Walking unrushed, meaning outdoors, in fresh air, releases something within me: I feel freer. When I begin, I’m like a slightly out-of-tune violin. I enter the woods full of thoughts, problems. The office is still with me, along with many worries. The wind may scurry up leaves, and I jump and then freeze, startled that I may have scared up a large animal of some sort. Or perhaps it’s be a twisting item that resembles a snake. Sometimes the sun stings my eyes. I adjust, from one system of time and timing to another.
As I fall into a rhythm, my mind clears. Poems begin.
In the hills or mountains or along the water, the world is always fresh: sunlight on branches or water.
Prairie as a symbol of America [make that U.S. and Canada], the middle or bread basket or heartland. I kept trying to envision the openness, wonder, even terror when white pioneers found her, back before she was ripped apart for farming. Even the Interstate highways coast-to-coast. The middle land of Protestants without heritage, too blind to see clearly the potential of balance and healing before them.
I am surprised how much the seemingly disjointed distillations of the prose-poem experiments I’ve been publishing here still capture my experience of my first years in New Hampshire some 35 or so years ago. All the hope, confusion, redirection that accompanied the upheaval.
And so much that evaporated, for the better, after meeting the woman I adore.
The weekly series continues, all the same. As I say, thanks for the memories, to all those who have been companions and positive influences in my zig-zag journey through life.
What are you thinking and feeling, looking back and looking ahead?
These field notes from religious aspiration and practice spring from a muse of fire. As much as Dr. Bronner’s bottle-label diatribes arose from a splash of water, at least when we read them, usually while showering or bathing.
A brief flash. Something that sparkles or shimmers. A half-seen motion, perhaps recollected later. Illumination. A beacon. A guide. A break in the night. Sometimes, this is something even the blind perceive. A word of truth. Prophecy or healing. A vision of eternal mysteries. A star or hint of coming dawn. And then, as James Nayler instructed: “And as thou followest the light out of the world, thou wilt come to see the seed, which to the world’s wisdom and glory is crucified” (Journal, 349). Everything is transformed and made new. Mind the Light.
~*~
DEVOLUTION AND RESURRECTION
Tat Ekam
that one thing
prakriti, pra = before
or kriti, creation
a sutra is only a note / a stitch / a knot
Wading into holy waters
to sink or be overwhelmed
decades later,
thunder
within
silence
returning to art
“keeps my feet on the ground”
carving wood and marble, “It’s so smooth”
these steps leading down to the water
in the sense water
is always below you
unless, that is, you’re in
up to your neck, as it were
some calm other than drowning
“We’re descended from lower-level gods
who mated with apes.”
Now outraged at other deities
next, we’ll encounter human brains
in tigers prowling along the street
all thanks to science.
Mine owners will be confined to the lands they’ve debauched / despoiled.
The Hidden Way –
Sometimes it’s Tao
Sometimes, passion
Sometimes, only a sunset
Or fog lifting
The saved love letters
become curled, black crumbling leaves
falling from the fire.
to UNBURDEN
AND MAKE NEW
first, burn all of the out-dated financial records,
then all of the old passionate drivel
that is, to MAKE FEW
as the Hidden Way
Is the route that opened
Through Glint’s own sea of reeds
Parting, at the base of mountains
she’s come through
a prayer of the earth, actually, of Seed
clearing, recentering
LIFT JESUS HIGHER
painted at the top
of a barn roof
Poem copyright 2017 by Jnana Hodson For more, click here.
Jnana's Red Barn 