LIGHTING THE FUSE

It’s tune in, turn on, and take action in this tale of campus intrigue. Little does a small band in a remote college town realize its opposition to small-ante bureaucracy goes straight to the state capital. And then Washington and the Mekong Delta are another matter as the hippie movement hits tranquil Daffodil. Nothing will remain quite the same.

As the headline said:

BOTCHED DRUG BUST BACKFIRES.

When narcotics agents made an early morning knock-down-the-doors raid on the twelfth-floor of one of the high-rise dormitory towers, they turned up nothing – and were surrounded by irate residents before they could frame anyone, either.

“If you think the slaying of innocent students at Jackson State University was merely a racial atrocity,” Lakasha proclaimed, “you’re not seeing the big picture. It’s about an attack on civil rights – freedoms that belong to all of us. You don’t have to live in a big city to live in ghetto housing. Every student in Daffodil lives in a ghetto. Where I come from, we have a word for high-rise housing like these big dorms – the Projects. And the pigs who come charging into the Projects act just like those who busted in on the twelfth floor the other night. Never mind whether they find anything or not. Look, the university’s demanding that the students pay for the busted doors and busted furniture and busted walls. That’s why they call it a bust in the first place. Wake up, America! Demand the names of the ‘unnamed informants,’ the ones who were so wrong about the presence of illicit substances in those rooms. Wake up, I say! Mississippi’s closer to Daffodil than you think!”

~*~

To learn more about my novel, go to my page at Smashwords.com.

Daffodil-jnana

A LITERARY CREDO

I read – and write – not to escape the world but rather to more fully engage it. So literature for me hardly falls into the Entertainment category, even when it’s entertaining.

Likewise, my goal in the written word is to perceive some basic or essential connection with new clarity, understanding, and compassion.

This makes a world of difference, page by page. Maybe I’m just looking for holy scripture, even of a secular sort. Or at least the Holy One along with the mundane.

Often, my approach to writing and other fine arts resembles the essence of a dream – one foot in the present, the other in the past. Or, in another way, one foot in concrete reality, the other in fantasy of some sort, such as surrealism, as a way to engage more than I’d otherwise apprehend.

WRITING LONG

Even as a cub reporter, I loved writing long pieces. It’s what I prefer to read, really read, when I have time. By long, I don’t mean pointless minutia or the trivia of, say, a public hearing, but rather the probing look at how and why a thing has happened and maybe even what to expect as a consequence. Add to that the human dimension, especially from the point of view of those most impacted by the action rather than those at the top of the pyramid.

One model of this style of news writing came in the three stories on the front page of the Wall Street Journal each day – what they called their “leaders,” back in the era before Murdoch. If you looked closely, you’d see how each one was composed of several smaller stories, each one telescoping into the next. The reporters could joke that their work was so heavily edited they no longer recognized the finished version, but for those of us reading, the result was rewarding, the way a good meal is.

As a journalist, the irony has been that I spent much of my career crafting headlines and photo captions … short, short, short … and that was even before I relied more and more on news briefing columns to get the day’s world and nation reports into the paper at all.

Not that I lost my love of long writing. My “shelf” of ebook novels is proof of that, including my most recent, which delves into the news business itself.

As a blogger, though, I’m also admitting pleasure in composing shorter postings like the ones that appear here at Jnana’s Red Barn. Apparently, from the stats, they must be connecting.

My other four blogs provide venues for the longer writing, and the results to date are mixed.

To my surprise, my genealogy blog, The Orphan George Chronicles, has drawn far more hits than I’d anticipated. I figured its appeal would be to a few dozen fellow researchers, and having the results online would be much easier to find than if the files were archived in a few libraries somewhere. As for publishing them in paper editions, the likely audience would never cover the expenses.

My Quaker blog, As Light Is Sown, has shifted from the two book-length presentations that appear as the initial postings to a year-long Daybook of short postings, so I must admit that trying to analyze the results there can be inconclusive.

Thistle/Flinch exists to present book-length PDF editions of poetry and fiction, so I guess you can say that’s writing long.

And the remaining blog, Chicken Farmer I Still Love You, is still taking shape, as the numbers show. The first part, Talking Money, presents essential material for addressing the material sides of life … income, spending, wealth, possessions, labor, time, goals, and the like … followed by a close look at New England’s famed foliage. These days, it’s taken on a new focus in reconsidering the hippie outbreak and its renewal. Again, many of its postings are chapters for book-length presentation.

