‘It’s all fiction’

As my new book came together in its revisions, I began to feel some parallels to John Baskin’s 1976 New Burlington: The Life and Death of an American Village, a non-fiction opus based on what was then the new field of oral history.

The village he examined was largely Methodist and Quaker, the latter having come en masse from South Carolina as their rejection of living in a slave-holding countryside. In fact, when they relocated as a Quaker Monthly Meeting, they carried their treasured minute book with them and continued their records in Ohio.

His book became something of a classic and was even excerpted as a popular series in the Dayton Daily News.

While relying heavily on quotations from his sources, he did knit the interviews together with some heavy interpretation on his part. And here I was, becoming an active narrator in the action in my own work.

My book, as it stands, is heavily influenced by what I’ve learned writing fiction, in addition to my lifetime career as a newspaper journalist. I view the result as a story.

More to the point, when Quaking Dover came out, one longtime friend asked me if it was another novel. I bristled, I think, “No! It’s a history! Non-fiction!” While also thinking, “Didn’t you read the description? What did you miss?”

~*~

I am trying to remember the first time I mentioned Baskin’s book, probably in a Quaker circle in another part of the state, and hearing the response, “It’s all fiction.”

Huh? It seemed pretty solid to me, and the asides on Quakers were rather informative for a newcomer, as I still was then.

A decade or so later, visiting family back in Ohio, I ventured off to worship at the New Burlington Quaker church, which had rebuilt out by the highway after the village had been flooded by the U.S. Army Corps of Engineers.

At the close of the service, I was asked why I chose them rather than the more silent Friends in nearby Waynesville. Well, I had worshipped in that historic meetinghouse years earlier but, as I replied, I enjoyed visiting other branches of the Quaker world. And then I added, “Besides, I have the book.”

A moment of awkward silence struck the circle around me before the oldest person, a woman perhaps in her early 90s, softly pronounced, “It’s all fiction.” Obviously, they all knew what I meant by “the book.”

Oh? I was in no place to argue and accepted her verdict as literary criticism. In some ways, I took it as advice, not that anyone knew I, too, was a writer. Those of us in the news biz were already treading on thin ice in too many ways.

Still, as I retold the encounter to a reliable bud, he inhaled sharply and noted, “That’s strange. It’s the same thing Aunt Cecille said. Her words, ‘It’s all fiction.’”

Well, she did live in a town only a few miles up the road, one where the local Friends church had recently petered out. She, too, had Quaker roots and community creds.

~*~

As a journalist, I can relay one fine reporter’s observation that he knew he was on course with a controversial issue when he found both sides of the story were upset. Not that I want to go there. Still, I do know that we humans have a hard time accepting our own shortcomings and follies and that we view events through our own lenses.

I should add that Quakers, as a whole, write a lot. It’s a crowded field.

How crowded? The primary Quaker history journal takes this stand: if a book hasn’t been vetted by a peer review panel of historians, it’s taking a pass.

As they did on mine.

 

When you see someplace you’ve known now in the news

The train derailment in East Palestine, Ohio, has me mentally revisiting a part of my landscape from forty years ago.

At the time, I lived two counties to the north but was a member of one of three old-style Quaker Meetings in Columbiana County, where the accident took place. So I was down there at least once a week most of the year. The county was a mix of industrial and suburban, especially where it bordered Rust Belt Youngstown, and rural Appalachia along with touches of New England. One corner abutted the Ohio River and West Virginia.

The rail line in the headlines was like those running through a small city where I had worked in another corner of the state, a place I call Prairie Depot in my fiction. And East Palestine itself could be adjacent to the city at the core of my novel, Hometown News.

Churches included Mennonite and Brethren, in the peace tradition, as well as Evangelical Friends at the other end of the Quaker spectrum.

Retracing the terrain via satellite maps, I was struck by how much I’ve forgotten, even parts I had known fondly. Others were pretty gritty, even back then.

From a distance now, it’s like encountering a ghost in a haunted house I thought I’d left behind.

Don Draper and the life I thought I’d be living

My first awareness of the Mad Men television series, about a decade ago now, came in my daughters’ outraged question – “Was there really that much sexual abuse in the workplace back then? They’re making that up, aren’t they?”

