppie façade hides a kitchen under an atrium

its shelf of classical Greek busts inscribed with dramatic
trysts countered by classically proportioned nightlife
behind a domed courthouse goddess in lilac and laurel
and a red gown mast stripped in a storm of Vermont green
to such bare arms, bare feet now in decline

there was once money to be made behind Corinthian column
porticos on lawns high over the waters of the Grand Hotel
porch the length of your yuppie façade kitchen
atrium with classical busts and dramatic trysts
countered by dome nightlife courting a Greek goddess

in laurel and red gown stained glass, a Greek revival mansion
with four pillars and broken colonnade dividing a green lawn
from a tall hedge statuary in a gray-headed cemetery
the angel Aquarius, with a bare foot pointed to the stars
now intertwined with tree
(Ursula, Arctos of bear legs and bear paws)

reclines on a stone bench in stained glass statuary
in a gray-headed cemetery (Ursula, Arctos of bear legs
and bear paws) revives four pillars as the angel
Aquarius, with a bare foot pointed to the stars reclines
on stone bench broken colonnade dividing a green lawn

from a tall hedge now intertwined with trees
in stained glass statuary in a gray-headed cemetery
(Ursula, Arctos of bear legs and bear paws)
reclines on a stone bench with no uprising of life within it
this Greek revival mansion with four pillars
broken colonnade dividing a green lawn from a tall hedge

in stained glass the angel Aquarius, with a bare foot
pointed to stars now intertwined with trees
statuary in a gray-headed Greek revival mansion
with four pillars, the angel Aquarius now intertwined
with no uprising of life within it dividing a green lawn

~*~

Poem copyright 2016 by Jnana Hodson
To see all 50 Preludes & Fugues, click here.

SEPTEMBER, THE CAPE

Wellfleet, at their grandfather’s

two perfect horseshoe crabs
adorn the table
of the uninhabited house
while he’s in Florida

in the fridge, Heineken dark
“your surprise” – available across the highway

Wellfleet and just think
oysters or the saltmarsh

sunlight breaks through
my desire to travel lighter than this
unlike the children

an array of silver cups, a blinding turn
the chameleon hiding nowhere
but itself or the air, last week:
“You don’t look happy these days”
also: “What do you want from me?”
how I wish I could answer the latter

pine / oak / locust scrub
“tick country”                        even the lawn

tiny green acorns
dry cranberry bushes, as part of the groundcover

in his yard                              }           in the house
sand everywhere                               the arranged ginger jars
the grass brown                                his collection
with pine needles                             Rookwood Pottery, at least
the book

patch of mussels, each one the size of a pea

round brick
worn by the ocean

of course if we lean back, even nearly at shoreline
the water’s over our heads

water taller than I am
is the problem

or water that sweeps you
off your feet in this ocean so clear
we see fish swimming past us – one
a striper two feet long, the other a cod,
halibut, mackerel – I don’t know fish, really
bigger than my daughter beside me
just days past twelve

what kind of life has this been?
with flashes of brilliance, just enough
remaining for harvest

her knife, sharp and long

sailing into the wind
repeatedly, returning and now
through the years

windowpanes
two over two
traditionally
live our lives

one, in a denim jacket
while the other, in a blue swimsuit
nap in clear breeze

I wonder how people fall asleep in the sun
in chairs, at that

Rachel, my wife, informs me of changes
how so much has overgrown now
she no longer sees the saltmarsh or cove
from the dining room, even traces
of Reenie’s garden have vanished

ever dutiful, busily Rachel thins hostas and day lilies
where Grandpa has taken an ax to their roots
“and I came to the Cape for this?” but the motion
grounds her in a way the surf grounds me

blue sky, blue ocean
warm water compared to Maine
choppy surf “knocks a child over”
happened once and now Rachel won’t
bring them back here but prefers
bayside, where the water’s warmer

