THE INTERIOR SURPRISES

When the Pacific Northwest is mentioned, most people envision lush evergreen rainforests amid glacial mountains; few consider the desert that occupies most of Washington State, Oregon, and Idaho. I now explore the western end of the largely treeless expanse beginning within the Dakotas, Nebraska, Kansas, and Texas and extending almost to the Pacific Rim itself. Remember, a leafy tree requires thirty inches of rainfall a year to survive; an evergreen, somewhat less. My valley received an average of a little more than seven inches a year. Having grown up adjusting to muggy summers, I find a desert can affect my spirit in more ways than I ever would have imagined.

But you can choose, too, not to call everything by the names on maps. As geographies are being transformed ever more rapidly, few outward specifics hold long. Seek instead the vibrations of a site, sense its unseen roots and unexpressed timeless potential. In that vein, another depth appears. Perhaps each human inhabitant will go beyond basic misunderstandings. As I still hope.

Some maps are even jigsaw puzzles. And you think they’re for children?

Returning from that first trip to India, my spiritual mentor remarked that each village had felt different. “It’s more than appearances. The difference is the distinct vibration of a site. Many of their deities belong to a specific locality. One village will worship one god; another will enshrine another.” That’s how they identified the unique quality of a spot, just as Westerners have chemical elements to define physical qualities of a substance.

Even though I wasn’t quite certain of their origin or all of their psychic flavors, I sensed such subtleties. There are spiritual fingerprints certain people leave behind: a Quaker or Dunker neighborhood, for instance, may have a distinctive feel even a century after those worshipers depart. The same seems to be true for American Indian sites.

For more insights from the American Far West and Kokopelli, click here.

MAPPING MORE THAN GEOGRAPHY

I had no knowledge of the streams of quiet rebels who experience divinity directly, thanks, in part, to the map of their heritage as they work with the soil and their own bodies. These days, they resist as best they can the manufactured desires beaming from satellites or television airwaves, even while they watch many of their children succumb to these temptations. They could tell us about Elijah or Jeremiah, the Babylonian captivity, or the Maccabees’ war of independence, in addition to my own ancestors’ sufferings recorded in The Bloody Theater or Martyrs Mirror of the Defenseless Christians or Joseph Besse’s A Collection of the Sufferings of the People Called Quakers, for the Testimony of a Good Conscience. When, at last, I reclaim this legacy, piecemeal, I ask, “So whose story are you telling, anyhow? Which grandparents are yours?” Opening their maps, I follow their footsteps, even in a strange land. Well made cartography includes supplications and blessings, as well as warnings.

My own homeland once included many woodlands well into my grandfather’s childhood. A balance of forest, with its firewood and construction timber, and farm fields and pastures. So much so, in fact, that people could travel dozens of miles on roads that never left forest between cities. By my own childhood, however, most of the trees had been leveled, and even the woodlot on an uncle’s farm doubled as pasture for hogs and cattle. In winter, the countryside was a stubble wasteland.

Similarly, a prairie denuded of buffalo is impoverished. How much poorer is a suburban lot occupied by restless greed? Here I am, dwelling in desert I consider healthier and more vibrant than the construction I see overrunning the lands around cities and towns. “Rebuild at the core,” I urge the wind. “Repent!” Turn about! Bring back the buffalo and the buffalo nickel, as well as amicable urban neighborhoods. There are all kinds of communities, and humans are only part of the equation. There is land, there is sky, there is water and flowing. To say nothing of what exists beneath them.

A person who comprehends maps will appreciate history as well. Perhaps even musical scores, as another kind of map with a dimension of time.

I listen to my wife and learn of the mental maps many women carry. The ones of kitchens or gardens. Others leading to childbirth and parenting, or even away.

I, meanwhile, come here for a taste of primeval wilderness — a hope to experience a timeless reality that holds humanity in a state of awe rather than arrogance. Just look to the mountains for salvation. Look as well to dreams, each one having one foot in your past and the other in your present.

