Tag: Literature

WHEN LEADERSHIP GOES WRONG

~ Jnana Hodson ~ 5 Comments

Leadership is a fascinating subject, not just the source of many intriguing biographies but also corporate case studies and political histories and military campaigns and religious movements and … well, feel free to add to the list. We’ve all been in places where we’ve worked with admirable leaders, as well as places where we’ve suffered – perhaps even leaving in despair.

Outstanding leadership is, of course, a rare and wonderful occurrence. Mediocre is, by definition, the norm. And then there’s the kind that worms itself into position and sets about doing destruction.

Lately, I’ve been reflecting (again) on the last one. Not just inept, but destructive. I can work around one, but the other one makes for an impossible situation. Think Moby Dick.

It doesn’t always start off as badly as I’ve portrayed. Sometimes the individual begins gangbusters, doing everything right, before something goes seriously wrong. The person may simply burn out or lose interest. Conditions may change, so that the fit no longer works to the organization’s advantage. (Corporate organizational consultants have elaborate charts of the qualities needed for a startup versus a maturing company, or one shifting from private ownership to a public stock offering or the reverse.) Sometimes the person is fine for when everything’s going smoothly but has no ability to adjust for necessary – and often painful – restructuring, especially when layoffs and shutdowns are involved. Or there may be a buried demon that is let loose somewhere along the way, perhaps triggered by a divorce or death or temptations such as greed or power-hunger or sheer arrogance or flawed leadership techniques such as bullying and abuse or deep-seated insecurity or an untamed ego or, well, again the list goes on. Feel free to add or amplify. This, too, is a source for many great works of literature, operas, plays, and movies. The dark side comes forth.

My big question is whether an organization reacts in time to save itself, and what steps can be taken before it’s too late.

One of the first signs of trouble is the departure of key personnel, often lower-level individuals on the front line – or at least a failure to hear their complaints without retaliation. Sometimes it’s flight at some of the highest levels. After all, their jobs are at stake.

Usually, however, the awareness comes later.

The New York City Opera, for instance, appointed a new CEO whose brief tenure was disastrous. His flamboyant, extravagant vision for the company sent it straight for the cliffs, and the trustees’ decision to terminate his reign ultimately came too late to prevent the train wreck. This was a company, we should note, founded by visionary leadership that continued through several administrations. RIP.

I’m thinking, too, of situations where one of the top leaders engages in clandestine conflict – often backstage, one-on-one building alliances – that’s ego-based to the detriment of the organization. Commonly, the player lacks an appreciation for the culture and values of the organization and seek to turn it toward his or her own goals, including self-power enhancement, regardless of the trustees’ projections. Removing such a toxic manager, however necessary, produces ill feelings and misunderstanding all around, especially when the others are prevented by legal constraints from speaking openly of their underlying reasons.

Sometimes I think it’s a miracle organizations get anything done, top to bottom or, more accurately, bottom to top. There’s far more to leadership than barking orders, for sure, or undue frugality. I’d put mutual understanding high on my list of leadership qualities.

How about others?

~*~

I looked at something similar – good bosses and bad – back on June 28, 2013. To take a look, just click here.

LITERATURE ACCOMPANYING THE HIPPIE EXPERIENCE

~ Jnana Hodson ~ 25 Comments

A shelf of books was often part of the hippie scene, and I suppose many of the novelists and poets were technically beatniks, but they shaped our journey as well. I think, especially, of Richard Brautigan, Jack Kerouac, Allen Ginsberg, Gary Snyder, Richard Farina, and Gurney Norman, as well as the German Herman Hesse of an earlier era, and Tom Wolfe’s Electric Kool-Aid Test Acid Test. There were also many non-fiction works of influence, including the Whole Earth Catalog, and the Lama Foundation’s Be Here Now.

Which authors and volumes would you add to the shelf if you were trying to give a fuller picture of the experience?

I suspect there are some fine reads that need to be recovered, and blatant self-promotion is also welcome.

This book swap’s open!

MOVING TOWARD A NEW PERIOD

~ Jnana Hodson ~ 3 Comments

This miracle of being allowed to release so much pent-up work is impossible to describe, but it is fostering an incredible change within me. The publication of my novels as ebooks through Smashwords.com and the postings on this blog of so many bits from my archives are allowing me to enter a period of reduction – something I’m calling “decollecting,” when it comes to my books, recordings, manuscripts, extra clothing, and other assemblies. What I’m also finding is an opening to rethink almost everything and, like the layers of an onion being stripped away, of finding myself willing to rely on fewer and fewer answers … and more and more questions. Add to that a growing sense of wonder, in many cases, or of futility and cynicism, when looking at so many of the political and economic policies being followed blindly.

What I am accepting is that I require less and less material support. Maybe it’s the renunciation in my yogic past finally kicking in, or maybe it’s the tightened focus on what remains before me.

One thing I know as I view the trail markers before me: I’m not ready to kick back, for certain. Let’s see where this goes.