I believe her, yet

when we walk the road to the Atlantic full on
she observes
overgrowth around cottages and houses
is often quite pronounced
to go with the windswept, cracked gray of dunes cabins
and the ever present shake siding

all night, all day
the highway mocks
the surf’s rhythm

in the swells with Megan, she snarls
“I thought you said it was warm”
“warmer than Maine!”
and laments the waves aren’t bigger
though they knock us off our feet and
fill our suits with small gravel
(viz Grandpa’s bathroom floor after her shower)

turning overcast, trying to spit rain
cool, too
no swimmers but three dozen surfers in one stretch
kids sledding on the dune cliffs
30 feet, maybe, the low spots
100 in others

a seal, faroff, away from the surfboarders
feel the sun now, too much on my face

wind and wind gong
fiddler crab and mussels
the saltmarsh tide turning
chalk and slate outside the general store

oak, pine, and locust trees
a mole scurrying along the foundation

all these beachcombers
tomorrow expect no one
after the weekend

“we’ll take you back”
the waves cackle and rage

will the kid ever learn, packing a whole suitcase for herself
(too much and still no swimsuit)
for a short trip?

 

morning water cold but great breakers,
a great workout, knocked over, body slams –
lose my trunks once, saved at the ankles
fortunately, out of season

surf calms but still choppy, very windy
a seal head appears, just briefly

Sunday morning, clearly the last swim of the season
a record amount of rain for the month
Hurricane Wilma decaying offshore
kicked up quite a show here

twenty-foot swells crashing on the rocks

Poem copyright 2016 by Jnana Hodson
To see the full set of seacoast poems,
click here.

NORWEGIAN POLKA

a violent angel atop an apple

in the solitary tree set in a meadow between blue ridges
or the stream bounding over boulders

it’s important to dream

a dandelion amid violets

marigolds blooming against gray tree trunks
or swim trunks

the stone arch at the bottom of the Cocheco Falls millworks

to be sharing a home

old women in a grove – long skirts, white blouses
buttoned at the neck
a large ribbon in a child’s hair
a man in a white dress shirt sits against the base of a tree
(natural outing)

I made bacon and eggs after chitchat and coffee

Ralph Page, swinging a partner wearing saddle shoes

agreeing summer’s passing altogether too quickly
reflecting last year

boulder at the mouth of the cave or tomb
or my emotions, I am
for now, I want to go nowhere
fearing the angel or the earthquake

Poem copyright 2016 by Jnana Hodson
To see the full set of
Partitas, click here.

IN THE RHYTHM OF THE BOUNCY WALK

where dirty children
eluding prayers blasted from loudspeakers
everywhere
sell plastic necklaces

we all smelled like camels

leathery men resembling the caravan
each one swaying from a high perch
in a ship of the desert
will gallop
pulling between nostrils with a sharp yank

trusting the three eyelids of their beasts
with their very blood

humps of fat rather than water
devouring nothing for months

thorn-eaters
with efficient respiration
cud and three-section stomach

how many days, how many weeks
camel milk, as a staple

a winged, rank-odor harrowing pariah

~*~

            “don’t worry, we use many animals
and give them rest:
they’re all well fed, believe me”

to pull a plow, to turn an irrigation wheel, to draw water

to comb the wool
serve the meat

when you’re finished

Poem copyright 2017 by Jnana Hodson
For more, click here.

THE HUMAN IMPULSE TO COLOR

– dyes, ornamentation
black-and-white is focused defiance.

let’s be honest – these are weedy gardens
even with the black plastic film protection
or the arbor with ferns now

I have a woman without freckles
she doesn’t preen
she’s all business
she’s sexy as all hell

there are no wild boars here

“let’s go bag a deer”
“and then what?”
“we’ll make candles”

* * *

parables?
you’ll never understand
without practice

Poem copyright 2016 by Jnana Hodson
For more,
click here.

