Tag: Northwest

AS FOR THAT SECOND AMENDMENT

~ Jnana Hodson ~ 2 Comments

For those who claim to be defenders of the Second Amendment, let’s insist they embrace the entire provision, the part that mentions a well-regulated militia.

There’s nothing well-regulated in what we’re seeing in the cancer of mass murders resulting from assault rifles. A particular model, at that.

Note, please, that regulated means regulations, first, and their efficient enforcement, second. The Congress that adopted this amendment knew what it was doing, unlike more recent politicians beholden to the gun lobby. As the amendment insists, it’s the militia that shall not be infringed. The well-regulated militia.

By the way, having lived in rural areas, I’ve come to appreciate the place of hunting and knowledgeable hunters in the wild. Some are deeply devoted naturalists, aware and alert in the nuances of their surroundings. Natives have much to teach about the rhythms of their game. I’ve seen how a local hunting and fishing club regulated much of a rural county, keeping irresponsible “sportsmen” away. In Washington state, the return and proliferation of elk can be credited to concerned hunters in conservationist organizations. There’s a role for that culture – one, we should note, that accepts legal limits on its activity.

~*~

These days, I’m thinking more and more about the militia part of the Second Amendment. What if we required all gun owners to be a member of one? Perhaps it would be like the Army Reserve, where each member would have to take so much training each year and put in community service time. Training? First-aid and CPR are always good for the public. We’re far more likely to need those than a gun, anyway. I see this as a kind of auxiliary for public service. Why not?

No exceptions for people who claim to be too busy, either. Someone like Donald Trump would have to put in hands-on time. Public service, indeed.

ENDLESS PERSPECTIVES

~ Jnana Hodson ~ Leave a comment

Rarely do you stand at the summit. It’s a lesson of life.

Even on the trail, the climax awaits, somewhere overhead.

We need something to look up to, from infancy on.

And then there are clouds – or the surrounding range.

Or the streams, threading together, below.

Mountain 1~*~

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FORGET ZEUS AND HERA, FOR NOW

~ Jnana Hodson ~ Leave a comment

The Olympic Peninsula is an extraordinary extreme in continental United States. It juts out in the far upper left-hand corner, surrounded on three sides by ocean and inlets and featuring a jagged mountain range in its center. Much of it is lush and tangled, and there is relatively little human habitation.

It could be a land of the gods, as its very name suggests. Or as the Native Americans, with their stories still intact, will relate. Forget Zeus and Hera, then – this is a panoply arising from American roots and its westward focus.

Come along into the rainforest and then camp just in from the beach. As I did, collecting these poems.

Olympus 1~*~

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TRIPLE PLAY

~ Jnana Hodson ~ 1 Comment

Any writer tackling a large work such as a novel or screenplay will need to consider the matter of structure. The easiest way out, of course, is to follow a conventional model.

In fiction that might mean 60,000 words, more or less, spread out over 20 to 24 chapters, typically in a straight chronological order, past tense. For the film, something that would come in a little under two hours. To that you’d add pacing, points of conflict, resolution, number of main characters, and so on.

Sometimes, though, you find that’s not the best way to organize your material.

For example, in its revisions, Promise emerged with three sections, each set in a different locale – Prairie Depot, the Ozarks, and finally the Katonkah Valley. Each one, as it turns out, can be viewed as a novella held together by the central couple, Erik and Jaya.

I didn’t intend it this way. The original version had five sections, for one thing, which I came to feel were simply too unwieldy. The cuts provided what I feel gives a better balance.

Let me also admit to a fondness for shorter novels. Novels, mind you, not simply novellas, no matter how much I enjoy them, as well. Maybe it’s a reflection of my typically crowded schedule.

Still, both short stories and novellas stand as kinds of orphans in today’s literary scene. They should be more popular than they are. An occasional solution, one I’ve enjoyed reading, runs a central character through a set of short stories to culminate in a volume of novel length. It’s a tricky strategy, though, and hard to pull off.

Maybe that’s one more reason I feel a special satisfaction with Promise.

Hope you do, too.

Promise~*~

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BRUISED DESERT

~ Jnana Hodson ~ Leave a comment

Three hundred sunny days a year in a fertile land may seem like Paradise.

But it’s surrounded by desert.

~*~

Desert turns everything to bone. That, or to stone. Even the scattered tufts of cheat grass and the isolated clusters of flowers turn into straw skeletons. Social conventions, too, dry away. In pursuing clarity, which parched spreads possess abundantly, I also enter an order of madness. Paradoxically, to preserve my sanity in dealing with people, it becomes periodically necessary for me to revisit this incomprehensible delirium. Settle back on this my bedrock, readjust to my own frame. Here, then, I return afresh to spaces within and without. Wait. Listen. In this place, wind is a clearing, spiraling on itself. Then, when this twisting reverses, screwing into bony alkaline soil, we give praise. At times, I even see my own heart clearly. As I come to know my way around more securely, I lift a cup of clear spring water and pour it on bleached parchment at my feet. Selah. The next day a bouquet of tiny flowers rises like fingers bent by wind. Always somewhere, wind.

 ~*~

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Kokopelli 1

WESTERN HARVEST

~ Jnana Hodson ~ Leave a comment

With its cloudless skies, it could be an ideal agricultural cornucopia. If you had water.

~*~

In other climates, you commonly overlook the element of space, unless looking into the heavens on a brittle night. You observe objects, and space becomes the measure of distance between an object and you, or else some arrangement of objects. In contrast, desert appears more as a vacuum — a juxtaposition of surfaces, of sky and earth extending outward not to some imaged convergence (such as the perspective point where the twin rails of a train track become one) but rather away from any focus, and thus outward around both of the observer’s ears. Here, space itself becomes obvious, as if turned upright, like a wall in your face. So often in life, what should be most obvious is the hardest to see. The spider is on the window; the spider is on this page.

~*~

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Kokopelli 1

FALSE ALARM

~ Jnana Hodson ~ 1 Comment

Five volunteer departments responded, “The whole hill is on fire!” – only to discover a brilliant sunset in the woods. Five, all of the members dropping their daily activities to dash off on an emergency mission.

Now the caller was running for sheriff.

~*~

All these years later, I can’t remember who won.

JUST WHERE DID I DEVELOP THAT TASTE?

~ Jnana Hodson ~ 1 Comment

Ever look back and wonder when you first encountered an item that’s now one of your go-to menu items?

Oh, I can remember when pizzas first invaded our neighborhood – the smell of oregano easily triggers that preschool memory!

But the Greek wrap called a gyro – and pronounced HE-ro – remains a mystery. I may have discovered it, along with souvlaki, in the late ’70s in the University District of Seattle, back when we’d visit from the interior desert. Or it may have come from a takeout place we ordered from at the newspaper, a decade-and-a-half later.

I do remember a heavenly example from a wood-fired stove at the Common Ground Fair in Unity, Maine, back in 2002 – along with a wait in a very long line.

More recently, it’s been the highlight of dinner before our weekly choir rehearsals in Watertown, Massachusetts.

Just remember, no onions on mine, please.