RIVERSING

RiverSing was accompanied by large butterflies and other imaginative creations from Moonship Productions and the Puppeteers Cooperative. Here's one by daylight.
RiverSing is accompanied by large butterflies and other imaginative creations from Moonship Productions and the Puppeteers Cooperative. Here’s one by daylight.
And if you've ever wanted to converse with a butterfly, here's your chance.
And if you’ve ever wanted to converse with a butterfly, here’s your chance.
Once the sun goes down, the butterflies take on a new look as they swirl at the margin of the audience.
Once the sun goes down, the butterflies take on a new look as they swirl at the margin of the audience.

Best known for its 16 packed shows in Harvard’s Sanders Theatre each Christmas, Boston’s Revels organization also presents many other activities of community-enhancing music, theater, dance, and storytelling for family audiences through the year.

Each autumn, for instance, it welcomes the equinox with a free Sunday evening concert along the Charles River in Cambridge, which takes place tonight with activities beginning at 5 p.m. in Winthrop Park at Harvard Square. A police-escorted street procession leads down to the riverside, where thousands settle in for a two-hour high-energy performance.

The marvelous Second Line Social Aid and Pleasure Society Brass Band played a lively set in Winthrop Park before escorting a large procession to the Charles River. I'll refrain from telling stories about the trombonist on the right, who I've known long before he even knew about trombones.
The marvelous Second Line Social Aid and Pleasure Society Brass Band plays a lively set in Winthrop Park before it escorts a large procession to the Charles River. I’ll refrain from telling stories about the trombonist on the right, whom I’ve known long before he even knew about trombones.

Last year’s concert featured Noel Paul Stookey of Peter, Paul, and Mary fame, and I was part of the chorus of 120 behind him. It was a blast.

Here we are, with Noel Paul Stookey beside conductor, arranger, and master of ceremonies George Emlen in the white tie-and-tails.
Here we are, with Noel Paul Stookey beside conductor, arranger, and master of ceremonies George Emlen in the white tie-and-tails.
After the show, this puppet quickly filled with children.
After the show, this puppet quickly filled with children.

The stage also provided some great views of the sunset and audience, which was ringed by glowing butterflies. It was a magical experience.

My wife took these photos with her phone. For some showing my face in the choir, though, go to the Revels site.

If you’re in New England, consider showing up tonight. The more, in this case, the merrier.

MOCKINGBIRD, ESPECIALLY

The amount of wildlife in our yard continually impresses me, especially compared to my childhood home. The abundance of squirrels, of course, and (yuck!) the winter rats we occasionally see but also skunks, opossums, the groundhog (woodchuck) can be added in, plus garden snakes and a rainbow of insects. We must be doing something right, or just be in the right location. (Once, a fox trotted atop my ladder stored over snow, right here in the city.)

A first: amid a throng of blue jays chasing a crow, a mockingbird: was its nest raided or threatened?

But remember, never mock a mockingbird. Like the one singing lustily from our neighbors’ when I’d drive in from work at midnight. They’re quite remarkable musicians.

In a Heartbeat~*~

The influence of the animal kingdom shapes my newest collection of poems, In a Heartbeat, on tap at Barometric Pressures.

STRIKE THREE AND YOU’RE OUT

According to folklore, when intruders disturb a rattlesnake, the first passerby merely irritates the viper. The second passerby becomes truly annoying. The third in rapid succession, though, becomes just too much. And that’s the one the snake strikes.

I think many of us humans have days like that. When we erupt – or someone blows up at us – it’s often far out of proportion to the provocation. What you see merely reflects the third offense or offender – the one that triggers defensive action.

Either way, don’t take it too personally.

SAGEBRUSH AS A STATEMENT

The diamond hitch is a top-of-the-line knot, especially useful in cowboy, mining, or logging country – or, as I apply it, the desert foothills of Washington state found east of the Cascade mountains. Forefront in my related set of poems is the unspoken recognition of diamond hitch as marriage, with its implied images of diamond ring and getting hitched. In the background, also unvoiced, is the diamond symbol of the clear and enduring heart – further extended to intense spiritual quest, as The Diamond Sutra (Vajrachchedika in Sanskrit) demonstrates, found also in the Buddhist linkage of diamond to Dharma. In addition to serving as an emblem for the open range of the American Far West, sagebrush, moreover, suggests wisdom, spice, even the Burning Bush of Moses – the profound influence desert has upheld for prophets and mystics over the millennia.