Tag: Literature

EDUCATIONAL ATTAINMENT

~ Jnana Hodson ~ 6 Comments

If you want a clue to a person’s educational achievements, don’t ask about degrees or where they went to college. Rather, ask, “What are you reading now?”

The answer will tell you whether the individual has curiosity and intellectual growth, and where those are occurring. Having no books on the list, for me, would be reason for concern. Where are their horizons and challenges? Or even their guilty pleasures?

I’ve met too many people having a slew of degrees who are still unimaginative hacks, whatever their field. And I’ve met people having nothing more than an elementary school education who are well read and have minds to match.

Reading, I’ll insist, is a discipline that needs to be engaged if one is to have credibility as a thinker. Any idiot can have opinions, but a reasoned analysis, well, that’s a much different matter.

By the way, just what are you reading these days?

OVERLAPPING TIME AND SPACE IN NEW ENGLAND

~ Jnana Hodson ~ Leave a comment

When my private-time writing returned to poetry shortly after relocating to New England three decades ago, my attention turned to this unfamiliar place where I was now living. Quite simply, it felt much different than any of my previous locales, and the spirit of specific locations has always been a central concern in my literary ventures.

My personal writing has often been a way for me to assemble thoughts and impressions. In many ways, it’s the way I work through a problem or gain focus on an issue. So when it came to the exercise of looking at my new environment, I soon envisioned a set of poems along the line of a monthly almanac or even a calendar of words rather than color photographs.

I’ve long had a fondness for those large monthly calendars anyway, and by the time I got serious in pushing the almanac, I had a good selection of images to draw from as additional inspiration. Just what images does the region conjure up, anyway?

That’s when New England’s famed Winged Death headstone engravings came into play, and each month began to compress the overlapping centuries this corner of the United States embodies – more so than other parts of the nation, at least.

Winged Death 1New England also has a strong tradition of authority and dissent. The Puritans, after all, came to these shores in their dissent from the Church of England, and Samuel Gorton, Roger Williams, Anne Hutchinson, and their followers in and around Salem, just north of Boston, were soon challenging the Puritan hegemony before being banished, in waves, to Rhode Island. Early Quaker firebrands were soon adding to that upheaval, and that’s included in my spiritual legacy.

What emerged from all this is a craggy, even Baroque, collage that reflects the evolution of the Yankee character in its landscape of harbors and mountains. It’s now available as a free PDF as my latest Thistle/Flinch edition. To read more, click here.

OUT INTO THE WORLD OF READERS

~ Jnana Hodson ~ Leave a comment

Poking around in the barn, as it were (actually, it was several folders in my computer, if you insist on being accurate), I wound up reopening collections of my poetry – and to say I’m astonished by their range, variety, and depth is not a matter of boasting. You’ve already sampled some of that here in my postings, not all of it “finished” work, either.

At the same time, as I survey the literary scene today and its opportunities, I’ve decided to issue as much of it as I can now (while I’m still ticking) rather than continue to seek piecemeal publication.

The upshot has been the resurrection of Thistle/Flinch editions, my personal imprint, as a free bookstore venture here on WordPress. Each month, it’s offering a new work as a PDF file to read on your computer or print out to paper.

In some ways, it’s like tucking a print shop into a corner of the barn. I rather like that image.

As an introduction, may I suggest:

Returning 1Or the rocky shores of my latest:

Winged Death 1

Hope you enjoy what you find there. And as always, here’s to happy reading.

 

 

BEHIND THE HEADLINES

~ Jnana Hodson ~ Leave a comment

Hometown News goes behind-the-scenes in the ways decisions are made in reporting the daily life of a seemingly pedestrian community – the kind of place where many of us grew up or perhaps resided. Focused on a family newspaper as it moves to a new generation of leadership, the novel builds on the aspirations of a core of young professional journalists. They share the ideal that aggressive reporting will foster grassroots democracy and an entrepreneurial vision as well as a widespread, healthy community. At most of the nation’s 1,500 daily newspapers, however, the bottom-line corporate outlook has meant that newsroom resources were squeezed to fatten corporate profits, even before the Internet began to erode paid readership. In that business model, readers and advertisers both got less and less for their money, and lively news from the neighborhood went untold. Unlike the Front Page tradition, today’s editors and writers have been stymied more by corporate bean-counters within than by Public Enemies without.

Hometown_News ~*~

To find out more about Hometown News or to obtain your own copy, go to my page at Smashwords.com.