Carried to an intelligence that daylight conceals, I sense that within many rapidly fading distinctions I’ve scorned are important markers; these ranged from where to harvest wild berries and their uses as food and medicine to my own ancestors’ hymns and religious teachings. To be creative means building on what’s come before, rather than entering a new universe. The path on the map goes from one place to another. Respect is essential — another way of honoring one’s fathers and mothers. There’s still time to cultivate individuality and character in the field. Sometimes, even where homogeneity is perceived, a people can differ as sharply among themselves as they do from others. Ponder Polish Catholics in Chicago, Congregationalists in Ohio’s once-Yankee Western Reserve, and fire-breathing Baptists and Pentecostals in Detroit and what they might do to enhance each other’s heritage, rather than striving for some common denominator. That’s another way of lifting up mountains, rather than leveling. Even on flat land, each body leaves a hidden stamp on its soil. Learn to read vibrations of an environment, and you identify communities dwelling therein, sometimes a century or two after their departure. Through the news and entertainment media, I grew up knowing more of Manhattan and Capitol Hill, though they were only incidentally closer geographically than Kansas City or Minneapolis, supposedly within my Midwestern realm. I knew more, too, of Hollywood back lots and Beverly Hills. Indeed, not until much later had I recognized the Midwest I’d considered so conservative and culturally backward was, at the beginning of the twentieth century, a hotbed of radical politics and organized labor. Many of its cities elected Socialist mayors only to replace them with Ku Klux Klan within the decade. Talk about upheaval! In the front parlors of homes in many small towns across the Plains, the latest wave of European high culture was performed; three of the nation’s oldest handful of symphony orchestras were organized (St. Louis, Chicago, Cincinnati). In the machine shops of isolated barns and backyard stables of small-town entrepreneurs, curious Midwestern farm boys tinkered perfecting the automobile and a thousand other industrial marvels. Kite-flying bicycle-building brothers put men in the air.

Much of this I did not understand or appreciate when dreaming only of escape. Only now did I come to see what remains of a once rich and varied heritage. In those days I looked off to the limits of a world; fixes like Boston and Seattle as strands of Utopia. What I encountered instead was a step beyond the anticipated. Of the neighborhoods I would come to call home, none quite fit what people expect of East Coast, Midwest, or Pacific Northwest, either.

For more insights from the American Far West and Kokopelli, click here.

MULTIPLE MAPPING

Knowing how far to go — and when to turn back, to the best effect — are difficult matters. The wise traveler relies on those who have gone there already and returned. You hope they speak truthfully. Often your life will depend on their directions. Even knowing what to pack and what to omit may be based on their counsel. Mountains and rivers are only the beginning.

When there’s too much to remember, a map begins forming. That or a guidebook. But the map presents more possibilities than the book, with its linear narrative confined to one route at a time — even maps with vast portions blank or missing. Take two points on a map and connect them, this way or that. Add a third. And then a fourth.

I never would have arrived in this desert without maps. The airliner’s navigation charts, of course. And then the highway atlas. Many others, as well, become useful. Those that show back roads. Others, topography. Still others, property divisions — including the Indian reservation and Army artillery range, both declared off-limits. Maps of emotions, economies, explorations. Maps of oceans, weather, the heavens.

Disembark and you go to work filling in details and then connecting points like a spider. What’s around that corner? What’s over that ridge? Where will we stay, and what’s the best way to get there? A single map is only an blueprint. The particulars never quite fit. Especially in two dimensions. A breeze lifts the web. Coyote walks through it.

Each one distorts — some far more than others, and rarely by intention. Who made the map in your hands? And to what purpose? Some were mathematicians of few words. Others were empire builders or real estate developers. Some weave the directions into the stories they tell beside the campfire. Some ignore shadows. Fail to repent, ask forgiveness, extend blessing. Others know survival, as well as play, requires definition and decision. Obligates searching within, as well as around, in fullest candor. Some even deceptively point you away from your destination (why should they reveal their secrets?).

Those who were born and raised here know it in a different way from those who have migrated. Magpie will tell you one thing; a Canada goose, another. Same goes for where they’re positioned. Jackrabbit and dragonfly take separate pathways, as does beaver. You simply log where they cross and hope to find meaning.