PRELUDE & FUGUE 33/

four pale sets of lips
rimmed in frost
prayer flags and the Potala

*   *   *

prayer flags and Potala of burning Buddhas
in rocky arena “251,” plus that Tibetan Red Tara’s
recipe for Himalayan incense prayer flags and

the Potala of burning Buddhas in rocky “251”
four burning bushes in the recipe for Himalayan incense
prayer flags plus Tibetan Red Tara recipe for incense

four burning bushes, four pale sets of lips
the Himalayan prayer flags and the Potala recipe
names “251,” plus the rimmed frost of burning

Buddhas in a rocky arena of four burning bushes
prayer flags and the four pale sets of lips
as recipe for Himalayan incense prayer flags

rimmed in frost of burning Buddhas, Hari Om Tat Sat:
the hairy WHAT? pale sets of lips burning
Red Tara in a prayer flag recipe from the Potala

~*~

Poem copyright 2016 by Jnana Hodson
To see all 50 Preludes & Fugues, click here.

DEMANDING LIGHT

September 11 weighs heavily
we ask if the reasons for war have changed in our era
we look at ongoing “civil wars” and the many faces of oppression
government actions give only lip service
against violent actions while committing expensive resources
to military actions
widespread conflicts continue over wealth, resources, and identities
often cast as religion
here is one case where I’ll argue Marx
see the disparity
between rich and the poor
will always generate strife

*   *   *

Islam struggles
between fundamentalists and moderates
over its future
more than the book
or ethnic identity

*   *   *

O Holy One, we dare not neglect the imperative
of waging peace, deploying appropriate resources
“for our struggle is not against the enemies of blood and flesh,
but against … the cosmic powers of this present darkness,
against the spiritual forces of evil in the heavenly places”
in this larger struggle, where we demand Light

Poem copyright 2016 by Jnana Hodson
To see the full set, click here.

PROCESSIONAL

an agenda
old business, new business, negotiations, nominations
and new business

to lay out our varied projects,
without all these miles between us half of the time

the grace of the functional line
a keel, a shaft
the arrow or passage itself

Joy & Anger

parked on a downtown street

strewn with flowers or
the time when everything of ours can be in one place

a lobster in a wineglass

a speedometer

an early SAAB fitted for racing

an antique light bulb, a glowing vacuum tube

the interior design
to accommodate mechanisms and man

a hand reaching upward

a bowl of imperfect apples

An avid Sox fan.

a slew of calls
a slew of dolls
a slew of idols

a double-blade broad ax

after that day on Plum Island

I’ve never again looked
at a kite or a diaper
quite the same

Poem copyright 2016 by Jnana Hodson
To see the full set of
Partitas, click here.

COILING, IN THE SHELL

1

to speak of romance and sinking
hand-in-hand couples
approach
as a candlelight dinner
more than tragedy

the golden love I viewed as a lighthouse
my lighthouse
one of two back in Ohio, Ashtabula
marking
my own shipwreck, as well

in another history, Capt. Heman Smith
(He-Man), of Colonial Eastham
established a fire akin to a spire
(the latter, perchance with a clock
or weathervane)

marking time, the years

Chatham Light
2 white flashes
every 10 seconds

(2 bulbs revolving close together
followed by long silence)

originally from twin tower
steel shell with brick interior

2

which way the wind now?
the lifeline, the hymn
“Pilot me!”

3

aloof temples
to sails and rigging
extreme discomfort, sacrifice

in the dangerous occupation
to be murdered within sight of shore
once the storm broke

not just rock and water
but wind, especially
unpredictable, these potential

remote ruins of antiquity
American abbeys
at the confluence, hence

the fire in its crown, its eye
resolutely
facing up to uncertainty

4

one night, entranced by movement
in three rectangles of soft light
in the keeper’s house, considering
the occasional guest on the island
maybe a window with a wafting curtain
or secretive figure moving to the side

daylight revealing
only a pole with Old Glory
in front
of those three panels

more than the custom house
or harbormaster
this reminder of deception

nobody sees far into the water
and often little of what’s upon it

trade and fishing, mostly
occasional cruise castle or
the warship or well-known pirate

(death lurking below
in the rocks,
in the clouds and fog)

say what you will of radar, sonar
and satellite positioning
but life, love, and politics
remain fragile

Poem copyright 2016 by Jnana Hodson
To see the full set of seacoast poems,
click here.