HOLE UP OR RUN

he could hole up
with long-suppressed luminous temperaments

if only he could scale every surface except glass
shimmy up the black steel pole and raid the bird feeder
hang upside down from a sunflower

moving toward transition
an untested dream
from the stockpile     admits to darling insecurity
in the hole     the tree     the ground

faint implausible rhythms     chirps more lasting
if not so lucrative

*   *   *

every tree branches, so you choose in a flash
and keep running     in the desert he had wondered
about squirrels so far from the nearest tree
the ones who live in burrows
whether somewhere they’d made a wrong turn

a deer makes a bigger target
than foraging for dynamite

Poem copyright 2015 by Jnana Hodson
To read the full set of squirrelly poems,
click here.

IN SEARCH OF DEEPER EXISTENCE

We made a leap, heading off nearly stiff-necked to find ourselves, as some diners proclaim, “served where quality counts.” Over steak dinners, this quaking closet monk is surprised by how much change can happen when I think nothing is moving. Just pass the salt, sugar, coffee, cream — thunder, please — in what they call the Brand Room surrounded by “Western art,” supposedly realistic styling of cowboys, Indians, and wildlife in dramatized poses. People from all over the world come to a few tiny rodeo towns like this to collect such canvases. Examine the pieces closely, though, and you perceive the false notes. The clothing, poses, landscapes distort. The artists react against the very masters they wish to emulate. Much of it is cranked out without looking acutely at the things being portrayed. Some may be driven by a worship of a past that never was quite that way; some, by a retreat from current events. Most viewers merely acknowledge symbol and go on as though sleepwalking, an act that continues misunderstanding. The rifle, saddle, spurs, and cougar evoke no real emotion: they are foreign to the touch and nose. But I desire to perceive this territory afresh — no matter how startling my findings deviate from convention. When I meet a bear or a buffalo, it won’t be like the dilated scoundrels in these paintings. My horse won’t rear behind me. He’ll simply center in his tracks — quiet, aware, efficient. He knows how it will be.

The Dedicated Laborious Quest begins with sustained exercise of a specific activity: a sport, an art, a science. Anything that requires years of individual exertion, even solitude, drawing upon many facets of the practitioner’s being — heart, mind, soul, and might.

Somehow, the novice begins dancing, if only in his head. Something simple, at first, until familiarity gains ground. Feet, legs, torso, arms, and hands eventually follow. A reel leads into a jig. Thought and emotions balance. Head and heart dialogue. With confidence comes freedom. More and more, the aspirant concentrates on partners or the group or motion itself, rather than his own next step or position. The music becomes more textured, until the hornpipe stands as the liveliest structure. So it’s been in this landscape. This is not just any desert, for there’s nothing generic about any detail encountered closely. With both people and places you come to know dearly, you find nuances and subtle contradictions will blur any sharp image. It’s easier to describe someone or something you meet briefly than what you know intimately. To say desert is dry and sunny misses the point, especially if you arrive in winter. At first, like so many others, we didn’t even consider this valley as desert, for it has no camel caravans or mounds of shifting sands with Great Pyramids on the horizon. One word or phrase can be misleading. Even the Evil Stepmother from folklore and fairy tales must have possessed some redeeming qualities. Could we be more specific than “evil”? Simply selfish? Or was she mean, jealous, domineering, afraid of whatever, from the wrong party? Suppose she was really a victim of some deep abuse? The portrait changes. Has anyone detailed how she dances? In the end, it’s either entertainment or worship, depending on the individual’s orientation. An authentic spiritual discipline teaches, through experience, we are not gods. Choose, then, good or evil, flowing or hoarding, living or dying.

Matching maps to the landscape, I look vainly for towns that do not exist or discover attractions placed on the wrong side of the road. Admit that everything is moving and transitory, even the mountains. Mariners, too, will speak of shifting sandbars as only one hazard of sailing on charts. Pay attention, then, but never toss your maps overboard. Are they all that different from Holy Scripture?

In a multitude of ways, people fear religion will lead them not just into wilderness but a desert. Demand, in fact, they leave everything behind. The description will vary by tradition. Entering the Void or emptiness, becoming selfless or egoless, abandoning the Little Self for the Big Self, achieving annihilation and sacrifice, attaining renunciation (Sannyasa), taking up your own Cross — these are a few of its names. Marriage adds its own complications.

Having come to the desert, we now know the fuller value of water. Something simple, essential. No one can live without it. The list of necessities is a short one; the possibilities of embellishment, endless.

