F*** U-TURNS

Next time you see one of those “No U Turns” signs on someone’s driveway, think about their side of the story and the audacity of some of the public.

We know an old farm in Maine that has a driveway connecting to both the busy highway in front of the house and a country road to the side. It gets plenty of “summer people” congestion at the traffic light, along with drivers who try to beat it by driving taking the driveway – or worse, just driving through the yard.

Recently, during a sudden storm, one SUV dodged in under the tree in the front yard to deflect hail, in the process mowing down hostas and other flowers before then backing hard into the parked pickup truck on the way out, and gunning it down the road.

Later, when one of the residents of the house was turning up the driveway from the side road, another car, crowded with tourists, came the other direction – and gave her the finger when she refused to back out so they could pull on through. Look, it’s her home, not theirs!

Their New York plates did nothing to soften the reputation.

BEFORE THE INTERNET, THERE WAS THE TELETYPE

Well, we also had the telephone – and memos, sometimes delivered by a mailman and sometimes by an office courier and sometimes, gasp, in person by the boss himself. Or maybe just his secretary.

But when I began drafting Big Inca Versus a New Pony Express Rider, the Internet was somewhere over the horizon. Yes, online communications did exist in what we now consider some crude form. That’s progress for you, I suppose.

Still, in developing the story, I wanted some kind of encrypted exchange between the distant handler and young Bill in the field, and that led to the technical arrangement described in the novel.

Thus the events could be disclosed in a series of memos covering a three-year period. It’s almost like playing cards, one at a time.

To tap into their exchange, just click here.

Inca 1

WALNUT ASSAULT

Among the mature trees surrounding our house are several black walnuts, including one that hangs over the 1928 one-story addition where our kitchen sits. Its open ceiling allows us to hang pots, pans, and stemware from the joists – shall we just call it a rustic look? – and I’ve sometimes considered installing a skylight or two.

On the other side of that roof, squirrels strip the nuts from the trees early in the season of a typical year. Watching their frantic action can be quite amusing, first as the leaves on a branch shake furiously and then as a squirrel bounds away with a large ball in its mouth.

A few nuts might actually survive into autumn. More likely, we find them buried the next spring as we prepare the new garden and sift compost. Having lived here for a decade-and-a-half, we think we know what to anticipate as the seasons advance.

Not this year, to our surprise, at least as far as the walnuts go.

Our awareness that something was amiss began in the middle of the night. Was somebody trying to break into the house?

The next morning, though, as wind whipped around the house, the noise really picked up. Imagine someone hitting the kitchen roof with a baseball bat. Repeatedly, sometimes three or four a minute. The whack was enough to make us jump.

I moved one car further from the house – we’d seen what large hail did to a friend’s pickup truck and the damage wasn’t pretty. These nuts were larger and heavier, after all, and ones that fell on that side of the roof were bouncing into the driveway.

The tree still has a few nuts left on the branches, but the racket has slowed considerably. Instead, some of the pathways leading to the garden are now covered in walnuts. As my wife observed, it’s like trying to walk on marbles.

Between that and the noise, it’s enough to drive anyone nuts.

Or squirrelly.

FESTERING ETHNIC TENSIONS

With America’s reputation as a melting pot, it’s surprising to see how long some ethnic tensions continue – often for generations.

Sometimes it’s simply in the ways values differ – the extent to which cunning is admired or detested, for instance, or how the family is expected to behave at the dining table.

Sometimes these erupt in a marriage of spouses from different backgrounds.

And sometimes the conflicts arise in the Old World the family fled in the first place. Think of the Balkans or Middle East, for example.

In Big Inca Versus a New Pony Express Rider, these come to the fore in mysterious ways in the isolated community of yrUBbury, especially once Bill puts the Company agenda into motion.

That is, once Big Inca also begins moving mysteriously in the background, drawing and redrawing the battle lines, largely along ethnic identities.

It’s a wilder fantasy, after all, than Wall Street. To continue, just click here.

Inca 1

AFTER THE CAMERA BATTERY QUIT …

I was enjoying a leisurely trip back through Vermont, taking many breaks with my camera. All was well until approaching the New Hampshire line, I stopped to capture pictures of a Mennonite church – one of a few in New England – and was about to walk a block or two to take shots of a long covered bridge across the Ottauquechee River. Alas, my camera stopped working.

I assumed the battery simply ran out of juice, though back home I remembered (too late) sometimes you just need to remove it and put it back in – have no idea why that works, but it did on my old Kodak. Well, I’m still getting acquainted with my new Olympus from Christmas.

There would no doubt have also been additional shots of the “quintessential Vermont” general store, a bed and breakfast, and other quaint buildings clustered around the green – this was Taftsville, after all, which turns out to be a neighborhood in the iconic town of Woodstock.

The 189-foot-long span built in 1836 along what’s now U.S. 4 was severely damaged by the remains of Hurricane Irene in late August 2011 and for several years was left dangling precariously from a middle pier. (It’s listed as a Multiple King post and arch design, by the way.) Now, including a fresh coat of red paint, it looks dazzling. Alas, you’ll have to take my word for it.

