Tag: Literature

LILACS

~ Jnana Hodson ~ 4 Comments

So when did this appreciation begin? When I lived in the orchard house, we had a big lilac bush at the corner of the yard – the one where the bees swarmed from the hive that one day.

But I think the real change happened that spring after my first marriage collapsed and I was finally in love again. I crowded the house with those cut blossoms and their fragrance. It’s enough to make me picture a blue silk kimono.

That was years ago, and many miles. Yet the lilacs are more precious than ever.

As I said at the time, when I lived in that last apartment, I vowed if I ever bought my own place, I’d get cuttings from a friend whose lilacs likely descended from the first ones brought to North America. Of course, I didn’t, and the owner has since moved into a retirement center.

Even so, these days, we have our own, screening the Smoking Garden from the street. One lilac had, in fact, grown as tall as the house – but hollow. It’s been work, restoring them to flowering condition.

Still, there’s nothing more luxurious than lilac cuttings arrayed in the bedroom, with their heavenly aroma.

So quickly, they pass.

WHAT WAS I THINKING?

~ Jnana Hodson ~ 3 Comments

Every writer, we can presume, has plans for the next work – or several. Tackling them, of course, can be another matter altogether, especially if the schedule’s already full, even before we get to the overdue house and garden projects. Or some equivalent.

Listen to other writers, by the way, and you’ll hear just how much of that schedule now focuses on marketing, including social media, to push already published work instead of doing the, well, not exactly “fun” part (it is, after all, work) but the passionate core that prompts the entire enterprise: drafting and revising. The very thing that makes us writers.

For me, much of that has also involved moving four decades of serious writing, however experimental, into the public access where adventurous readers might find the volumes. Places like Smashwords.com and my Thistle/Flinch site here at WordPress. To be candid, the backlog was inhibiting my ability to forge ahead on new work – not exactly writer’s bloc, but something more like claustrophobia? Having the remaining novels in the pipeline for ebook publication is a huge relief.

Let me repeat, though, about the necessity of marketing and how that should be the focus.

What’s taken root over the past several months, though, is another novel. One that just might pull my Hippie Trails series together a half-century later. That is, something that covers far more than just ’60s and ’70s. Am I crazy?

Well, maybe. What’s shaping up is far different from anything I’ve previously undertaken.

For one thing, I’m starting with an overarching structure – something approaching an outline, rather than my usual setting forth on a journey to see where an image or character or idea will lead. And then there’s little autobiographical here; it’s largely new territory, apart from tying up some loose ends from the earlier novels. The dictum, “Write about what you know,” gets readjusted to “Write about what you would like to know,” meaning more about certain ethnic groups I’ve encountered, businesses I’ve brushed up against, spiritual practices, histories, desires, losses. I’m even beginning with a commercial genre in mind, which means drafting from a perspective and in a voice far from my own.

I’m not sure this is a work I’ll actually finish. It may be too difficult. Or it may become more of a collaboration, perhaps with a circle of beta readers set at liberty to edit at will. (Have I ever written of my theory that what we know as Shakespeare was the product of a circle of very talented improvisers, whose inventions were recorded by the playwright? Almost a committee, if you will, except for his imprint on the final version.)

Different from anything else I’ve done to date? How about needing to finish a draft of the last chapter, along with a stretch of the opening, before writing anything else? Or heading off with 80 or so pages of notes for the middle, plus questions to pursue? It’s certainly driven by the characters and events that turn in directions I’d normally avoid.

What I do know from experience is how crucial it is to sit down at the keyboard when these juices are flowing.

LOOKING FOR THOSE LOCAL DISTINCTIONS

~ Jnana Hodson ~ 1 Comment

As I said at the time …

Greetings again from this old mill town along the Merrimack River.

There is still a special feel to an octavo-size, typeset journal – a unity of design and purpose carried throughout – even in this era of desktop design and photocopy wizardry. A major challenge, whether it’s in shaping a literary journal like yours, a daily newspaper, or even an old-fashioned country dance, is simply: what can we do to make our own locale distinctive?

An example: a few years ago, the New England contradance scene was becoming generic: you’d drive for miles to a village town hall only to find the same faces and same pieces you had faraway the week before. Fortunately, that seems to be changing as different callers, musicians, and promoters are striving to put their own distinctive signature – and a local stamp – on each venue. So there’s your challenge!

I’m struck by the fact that even familiar voices from our round of journals seem to sound different in varied locales. If you’ve ever been around paintings, as I was when married to an artist, and seen a piece go from her studio to our living room to an art gallery to a major museum, you would be amazed how different it appears it each setting. Publishing is the same.

SAMPLING A FEW QUAKER PERIODICALS

~ Jnana Hodson ~ 3 Comments

Now for the magazines rack. The one in the meeting library, where we display our current periodicals.