There are rivers on every map you rely on. Sometimes when I walk out into the expanse, I encounter one. Sometimes, one deep enough to block my way. And then I turn to the page for a bridge.

Or, better yet, call out for my buddy, Kokopelli.

For more insights from the American Far West and Kokopelli, click here.

THE INTERIOR SURPRISES

When the Pacific Northwest is mentioned, most people envision lush evergreen rainforests amid glacial mountains; few consider the desert that occupies most of Washington State, Oregon, and Idaho. I now explore the western end of the largely treeless expanse beginning within the Dakotas, Nebraska, Kansas, and Texas and extending almost to the Pacific Rim itself. Remember, a leafy tree requires thirty inches of rainfall a year to survive; an evergreen, somewhat less. My valley received an average of a little more than seven inches a year. Having grown up adjusting to muggy summers, I find a desert can affect my spirit in more ways than I ever would have imagined.

But you can choose, too, not to call everything by the names on maps. As geographies are being transformed ever more rapidly, few outward specifics hold long. Seek instead the vibrations of a site, sense its unseen roots and unexpressed timeless potential. In that vein, another depth appears. Perhaps each human inhabitant will go beyond basic misunderstandings. As I still hope.

Some maps are even jigsaw puzzles. And you think they’re for children?

Returning from that first trip to India, my spiritual mentor remarked that each village had felt different. “It’s more than appearances. The difference is the distinct vibration of a site. Many of their deities belong to a specific locality. One village will worship one god; another will enshrine another.” That’s how they identified the unique quality of a spot, just as Westerners have chemical elements to define physical qualities of a substance.

Even though I wasn’t quite certain of their origin or all of their psychic flavors, I sensed such subtleties. There are spiritual fingerprints certain people leave behind: a Quaker or Dunker neighborhood, for instance, may have a distinctive feel even a century after those worshipers depart. The same seems to be true for American Indian sites.

For more insights from the American Far West and Kokopelli, click here.

LEVIATHAN, AS AN EMBLEM

1

now to see
North Atlantic
in my sphere

landlocked
till twenty-eight

that week, camping tide-to-tide
beside North Pacific

and you speak of turning to Christ?

2

who found the eagle in the desert canyon
and high mountains
before the Upper Mississippi
or Great Falls of the Potomac?

still, moose fail to inspire me
as elk did

3

whales, then
rather than moose
in contrast to elk of the Yakima Valley

this mirror of historic economy

besides, moose and whales do not leave tracks
everywhere we trek here,
unlike the elk out west

to say nothing of ticks

4

water, defining land
defining water
and the overlap

I want to know what the ocean voices
in its repetition
addressing the absent moon
or distance, even in the erasure

bank of fog
curtain of resounding
fog horn or bell

or vast silence
before

the hundred thousand variations of nor’easter
just off this point

no need to circle the planet

we have our fill of floundering
agents of change

Poem copyright 2016 by Jnana Hodson
To see the full set of seacoast poems,
click here.

MAPPING MORE THAN GEOGRAPHY

I had no knowledge of the streams of quiet rebels who experience divinity directly, thanks, in part, to the map of their heritage as they work with the soil and their own bodies. These days, they resist as best they can the manufactured desires beaming from satellites or television airwaves, even while they watch many of their children succumb to these temptations. They could tell us about Elijah or Jeremiah, the Babylonian captivity, or the Maccabees’ war of independence, in addition to my own ancestors’ sufferings recorded in The Bloody Theater or Martyrs Mirror of the Defenseless Christians or Joseph Besse’s A Collection of the Sufferings of the People Called Quakers, for the Testimony of a Good Conscience. When, at last, I reclaim this legacy, piecemeal, I ask, “So whose story are you telling, anyhow? Which grandparents are yours?” Opening their maps, I follow their footsteps, even in a strange land. Well made cartography includes supplications and blessings, as well as warnings.

My own homeland once included many woodlands well into my grandfather’s childhood. A balance of forest, with its firewood and construction timber, and farm fields and pastures. So much so, in fact, that people could travel dozens of miles on roads that never left forest between cities. By my own childhood, however, most of the trees had been leveled, and even the woodlot on an uncle’s farm doubled as pasture for hogs and cattle. In winter, the countryside was a stubble wasteland.