REGARDING ELK AND MORE

~ Jnana Hodson ~ 3 Comments

Monday morning, as I noted at the time:  

I’d thrown the kids off the PC, where they were watching an episode of The Simpsons, only to find out it was actually an assignment for the older one’s upper-level college course, the Sociology of Humor. [No joking.] And then I got around to some poetry submissions, including an acceptance or two.

Glad you like the work I sent. The elk poems arise out of the four years I spent in the desert of Washington state, bordering the “dry side” of the Cascade Range. They’re part of a series, most of which has already appeared in journals. I’m not a hunter, but living as I have most of my adult life in places near forest (even my time in Indiana and Iowa), I’ve had to acknowledge the existence of hunting as a fact of life – and the ways ancient hunting, with its religious/spiritual dimensions (the discipline of meditation, for instance, arises from waiting for the game), contrasts with modern “harvesting.” Even so, some editors have rejected the work out of hand – maybe they thought I’m a NRA member (quite the opposite, in reality – no guns for me).

Among the poems I’ve written are “After the Fact,” which comes out of Native American lore. It turns out that Gary Snyder also has a piece drawing on the same myth – “This Poem Is for Bear” – which acknowledges the aspect of the girl’s disrespecting the bruin before the abduction. I found another piece along this line of my work, “If a Man Goes Mad,” which works along a similar grain.

Finally, as I look back on the period, I reopen a longpoem, my American Olympus, based on a one-week camping trip with a now ex-wife and a former girlfriend who was visiting (who would have guessed they’d actually enjoy each other’s company). As it turns out, I still hear from the ex-girlfriend.

ELK, AS AN EMBLEM

~ Jnana Hodson ~ 5 Comments

Typically, when you first enter a forest, you see very few animals. Maybe a squirrel or two in the shadows, and then flitting birds. It’s mosquitoes or other insects, mostly. You might as well be looking for fish. Even in a desert, where the range is wide open, this happens. Pay attention, though, and they appear, albeit largely second-hand – a snap or cracking branch, the cry of a blue jay or crow, the high-pitched exuberance of peepers in spring, the work of beavers, a feather on the trail, a tuft of fur caught in a snag, the small tunnel opening of a den, a pile of bone, a curl of snakeskin. Tracks and scats, especially. To say nothing of roadkill, along the highway.

Thus it was in my initial forays into the high country west of Yakima, where I was puzzled by deer-like pellets and tracks everywhere in the undergrowth. In time, I learned how widespread elk had become again, after being decimated a century earlier – and how crucial hunting and fishing organizations were to the conservation efforts. Although I neither hunt nor fish, I came to respect those who do so with a sense of humility and admiration. At the office, especially, Jim Gosney and Wayne Klingle told of intimate encounters in the field, while others, speaking of the occasions when they’d eaten the meat, could have been describing a sacramental meal. Heard their derision and disgust, too, regarding others who come only for slaughter. Heard, too, that the best places to observe elk were at the back of the Rez, south of town – an area off-limits to all but tribal members and their guests.

That understanding was only a small step from timeless Amerindian lore, the insights and practices arising where survival or death hung in the balance. Even before my move west, I had begun running across these stories, however haphazardly; by now, the Native American myths directly touched me in ways I found more compelling than the Greek, Roman, and Norse mythologies that fill so much of our literature. More pressing, in fact, than the Hindu and Buddhist stories I’d devoured before heading west. “If a Man Goes Wild” and “True Practice” both draw on this trove, even if some poetic license is applied; besides, the stories themselves no doubt become varied as they pass from one locality and time to another. Here, though, the animals are no longer inferior creatures but can speak and interact in an equality with humans.

From this perspective, whether we’re considering elk, moose, or bear, the reappearance of large wildlife expresses not only a healthy forest or range, but a healthy society as well. I cannot think of elk without also thinking of what’s been lost and is being lost from the North American continent. Recently, returning to my native Ohio in winter, I looked across the shorn corn and soybean fields and realized how impossible it is to imagine the endless forest my ancestors entered, when elk and wolves and Indians were still present – nor the ecological catastrophes that followed in their first years after.

For me, elk are an emblem of what I learned living in the foothills of central Washington state. Here, then, are moments when the intimacy resumes, one way or another. Elk matter, indeed.

The elk farm in Lee offers me reminders of the wilds of the Cascade Range in Washington state, especially.
The elk farm in Lee offers me reminders of the wilds of the Cascade Range in Washington state, especially.

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HOW DID THEY AFFORD IT?

~ Jnana Hodson ~ 9 Comments

Viewing several documentaries on the writing life in Manhattan in the 1950s leaves me wondering just how anyone could afford it. Yes, the world was quite different then and, if we can believe their arguments, the written word was king the way it would no longer be by the late ’60s.

Still, it’s hard for me to believe that writing would have paid that much more in the era than it did when I entered the profession. How many plum magazine assignments were there, anyway? Or how many lucrative book advances?