First is the monthly Friends Journal: Quaker Thought and Life Today, published in Philadelphia from a Friends General Conference perspective. In its elegant format, it’s a delight to hold. Admittedly, the articles often run the range of crunchy granola-head interests and sometimes a too “politically correct” editing and can leave one wondering just where Friends stand as a body, but there’s almost always something provocative, from one side or the other. Look, too, to see how it progresses under editor Martin Kelley.

Second is Quaker Life: A Ministry of Friends United Ministry published six times a year in Richmond, Indiana. This colorful, glossy magazine underwent a lively transformation in its few years under youthful editor Katie Terrell, who attempted to give each issue a distinctive focus – integrity, transforming lives, what does a new kind of Quaker look like, humor, authority, discernment, even controversy itself. Considering its audience of primarily Midwestern and Southern pastoral Friends, I’m often impressed by the number of writers from unprogrammed meetings, many of them in New England – as well as those from Third World nations. If you want to get a quick overview of how our spiritual roots influence us today, turn to historian Tom Hamm’s one-page question-and-answer column in each issue.

Also of note are the quarterlies. Quaker History can be anything but quaint when it’s examining the difficulties of integrating Sidwell Friends School in Washington, as well as its not-so-orderly roots, or the psychedelic influences of ergot-infected oats on the early Quaker movement. (The real Quaker oats?)

And Quaker Religious Thought, often focusing on a single topic such as Speaking Truth to Power or the strand of Holiness movement in Friends tradition, typically counterpoises the primary article with considered reactions. Sometimes a thorny theological issue can be too arcane for general discussion, but that’s offset by the others that prove unexpectedly stimulating.

*   *   *

Oh, yes – the extra magazine and newsletters piling up in your home? Consider dropping them off at the public library magazine swap pile, a local coffee house, or the Laundromat. You never know who might learn of us that way.

PENDLE HILL PAMPLETS

~ Jnana Hodson ~ 1 Comment

Some of the most helpful or inspiring writing I’ve encountered has come in short volumes. In poetry these are typically called chapbooks, while in prose they’re often pamphlets or booklets.

Among them, the rack of Pendle Hill pamphlets in our meeting library presents an astonishing array of Quaker wisdom. Published by subscription (currently five volumes a year) at the retreat center in Wallingford, Pennsylvania, the series now numbers more than 400 titles. Admittedly, there are some duds among the jewels, but somewhere in the collection is likely to be a reasoned answer to your nagging question about Quaker faith and practice.

Some, like Margery Mears Larrabee’s Spirit-Led Eldering and Sondra L. Cronk’s Gospel Order: A Quaker Understanding of Faithful Church Community, focus on vital aspects of Friends’ community. Others, like William Taber’s The Prophetic Stream and Four Doors to Meeting for Worship, serve as guides for the experience of our hour of open worship. John Punsheon’s Alternative Christianity finds in Quaker practice itself a different expression of Christian faith than is found elsewhere (that is, he looks at the results, while I’ve been looking at foundations). Peter Bien’s The Mystery of Quaker Light parallels some of what I’ve been uncovering in the revolutionary aspects of this central metaphor of our faith. Brian Drayton’s Getting Rooted: Living in the Cross, a Path to Joy and Liberation, spring from personal practice.

The series has also included a wide range of social action issues, like Pat Schenck’s Answering the Call to Heal the World or labor lawyer Richard B. Gregg’s A Discipline for Non-Violence, as well as volumes on art and theater, prison work, nurturing children, and Quakers’ experiences in yoga and Zen.

There’s even a Quaker Pamphlets Online project to provide free downloads of classic early issues.

For now, I’d like to take a more extended look at four volumes that came in around the same time:

  • Benjamin Lloyd’s Turnaround: Growing a Twenty-First Century Religious Society of Friends is an exciting and challenging argument of extending Quaker faith to younger generations. Funky interracial ads on the sides of city buses, anyone? With his theater background, Lloyd’s right in contending we need to reach out, vigorously, and shake off unnecessary baggage. He’s right in sensing we need celebration and true community. And he’s refreshingly candid about our weaknesses.
  • John Lampen’s Answering Violence: Encounters With Perpetrators is a hard-nosed blueprint of the author’s work as a peacemaker who moved into a land of engrained conflict. The incidents he relates are difficult, dangerous, courageous, sometimes leading to tragedy, sometimes bridging opponents trapped against their own heart’s desires. Yet he also marks important turning points in the time-consuming drive to pacify Northern Ireland.
  • Framed by an enigmatic old English folksong, Richard Kelley’s Three Ravens and Two Widows ponders the modern Society of Friends through the quite different legacies of his mother, with her urbane Philadelphia outlook, and his paternal grandmother, with a Holiness-based pastoral Quakerism in Ohio. Somehow, they had to find ways to live together after the deaths of their husbands. By implication, so do we, as a diverse community of faith.
  • Brian Drayton’s James Nayler Speaking considers the brief, prolific outpouring of early Quakerism’s most important minister. More articulate, mystical, and systematic than George Fox, Nayler was at the forefront of bringing the Quaker message from the north into London and all the upheaval that followed. No one else has written more powerfully of the Light or embedded its metaphor into Quaker thought so thoroughly.