More missed photo ops took place an hour later, when I stopped for lunch in Lebanon, New Hampshire – not down by the busy interchange along the Connecticut River but up on the hill, around the old green. It’s one of those New England towns that has an opera house as part of city hall, and this one has an actual opera season each summer. This year’s bill includes not just Mozart’s Abduction from the Seraglio and Bernstein’s West Side Story but also Aaron Copland’s rarely performed Tender Land. What I saw and heard of that, by spying through a crack in double doors from the lobby, was gorgeous. Well, again you’ll have to take my word for it. You would have seen the exterior of the hall from the common.

Finally, much closer to home, as I was stuck in a construction delay at the Lee traffic circle, I looked out my car window and saw three fawns grazing placidly at roadside. If my camera were working, it would have been a classic shot. They’re such small, fragile critters with such big pointy ears!

Well, even with the missed opportunities, I am happy with what I got that day. Now, to plan ahead to scheduling them for this blogging!

A RIVER CRUISE FOR PERSPECTIVE

Many of these Red Barn postings have illustrated the historic seacoast region of New Hampshire where I live. While our downtown is 16 or 17 miles inland from the Atlantic, the tides roll in all the way up to the waterfalls and mill dam at the heart of our city, and then roll out, usually twice a day. In fact, Dover was an active seaport until floods and silting took their toll early in the 20th century.

Situated on the Cocheco River, as well as the Bellamy and a stretch of the Salmon Falls, Dover was once a major textiles manufacturer and railroad center. It’s part of a cluster of small cities and adjacent towns, each with its own character, that drain into the Piscataqua River before it, in turn, pours into the ocean.

In contrast, downstream on the full Piscataqua, Portsmouth boasts of an active port – one with iconic red tugboats, oceanic freighters, and active passenger cruises around the harbor, its islands, and coastal sights – stretches familiar to us from both the shoreline and ventures out on water. On the Maine side of the river, the Portsmouth Naval Shipyard builds and repairs nuclear submarines.

Upstream, however, has remained far more mysterious. Since it’s hard to glimpse much of the waterway from public roads, we’ve long wondered how the route would appear. Long ago I discovered how different a shoreline fits together when viewed from a boat rather than the lands around it. This is, after all, a major part of where we live.

The MV Heritage in Portsmouth Harbor.
The MV Heritage in Portsmouth Harbor.

At last, hearing of the Inland River Fall Foliage Cruise offered each September and October aboard the 49-passenger MV Heritage, my wife and I got a chance to see for ourselves. Depending on the timing of high tide, its daily two-and-a-half hour trip ventures from downtown Portsmouth to downtown Dover 11 or 12 miles upriver or, as an alternative, into Great Bay, itself a remarkable estuary.

It was an eye-opener. Once we left the familiar, picturesque Colonial-era Portsmouth Harbor, we began passing all of New Hampshire’s industrial waterfront, which includes three electrical power plants, the world’s largest lobster operation, an oceanic underwater cable producer, oil tank farms, and the like – each with major docking facilities for oceanic freighters or other vessels. I hadn’t envisioned the extent of this activity. Nor had we anticipated the width of the passageway, in many places approaching three-quarters of a mile. Not what most folks would call beautiful, but it was impressive, even if we were grateful Aristotle Onassis failed in his attempt to put an oil refinery a bit upstream.

Clouds and a sharp breeze arrived quickly after we left the dock and started passing industrial waterfront.
Clouds and a sharp breeze arrived quickly after we left the dock and started passing industrial waterfront.

Once we’d passed the mouth to Great Bay, we were surprised by how much of Dover itself sits on the Piscataqua – and how much very expensive waterfront housing with expensive docks to match have been built there, mostly, as we were told, in the past two decades, now that the river’s been cleaned up from its earlier industrial pollution. In fact, looking at this and at the Maine side of the river gave the impression of passing high-profile lake shores with their ever more imposing year-round mansions. To be frank, we were a bit stunned by the wealth we were witnessing – where are these people in our otherwise modest city and what’s their source of income? Theirs is a different world, we’d say.

That’s not to say there weren’t stretches of colorful foliage or fascinating wildlife. In addition to a host of herons, gulls, and cormorants (we most loved the ones who stood atop mooring buoys marked “private,” as if the birds defiantly owned them), we viewed a soaring osprey and then a bald eagle in flight, an impressive hawk high in a pine overlooking the river, and a seal or two – all close to home.

The Pisacataqua originates at the fork of the Salmon Falls and Cocheco River, which we then followed as it narrowed on its way to downtown Dover.

What a contrast!

At one broad pool, we were told that tall-mast ships turned around here before reaching the mills by being poled by hand on high tide or pulled by oxen the final few miles. And, at the upper narrows, we appreciated a friend’s work with the Army Corps of Engineers in dredging power-plant tar from the river to reopen the passage. (That could be another posting in its own right.)

We passed the marina at the edge of downtown and circled, to retrace our journey.

The final passage into downtown Dover narrows and twists. Here it is at high tide.
The final passage into downtown Dover narrows and twists. Here it is at high tide.

Why is it, the return always seems to go faster than the first part, outward?

On our drive home after debarking,  we stayed close to the rivers. Surprising how discrete the lanes to the big houses! You’d never, ever, suspect they were there if you hadn’t taken the cruise. Makes us wonder how much more is hidden just out of view.