Similarly, a prairie denuded of buffalo is impoverished. How much poorer is a suburban lot occupied by restless greed? Here I am, dwelling in desert I consider healthier and more vibrant than the construction I see overrunning the lands around cities and towns. “Rebuild at the core,” I urge the wind. “Repent!” Turn about! Bring back the buffalo and the buffalo nickel, as well as amicable urban neighborhoods. There are all kinds of communities, and humans are only part of the equation. There is land, there is sky, there is water and flowing. To say nothing of what exists beneath them.

A person who comprehends maps will appreciate history as well. Perhaps even musical scores, as another kind of map with a dimension of time.

I listen to my wife and learn of the mental maps many women carry. The ones of kitchens or gardens. Others leading to childbirth and parenting, or even away.

I, meanwhile, come here for a taste of primeval wilderness — a hope to experience a timeless reality that holds humanity in a state of awe rather than arrogance. Just look to the mountains for salvation. Look as well to dreams, each one having one foot in your past and the other in your present.

Carried to an intelligence that daylight conceals, I sense that within many rapidly fading distinctions I’ve scorned are important markers; these ranged from where to harvest wild berries and their uses as food and medicine to my own ancestors’ hymns and religious teachings. To be creative means building on what’s come before, rather than entering a new universe. The path on the map goes from one place to another. Respect is essential — another way of honoring one’s fathers and mothers. There’s still time to cultivate individuality and character in the field. Sometimes, even where homogeneity is perceived, a people can differ as sharply among themselves as they do from others. Ponder Polish Catholics in Chicago, Congregationalists in Ohio’s once-Yankee Western Reserve, and fire-breathing Baptists and Pentecostals in Detroit and what they might do to enhance each other’s heritage, rather than striving for some common denominator. That’s another way of lifting up mountains, rather than leveling. Even on flat land, each body leaves a hidden stamp on its soil. Learn to read vibrations of an environment, and you identify communities dwelling therein, sometimes a century or two after their departure. Through the news and entertainment media, I grew up knowing more of Manhattan and Capitol Hill, though they were only incidentally closer geographically than Kansas City or Minneapolis, supposedly within my Midwestern realm. I knew more, too, of Hollywood back lots and Beverly Hills. Indeed, not until much later had I recognized the Midwest I’d considered so conservative and culturally backward was, at the beginning of the twentieth century, a hotbed of radical politics and organized labor. Many of its cities elected Socialist mayors only to replace them with Ku Klux Klan within the decade. Talk about upheaval! In the front parlors of homes in many small towns across the Plains, the latest wave of European high culture was performed; three of the nation’s oldest handful of symphony orchestras were organized (St. Louis, Chicago, Cincinnati). In the machine shops of isolated barns and backyard stables of small-town entrepreneurs, curious Midwestern farm boys tinkered perfecting the automobile and a thousand other industrial marvels. Kite-flying bicycle-building brothers put men in the air.

Much of this I did not understand or appreciate when dreaming only of escape. Only now did I come to see what remains of a once rich and varied heritage. In those days I looked off to the limits of a world; fixes like Boston and Seattle as strands of Utopia. What I encountered instead was a step beyond the anticipated. Of the neighborhoods I would come to call home, none quite fit what people expect of East Coast, Midwest, or Pacific Northwest, either.

For more insights from the American Far West and Kokopelli, click here.

OF MASTS, SPARS, AND BROKEN YARDS

1

in moonlight
Cape Ann, two months after the Perfect Storm
maybe three
while standing back on a broad outcropping
25 feet above the roiling and ebb

unpredictably, a wave explodes above me
from behind
washes around my feet

I could have been swept away

so step back, gingerly, if you will

2

driving a ridge, no view of shimmering expanses

between country club and great estates
sand plowed like snow
two feet deep, both sides of the state highway

mixed with kelp

3

nothing to trifle with
this fluid motion
in its hypnotic attraction

all recitative
with cymbals and snare drum

Poem copyright 2016 by Jnana Hodson
To see the full set of seacoast poems,
click here.

GENESIS

Each seed, each root, each bud
unfurls on schedule. Melting
and rain come together.

In the daylight you open
so slowly you do not hear
their snap. Between pale tendril

and miniature leaves, we will gaze,
then, no longer doubting
our own inward spiraling galaxy.

Poem copyright 2015 by Jnana Hodson
To see the full Green Repose collection,
click here.

MULTIPLE MAPPING

Knowing how far to go — and when to turn back, to the best effect — are difficult matters. The wise traveler relies on those who have gone there already and returned. You hope they speak truthfully. Often your life will depend on their directions. Even knowing what to pack and what to omit may be based on their counsel. Mountains and rivers are only the beginning.