What I am finding in general is that even without the demands of daily employment, time is still the most precious commodity in my life. There just ain’t enough of it for what I hope to accomplish these days – including reading or writing, much less in any length.

So I guess that’s the short of it, for now.

 ~*~

Hometown News
Hometown News

To find out more about Hometown News or to obtain your own copy, go to my page at Smashwords.com.

HIGH-TECH CONSTRUCTION

Everything that’s transpired in the 28 years since I first drafted my novel Hometown News has made me feel prophetic.

Now, of course, you have an opportunity to judge for yourself. I just wish it hadn’t taken this many years to become public.

One thing I’d like to point out involves the initial experiment I used in constructing the novel. Quite simply, I wondered if I could build a computer-generated story – no matter how distasteful the premise itself strikes me in my self-identity as a neo-Luddite and fussy literary type. Maybe it was just some of the vestige of the scientist wannabe in me?

So I created a master day-in-the-life chapter, made multiple copies to repeat throughout the story, and included up to 120 variables for search-and-replace functions. And away I went, allowing the S&R efforts to produce their own pace and variations. Not that it quite worked as I’d hoped. I found myself going back over those pages and adding new layers, softening some of the edges, adding shadows and highlights. As they say in the visuals arts, it’s quite “painterly.”

Be that as it may, one thing I’ve observed over the years is how little we typically know of many of our coworkers. There might be a favorite phrase they repeat or a piece of clothing or a distinctive quirk. And that’s it, sometimes year after year. So that part was agreeable to the S&R structuring.

As a technique, though, I’m afraid to report – or maybe more relieved – that the S&R by itself was insufficient. It did provide the core “bones” for the novel, but I did have to paint over much of it to make it more pliant and, well, human.

All the same, I’m feeling vindicated. Maybe it’s a high tech revenge for what high tech is wreaking on the workplace and surrounding community.

To check out my Smashwords ebook story, go to Hometown News.

Hometown News

AN IDEA NOTED EARLY

Not long ago, I came across this note to myself:

“Story idea: paragraph or two, repeated … one or two words changed each time, till the end provides an entirely new view.”

It’s old, probably from the mid-’70s, and yet has become the basis of several series of my poems from the last decade.

In a way, it’s also the basis of my novel Hometown News, although the repeated sections and their variations are much longer than single paragraphs.

Works for me. Wonder what else I’ll turn up.

~*~

To learn more about my novels and poems, go to my page at Smashwords.com.

FLATBED

Returning to my native corner of Ohio, I’m astonished by its flatness; what had seemed to be large hills or significant valleys now appear embarrassingly horizontal.

On the other hand, as I’ve uncovered my ancestral roots in that land, I’m finding a lost and untold richness in what was essentially a Pennsylvania Dutch heritage continuing in western Ohio. Feel free to take a look at my findings at the Orphan George Chronicles.

ESTABLISHING MY CREDS

Longtime visitors to the Red Barn are likely aware that I spent four decades as a newspaper editor – experiences that feed into my latest novel, Hometown News.

It’s meant working nights, holidays, and weekends – rarely on a schedule matching the general public’s. And it’s always meant “working under deadline,” where an internal clock is always racing to finish the task on time (or else!). In addition, it’s also given me some insider looks at the surrounding world itself: having a celebrity standing a dozen feet behind your back is just another regular occurrence. (For the record, they often look quite different than they do on television.) Even as a cub reporter, I saw dead bodies, got inside the county morgue, checked out small plane crashes, met ex-movie stars, faced some stiff competition from the pros on the rival paper. Looking back, I sense how often I was in over my head and wonder how I ever survived.