The argument that rents were low, especially in Greenwich Village, is hard to believe for anyone who tried to find a decent place upstate in the early ’70s, as I did. Even for a full-time journalist working for Gannett, the best the pay would cover was a slum where a heavy rain would leak on my typewriter.

And that was without the heavy drinking that we’re told was required of the New York literary set, as well as the psychotherapy, sometimes daily. Plus the heavy smoking. Did I add, all the men wore suits and ties. (And all of the writers and editors, it was emphasized, were males. Women were employed as “fact checkers.”)

Still, when I run the numbers, they don’t add up. Can anyone tell me what I’m missing?

 

BLURRING INTO SMOKE

~ Jnana Hodson ~ Leave a comment

The title, drawn from a line in Galway Kinnell’s “Tillamook Journal,” brings to my mind the corkscrew motion of seasons, memories, and time itself across the sequence of landscapes where I’ve dwelled.

My poems arising in this vein rarely stray far from northern woods. Or from the woodpile or fire, even in summer, no matter how unacknowledged their presence.

Nor do the poems in this range stray far from crickets, whose fiddling is akin to rubbing sticks together to create a fire. Where I live, their night rasping intensifies in early autumn, as though defying the growing chill and approaching, decisive frost. In a sense, there’s an inverse relationship between the mating songs of birds, so rampant around dawn in mid- to late spring, and the cricket activity. In the end, their music goes where the smoke goes. For now. Before starting over.

PAPER-FREE DIGITAL ANXIETIES

~ Jnana Hodson ~ 1 Comment

Do we read less closely online than we do on paper?

Do pieces get lost in the email and social media deluge of new material? (With paper, are we more likely to revisit a piece and ponder it? More likely to use it a springboard for response or action?)

Do we keep things in our inbox or mailbox folders? Or do we delete most of them once they’re read? (Or do we scan them, rather than reading?) Or just save them, “for later”?

I don’t know about you, but I’m feeling flooded. There seems to be way too little time to keep up, and my mind is feeling like a sieve. Now, we’re all on to the next …

GOING PAPERLESS, TO SOME DEGREE

~ Jnana Hodson ~ 6 Comments

It’s been a little over a year since I went largely paperless, as the high-tech crowd would put it. Not entirely by choice, but rather because my printer died and the one we have for the household no longer interacts with any of our three laptops. So much for technology. Alas.

Yes, it can be an annoyance, especially when I have a choral score to print out or my wife’s found some great coupons. But we’ve found ways to cope.

When my printer went kaput, I was already finding that most poetry journals were accepting submissions only online, and that included the printed quarterlies. Keeping duplicate files of online and printout versions was troublesome and led to several embarrassing duplicate acceptances. So I decided to go to online-submissions only, and had only a few instances where I had to decline an opportunity.

Blogging, of course, has allowed me to move many pieces straight to the Internet without using paper, so that’s cleaned up a corner of my studio.

The big breakthrough was the ebook publishing with Smashwords. There’s no more need for multiple printed manuscript copies or files of postal correspondence to cope with. It’s so clean!

Not that the piles of paper don’t continue. Rather, they’re smaller these days. I’ll still pay my bills with a check, thank you, and there are always paper notes for consideration. Admittedly, I used to jest that sorting papers was one of my hobbies. In a way, it still is.

The fact is I love the feel and look of paper when it’s used well – fine stock and good typography, especially, along with masterful photography or illustration. And I still have a lot of that to sort through, to say nothing of all my years of journaling, which I’ve done with fountain pens for nearly two decades now. The old-fashioned fountain pens I ordered the same time I bought a PC that’s long been out of commission. The pens that dance in my hands, unlike this keyboard.

THIS SECRET SOCIETY OF READERS

~ Jnana Hodson ~ 8 Comments

One of the more baffling questions for just about any author, I suspect, is the one that asks, “Who are your readers?”

Yes, I know about genres and their core audiences – Chick Lit, aimed at unmarried females in their 20s; Romance, middle-age women; Sci-Fi, geeky males; Young Adult, well, it’s self-explanatory. I even know that commercial radio programmers could target their listenership to hit an average, say, of 24.7-year-old women in the office.

For a poet, though, or the novelist working outside common genres, this question becomes more problematic. I can imagine those I hope will find the work appealing, but the reactions often turn up elsewhere. I’m thinking of a writer who hoped her work would speak to her friends, only to hear them say, “I don’t read books,” as if it’s a badge of honor. (Oh, for shame!)

What that suggests is that rather than expecting a boffo bestseller, we writers might envision a much smaller-scale enterprise – connecting with readers one-on-one, as an underground understanding. Let it be private and personal, then. Our own quiet conversation.

Whether my Hippie Trails novels find their appeal more for those who lived through the era or among younger readers undergoing similar searching is still taking shape. I would hope both. But I am enjoying the feedback I’m receiving, from wherever.

It’s not the big-business Manhattan operation I once dreamed of or the San Francisco counterculture success, either. But here we are, connecting, in our own little underground society. Little do the others know what they’re missing now, do they?