THE OTHER CAPE

Rockport, Massachusetts, sits at the end of Cape Ann.
Rockport, Massachusetts, sits at the end of Cape Ann.

Mention “the Cape” anywhere in New England and people assume you’re talking about Cape Cod, that marvelous arm extending from southeastern Massachusetts. (Well, it does have its own dictionary entry.)

Mention “the Other Cape,” and a few knowing heads will nod or smile in recognition of Cape Ann, jutting from Boston’s North Shore.

It’s not that those are New England’s only two points of land extending into the ocean – the definition of a cape. For perspective, two of Maine’s most photographed lighthouses are on Cape Elizabeth and, close to us, Cape Neddick.

What Cape Ann and Cape Cod share is a certain ambience, a feeling that – well, you’re in a unique place and not just anywhere in New England.

If you’re not familiar with Cape Cod, let me say there are many fine guidebooks that describe the experience. Today’s gallivant, though, takes us ever so briefly to Cape Ann, which by its most generous definitions (probably mine) can be no more than a third the length of its famed rival. While Cape Cod is neatly demarked by the Bourne and Sagamore bridges, Cape Ann is a bit more diffusive. Since we come down from the north, we find that “Cape” familiarity in the air as we come into Ipswich, which claims more “first period houses” (1625 to 1725) than anywhere else in America – 58 in all. It’s a charming community and, like most of Cape Ann itself, has a more varied mix of social classes than you typically find on the bigger peninsula.

My introduction to the town came last fall when K. Peddlar Bridges invited me down to do a poetry reading on his Roadpoet cable-access television show – and we had a blast. Before the taping, I went for a walk through some lovely year-round neighborhoods that could stand as textbook tours of American architectural styles. I crossed a stone arched bridge as geese took V-formation and honked low above me. Turns out the 1764 Choate Bridge is the oldest double stone arch bridge in continuous use in the country. (I don’t make this up, nor do I challenge the accuracy of the claims.) Leading to an impressive Colonial-era garrison house, the span connects to Turkey Shore and Labor in Vain roads. You get the picture. And, yes, you don’t get a better sense of that Puritan outlook than “Labor in Vain,” do you?

The reproduction 1657 Alexander Knight house in Ipswich, Massachusetts, suggests the difficult life facing the early settlers, especially through a New England winter.
The reproduction 1657 Alexander Knight house in Ipswich, Massachusetts, suggests the difficult life facing the early settlers, especially through a New England winter.
The elegant 1677 Whipple House in Ipswich is considerably smaller than the House of the Seven Gables in Salem but similar in style.
The elegant 1677 Whipple House in Ipswich is considerably smaller than the House of the Seven Gables in Salem but similar in style.

So the next week, my wife and I took off for a fuller exploration. We headed on down the road through gentleman farms and veered off for Crane Beach, passing long vistas of salt marshes where prized hay was once harvested. (It was high in mineral nutrition but gave the milk a salty taste, according to the tales.)

The beach itself was once part of the Crane family’s Castle Hill summer estate, which is another destination. The estate, the 1,234-acre Castle Neck dunes and beach, and adjacent 700-acre wildlife preserve are part of the Trustees of Reservations holdings. (Be advised, there’s an admission fee to the park – $8 a car when we went; up to $25 a car on summer weekends.)

But what a beach! My wife was overjoyed to see white sand, like those of her native North Carolina, rather than the usual gray or brown of New England. And that sand seems to run on forever, with fascinating patches of rippled washboard, tufts of sea oats, and an array of shells we don’t find in our usual rounds of the coast. It may have been October, but our nostrils were greeted with that distinctive Coppertone aroma, and our eyes viewed an array of sun worshippers extending their tans as well as a few daring souls in the water. We walked and walked and, well, might still be walking if we hadn’t felt hunger kick in.

We’ll be back.

Washboarding and footprints decorate the sand at Crane Beach.
Washboarding and footprints decorate the sand at Crane Beach.
Here's a view looking into a dune behind the beach.
Here’s a view looking into a dune behind the beach.