These experiences have also fed into the Red Barn’s category of Newspaper Traditions, where I’ve written about:

  • The best newspaper ever” The glorious final days of the New York Herald Tribune were like no other newspaper. Nothing like fighting hard to the bitter end.
  • Chancing Upon a Profession: Glenn Thompson’s influence hit me, among many others, in one medium-sized city. He had a knack for finding talent.
  • Hot Type: In the days before phototypesetting and then digital publishing, newspaper production was a highly skilled craft. Here’s an admiration for the long gone masters.
  • Living Under Deadline: When your career hangs on meeting deadline after deadline, with no room to spare, you begin to live differently from other people.
  • The Art of Writing a Headline: Trying to steer readers to a given news report with just four words can be a real challenge. Take it from a pro.
  • Editing Obituaries: Announcing someone’s death and funeral arrangements can be more precarious than you’d imagine. This post, one of the most popular at the Red Barn, became a WordPress Freshly Pressed selection.
  • Four Measures: Just what makes “news,” anyone? Here’s one take.
  • Police Calls, 10 P.M.: Well, there is some behind-the-scenes banter, even when calling the cops.
  • One Phone Call Too Many: And then sometimes the facts get in the way of what looked like a great story.
  • Local, Local: How you define “local” news can backfire when it comes to your readers. Especially when it’s boring.
  • Bias: Sometimes those who accuse journalists of being biased should first look at themselves in the mirror.
  • The Shrinking Page: Like many other products, the newspaper page has been shrinking. It’s about half as wide as it was when I entered the trade.
  • The Human Imprint: Not too long ago, the editors and publishers were well-known public figures.
  • Objectivity, for Starters: There really were some strict standards and practices.
  • Windy City Perspectives: The tower of the Chicago Tribune holds some special memories for me.
  • Painful Neutrality: Again, maintaining a discipline of objectivity comes at a personal price.
  • Free of the Entourage: David Broder was the best of the breed. I wish I’d said hi.
  • End of the Line: One of the last editors who put a personal stamp on a paper was David Burgin. Maybe that’s why he was always getting fired.
  • Get Out of the Way: Real reporters are invisible observers. TV’s imitation inserts itself on the story.
  • You Read It Here First: Plagiarism has always been a dirty practice. Here are a few examples.
  • Reality Check: When it comes to seeing “liberal media,” some people fall off the far right of the world. The one that’s still flat.
  • A Logical Conclusion: The more conservative the nation’s editorial pages become, the more circulation declines. Think about that.
  • Death in the Afternoon: The newspapers published in the afternoon once had the blockbuster circulation. Here’s why they vanished.
  • Beware of Unintended Consequences: There are times embarrassing things slip into print. Lewd expressions, especially.
  • Beware of Survey Conclusions: Marketing research can lead to bad choices. It helps to put the findings in perspective before taking action.
  • So Much for Romance: And then there was the reporter’s lament as he returned from covering a large singles’ mixer.

I invite you to visit or revisit the postings, especially if you’re new here. And I promise there are more ahead.

~*~

While we’re at it, here are some pages from the New York Herald Tribune’s final years, when it established itself in my mind as the most elegant and exciting newspaper ever. (Remember, I was still a teen and a budding journalist.)

The daily edition.
The daily edition.
And Sunday.
And Sunday.

Among the Trib’s legacy was New York Magazine, which originated as the Trib’s Sunday glossy magazine. It was classic. And Book Week reflects a time when books were really important, at least in the eyes of the informed public.

The Sunday mag.
The Sunday mag.
And the books review section.
And the books review section.

~*~

Not all of the exciting journalistic action took place in Gotham or Fleet Street or Chicago’s competitive shootouts, though.

Much of the most dedicated and innovative work emerged in small communities in the heartland where a few individuals could make an obvious difference. That’s the story I explore in my latest novel. In some ways, it’s Tom Peters’ Pursuit of Excellence meets Dilbert on steroids. It might even resemble some places you’ve labored.

 ~*~

To find out more about Hometown News or to obtain your own copy, go to my page at Smashwords.com.

GODDESSES IN SUBURBIA

As I mentioned to her sometime back, I’d spent much time in a recent year reflecting on the jagged pathway that landed me here. Often I’ve felt I took one took many turns somewhere back there, and on some mornings after we moved into this house – well, some moments in my homes before that, too – I’d find myself wondering just where the hell I was, after all. In a bigger sense, I’ve been trying to envision how it all adds up. Guess it’s another version of the old “What is the meaning of life” conundrum. At least I finally figured out what I wanted to be when I grew up … retired! Meaning free to concentrate on the Real Work. (Now that I’m there, I’m finding more questions.)

