In my novel What’s Left, Cassia’s grandmother and her sister marry two brothers. One is named Pericles.
Does the idea of siblings in one family marrying siblings in another bother you? Or does it seem like a natural possibility?
You never know what we'll churn up in cleaning a stall
In my novel What’s Left, Cassia’s grandmother and her sister marry two brothers. One is named Pericles.
Does the idea of siblings in one family marrying siblings in another bother you? Or does it seem like a natural possibility?
Removing Hippie Love from my shelf of available ebook offerings was a difficult decision.
From a writer’s point of view, having an alternative telling of Hippie Drum remained a fascinating experiment. Yes, it turned the story into erotica. But, with the release of What’s Left, I also realized it’s not something any daughter would want to know about her dad. And so, the two hippie books are gone, replaced by Pit-a-Pat High Jinks.
Quite simply, I believe Cassia’s story holds greater interest, at least for younger generations. After all, it’s really about today.
what did I know beforehand?) unpacking, making each room orderly, scrubbing and waxing floors, vacuuming, reorganizing files, going to the laundry with all my woven possessions, running errands, and without warning things fall into place
Greater Boston is comprised of many suburbs that were originally Colonial towns out in the country. As a result, much of the metropolitan area today retains a village feel in addition to its cosmopolitan chic.
Each town – or, in many cases, now city – is different, however subtly.
Let me illustrate with Watertown, where my choir rehearses.
For a writer, nothing is more magical than when a character begins dictating the story. Sometimes, you can’t type fast enough to keep up with her.
As I was saying about the “zipper” that sometimes appears while revising a work? This one, I’d say, is the most satisfying.
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Now that I’ve confessed, it’s your turn.
Do you ever hear “voices” while doing something? Do they help or hinder your action?
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My novel’s available at the Apple Store, Barnes & Noble’s Nook, Scribd, Smashwords, Sony’s Kobo, and other fine ebook distributors and at Amazon in both Kindle and paperback.

Cassia’s father grew up in a conventional middle-class family in the middle of the country. It was much, much different from her mother’s upbringing not that many miles away.
As they say, opposites attract. So, from your experience, how about an example?
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The desirable beauties
were all astonishing
yet forgettable
~*~
like calories
we tried to skip
cleansing is more than mere output or holy observance to be done would require not noticing dampness along the wall disclosing leakage what can I then breach anew or newly demolish in the storm churning up from some underside of an altar or anvil? air thickens and clears as a matter of practice with desiccated houseflies or wasps or shards of chimney brick in the attic
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Your turn now to give a shoutout.
As a reader, you probably don’t pay much attention to the bones of a book — the number of chapters it has or how many sections they fall into. For a writer, of course, these can be central considerations. Ideally, there’s a beginning, middle, and end for each chapter and each section as well as the entire book itself.
In my psyche, one ideal structure is the symphony — typically, but not always, four movements, each one different, having an underlying unity that ends in an exciting climax. (Oh, there are some gems that do end quietly — so much for expectations!) A typical novel, on the other hand, may be twenty to thirty chapters of roughly 20 pages apiece running in chronological order, not that I’ve ever stuck with that convention.
In What’s Left, my novel I set out hoping you could start or end in any chapter, yet in some way they’d join to build the tension and resolution of the whole. The model that inspired me appeared to use chapters as mosaics or panels that could be moved around independently, if the reader desired.
I can’t quite see doing that in the final version my work, though a reader might leap over a chapter or two, if needed, and still pick up on some action — if, that is, the chapters are complete enough in their own right. Think of a string of short stories.
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If you’ve had a chance to read What’s Left, give me your feedback.
Does this structure work for you? Would you rather I’d broken the novel out into two, three, or four shorter books as a series? Did you skip over any parts? Would rearranging any parts work better?
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