Tag: Literature

RUNNING THROUGH CHEATGRASS

~ Jnana Hodson ~ Leave a comment

The grass grew tall in tawny tufts. One bunch here, another over there. Sometimes in the company of sagebrush.

~*~

Here a man will learn to pace himself more steadily. To watch for the rattlesnake, especially at river’s edge. To recalibrate his vision to the American Far West, where natural beauty assumes such spectacular proportions few notice the thinness at hand. The spider will teach all this. Clarity, like the desert itself, strips away to essentials. Sweeps away clutter. In what appears sparse, the man will gaze for episodes of miniature grace. Even elegance.

~*~

Kokopelli 1For a free copy of my newest novel, click here.

MORE THAN TWO SIDES

~ Jnana Hodson ~ Leave a comment

I’m tempted to say there are two sides to the mountain – a wet one and a dry one. Or even the side you see and the one you don’t. Or what’s ahead of you and what’s behind.

But none of that’s quite accurate.

You could, for one thing, be standing on the summit.

Or you could realize it’s one continuing side, like a Mobius strip, to explore. Even in your mind.

~*~

Mountain 1For a set of related poems, click here.

DESERT DANCES

~ Jnana Hodson ~ 1 Comment

Appealing to the heavens for rainfall was only one of the reasons for dancing. Your feet could pray as well as your hands in this landscape.

~*~

Somehow, the novice begins dancing, if only in his head. Something simple, at first, until familiarity gains ground. Feet, legs, torso, arms, and hands eventually follow. A reel leads into a jig. Thought and emotions balance. Head and heart dialogue. With confidence comes freedom. More and more, the aspirant concentrates on partners or the group or motion itself, rather than his own next step or position. The music becomes more textured, until the hornpipe stands as the liveliest structure. So it’s been in this landscape. This is not just any desert, for there’s nothing generic about any detail encountered closely. With both people and places you come to know dearly, you find nuances and subtle contradictions will blur any sharp image. It’s easier to describe someone or something you meet briefly than what you know intimately. To say desert is dry and sunny misses the point, especially if you arrive in winter. At first, like so many others, we didn’t even consider this valley as desert, for it has no camel caravans or mounds of shifting sands with Great Pyramids on the horizon. One word or phrase can be misleading. Even the Evil Stepmother from folklore and fairy tales must have possessed some redeeming qualities. Could we be more specific than “evil”? Simply selfish? Or was she mean, jealous, domineering, afraid of whatever, from the wrong party? Suppose she was really a victim of some deep abuse? The portrait changes. Has anyone detailed how she dances? In the end, it’s either entertainment or worship, depending on the individual’s orientation.

~*~

Kokopelli 1For a free copy of my newest novel, click here.

END OF THE EARTH

~ Jnana Hodson ~ Leave a comment

The mythologies of Greece are easily countered by those of India, China, Tibet, and Japan in the Native tales of the Olympic Peninsula and the coastal tribes of the Pacific Northwest.

Sit down by the fire, then, and listen. Some of the voices are millennia old.

~*~

For a free copy of the complete American Olympus, click here.

Olympus 1

WHILE SUBMITTING TO LITERARY JOURNALS

~ Jnana Hodson ~ Leave a comment

As I said at the time …

It’s a quirky process, this exercise of seeking homes for personal work – the reactions of editors and readers so idiosyncratic and varied that the same piece can be considered too intense, by one, and not raw and bloody enough, by another. I can never predict who will accept what, no matter how long I’ve known a publisher or journal.

Contributor’s note? Just say I hope soon to be tent camping again.

NEW VALHALLA

~ Jnana Hodson ~ Leave a comment

The Olympic Peninsula of Washington State is a world of its own. About the size of Delaware, it has few settlements apart from its Native American tribes. Its remote coastline is gorgeous. Its forests are thick and varied and receive some of the heaviest annual rainfall in North America. Its central mountains include hot springs and glaciers. There’s a U.S. Navy base on the eastern edge along with an artist colony and ferry connections to Seattle.

Listen closely and the underlying mythologies shape a new understanding.

Here is a place where East meets West in its own nature.

~*~

For a free copy of the complete American Olympus, click here.