 

THERE’S NOTHING EXALTED ABOUT THE ‘WRITERS’ LIFE’

~ Jnana Hodson ~ 1 Comment

Not infrequently, fellow bloggers will begin a post by apologizing about not writing for a spell. The fact they feel they have to apologize bothers me. Nobody’s obligating any of us to produce, and we all have regular lives to pursue, or at least lives we ought to engage. After all, that’s where so much of the grist for writing originates.

Besides, there’s no shortage of good reading in the blogosphere. Take a rest or catch up, and feel good about. Heavens! If we need anything regarding the written word, it’s more conscientious readers … ones who will encourage a wider audience for deserving work, especially.

Somewhat related, and just as disturbing, are the giddy proclamations of joining in the “writers’ life,” as if it’s some carefree club out there free of everyday obligations and cumbers. Maybe they’re envisioning the legendary Dorothy Parker and her Algonquin Round Table, or even the martini named after her, or some other crossroads in literary history, but let me proclaim that’s largely an illusion or mirage, especially in today’s publishing reality.

It’s one thing to be a casual writer and quite another to be a serious practitioner, and for the latter, the only shared lifestyle I’ve seen is a dedication to hard, daily work that includes not just writing but research, reading, and correspondence as well. It’s not glamorous, for sure, and in the current literary scene, you won’t get famous. Not compared to any of those so-called celebrities.

So if you must, then write. And then, because you must, revise repeatedly.

And if you aren’t so obliged, then read … for pleasure as much as anything. And maybe that’s where you’ll really find the “writers’ life,” one you might even share with others over coffee or cocktails.

Now, for me, it’s back to work. And thanks for listening.

ROAD WORK

~ Jnana Hodson ~ Leave a comment

I’ve spent a lot of my life behind a steering wheel, and that’s where a number of my poems originate.

From this, I can look at a concept. Lines from the road. Basho? Brautigan? McCord?

Flight or escape remains a central theme in American literature. Kerouac’s On the Road and Hunter Thompson come to mind, along with Zen and the Art of Motorcycle Maintenance and Blue Highways. Of course our two greatest American novels also reflect this action, often with its male bonding and fields of discovery – Moby Dick and Huckleberry Finn. It’s not just some vague sense of the liberty of a frontier to resettle, but with wheels, there’s the thrill of speed more destructive than hiking or canoeing or sailing. As for hobos and the rails? Another era. Outlaws more than vagabonds? As for the Gypsy, there’s an entire community to consider. As well as flights with a destination, in contrast to those lacking.

JUST PAGES APART

~ Jnana Hodson ~ 1 Comment

As I said at the time …

For me, writing means watching my own shifting mind while opening myself up to all the living energies around me. It means simplifying, following unexpected leadings and openings, sometimes to dead ends, other times to unanticipated ranges. Some time ago I discovered that to write poetry I had to be sitting in meditation every day. And later, I found once a week would suffice.

If ego is an ever present trap, the practice can introduce repeated humbling. As do the rejection slips.

Detachment: who wrote that! And when? (The surprise of rediscovering your own work five or ten years later. Who wrote that, it is so incredibly fine! Or: Who wrote that piece of tripe? I’m glad it never saw publication. Sometimes only pages apart.)

And then the piece goes its own way: a living organism: readers, editors see it differently from you. What you would cut they love. What you love they see as sore thumb.

What we’re most fond of is likely to be what bothers others the most; what we’re about to toss out in the next revision may be what is most effective with our readers. (Point raised, I believe, by Joyce Carol Oates; true to my experience.)

As critics of others’ work: harshest, at times, on those whose work is most like our own! Too much mirror? Push ourselves as far as we can, coming to a point where we no longer know if a piece is any good or not only that we’ve done everything in its pursuit that we possibly can at this period in our life.

Prophetic practice: light in the wilderness.

The dilemma of arts/responsibility/spirituality brought into focus by looking at something like the Florentine court of the Medici: High Art interwound with brutal political/economic force. (Throw the man out the fourth floor window; nowadays, we have helicopters. How exquisite.)

The dilemma of the news photographer: Should I save the victim and lose the opportunity of taking a great photograph? Or should I be “professional” and observe the world as an outsider? This holds for all artists: at one point are we being selfish in our pursuits? At what point is our solitude essential for the well being of all?

Into solitude / the Silence / the Holy Now, as Thomas Kelley phrased it.

At its core, I write to discover / remember / connect / distill.

In my writing I collect – that is, bring myself back together. More and more, I think on paper. I write to find what is under the words and phrases before me. Go deeper, and then wider. I write to listen. Eventually, I write to sing.

