AS A FOOTNOTE AT THE TABLE

I wonder if the longstanding tradition of morning cleansing of marble steps at the front door in many inner city neighborhoods of Baltimore has survived the stresses of two-income families or single-parent households? Who knows when it started or in how many other locales it’s also practiced. This has been a custom of row houses, connected to each other – blue-collar communities, in fact – and not of detached suburban housing. And that makes the foremost difference.

These poems consider what women do and preserve – though not always exclusively. Yes, I’ve known women who bale hay or decipher monastic manuscripts, and I’ll also admit men can know nothing of bearing children or nursing. Yet, somehow, many women seem most at home around the kitchen, even if it’s nothing more than a teacup or a picnic. Even her garden, should she be so inclined, seems to extend from that table or the alchemy of her oven. And that goes for flowers, as well as vegetables and berries. (Remember, though: not all mothers and daughters can stand to be in the same kitchen at the same time, though they both be masterful cooks.)

Looking back on Baltimore, I remember my next-door neighbor, each morning in season watering the black locusts between our houses and the street. Maybe she did her stoop, as well. But the trees, which seemed to have always been there, were beautiful and timeless, as if spreading their own table.

Returning 1

~*~

For the poems, click here.

SOMETHING MORE COMPELLING

Looking at my new lineup at Smashwords, I felt one cover just didn’t match.

The first round of my editions there had covers that were an homage to Richard Brautigan’s classic books of the ’60s, each of which had a portrait of a pretty young woman.

As I looked at the cover image, though, it felt dated. Looking closer, I realized it also didn’t reflect the edginess of the contents. I wanted something more compelling than a woman in quiet reflection.

So here’s what we have now:

Blue Rock

Rather than this:

Blue Rock

Whaddya think? For more, go to Blue Rock.

FAMILY VALUES

Mrs. Richardson had been yelling at the kid
the fifth-grade girl who came around to our door
begging money to pay the babysitter

Mrs. Richardson yelled at the grandchild
for three days, and spanked her

then they were crying, in different parts of the building
all the while, their phonograph repeated
“the angels sing, glory to the newborn king”

~*~

Mrs. Richardson was pale as death
her face, hollow as a skull; hair, powder gray
her lips were chalky, and the eyes barely moved
she was thin as a broomstick

her son returned, with a cardboard suitcase
and cowboy boots
he wouldn’t stay long, if he could help it

To continue, click here.
Copyright 2015

 

PRELUDE & FUGUE 28/

an elephant with flowers painted
around the eyes and painted toenails

four zebras sipping water

*   *   *

luxurious green tent on safari white bone
ornaments through noses armed for the hunt
and cocktails already served
three African bushmen in a field of wrinkled flesh
eyelid (the elephant) the rain
is needed, sticky or no sticky (unlike the rhino)

zebras, black and white in a splash of vibrant green
with netting over the bed
luxurious green tent on safari white
bone ornaments through their noses
armed for the hunt and cocktails
already served three bushmen in a field
of wrinkled African flesh, an eyelid (the elephant)
the rain is needed, sticky or no sticky
(unlike the rhino) zebras, black and white

in a splash of vibrant green            with netting
over the bed’s luxurious green safari tent
white bone noses armed for the ornamental
hunt cocktails served by three bushmen
in an African field of wrinkled eyelids needing rain
sticky or no sticky the elephant (unlike the rhino) or
zebras, black and white in a splash
of vibrant green netting over the bed ornaments

beasts leaping from dust into a tropical river
before a tiger atop a car spirals between
four zebras sipping water the way
a camel’s nose runs ahead of its mouth:

the hairy trunk and mouth of an elephant, so spotted
forages on hind legs, trunk and tusks upraised to the tree

the elephant with flowers painted
around the eyes and painted toenails
still leaps from the dust into a tropical river

a camel’s nose runs ahead of its mouth from hind legs
upraised to the tree in front of the tiger
atop a car of spiraling spots

the hairy trunk and mouth with flowers painted
around the eyes guarding four zebras sipping water
and the foraging beasts leap from dust into the river
running ahead of its mouth

a camel on hind legs, the tree painted with flowers
and toenails a feeling of life finally coming together

atop a car, four zebras leap from the dust
into a hairy river and forage
a feeling of life finally coming together these days

~*~

Poem copyright 2016 by Jnana Hodson
To see all 50 Preludes & Fugues, click here.