In the round of reflection I’m discussing, I concentrated on high school and college – the emotional side, especially – meaning the time before I actually started keeping a journal, and a period that’s largely been a fog in my memory. I uncovered some wonderful prompts for revisiting this, especially letters from the sophomore high school English teacher who put me on the writing/strict grammar path, as well as a confession that despite all the contrary efforts, high school was a bummer. Unlike yours, my public school system was geared largely toward instilling conformity and retarding the growth of gifted students, unless you were a male athlete. Still, much has come back, making me wonder how I survived at all.

This round, I kept asking “What if” … for instance, one of those I saw as goddesses in high school had swept me away (or, more realistically, if I’d been able to say something close to what was really on my heart, or hormones, leading to some, shall we say, quality time together). Would I have continued at Wright State, rather than transferring to Indiana, and eventually stayed in Dayton, maybe even as a Republican? Or if either of my two girlfriends through the college years had led to marriage and home … both of them from Dayton, though neither ended up dwelling there, from what I can tell. Most of those goddesses wound up settling into mundane adult suburban lives, as I find from the class website and Internet – including our online class reunion site. I’m not kidding. (Who are all those old people in those silly photos? The ones holding beer bottles, especially.) (Note to self: Do not allow yourself to be photographed holding a beer bottle. Ever.)

On my part, what I keep finding is a sense of inevitability. Or, as Friends say, “As way opens,” if we’re faithful. There are good reasons I’m where I am, and for that I’m grateful, after so many seasons of sojourning. Even so, when your note arrives, there’s a tinge of sadness or gentle envy, as you live out what appears to be so close to what I had desired when I dreamed of being an independent writer living in my Promised Land, with a house full of my children and visiting friends and a quiet studio hut on the ridge behind. (My wife finds that vision humorous, by the way – finds holes in it all the way around, beginning with who’s going to clean up after the big parties I intended.)

Still, looking back, there are many things I don’t understand, and too many points where I’ve looked away or accepted a glib answer, rather than probing. I’ve always been prone to seeing what I want to see and overlooking the rest – usually, the warning signs and difficult details. (Again, my wife is good at bringing me back to the wider range of questions.) I’d say that trying to answer the inquiry of why you and I didn’t wind up together would be one of those. The astrological answer that you and I would never wind up together but remain prime friends fails to ask why. I believe there’s far more to be uncovered there, if we’re willing. Just why have you always made me feel better, for starters. Or feel special and elated.

 

SUCH DIFFERENCES

As I said at the time …

Finally, observing the banner in the background of the thirty-fifth reunion pictures, my wife finally connected a date she’d long known with her own experience: “When you were all graduating, I was being potty trained.”

I wonder what I would tell them, given the chance. I’m not judging them, as much as judging myself and all of the intervening years. The long journey to here. I’m not gloating that I have a younger wife, one who’s only a few years older than some of their own children; besides, that wouldn’t have been the case, had my first marriage not failed. I’m finally experiencing the challenges and joys of parenting, while they already have grandchildren – on that front, maybe they really are much older. See, I am envious of those still married to their spouse right out of high school. They took the straight path and got down to business. In contrast, many lonely nights and a sequence of transitory relationships have been my alternative. I think how innocent I was (ignorant is the more accurate term, actually), especially on matters of sex. In the intervening years, even after I realized that certain girls had gone away because they were pregnant or certain guys were homosexual, I simply couldn’t admit that any of us were actually having, gulp, intercourse. Although, years later, looking at the homecoming court photos in the yearbook, the realization flashed upon me, from one’s smile, that she must have recently become sexually active.

Which leads me to the goddesses. The beauties I both idealized and gazed at with masked lust, wondering how the soft touch would feel, how the naked body would look, how two people actually connect. The ones who left me speechless. The ones who were, in many ways, in a league other than the one I inhabited. To my eyes, they were miraculous and mysterious, invested with secret knowledge and magical powers, with taste, social graces, and high style – no matter how middle-class we were or the fact that our conversations rarely went any deeper than howdy. The reunion photos, then, confirm my fears – that goddesses may become hags – yes, mortal, even grotesque. And yet, to my surprise, some have become more beautiful than ever. How can this be? If we could only return, however briefly, for candid discourse, to uncover what thoughts, feelings, and actions lurked behind those Mona Lisa facades, both then and in the subsequent years. Not superficial conversation, but blunt disclosures. Now, however, sifting through the reunion photos, I soon calculate how few of these goddesses attended – which leads to further speculation. To my eye, they were the essence of what Hollywood starlets aspire to represent. Unlike any mythology, however, few remain in any Olympus. Instead, I must confront a youth culture that offered little wisdom.