 

THE CUSTOM OF QUAKER JOURNALS

~ Jnana Hodson ~ 2 Comments

The custom of publishing the journals of influential Friends was no doubt intended to encourage others to strive for exemplary service. The journals themselves form a curious genre – part diary, part autobiography, part memoir viewed from the vantage of advanced age, part travelogue (often tediously so, unless you’re looking for individuals and places being visited), part glimmers of spiritual brilliance – often published after the specific Friend’s death and at the direction of a yearly meeting. Closely related is our custom of memorial minutes.

Best known are the journals of George Fox, spanning the initial decades of the Quaker movement, and John Woolman, whose lifelong mission essentially ended the ownership of slaves among Friends before the Revolutionary War. Both works are in our meeting library and highly recommended.

But there’s a host of others, as you’ll find digging around.

Like the journals themselves, collections of writings or of journal excepts serve as similar prophetic inspiration. For instance, Terry S. Wallace’s A Sincere and Constant Love: an Introduction to the Work of Margaret Fell allows us to look into the remarkable thinking of the woman who became George Fox’s wife and confidant and did much to shape the emerging Friends organization. (How I wish we had a similar cache of material for Elizabeth Hooten, who mothered Quakerism from its very beginning! No such records, unfortunately, are known to have survived.)

For now, let me name one other volume in our collection: Wilt Thou Go on My Errand? Three 18th Century Journals of Quaker Women Ministers edited by Margaret Hope Bacon.

There’s also a host of books and pamphlets that put the lives of Fox, Fell, and Woolman in context or add to their outpouring – too many, in fact, to detail here.

BAD BOYS, GOOD GIRLS

~ Jnana Hodson ~ 3 Comments

As I said at the time …

Came across a fascinating insight a while back, something that might continue our “bad boys/good girls” dialogue. The writer, a mother, was observing that even in second grade, teachers automatically divided the class into bad boys and, you guessed it, good girls. By extension, then, coming as this does around the time that most boys are undergoing their sexual and emotional separation and twisting away from Mother, a different path from the girls’ formation, the very model of boyhood becomes, by definition, to be bad! To be a “good boy” is in effect to be a sissy, a girl. To be bad is to push the limits, be independent, be a leader, take action, grow up fast.

Perhaps this is when the boy really needs the mentor figure Robert Bly envisions, to take the boy into wilderness beyond the camp. Maybe it was the same writer (newsroom means little time to read closely, and often not to make a printout either) who was warning that American society has a real time bomb in the making as boys are being subjected to some very confused expectations and accusations. To be virile is taken to translate as promiscuous; strong, as violent; and so on.

Incidentally, David Hernandez’s “Bruises” demonstrates one side of this boy/girl outlook marvelously: when you were a child, did girls ever compare their signs of toughness like this? (So who are the “bad girls”? Tomboys? Or loners at the edge, exploring their own imaginations? Diane Wakoski has pursued this as well as anyone I can think of, but the field still seems wide open!)

Oh, well, I can only open these issues in a poem; resolution comes somewhere else!

~*~

Blue Rock

My collected poems are available in Blue Rock. The ebook’s free in the platform of your choice.

 

 

 

REMEMBERING THE ‘BIG TIME’

~ Jnana Hodson ~ 7 Comments

Found myself chuckling the other day as I was making photocopies on the computer printer. What came to mind was the memory of my old definition of knowing I’d made the big time as a writer would be when I had my own IBM Selectric typewriter and my own Xerox copier. Gee, it didn’t even have to be Xerox, now that I think of it. (And it wasn’t even something really big like a sailboat or shiny new BMW.)

My, how that dates me! But let me explain.

Not too long ago, writers like me were clunking away on big old manual keyboards, even in newspaper offices. The electric typewriters were more likely to be found in the jewelry store on the corner or at the bank than on the desks of people who had to type constantly as part of their employment. Well, really good secretaries also had them – with a lot of our admiration.

While the news writing could have cross-outs and handwritten insertions, serious literary submissions were expected to be perfect – and each submission to the journals was expected to be clean, meaning a copy seldom lasted long in the face of multiple rejections. (Remember, even top-flight authors can expect to receive an average of 20 rejections for each acceptance – or that was the story back when all this was going on. And simultaneous submissions were absolutely verboten.)