I had thought maps were the essence of geography. Now the definitions spill over into history, geology, meteorology, political science, psychology, and much more. Because many misunderstandings afflict each life, there are bound to be collisions. Sometimes you move into a thorn that pierces consciousness, but even that rarely brings clarity. You see there’s endless discord among individuals, clans, tribes, nations, denominations — all to be traversed and mapped in the search for ways out and back safely. In this knowledge, jobs, aspirations, faiths, possessions, social standing are merely reflections of fundamental conflicts between human consumption and the good earth itself. No one can dwell anywhere without disturbing the whole; individuals and collectivities distort and contort to their own ends, some more benignly than others. The lines on the page do not hold their place. Without a divinity as a guide knowing these connecting pathways, then, there’s no return to full measure and health. The breath people exhale, fires they build, grains and flesh they devour are diverted to their chosen applications. “Tell us something better,” I implore. “Teach us the highest way.” Where anyone takes it from here is another matter.

Sadly, whether this transformation’s harmonious and renewing, guiding individuals as merciful stewards and co-creators with the divine, or self-centered and destructive as thieves, is rarely considered. Just observe how communities rationalize, arguing that the welfare of their women and children comes first, even as they bankrupt the farm to support worldwide armies or strip timberlands in a rutting for coal and iron.

You could perceive many aspects of this in these orchards within desert. While the choice of irrigating and producing fruit sustains many more humans than the arid range would, also ponder the long-term impact of the poisons applied through each season. Kill harmful insects and molds, but what else? And how soon before it seeps into the groundwater and household wells? It’s all an interplay of good and evil, which I observed through a giant spider web. As a practice within my spiritual discipline, the Dedicated Laborious Quest, I place maps atop other maps and find they are drawn to different scales. Many of the words require translation, which introduces its own misunderstandings. Some of the maps are even of places far from here, landscapes in memory.

Too many details and the sheet becomes a scribble. Maybe that’s why here, at an extremity of the continental United States, I now comprehend the American Midwest of my childhood and early adult years as something other than a uniformly Protestant corn belt. Even overlooking ecological differences between woodlands and prairies, or between the Great Lakes and the Missouri or Ohio river valleys, I reconsider its varied ethnic traditions and the hidden cost of the melting-pot focus. Speaking with other exiles like myself, I become aware of unique distinctions some of our ancestors resolutely upheld, at the cost of their own lives, if necessary. There were strains of Scandinavian Lutherans in the Dakotas, Russian Mennonites in Kansas, and Scottish Presbyterians in Iowa, whose distinct cultures were eroding like the topsoil itself. You would hear, too, why so many had fled. Some, desperately hoping to forget forever their terrors or shame, buried the evidence as best they could. Others, however, defiantly kept it aloft as a reminder of their liberation and a warning.

For more insights from the American Far West and Kokopelli, click here.

ROOTS THROUGH THE SKY

Ours was not the journey of Ulysses. There had been no dramatic battle. No obvious defeat or shipwreck, either. We weren’t accompanied by our own troops. I intended to make my home here, at the edge of wilderness, and venture into its realms, rather than circle back toward some faraway but faithful woman or goddess.

With the exception of my spouse, who also traveled with me, I was fleeing my own people and hoping that strangers would be better, or at least different. Crucially, I would continue to enter the back country to be reminded of some mystery, as if on this edge of the continent some faithful remnant was making a final stand in defense of Old Ways handed down through practice from antiquity. Still, you could look at the ground and be disgusted here, too, to find white fibrous butts, the thimbles of broken cylinders left behind wherever man goes, along with the larger, inescapable debris. Look up and see contrails of airliners and military aircraft. You could scoff that in vapor-lighted cities, where cancer is the predominate cause of dying, few inhabitants are aware of the flickering stars or the planets in their orbits; the populace is ignorant of the very lunar phases you will so closely follow here. Taunt them, arguing that Jesus is the only bum welcome on their streets and parking lots, and accepted in their midst only because he’s conveniently dead. Maybe he’s not all that welcome, either, if you look closer. Meanwhile, vandals spray-paint his name on forest boulders alongside highways, as though a word alone can distribute clear-cut salvation. Ponder the contempt for both creation and creator. The Old Orders dismiss superficial religion. There’s fasting, and then there’s starvation. The soul knows a hunger, one that comes at the beginning of prayer. Some practitioners know this opens a furrow their horses help plow. For now, I would venture into high places to be reminded of the ancient interplay of dualities. Not just good and bad, but the overlapping harmonies as well. Make my rounds, however quickly at first, acknowledging the slower nomadic practice.