They were incredulous at the blatant sexism and racism of the time I grew up in, even after I confirmed it was there.

What they described was confirmed and more in my recent binge viewing of the series. Let’s just say I was quickly emotionally engaged in the show.

Growing up in the Midwest, I was repeatedly told I belonged in New York rather than in my hometown. Advertising was, in fact, one of the career paths I was considering, and like journalism and publishing in general, Manhattan was still the center of the universe.

Watching the presentations reminded me, to some extent, of the first offices I worked in, even in Ohio. And Don Draper, the advertising creative director at the core of the story (I started to say “heart” but he is rather heartless), reminded me of some of my livelier bosses as well as a kind of ideal of what I was aspiring to or perhaps was being groomed for, at least before the hippie influence kicked in.

Yes, there was cigarette smoking everywhere, and liquor – and functioning alcoholics. (Should I say “functioning alcoholics who smoked”? Or is that too redundant?)

There were also some incredible secretaries, who were far more than typists. The best held the office together, far more than the corner office they reported to.

Let’s just say that the workplace changed drastically in the years since, in part through the digital revolution.

~*~

The show also hit close to home through the father of my best friend in high school, who was a vice president in a boutique advertising agency, one titled with the initials of the three of the partners’ surnames. Not that he was anything like the ad men in the show. Through him, though, I learned of the intricacies of billing, production challenges, deadline crunches, marketing analysis, and purchasing print, broadcast, billboard, and direct mail access – things that were touched lightly on, if at all, in the plots but still a factor.

And during college and the first year after, I was exposed to families that could well have mingled with the Drapers – executives, attorneys, and politicians, plus their wives and children of the late ‘60s and early ‘70s.

~*~

My daughters were swept up in the show’s fashion mindfulness of the ‘50s and early ‘60s but unhappy with the styles as the chronology moved on in the final seasons. We can argue there.

My biggest criticism is of the cheap shots taken at hippies, falling into stereotypes rather than the more carefully crafted type studies up to that point. In doing so, the writers and producers lost an opportunity to more sharply critique the cynical, superficial world Draper and his colleagues inhabited. The tone of these segments, quite simply, was out of line with the rest of the production.

Even so, I was devastated by the final episode.

Could that have actually been me? Thank God, I escaped.

I’m East of Acadia, if not quite Eden

I like to think that natural beauty can be found anywhere, but I have to admit that too often, what’s happened is that brute ugliness has prevailed in far too many places, typically as a result of greed. There’s no excuse for much of that, either. A little extra expenditure could have added grace to any development, created visual intrigue, lessened the harshness. Urban or rural or what’s in-between, alas.

Whenever possible, I chose career moves that opened me to natural or artistic settings and inspiration – along with opportunities to shine professionally. It’s meant avoiding suburbs, for one thing. Sometimes, though, it’s also meant invoking a sliding scale of value – you know, finding pockets of serenity within otherwise harsh localities. And then there were some other postings that principally industrial, even when it was mostly farmland. So it’s been a mix.

Still, as I’ve said, I came to realize that had I remained in my native corner of Ohio, I wouldn’t have been able to write poetry, the vibe was simply wrong. Or, if I had, it would have been much different from what I’ve done.

On the other hand, the four years I lived two hours east of Mount Rainier, back in the late ’70s, gave me repeated access to one of America’s greatest national treasures, often from lesser-known perspectives. What memories! And that’s before I turn to much of the back country and wilderness that was closer to our home. I even came to love the beauty of the desert where I was living, a landscape that initially struck us as hideous.

Mount Desert Island, home of Acadia National Park, glimpsed from the east.

Now I’m finding myself dwelling two hours east of an even more popular natural park, Acadia. Already, I have glimmers of many backwoods and remote rocky shores to explore in-between.

Technically, all of Downeast Maine is also Acadia, the French name of the region. For most folks, though, Acadia means the park.

The biggest land mammal out west was the elk, while here in northern New England, it’s the moose. Just as the celebrated shellfish here is lobster, rather than Dungeness crab.

The fact is, for many people, either place is about as close to paradise as you’d find on earth.

And, yes, I’m feeling lucky – or especially blessed – that way.