So that’s where the photocopier comes in. The small-press editors eventually began allowing copies rather than originals, which was a big blessing for poets like me. Still, it meant finding a decent place to make copies. When I lived in the desert of Washington state, for example, a trek to Seattle four hours away included several hours making fresh copies.

Once I’d moved up the management ladder a few notches, I did splurge on an electric typewriter, one I loved despite its annoying flying f that nobody could keep repaired. Half of the time it would land several spaces further down the line than where it was needed.

Newsrooms, meanwhile, finally got the Selectrics – not to facilitate reporters’ work but to allow the stories to be scanned directly into type, which raised an entire other nightmare. (Try editing one of those!)

What I really envied with the Selectric was the fact you could choose different fonts and sizes – those magical metal balls that flew around above the page you were typing.

~*~

So here we are, a few decades later. How obsolete all that has become! The computer keyboard allows instant corrections, unlike the bulky typewriter. Even the Selectric. And I have quite the array of fonts and sizes to select from, even before shopping around online for more. So much for the four or five choices in the Selectric, if that many. As for that photocopier, I can simply scan copies from the top of that computer printer for all but the most unusual projects.

As for IBM and Xerox? They’re hardly the monolithic powerhouses they were then.

My, how the field’s changed!

As have my measures of “big time.”

A NEARLY PERFECT NOVEL

~ Jnana Hodson ~ 1 Comment

Way back in my senior year of high school, I remember a moment when our English teacher invoked the dictum that all fiction requires conflict – and my immediate contrarian reaction blurted out, “No, it doesn’t!” My objections were gut-level rather than coolly reasoned and certainly wouldn’t have held up to the novels that were capturing my attention at the time – Brave New World, 1984, and Animal Farm. Yet seeded somewhere in my aesthetic, the low-key, nonviolent approach to a story lingers. Few of us, after all, are parties to a murder, which is a key component of so much fiction. And Kurt Vonnegut’s advice to take a nice character and inflict the worst possible calamities on the poor soul still offends my spiritual proclivities, never mind so many passages in the Bible. Yes, I’ll now admit that true character can be shaped and revealed in intense confrontations and struggles. That is, conflict.

Still, my own entries to date have focused on day-to-day realities drawn from my own observations – attempts to comprehend contemporary social interactions, even if they appear to be history by the time the words finally appear in public.

~*~

In retrospect, my admiration of so much of Richard Brautigan’s output probably arises in the laid-back meandering of his hippie-era characters and their encounters. Think of Trout Fishing in America for starters.

~*~

More recently, Nicholson Baker has emerged as my favorite embodiment of the nonviolent sensibility. You could argue that nothing happens in the first 50 pages of The Incredible Story of Nory, and yet the tension is already mounting. To construct a successful novel on a father’s bottle-feeding session of an infant (Room Temperature) or a short escalator ride (The Mezzanine) is artistically courageous. Book of Matches, meanwhile, takes off on the simple premise of sitting by a fire in the predawn hours of deep winter – it could almost be blogging.

His latest volume, Traveling Sprinkler, pretty much slipped under the radar, yet impresses me as a nearly perfect example of the no-major-conflict novel. His main character, the minor-league poet and anthologist Paul Chowder, faces nothing more challenging than the question of whether his ex-girlfriend will return to him as he muddles through middle age. Yet along the way, Baker weaves in ruminations about the American health system and public education, the advantages of rhyming in song lyrics in contrast to poems, aspects of recording technology, basics of bassoon performance, collectors’ perspectives on lawn sprinklers and related outdoors gear, experiences of Quaker worship, and some travel pointers for Portsmouth, New Hampshire. Billed as a sequel to The Anthologist, it stands well on its own as a rich and deeply personal tapestry. What could be better? Even without a slew of dead bodies?

FAREWELL TO THE SWITCHBOARD

~ Jnana Hodson ~ Leave a comment

At the office, we had the farewell to the switchboard operator who’d been replaced by the new phone system – someone who had been there when I arrived two decades earlier.

Oh, the weird calls we’d get, the ones she usually screened yet some still managed to slip past her.

The woman from California, “Can you tell me what state New Hampshire’s in?” and I wanted to reply, “How the hell did you get this number?”

All of the ones wanting to know my opinion, as if it mattered.

Or the drunks or the individuals convinced of this conspiracy or that. Especially late at night.

As the publisher told one, “What do you think this is, a call-in radio show?”

Listen. We’ve got work to do, rather than yap. Piles and piles of work.

~*~

Oh, my, the telephones! They become a chorus of their own in my novel, Hometown News.

Hometown News