When I packed for this move, I preferred boxes over baskets. Something squared, for paper and recordings, especially. Typewriter. Electronics. We weren’t transporting dried berries or salmon. Blankets cushioned furniture and china. The cardboard presented fewer overlapping harmonies. Learn to weave baskets and I might learn something of the Cross. Especially in its curving.

Handle with care, all the same. Let go of one, something shatters. Or the other, something bounces. Baskets stack differently than boxes. See which one fits a squared room better. Which one, a hogan, wickiup, tipi, or kiva.

Step outside. Turn to the four directions. Then name them.

MALE / SUN
FEMALE / MOON.

Turn again.

AIR / FIRE
EARTH / WATER.

Once more.

SPIRIT / LIGHT
FLESH / SHADOW.

Draw out their colors according to tradition or your own intuition.

Soon the divisions break down, into Yin/Yang swirling.

This is where prayer begins its dancing, even without Kokopelli’s piping.

In such turning I was brought to the edge of my intellect. Facing the expanse toward the horizon, my knowledge of geography, geology, botany, zoology, astronomy, and survival itself proved defective. The edge and depth of my emotions, too. Return to my religious texts and I’d find a different story. Not the one taught to children, but more sinister dimensions. Walk far enough away from the village or highway into open fear, admitting this experience might break me. This Dedicated Laborious Quest draws on all my ability — mental, physical, and psychic — until I’m forced to pull strength from some kernel of infinity within myself. As you pull, roots come forth. Draw them from the emptiness within the basket. The emptiness waiting on the horizon’s circle, as well. More roots, reaching out like cosmic rays through the sky, are visible only to the spider — these beads on a rickety filament.

For more insights from the American Far West and Kokopelli, click here.

A DESERT AND A SEA

A hundred miles inland from the nearest port, we encountered a three-legged tree. Until looking closer after being told the house beside it was built a century earlier by a retired sea captain, you’d have no clue a whale jaw had been leaned against the young trunk, where they grew together.

Irrigated, of course, this being desert.

The question remained. Who was farther from true home?

For more insights from the American Far West and Kokopelli, click here.

 

 

FALSE ALARM

Five volunteer departments responded, “The whole hill is on fire!” – only to discover a brilliant sunset in the woods. Five, all of the members dropping their daily activities to dash off on an emergency mission.

Now the caller was running for sheriff.

~*~

All these years later, I can’t remember who won.

POINT OF TRANSCENDENCE

Curiously, growing up in Ohio, I was nonetheless somehow fascinated by mountains. They arose in my early drawings. On family trips, it didn’t take much for a wooded hill to become a mountain in my mind. An astrologer might argue it has something to do with all the air signs in my chart. Whatever the reasons, a ridge line or summit calls to me.

There were a few tantalizing early encounters in childhood trips to the Great Smokies and eastern Kentucky. My true initiation, however, came at age eleven with a week of backpacking on the Appalachian Trail in Tennessee and North Carolina. It was miserable and magical, and left lessons for a lifetime.

Still, it wasn’t until after my college graduation that I came to fully appreciate mountains – living, by turns, in the Southern Tier of Upstate New York, the Poconos of Pennsylvania, the Cascades and Olympics of the Pacific Northwest, as well as Maryland (with its Catoctins and access to the Shenandoah Valley) and finally New Hampshire.

Many of my poems arise in some of those experiences over the years.

We could collect them as “By Gully,” playing off Louis Ulrich’s vow to climb Ulrich Couloir to the summit of Mount Stuart (9,415-foot elevation) one final time – “my gully,” as he referred to the trajectory more than four decades after he and two partners established the now basic mountaineering route in July 1933. A climber explores a slope, recognizes the avalanche chutes along the higher crests, approaches summits themselves via passes, gaps, or notches, usually following a streambed. The connection of gullies and mountains is established. By Gully.