I must leave it to the girls-turned-to-women to speak of the Adonis club and its deterioration. Besides, I was never a member. On the other hand, I’ve sometimes quipped that if I could do it all over again, I would have hung out with the greasers – that they had what I was lacking. As if they would have had me! Or am I only imagining they had fun in their tweaking of authority?

To reenter those years also means admitting shame, embarrassment, and guilt. I’m not the golden boy my mother expected, or the great talent my youth pastor counseled. For that matter, it’s been many years since I could tie my hair back in a ponytail or part it down the middle. Since I had a beer bottle tossed at me at a party. As I’ve said, it’s been a long road from there to here.

One soon approaching what will be a fiftieth anniversary reunion, if it happens.

ST. LOUIS AND CIVILIZATION

As I said at the time …

We share a debt of gratitude to your grandmother, who has spent many hours assembling a remarkable gift for you – a knowledge of your ancestors. I hope you will come to treasure her findings, and the love she has put into this project.

Through Eide Henry Hopke, you and I also share a common bond, although our legacy from him varies in one crucial aspect. For you, he provides not only your surname, but also some distinctive DNA strands that come only through the male line. For me, he is part of a maternal genetic mix that is ever-expanding, the further back we go. (For example, while Eide Henry is one of my sixteen great-great-great-grandfathers, only George Hodgin carries the equivalent DNA strands for me; Eide Henry’s endowment, meanwhile, comes down through my mother’s father’s mother’s mother, in a bit of a zig-zag path.)

I hope you won’t look at your genealogy simply as a long list of names and dates – a sort of variation on the Biblical begats. (That’s not to deny the frustration and pleasure that goes into the investigative digging and puzzle-solving involved along the way of gathering these details.) Rather, the power comes in building the story of these seemingly common people and the ways they addressed their time in history and the places they dwelled. Researchers who try to connect their ancestry to ancient royalty or who stop the moment they find an ancestor hanged as a horse thief need to rethink their vision. In this venture we need to accept the facts, good or bad, in their full truth; what we eventually have is a personal history, one that will often stand at some distance from the one taught in schoolrooms or give us some insight into a greater framework. As you read historical accounts, you may find that through these ancestors, you, too, are in their time and place. Oh, yes, and as stories go, genealogies can turn up the most unexpected twists. For instance, the first of my Hodson surname ancestors in America arrived as the only surviving family member after their ship had been captured by French privateers (pirates); his great-grandson, a miller, owned a gold mine in North Carolina; and, on my dad’s side, all of my ancestors until the Second World War were staunch pacifists in their religious principles – I knew none of this when I was growing up.

On my mother’s side, Eide Henry emerges as a remarkable figure. Maybe you’ll be the one to figure out how he arrived in the New World, whether he came alone or with family, how he paid for his journey, or what led him to St. Louis; there are certainly many details to fill in about his life, and every answer seems to produce more questions. But what we already can sketch from the facts at hand point to an enterprising character who adapted himself well to his new surroundings. While we don’t know for certain what prompted him to leave Prussia, we can imagine the values the place instilled in him – truthfulness, modesty, self-control, and loyalty, in the words of Peter F. Drucker. “This Prussia had been a military state” and “was not educated, let alone cultured; but it was pious, with a narrow and sentimental Lutheranism,” Drucker notes, including an observation credited to Bismarck “that the Germans require a father figure, and that they will fall victim to a tyrant unless they have a legitimate and lawful king.” (From “The Man Who Invented Kissinger” in Adventures of a Bystander.) We can ask ourselves how much of this played out in Eide Henry’s life – in his decision to serve in the Mexican-American War, for instance, or in naming sons during the Civil War Robert Lee Hopke and Jefferson D. Hopke. This, despite the reported universal opposition to slavery by the German population in St. Louis during this period. (As you grow older, you may come to realize how often our values conflict or how much ambiguity arises in daily life; black-and-white decisions seem to be far rarer than we’d like.) We can also imagine that Eide Henry knew sorrow, in the death of his first wife or young children, and perhaps in the separation from his homeland. He must have known loneliness, too, in those times when he lived apart from his family in order to earn an income. We can look at the portrait your grandmother has collected and see all of these things in his face.

