HUMMINGBIRD HEAVEN
Tag: Nature
GARNISHING THE FENCE RAIL
MOCKINGBIRD, ESPECIALLY
The amount of wildlife in our yard continually impresses me, especially compared to my childhood home. The abundance of squirrels, of course, and (yuck!) the winter rats we occasionally see but also skunks, opossums, the groundhog (woodchuck) can be added in, plus garden snakes and a rainbow of insects. We must be doing something right, or just be in the right location. (Once, a fox trotted atop my ladder stored over snow, right here in the city.)
A first: amid a throng of blue jays chasing a crow, a mockingbird: was its nest raided or threatened?
But remember, never mock a mockingbird. Like the one singing lustily from our neighbors’ when I’d drive in from work at midnight. They’re quite remarkable musicians.
~*~
The influence of the animal kingdom shapes my newest collection of poems, In a Heartbeat, on tap at Barometric Pressures.
ATTUNED TO THE PULSING
Back in the late ’70s I attended a weeklong interdisciplinary conference at Fort Warden State Park on Washington’s Olympic Peninsula, an event that remains a potent influence on my work and thinking. Organized by Sam Hamill, then of Copper Canyon Press, the Power of Animals seminar spanned biology, literature, anthropology, mythology, and more. Presenters included the writers Barry Lopez, Gary Snyder, Howard Norman (then just the author of a chapbook of poems called Born Tying Knots), David Lee, and an equally impressive slate of zoologists and botanists in an interdisciplinary examination of the dimensions of the animal kingdom. One highlight was a stage production from Reed College that relived some of the glorious Coyote tales of the Pacific Northwest.
Now, with the release of my chapbook In a Heartbeat from Barometric Pressures at Kind of a Hurricane Press, I hope to return the favor. This set of poems runs playfully with wild and domestic animals of all sizes and influences as they impact our lives in real and imaginary ways.
To join in, simply click here. And remember, it’s free.
NATURALLY, AT LAST
The Barometric Pressures author series at Kind of a Hurricane Press has just published In a Heartbeat, a set of 20 of my poems arising in the animal kingdom. As you can imagine, I’m delighted. Let me roar and crow, if you will.
The set occupies a much different tone and style of my writing from what you’ve previously seen. It ranges from television cartoon characters to ancient mythology as it traces our interplay with our fellow animals across the earth, under the sea, into the air, and throughout our imaginations.
This 35-page echapbook is available free from the Barometric Pressures author series at Kind of a Hurricane Press.
If you decide to print yours out, you might even want to select a fancy paper to make your copy unique.
Let me add, that way I’ll be even happier to autograph yours when we meet. But first, for your copy, click here.
CRAB ROCK
STRIKE THREE AND YOU’RE OUT
According to folklore, when intruders disturb a rattlesnake, the first passerby merely irritates the viper. The second passerby becomes truly annoying. The third in rapid succession, though, becomes just too much. And that’s the one the snake strikes.
I think many of us humans have days like that. When we erupt – or someone blows up at us – it’s often far out of proportion to the provocation. What you see merely reflects the third offense or offender – the one that triggers defensive action.
Either way, don’t take it too personally.
SAGEBRUSH AS A STATEMENT
The diamond hitch is a top-of-the-line knot, especially useful in cowboy, mining, or logging country – or, as I apply it, the desert foothills of Washington state found east of the Cascade mountains. Forefront in my related set of poems is the unspoken recognition of diamond hitch as marriage, with its implied images of diamond ring and getting hitched. In the background, also unvoiced, is the diamond symbol of the clear and enduring heart – further extended to intense spiritual quest, as The Diamond Sutra (Vajrachchedika in Sanskrit) demonstrates, found also in the Buddhist linkage of diamond to Dharma. In addition to serving as an emblem for the open range of the American Far West, sagebrush, moreover, suggests wisdom, spice, even the Burning Bush of Moses – the profound influence desert has upheld for prophets and mystics over the millennia.
BACK TO THE SCENE
The groundhog story continues. Not to be content with the early raids on our garden, the attacks on our beds resumed. Lush Brussels sprouts plants that had been three feet tall were now mere spikes, and in the latest round we lost some kale and squash plants. Neighbors are relating their own losses, including peppers.
I did notice a small entryway had been dug out under our firewood stacks and eventually saw a pointy nose and beady eyes regard me. Not once or even twice but enough to make me suspect the worst. So I moved the trap from the garden and placed it near the entrance.
To my relief, I did find that the trap my wife bought at a yard sale a few years ago does indeed work, and that cubes of cantaloupe prove irresistible to the critters, but even that is taking its own turns. The first time the device was triggered, a bit of Brussels sprouts stem included as bait kept the shutter from locking … allowing an escape. Would the villain learn to avoid my means of entrapment?
I reset the trap and by lunchtime returned to check it out. Although both shutters had been triggered, a ‘chuck was propped up OUTSIDE, one foot on the top as it peered in, likely wondering how to get back to the bait, as if adding insult to my intentions. It seemed I’d been conned again. But, just in case, I circled around and closer examination revealed another was couched inside. One down, at least one more to go.
The short version of what followed includes a trip to Maine, just over the river. Released from confinement, that one bolted through the forest … straight toward New Hampshire.
For my part, back home, hoping they’re slow learners driven more by their guts than their brains, I reset the trap in pursuit of the other. Two hours later, I was back in Maine and evicted that critter, which dashed straight into the river and started swimming toward New Hampshire before rounding back to shore. I was grateful it was still high tide but dismayed to see what confident swimmers they can be. So much for that barrier.
Back home again, seeing new diggings around the firewood, we face the reality of having at least one more living under that neatly stacked firewood. If this keeps up, I’ll have to buy another melon today. At least I’m grateful we didn’t try growing our own; they would have cleaned ’em out, meaning I’d still have to buy one to use as bait.
FURROW
Like the American bison that dominated the prairie, the continuous ocean of tall grasses, which for so long spread from a corner of Ohio into Montana and Colorado, has been decimated. Homesteaders – seized by a fever to possess farmland of their own – sowed apprehension in their furrows. Inhabitants and land itself now lay open to chronic infection. After each harvest, the Breadbasket of the World, the Interior States of the American Soul, is left vacant, a stubble desert awaiting rebirth. Descendants of those who made this band agriculturally productive bear both its blessing, in economic output, and curse, as if no one can entirely escape the desperation that prompted settlement in the first place. In the recesses of the psyche, inheritors of these spaces must likewise sense themselves to be buffalo-people, and then fear they, too, may be heir to this fate. Pushed to the fringes, the intrinsic beauty and spiritual potential of the heartland are easily overlooked, both by the remnant population and the world’s policy-makers. Today’s farmers are mechanics, first and foremost. Cry, then, for harmony and healing – a proper reentry into Canaan, a taste of balm in manna. Look, ultimately, to the surviving bison and tall grasses with their underlying lavender shadings. Respect the faint drumming, growing louder.
Jnana's Red Barn 