Yet that is only half of the equation. Mysticism, as I’ve known it, keeps a foot to the ground, and often a hand or the butt, too. The spiritual journey leads to the mountaintop and back – if you don’t run ahead of your Guide.

~*~

It’s the background for some of my novels and poetry now appearing at Thistle/Flinch editions. To read more, click here.

Back Pack 1

SIGNS OF STATUS

I learned to backpack as a Boy Scout. Our troop was big on primitive camping using homemade trail tents.

When you successfully passed the requirements for the Second Class rank (twice – ours was a strict troop), you got to construct your own pack frame. When we went camping, you had everything tied tight to it – inside your sleeping bag, which was rolled into the trail tent.

When you were awarded the First Class rank, you were privileged to weave and stain a rectangular basket that was then bolted to the frame. Your sleeping bag would be rolled up in the tent and tied to the top of the basket, while the rest of your goods went into the basket itself – a much more convenient arrangement.

You couldn’t buy a backpack like that anywhere except, maybe, a very expensive outfitter’s.

What I learned along the way was equally priceless.

The pack on the cover of my poetry volume is a more traditional design, but it still stirs the memories.

~*~

Back Pack 1To see more, click here.

TRIANGULATIONS

As I said at the time …

So you’re moving out – congratulations! For one thing, it puts you on much firmer ground when you do commit to a live-in relationship – rather than jumping from your parents’ care into the care of another. Yes, your parents are much more liberal than mine were, but I too was forced to spend my first year-and-a-half of college at a local commuter school (fortunately, it had an excellent English department) and to live at home – something that deeply stunted my emotional growth. Getting away to Bloomington was a lifesaver, even if I wound up in political science and urban studies instead.

Well, I have another reading coming up Tuesday, same venue. This time, plan to read one poem – a longpoem in thirty-seven sections. Should take just under an hour. A piece that was nearly published by a highly regarded press twenty years ago – and was withdrawn because of deep cutbacks in federal funding for the arts. When I began to submit sections to journals a couple of years back, acceptances quickly followed. Now, to get the full piece out!

So here I am, wishing you could be with me in that smoke-filled room – have you on as the next reader, in fact, unless I gallantly step aside to let you wow them with an extended reading of your own. Or, more intriguing yet, share the stage, alternating pieces. Yes, I like that!

Oh, yes, you start to apologize about talking so much about him and that love poison. But I wonder, unless we are blessed enough to have a fulfilling life with our initial childhood sweetheart, whether a great deal about any current affair is actually an attempt to work out the failings of the previous hot fling. For one thing, we really do become attuned to the other person’s touch, timing, interests, movement – everything that makes him or her distinct. Nicolas Mosley, an English novelist, has argued that every coupling is actually a triangle – or more accurately, two triangles, with each partner having a side affair, a past, a demanding career, or whatever attached here. I’d agree.

Now, if you decide to hop on that bus and head off to some escape, what can I do to lure you here? (Just phone ahead, to make sure I’m not seriously involved with a very jealous girlfriend by then.) As I was saying, how do you like your coffee? Ever gone contradancing or English country dancing? And you wouldn’t be the only person in this neck of the woods dressed in black and stainless steel or exhibiting striking jewelry piercings, unlike New Orleans. In fact, a number of years ago, Donald Hall once wrote that there’s something Gothic about New England. I was living in the desert of Washington State when I read that, and it intrigued. Even more so, now that I’m living here. But that’s another conversation.

Well, it’s my turn to be up way too late – and to write disjointed stuff. Hope it makes sense. Now, for me, off to engage in, hopefully, some sensual and sensational dreams of my own. Care to bet if you’re starring?

Keep sizzling!

~*~

Olympus 1For a free copy of the complete American Olympus, click here.

THE BIG TREES

I still miss the Douglas firs and the Western red cedars. In their maturity, they stand tall – not quite to redwood stature but still impressive, especially when they’re massed together or the clouds roll through the branches.

Close your eyes and let the aroma present another unforgettable impression.

Maybe off in the distance of night you’ll hear the singing.

~*~

Mountain 1

For more, click here.