REGARDING THE THREE-FINGERED MOUSE

~ Jnana Hodson ~ 5 Comments

I’m inclined to agree with Bukowski in blaming Disney (with all that “happy, happy, happy”) for America’s problems. Or even the world’s. Not that I’d agree with his solution for escaping them, meaning cigarettes and the bottle or a barroom brawl and violent sex.

You see, I’m uneasy when it comes to “happiness” as a goal or a life’s purpose. There’s too much suffering and oppression around us, after all, and no spiritual unity with the universe can exist by denying that. Still, that’s not to argue we need to be pulled under with its negative impact.

As for “fun”? I see that as a self-defeating destination. Its flipside, we should note, is boredom.

Joy, however, is another matter. It’s central to the message of Jesus, as the 16th chapter of John makes clear.

To that we could add bliss or contentment, not in the sense of denying the upheavals and evil of the world but rather in the dimension of accepting a personal inner peace that allows one to labor in furthering the Kingdom of Heaven on earth.

For me, this means learning to be more loving, and that’s a never ending challenge. It’s quite different from being giddy or depressed or self-centered or even blaming, gee, I was at the beginning of this post.

Oops! Back to Square One, once again.

TEACHING OR PREACHING

~ Jnana Hodson ~ 2 Comments

One of the criticisms that Evangelical Friends level at quietist Meetings like ours is that we are short on teaching. “Silent worship, for those who are well-instructed in divine truth, has real benefits,” they write, before cautioning: “upon those who have neither read the Bible nor hear it expounded the effect may be very different.” The passage I quote continues: “As a result, the Friends Church became victim to a group of erroneous teachers, among whom Elias Hicks was most prominent.” The section also points to some very deep misunderstandings among Friends, including Job Scott’s decision to remain silent in sessions called on his behalf during his traveling ministry; he sensed too many people had come with “itchy ears” primed for novelty rather than an open heart.

Ideally, vocal ministry arises as a prophetic voice, as William Taber describes in his Pendle Hill pamphlet, The Prophetic Stream. From this perspective, pastoral sermons can be criticized as arising too much as a matter of teaching and too little as an outpouring of the Holy Spirit.

Walter Wangerin Jr.’s novel, Miz Lil and the Chronicles of Grace, also addresses this, though from a different perspective. There, the young Lutheran pastor realizes that in greeting parishioners after the service, he cannot tell whether one woman is telling him he offered good teaching or good preaching on any given morning. One Sunday, however, it becomes quite clear she has been making a distinction: “’Pastor?’ All at once, Miz Lillian Leander. She took my hand and we exchanged a handshake, and I let go, but she did not. … Her voice was both soft and civil. It was the sweetness that pierced me. I think its tones reached me alone, so that it produced a casement of silence around us … there was Miz Lil, gazing up at me. There was her shrewd eye, soft and sorry.

“’You preached today,’ she said, and I thought of our past conversation. ‘God was in this place,’ she said, keeping my hand in hers. I almost smiled for pride at the compliment. But Miz Lil said, ‘He was not smiling.’ Neither was she. Nor would she let me go. … The old woman spoke in velvet and severity, and I began to be afraid.” Then she gently rebukes her pastor for unintentional consequences, after he has prided himself for being frugal by cutting off the water to an outdoor faucet.

“’God was in your preaching,’ she whispered. “Did you hear him, Pastor? It was powerful. Powerful. You preach a mightier stroke than you know. Oh, God was bending his black brow down on our little church today, and yesterday, and many a day before. Watching. ‘Cause brother Jesus – he was in that child Marie, begging a drink of water from my pastor.”

I love the way that passage illustrates how the prophetic voice flowing through an individual can be larger than its vessel. “Did you hear him, Pastor?” I love, too, the way it illustrates an elder laboring with a minister: “Miz Lillian Leander fell silent then. But she did not smile. And she would not let me go. For a lifetime, for a Sunday and a season the woman remained immovable. She held my hand in a steadfast grip, and she did not let it go.”

TALKING TO MYSELF IN THE MIRROR OF BLOGGING

~ Jnana Hodson ~ 2 Comments

Me, topical, timely?

Or just lost in another time warp?

~*~

Put another way, you’ve probably noticed the Red Barn rarely comments on current events. We prefer to take a larger perspective. As for all of the posts on gardening, there’s never an actual recipe. Which reminds me about the remaining kale and Brussels sprouts, being sweetened by the frost. There’s always more to do, isn’t there? Now, where was I?