When there’s too much to remember, a map begins forming. That or a guidebook. But the map presents more possibilities than the book, with its linear narrative confined to one route at a time — even maps with vast portions blank or missing. Take two points on a map and connect them, this way or that. Add a third. And then a fourth.

I never would have arrived in this desert without maps. The airliner’s navigation charts, of course. And then the highway atlas. Many others, as well, become useful. Those that show back roads. Others, topography. Still others, property divisions — including the Indian reservation and Army artillery range, both declared off-limits. Maps of emotions, economies, explorations. Maps of oceans, weather, the heavens.

Disembark and you go to work filling in details and then connecting points like a spider. What’s around that corner? What’s over that ridge? Where will we stay, and what’s the best way to get there? A single map is only an blueprint. The particulars never quite fit. Especially in two dimensions. A breeze lifts the web. Coyote walks through it.

Each one distorts — some far more than others, and rarely by intention. Who made the map in your hands? And to what purpose? Some were mathematicians of few words. Others were empire builders or real estate developers. Some weave the directions into the stories they tell beside the campfire. Some ignore shadows. Fail to repent, ask forgiveness, extend blessing. Others know survival, as well as play, requires definition and decision. Obligates searching within, as well as around, in fullest candor. Some even deceptively point you away from your destination (why should they reveal their secrets?).

Those who were born and raised here know it in a different way from those who have migrated. Magpie will tell you one thing; a Canada goose, another. Same goes for where they’re positioned. Jackrabbit and dragonfly take separate pathways, as does beaver. You simply log where they cross and hope to find meaning.

I had thought maps were the essence of geography. Now the definitions spill over into history, geology, meteorology, political science, psychology, and much more. Because many misunderstandings afflict each life, there are bound to be collisions. Sometimes you move into a thorn that pierces consciousness, but even that rarely brings clarity. You see there’s endless discord among individuals, clans, tribes, nations, denominations — all to be traversed and mapped in the search for ways out and back safely. In this knowledge, jobs, aspirations, faiths, possessions, social standing are merely reflections of fundamental conflicts between human consumption and the good earth itself. No one can dwell anywhere without disturbing the whole; individuals and collectivities distort and contort to their own ends, some more benignly than others. The lines on the page do not hold their place. Without a divinity as a guide knowing these connecting pathways, then, there’s no return to full measure and health. The breath people exhale, fires they build, grains and flesh they devour are diverted to their chosen applications. “Tell us something better,” I implore. “Teach us the highest way.” Where anyone takes it from here is another matter.

Sadly, whether this transformation’s harmonious and renewing, guiding individuals as merciful stewards and co-creators with the divine, or self-centered and destructive as thieves, is rarely considered. Just observe how communities rationalize, arguing that the welfare of their women and children comes first, even as they bankrupt the farm to support worldwide armies or strip timberlands in a rutting for coal and iron.

You could perceive many aspects of this in these orchards within desert. While the choice of irrigating and producing fruit sustains many more humans than the arid range would, also ponder the long-term impact of the poisons applied through each season. Kill harmful insects and molds, but what else? And how soon before it seeps into the groundwater and household wells? It’s all an interplay of good and evil, which I observed through a giant spider web. As a practice within my spiritual discipline, the Dedicated Laborious Quest, I place maps atop other maps and find they are drawn to different scales. Many of the words require translation, which introduces its own misunderstandings. Some of the maps are even of places far from here, landscapes in memory.

Too many details and the sheet becomes a scribble. Maybe that’s why here, at an extremity of the continental United States, I now comprehend the American Midwest of my childhood and early adult years as something other than a uniformly Protestant corn belt. Even overlooking ecological differences between woodlands and prairies, or between the Great Lakes and the Missouri or Ohio river valleys, I reconsider its varied ethnic traditions and the hidden cost of the melting-pot focus. Speaking with other exiles like myself, I become aware of unique distinctions some of our ancestors resolutely upheld, at the cost of their own lives, if necessary. There were strains of Scandinavian Lutherans in the Dakotas, Russian Mennonites in Kansas, and Scottish Presbyterians in Iowa, whose distinct cultures were eroding like the topsoil itself. You would hear, too, why so many had fled. Some, desperately hoping to forget forever their terrors or shame, buried the evidence as best they could. Others, however, defiantly kept it aloft as a reminder of their liberation and a warning.

For more insights from the American Far West and Kokopelli, click here.