He also opens us to the pervasiveness of German civilization on American life, something that World War I erased from public awareness. Actually, I can speak of two major streams of German influence, the first being what we would consider Pennsylvania Dutch and including the Anabaptist traditions most visible now among the Amish, and a second, which settled largely in Midwestern cities and carried a deep sense of “good living,” meaning learning and progress. Eide Henry would have been part of that second movement, while many of my father’s ancestors were part of the first.

Sometimes we will glean background for our story from the most unexpectedly sources. One of my wife’s favorite books, for instance, is Stand Facing the Stove: The Story of the Women Who Gave America “The Joy of Cooking.” While Anne Mendelson is writing about her mother and grandmother, her opening chapter examines “The Golden Age of St. Louis,” which did “indeed – at least in a brief and glorious interval after the Civil War – seem one of the finest spots on earth to dwell … “ She then turns to Lebenskunstler, “as untranslatable as any word in the German language, which is saying a good deal. It implies a civilized command of living as an art form like singing or painting. German-English dictionaries lamely offer explanations like ‘one who appreciates the finer things in life.’ ‘Life artist’ is the baldly literal rendering, and perhaps as good as any.” Mendelson then goes to present the story of her genealogy in a thoroughly engaging manner, one that can be seen as a model for this enterprise. What interests us most, however, is the points where it overlaps on our own story. For instance, she mentions “Thousands of poor Irish had also come to the region, especially after the potato famine of 1845-46. They competed for work as laborers, artisans, and servants with large numbers of Germans fleeing comparable poverty.” And then she notes “a very different community brought by the abortive stirrings of liberal German nationalism after 1830 and more markedly 1848. They were articulate professionals, or sometimes minor nobility, who rejoiced in a particularly German marriage of cultural ideals, consciously enlightened convictions, and creature comforts.” At this point, it seems more likely that Eide Henry was one of those “fleeing comparable poverty,” yet he still would have been part of that mixture of German life in the city, with its “life artist” influence. While my mother probably had no idea of her Hopke ancestry, she always spoke of St. Louis in almost reverential tones; meanwhile, her mother – who married a Hopke descendant – strikes me as one who hungered for that “life artist” ideal, even though she had not been born into it.

Maybe you forget that St. Louis was once the largest and most important city west of the Appalachian mountains, after supplanting Cincinnati for the honor. Chicago took the lead only later. By 1860, Mendleson writes, St. Louis “had a population of nearly 161,000, and supported a small handful of theaters and a large handful of music societies (well populated with Germans), a library, the new St. Louis Academy of Sciences, Washington University, several foundries, the Pacific Railroad (stretching a magnificent 176 miles westward), a noisy range of political opinions, and sundry German- and English-language newspapers.”

She relates that a “traveler reaching St. Louis by steamer saw first the broad man-made plateau of city levees, swarming with teamsters’ wagons and lined with warehouses. The land rose to a modified grid of streets, orderly enough on paper but at most seasons of the year fed by an inexhaustible supply of mud reputed not to differ greatly from the St. Louis drinking water.” As a teamster, Eide Henry may well have been one of those with a wagon waiting at the wharf; we can imagine, too, what he said of the water.

Much of what I know about Eide Henry is thanks to your grandmother’s generous sharing of material she’s gathered for you. Along the way, she has also filled in large gaps in my knowledge of Eide Henry’s son-in-law, David W. Ward, and even my Munro ancestors from Scotland – all of which somehow come together in Pike County, Missouri, in what can be seen as the northern shadow of St. Louis. None of these people are among her own bloodlines, either, yet she has been faithful to the larger task of bringing their lives to the light.

How it all comes together is largely up to us. Jeremy, I hope you find much in this legacy that will inspire you, add perspective to your own life decisions, and give you an appreciation for the blessings we have because of their efforts.

I’ve spoken of Eide Henry as a remarkable character. I think we can add Patsy Lynn to that list, as well.

Best wishes in all you undertake, Cousin.