APPREHENDING

gratitude
for minutia and large
flowing creation

and homing
family, mystery within walls
around our bedding

wealth beyond cash
and clutter
overabundance of opportunities
to engage

any strength generously

distinguishing between gifts
and hard-earned wealth
and everything seized from others

remembering greed
bondage and
warfare
gluttony all entangle
lust

yet if we love liberally
this sojourn
exposing each deception
in relentless light

reunion .  reconciliation
uttered utterly
forgives . accepts
corrects . and gives again

Poem copyright 2016 by Jnana Hodson
To see the full set, click here.

LOOKING OUT

picnic table with a block of snow 2-feet deep atop it
and a hole at the center

extraordinary deep purple in the Siberian irises

Quaker ladies abloom on the meeting burial ground –
even on the Friends graves in Pine Hill Cemetery

the ox-eye daisies I lifted from rock and sand
to transplant here – my wife’s beloved June flower,
the blossom smaller and more delicate than the Shasta

old woman across the street with her phlox

sunflower, yes
forest sunflower
jungle sunflower
and the jingle, from the neighbor’s
wind chime

Poem copyright 2016 by Jnana Hodson
For more,
click here.

THE SILENCE IN BEETHOVEN

When it comes to the fine arts, we love our biographies of tortured genius, and Ludwig van Beethoven serves the storytellers admirably. Baptized December 17, 1770, in Bonn, his tempestuous and tragic life was one of failed love affairs, strained friendships, and especially the deafness that accompanied his greatest musical achievements. And yet many of us find him not only speaking for us but also extending inspiration in the quest for fullness and fidelity.

In part it’s a story of the way Bach, Mozart, and Beethoven reestablish the center of classical music, centering it in the German-speaking world far from its Italian roots and the Renaissance genius of Monteverdi and Palestrina.

As I discussed earlier this year, Beethoven’s popularity rests largely on works that he wrote in the second half of his life, past the age of Mozart’s death, the years that encompass what are known as his Middle (or Heroic) and Late periods. The years accompanied by deafness.

For much of my life, I’ve not been alone in finding that what most appealed to me were the works from the Middle period – the Fifth, Sixth, Seventh, and Ninth symphonies, the violin and “Emperor” piano concertos, the Rasumovsky string quartets – stirring works raging with dramatic struggle and promised victory. With all of their emotional parallels to athletic contests, these have justifiably ensured his enduring public adoration.

More recently, though, they’ve given way in my estimation as the Late period works have risen in preference. Quite simply, these have never been considered all that accessible. Many of them defiantly turn their back on the audience in a pursuit of boldly intricate, often extended, musical puzzles that plumb the depths of human despair, loneliness, resolve, as well as lofty heights. Indeed, for years the assumption has been that these are not for public consumption but are rather reserved for private investigation among the cognoscenti, should they be so honored.

Continue reading “THE SILENCE IN BEETHOVEN”

SHELLS UNDER THE RIGGING

fingers stiff, numb
on ice-encased rigging

any fire in the hull
a hazard

tend the footing, Jack,
and stay dry, if you can

steering around the storm

*   *   *

hell comes without
flame
without smoke
under the prow

*   *   *

impressed
by chance misfortune

or the flight from somebody
gone astray

rolled together, creaking
skin to crab shell

all the same
lost, for the cold duration

Poem copyright 2016 by Jnana Hodson
To see the full set of seacoast poems,
click here.

CLEARING, FROM SNOW

after the blizzard, a raven
lands over our suet and cracked corn bird feeders

and then, while digging out
the driveway
the front steps for the mail carrier
and the barn steps for the grandmother
a pathway to the compost bins, on one side
and the stacked firewood, on the other

I’m at the heart of my universe

while my wife tends the fires
in our kitchen

Poem copyright 2016 by Jnana Hodson
To see the full set of Home Maintenance poems,
click here.