Venturing on, we came into the small waterside village of Essex, where we poked into Woodman’s “in the rough” for a seafood lunch. “Rough,” which is also in the name of an outdoor haunt we love in York, Maine, seems to indicate ordering and picking up from a counter rather than wait staff service, as well as a picnic-flavor rustic decor. As we looked at the blackboard and its prices, we nearly left for cheaper fare, but Rachel caught a posted review by food gurus Michael and Jane Stern – and I knew we weren’t leaving. I’m glad we stayed.

It was fun and filling – they don’t skimp on their portions. We can see why it’s a classic destination for the traditional regional seafood, especially of the “messy” sort. And, as she said, they “know how to do batter.” That’s a high compliment on her part. (Onion rings, anyone?)

The heart of Cape Ann is the city of Gloucester and its varied neighborhoods around the waters. It claims to be from the same year as Dover, although unlike my city, it was abandoned for a period, and is about the same size, roughly 29,000 residents. It lays claim to being America’s oldest seaport and has always been a busy, often brutish, fishing harbor. Gorton’s Seafood uses the city’s sea captain sculpture as its emblem. The Perfect Storm movie captures some of this legacy. These days it’s also the home to a number of whale-watch operations, due to its proximity to the famed Stellwagen Bank fishing grounds. In the 1950s and ’60s poet Charles Olson sought to capture the local spirit in his Maximus series, drawing on Ezra Pound’s literary foundation.

For us, though, the glory of the place is its three large wind-generator turbines rotating gracefully from the highest points along Route 128. They are immense works of art, comforting, landmarks. How anyone can oppose their construction baffles us. And, yes, they do sing … softly.

The trees might give you an idea of the scale and majesty of these Cape Ann landmarks.
The trees might give you an idea of the scale and majesty of these Cape Ann landmarks.

Cape Ann culminates in the town of Rockport, which has long attracted summer artists to its shores. More recently, the three-decade old Rockport chamber music summer festival has developed a loyal following, which led to the 2010 opening of the 330-seat Shalin Liu Performance Center and its year-round offerings that include classical, folk, blues, and jazz. When they say “intimate,” it’s true. What makes this hall truly amazing is that the back of the stage has wooden panels, for acoustical purposes, that roll away to reveal a panorama of the harbor. Maybe the Santa Fe Opera surpasses the view, but I bet you can find folks who can quibble.

The village itself has much of the Cape Cod shopping flavor of boutiques, restaurants, artist galleries, jewelers, and so on – especially in its Bearskin Neck district.

The big window in the largest building overlooking Rockport Harbor is the back of the stage at the Shalin Liu Performance Center. By the way, the tide's out. We were among a crowd enjoying an art installation that doubled as sunny seating on one of the stone wharves.
The big window in the largest building overlooking Rockport Harbor is the back of the stage at the Shalin Liu Performance Center. By the way, the tide’s out. We were among a crowd enjoying an art installation that doubled as sunny seating on one of the stone wharves.
Downtown Rockport has a traditional blend of resort retailers ... and shoppers to match.
Downtown Rockport has a traditional blend of resort retailers … and shoppers to match.

By the way, Massachusetts Bay Transit trains run from Boston’s North Station to Rockport, with Cape Ann stops along the way.

While I mentioned whale watches, I should note we prefer to venture out from Newburyport to the north, in part because the vessel there has the option of heading to either Stellwagen Bank in Massachusetts Bay or Jeffrey’s Ledge in the Gulf of Maine. When it goes to Stellwagen, though, it cruises around Cape Ann and offers fine views of the Straightsmouth Island and Thacher Island twin lighthouses – the 1861 replacements for the 1771 originals – closer to Gloucester Harbor.

Not bad for one day, eh?

SHOOTING THE SAME SPOT AGAIN

We could be considering writing or painting and drawing as much as the photography that prompts today’s line of thinking. Specifically, I’m reflecting on the tension between trying to capture everything I see everywhere versus the reality that one needs limits.