Olympus 1

ARID SHADOW

~ Jnana Hodson ~ 1 Comment

The conditions that created the desert where we lived created what was sometimes called a “rain shadow.” It was ironic, actually, considering that we got far more sunlight by living on that side of the Cascade Mountains than if we’d been in, what, the rain glow?

Sometimes, though, it seemed to dry up all of our emotions, too.

A journey into the murky places of endless fog, mist, and rain, in contrast, could do wonders in the soul.

~*~

Olympus 1For a free copy of the complete American Olympus, click here.

LIBERATING IN THE END

~ Jnana Hodson ~ 1 Comment

A central question facing compositional artists of all stripes (in contrast to performing artists like actors, dancers, and musicians) is the matter of determining when a work’s finished.

How do you know?

Is just out-and-out satisfaction a measure? A trusty one? Hmm.

Let me suggest some others.

Sometimes it’s a sense that you just can’t go any further with it. And if it’s in a state beyond notes and fragments, maybe that’s it. You’ve hit a wall, a property line, or just the shore or riverbank. So you stop. Period.

There are times, admittedly, when you think something’s finished and put it aside only to find, on returning, it needs more – revision, for starters, and maybe additions and major restructuring. (A friend spoke the other evening of drafting a memoir in the third-person and then redoing it in the first-person, the kind of change I’ve done in some of my fiction. And Brahms had an early symphony that became a piano concerto, if I recall right.)

Working under a deadline can simplify matters. Time’s up! Next!

Nice, if you happen to have an advance or pipeline of delivery or the concert’s coming up.

Novelists might even find doneness appears as the time they find their focus obsessing with the book under the one they’ve been tackling.

Some poets will say that once it’s published, they can let go of it. Finito!

~*~

In the bigger picture, the “finished” question isn’t just about having a manuscript ready. For a writer, it’s ultimately about landing the work in a reader’s hands. A place where a dialogue can begin. And getting that manuscript from a polished draft into circulation can be a huge, energy-depleting limbo, especially if your life is filled with competing claims on your time.

In short, you can either focus on seeing that one work through to publication – or you can create the next one, while the inspiration’s still hot. For me, as I tried to balance my writing life with a journalism career, personal relationships, spiritual practice, and so on, I wound up with a huge backlog of finished material. At least I’d wisely not put off the writing for retirement, as had a number of colleagues I’d known – none of them ever managed to fulfill that dream.

What I did find, though, was that the unpublished work became a burden of its own. Its emotional weight inhibited new work. Why bother? It even had a way of twisting my sense of identity – who was I then and who am I now? Think, too, of the relationships that fed into one work – and the people I’m with today. As in lover or spouse.

So the experience of having my book-length works finally being published brings the “finished” consideration across yet another threshold – the matter of being liberated. I can let go of trying to hold that memory, treasuring that epiphany, honoring that friendship.

Should I have just trashed them long ago and moved on into other, non-literary endeavors? Just think of the hours that could have been directed instead to overtime pay, which would make my retirement more secure. Or travel or …

Maybe it’s just a case of hoping for acknowledgement. Hey, here I am!

Still, it’s what I’ve done.

What I have is a feeling of being true to a responsibility carried to its completion at last. What happens from here is, well, liberating any way it goes.

BACK AND BACK AND BACK

~ Jnana Hodson ~ 4 Comments

As I said at the time …

You’re home once more, with many fresh laurels, I hope. On my end, the computer’s fixed and I’m dancing with some frequency again. At least between some heavy allergies. (Birch pollen at the moment; pine comes soon.)

I’m still in shock from Sam Hamill’s “To Eron on Her Thirty-Second Birthday” – she’s always a twelve-year-old tomboy in my memory! Impossible, it seems. And that was back when I was still married and my wife studied painting under John Bennett’s wife, Ellensburg, Washington … back in his Vagabond days. Small world. Am still trying to figure out when and where I heard Bill Stafford read. Yakima Valley College, I believe. Will the parts of my life ever come together?

Yes, you certainly are a moon-child, with all of the sign’s gentle humanity. Violet, a variant of purple, the cancer-sign’s color. Star, like the moon, of the moody night. Well-named, it seems! For whatever reason, more of my serious relationships have been with women born under the sign of Cancer than with any other; in fact, there have been no Gemini or Libra, which are supposed to be a natural fit for me. Go figure!

~*~

My, what ancient history this, too, has become!