ALSO FLOWING TOWARD THE MERRIMACK

just a warning, of Concord, revolution or dancing
the bridge or the barn, different eras
come, swim across the pond, watching
a commuter train race along the wooded hilltop
a shot, yes, by the river a bronze Minuteman regards now
with its great writers buried in its bosom
maybe you expect a great calm while packing
or overlook the state prison and traffic rotary
pressed together, “a port of entry and departure”
all of these pages, yes, being “bubbles in our wake”

~*~

the temple wall folds
to the green river
of migrating salmon

its unbroken factory façade
springs from gravel
not here or there

with the neon lights, if you would
export calico
or denim
from a carp pool

To continue, click here.
Copyright 2015

HOT TUB ORACLE

I never intended to live there as long as I did, in the rented townhouse in what I sometimes called Yuppieville on the Mountain. But it must have suited me during that decade of waiting and searching, my anticipating true love and a long-desired relocation into permanence. Besides, it was convenient to the office. Admittedly, I enjoyed using the whirlpool in the clubhouse, soaking in the hot water while watching snowflakes drift down on the other side of the display windows; besides, at that time, the complex was still surrounded by woodlands. Lest it sound too idyllic, let me also acknowledge the dumpster parked beside my unit was frequently overflowing.

The poems in the resulting collection arise in that experience of transient proximity, which has become so much a part of the American landscape. The poems themselves are a kind of side street from other works I was drafting and revising during this time. Still, they make me examine what was right in front of me, all the same.

The series closes my collection, Rust and the Wound. To read the free ebook, click here.

BRAINCHILD

a feathered and furred woman
bare shouldered, face painted white
black mouth and black exaggerated eyebrows
a black veil over her face

where is the balm?
the salve for stinging nettles?

potted plants on a white mantle

a bowl of sprouts atop a handwritten note
spread over a blue napkin

richly patterned fabric
behind a waxy flower

a pile of Valentines

reeds and songbirds
home is a refuge or should be

a bar of soap wrapped in pale-tea ribbon
a hole cut in a painting left open with crossed ribbons

two men in an open briefcase, as dolls torn apart
so many screws and nails and tense threads
for connections

a barn owl in front of a red barn

a red house with shiny metal roof in the woods

red hen, red comb, red alarm

Bright day in the valley

Lincoln’s Indiana legacy
in a place that couldn’t support a used bookstore

Poem copyright 2016 by Jnana Hodson
To see the full set of
Partitas, click here.

LOST YEARS

these damned mill towns exhaust
another mystery in the night
of Indian and Barbados descent
as much a sphinx as medical

for a change, salmon, at the hydroelectric dam

(along with the fish ladders they’re installing
two blocks from my home) the only evidence of life
is where beaver has gnashed a foot up the trees

~*~

the decade and a half
between the collapse of first
marriage and origins

that second                spiritual redirection
and career retrenchment
not harried                but

resignation
collisions
oh, all these devils

~*~

like the other stuff I was going to do tonight
my intellectual existence, it seemed
if she knows any alternatives

To continue, click here.
Copyright 2015

PRELUDE & FUGUE 40/

three dogwood

two owls

a stone barn

*   *   *

stone fence
halfway up the valley of silos, tractor trailers
in mirrored sunrise

the symmetry, yee hah! of fence half stone
up the valley silos, tractor trailers, in the mirror
of sunrise coming home, yee hah!
setting forth along stone fence halfway up
the valley silos, tractor trailers,

in glittering yee hah! sunrise
so fleeting, unbalanced
between the gloved hands

a rosebud, three dogwood, two owls
a stone barn with blossoms that God
in front of a lone maple looks down

in a rosy stone barn fronting a lone dogwood
three maple blossoms look on two owls
that God, in a rousing talk in front of the lonely

fireworks of dogwood, owls, rosebud
blossoms, by God, around a stone barn

in front of a lone dogwood, what blossoms
into a conversation of two owls with God
looks up, looks down, looks around fireworks

~*~

Poem copyright 2016 by Jnana Hodson
To see all 50 Preludes & Fugues, click here.

OUVERTURE

welcomed into my orbit

a Chicago-Baltimore axis
its own perspective

a shadowbox with sixteen cells of teeth numbered
out of the thirty-two originals

to whip up something before a martini

a gray vase with a cow skull
places I once treasured
since lost, yes, lost. And now?
how often, not the place as much as fragile
in the void of letters, Well, kiddo
all the right intentions

a postcard of Florida seashells

a secretary (white blouse, tight black skirt, black heels)
waiting for the midday train in a suburb

three close-lipped fishermen wait to build a fire
on a rocky bend of the river

a woman in a blue dress pauses at the end of the blue deck
before leaping into subtropical ocean

the blurry backside or figure with bent leg
reaching for balance

to sit, wearing blue jeans and a blue polo shirt
in a corner office overlooking parking in a desert

to enter a tall office building housing a Jekyll and Hyde club
befit with gargoyles, sculpted climbers, human skulls,
and Ionic columns

to pose standing in a powder blue wrapper
under a Greek male torso and the head of a stallion

to leap in a fiery ballet costume
from the Brooklyn Bridge before breakfast
onto a parked Harley on cobblestone

dazzling Shakti Style weavings

a Celtic bowl with three mermaids as snakes

Open 24 Hours
misery, in spicy flavors

modern glass teacups and teapot
modern glass table lamps
modern plastic table radio

all I’ve inhabited but won’t return, ever

no, waiting for a “better” scheduling day means
another couple of years, at best, so let’s do it while we can

Poem copyright 2016 by Jnana Hodson
To see the full set of
Partitas, click here.

PRELUDE & FUGUE 43/

green drapes
the first week of leaf

before the coral color of cooked lobster

*   *   *

coral (stars) (in a buds of) still birches
(with the wind) an ocean of northern lights

divers (however) shamefaced
avoid the first leaf
draping some fancy coral (yet)

northern lights drape the stilled birches
shamefaced, avoiding some fancy ocean
frogman first

(as) the coral northern lights
leaf out, draping

some still sand bar
beyond fancy birches
(shelters) a roseate sea nymph

(at noon) divers are shamed
facing (her) (the one as fleeting as the) first leaf
or northern lights avoiding (possession) (capture)

(at midnight) hanging still (as) birches, divers
in their shame, avoid facing
(their) fancies, first leafing
(in the) still briny reef

lobster footwork
coming clear

the still green lobster
works its feet in coming
to the clear green

the rippling lobster foot
works clearly
in the coming
green

~*~

Poem copyright 2016 by Jnana Hodson
To see all 50 Preludes & Fugues, click here.

REHASH

the return of the Princess Wen-Chi

 400 years later I understand it wasn’t
my fault we never connected
but the hardness she’d become

with the curtain already up
when the lights took hold

unicorn and gazelle in repose

too weird, too impractical, too brash, too arrogant

hypodermic syringe on a porcelain teacup

favorite hardware
goof balls, golf balls

perhaps annoy or anger, delight
and so on and on. It never ends, does it?

above the treetops
astrologers, even witches

but mostly the aroma of freshly cut grass

Poem copyright 2016 by Jnana Hodson
To see the full set of
Partitas, click here.