For starters, I reach a point in shooting where I begin to weary. Push hard enough and everyone hits a wall. When it comes to photography, I just stop seeing images of interest. When I’m writing, my words go flat. Folks in other endeavors can relate their own versions.

A second fact of life comes in trying to arrange and manage what I already have. Accumulate too much and I’ll never find anything when I want or need it.

I find a similar tension in a writing project, where I can hope for a tightly focused, crystalline work even as it begins to expand into a complex baroque construction. Or the other way around.

As I’ve been shooting over the course of the Red Barn, I’ve found myself increasingly resisting an urge to range more widely from my base in Dover. I’m sticking more and more to what’s at hand here and in a few other familiar places like Sandwich, to the north, and Fort Foster in Kittery Point, Maine. We’ll see how that evolves in the future.

For now, what fascinates is seeing how much new keeps appearing to me in our yard or while I’m walking to meeting for worship on Sunday. Perhaps that’s why working on pieces in a series hold so much appeal as more and more keeps surfacing from the depths.

The other aspect of the series is the desire that somewhere in there is the one iconic piece that rises above the rest, can stand on its own, deserves its own place.

Oh, what would Monet say to all this? Or Matisse? Or any of a host of others!

The Cocheco River viewed from the footbridge on the community trail has become a favorite spot for my camera. Here's part of the scene as I was walking to meeting for worship on Sunday morning.
The Cocheco River viewed from the footbridge on the community trail has become a favorite spot for my camera. Here’s part of the scene as I was walking to meeting for worship one Sunday morning.

RIVERSING

RiverSing was accompanied by large butterflies and other imaginative creations from Moonship Productions and the Puppeteers Cooperative. Here's one by daylight.
RiverSing is accompanied by large butterflies and other imaginative creations from Moonship Productions and the Puppeteers Cooperative. Here’s one by daylight.
And if you've ever wanted to converse with a butterfly, here's your chance.
And if you’ve ever wanted to converse with a butterfly, here’s your chance.
Once the sun goes down, the butterflies take on a new look as they swirl at the margin of the audience.
Once the sun goes down, the butterflies take on a new look as they swirl at the margin of the audience.

Best known for its 16 packed shows in Harvard’s Sanders Theatre each Christmas, Boston’s Revels organization also presents many other activities of community-enhancing music, theater, dance, and storytelling for family audiences through the year.

Each autumn, for instance, it welcomes the equinox with a free Sunday evening concert along the Charles River in Cambridge, which takes place tonight with activities beginning at 5 p.m. in Winthrop Park at Harvard Square. A police-escorted street procession leads down to the riverside, where thousands settle in for a two-hour high-energy performance.

The marvelous Second Line Social Aid and Pleasure Society Brass Band played a lively set in Winthrop Park before escorting a large procession to the Charles River. I'll refrain from telling stories about the trombonist on the right, who I've known long before he even knew about trombones.
The marvelous Second Line Social Aid and Pleasure Society Brass Band plays a lively set in Winthrop Park before it escorts a large procession to the Charles River. I’ll refrain from telling stories about the trombonist on the right, whom I’ve known long before he even knew about trombones.

Last year’s concert featured Noel Paul Stookey of Peter, Paul, and Mary fame, and I was part of the chorus of 120 behind him. It was a blast.

Here we are, with Noel Paul Stookey beside conductor, arranger, and master of ceremonies George Emlen in the white tie-and-tails.
Here we are, with Noel Paul Stookey beside conductor, arranger, and master of ceremonies George Emlen in the white tie-and-tails.
After the show, this puppet quickly filled with children.
After the show, this puppet quickly filled with children.

The stage also provided some great views of the sunset and audience, which was ringed by glowing butterflies. It was a magical experience.

My wife took these photos with her phone. For some showing my face in the choir, though, go to the Revels site.

If you’re in New England, consider showing up tonight. The more, in this case, the merrier.