The New England coastline can be impressive anytime of the year. While most visitors see it only from midsummer into early autumn, it is unmasked much the rest of the year.
COLD COAST
Tag: Photos
OUR HOLLY
GINGERBREAD LIGHTHOUSE
While I’ve never gotten wrapped up in my wife’s fascination with gingerbread houses, my contrarian nature has embraced the idea of making an annual gingerbread LIGHT house, and here’s one result .
For the recipe and the templates, especially if you want to go for fancier results, check out this story, recipe, and assembly directions. (It’s not the only gingerbread lighthouse at Coastal Living, by the way, in case you’re really adventurous.)
The model was based on the Whaleback Light just downriver from us, so I feel it’s an extra special touch. And the gummy lobsters and gummy sharks, along with the candy rocks for the lighthouse wall, were purchased from Yummies just beyond the Kittery Outlet stores. That can be a destination for Maine visitors all in its own.
PREPARING FOR THE TREE
Although we don’t bring the Yule tree indoors until Christmas Eve, baking and decorating the gingerbread cookies that will adorn its branches can be done days ahead.
FIRE IN THE SKY
FROZEN COD SPECIAL
WAKING TO THE FIRST SNOW
It’s pretty but also heavy, wet, dense — you much prefer the lighter, fluffy stuff when it comes to shoveling. Still, you can’t help but admire it as the sunlight starts strumming through the branches.
We’ve had several rounds of flurries before this, when some of the neighboring towns found their ground covered. Real snow, in my book, means digging out the driveway.
HERE IT COMES
TURKEYS IN THE WOODS
I pulled over to photograph some ducks on a pond, or so I thought. When I turned around, this is what I found.
Wild turkeys have made a remarkable comeback in New England. The other day, I had to stop behind a stopped car on the road. That’s when I saw the gobbler stroll off the pavement. There was even one in our yard, we’ve been told.
TIFFANY?
From the pews in the sanctuary, the five stained-glass windows over the altar appear curiously bland in contrast to the two vast arrays to the left or the rear. Only if you cross into the chancel and catch a glint of sunlight might you sense something quite different is at hand before you.
That’s how I first noticed that unlike traditional stained glass, none of this set had been enhanced by paint. All of the color was in the glass itself, yet there were no muddy patches where colors overlapped, as might be expected while mixing pigments. Some of these resembled Impressionist painting or bookmaker marbling. Moreover, when direct sunlight hit some of the pieces, the color blazed with gold or copper or fine jewels.
Could it be? I’d heard that one reason Louis Comfort Tiffany obtained such incredible effects in his work was that he used such materials in his glass. For starters, the only way to get a gold color is to use gold.
As I started to seek documentation, some fascinating connections appear.
As it turns out, the Tiffany Glass Company and its successor, Tiffany Glass and Decorating Company, created thousands of ecclesiastical church windows. Many of these were designed and executed by his studio, rather than Tiffany himself, but they would nonetheless bear his stamp and influence.
Tiffany’s 1890 Hay Memorial at Emmanuel Episcopal in Pittsburgh presents some striking similarity to the set at the 1895 St. John’s Methodist in Watertown, Massachusetts.
Both are narrow arched windows with greenish bottom panels ringed in copper tones. The central cross resembles the crosses at Watertown. And the mention of Tiffany’s love of exotic Oriental painting and his travels in northern Africa might explain the two Watertown windows dominated by palm trees.
The Watertown congregation originated in 1836 in the Whitney family home, and they remained active supporters at the time the 1895 stone building was erected. Their David Whitney Jr. relocated to Detroit as a young man, quickly became that city’s wealthiest resident, and built an 1894 mansion that still features its elaborate Tiffany windows.
Finally, I run into the pastor as he’s leaving his office. I pose the question, “Tiffany?”
“Technically, no.”
“His studio, then?”
“Yes.”
Regardless of the creator’s name, these five windows are marvelous, especially when struck by sunlight. Unfortunately, their placement on the west side of the building means the Sunday morning worshipers would not get to view them at their best.
Vespers, anyone?
