Write about what you know, but best if it leads into what you don’t know

I’ve spent a lifetime writing – well, from my senior year in high school on.

I rather fell into a career as a newspaper journalist who worked mostly on the copy desk or a few steps beyond, with titles like news editor, lifestyles editor, makeup man (working closely with the production crew in what was called the back shop or, more politely, composing room).

My real dream was to have something more permanent as my legacy – books with my name on the cover and the spine. The fact was that as much as journalism engaged me, I yearned for a bigger picture than the daily deadlines usually reflected.

And so I spent much of my “free time” writing things that would never appear in a newspaper – poetry and fiction, especially, or even lengthy letters to friends and other writers. And, more recently, there’s been the blogging, which I hope you’ve been following.

Many of those years I despaired that my “serious” work would never appear as printed books, especially once I discovered how much effort was required to land even one poem in a small-press literary journal.

The persistence has resulted in eight books of fiction to my credit plus more than a thousand published poems and a few chapbooks.

The most successful entry has been Quaking Dover, a history of one of the oldest Quaker congregations in the New World.

~*~

As my diamond jubilee year wraps up, I’m reflecting especially on those eight books of fiction and the life that’s produced them.

You’ve heard the adage, of course, “Write about what you know.” But I’ve come to see how important it is to also write about what you don’t know, especially where it’s at the edge of your existing knowledge. I am among those who write as an attempt to make sense of something personal, which means being something of an explorer or discoverer or laboratory technician. A good writer, I’m thinking, wears many hats, at least of the proverbial kind. Let me confess I rarely wear a hat of any kind, though I should, considering the balding and sunlight and many skin cancers.

Drafting a story is work, even on those rare and exhilarating flashes when it seems to write itself and you’re flying too fast to worry about spelling or grammar or other details. But it’s not the most difficult part of the practice.

Revisions, I should emphasize, are everything. Or at least the hardest part, and the more essential part of writing in the hope of a readership. I find that in hard revisions I discover more of what I’m coming to know.

With my focus on Quaking Dover for the past three years, I’ve neglected my earlier books. Returning to them this year feels like a good exercise, for you, dear reader, and for me.

One of the regular weekly features here will be on things behind my books. The stories themselves already speak on their own.

Please stay tuned and tune in.

What is ‘home’?

The definition, like that of “family,” can be complex and elusive.

I’m looking at home as someplace much more than where I sleep at night or eat the majority of my meals. It’s more than a house or an apartment or even a tent, for that matter, even though for much of my life, my address has felt more like an encampment before I arrive, well, at what’s truly home.

The Biblical sense of sojourning matches much of what I’ve experienced, pro and con.

Think of a sense of comfort, for one thing, and belonging, for another. Not everyplace I’ve dwelled has measured up there. Rental units have always had limitations on how much you can personalize the space, even to the exclusions on painting the walls. And who knows what happens when the rents or lease go up.

As much as my native geography and its character are imprinted on my soul, the house I grew up in isn’t. How curious. As for family? I’ve now spent the majority of my life on the Eastern Seaboard, mostly New England. Four years in the Pacific Northwest were especially transformative. Yet deep down, I’m still a Midwesterner, though one now amazed almost daily by the movements of an ocean close at hand.

The place I’ve lived longest is Dover, New Hampshire, in an 1890s’ house that’s appeared often in this blog. As “home,” it had shortcomings, but it was where I built my own family, did some very serious writing and revising, ate marvelous food we had raised in our garden, delighted in some extraordinary neighbors (especially Tim and Maggie), delighted in the parties and guests we hosted, and thought I would spend my final moments within. Well, I almost did – but that’s another post or two. As I told the kids when we moved in, I would be in a pine box when I left.

Not that my plotline wound up following that course. It might have, actually, if my elder beloved daughter-slash-stepdaughter hadn’t whisked me off to the emergency room in time for a cardio-stent.

Back to the bigger story. As I retired from the office, it became clear we needed to downsize. I won’t go into details, but my elder daughter/stepdaughter (those distinctions blend for me but not everyone – room for many future blog posts) fell in love with a remote fishing village at the other end of Maine. And then, so did her mother. My introductions to the place were positive, but even though I had begun some intense decollecting and downsizing, and was well ahead of the others on that front, there was still a long way to go. Besides, I was in the midst of a major writing project and knew how long it would take to get back in gear if I packed up in the midst.

Even so, after a few furtive efforts, we bid on a property that had been for sale forever and were accepted. I was promptly dispatched to keep an eye on the place – essentially, as a writer’s retreat.

It needed, to put things succinctly, tons of work. But somehow, it’s felt more like home than anyplace else I’ve dwelled. As you’ll see.

Some things I’m anticipating in the year ahead

  1. Sitting beside our newly installed wood-burning stove on otherwise chilly mornings and evenings.
  2. Completing the second phase of our upstairs renovations along with moving into the back half up there, including my book collection when it comes out of storage.
  3. My second week on the water in the schooner Louis R. French.
  4. Revisiting my journals from the Baltimore years on.
  5. A magazine orgy.
  6. Renewed time with the Bible.
  7. Using my passport. We do live right next to Canada, after all.
  8. Events at the arts center.
  9. Continuing Quaker worship face-to-face rather than Zoom.
  10. Scallops in season as well as local blueberries, cranberries, lobsters, and crab.

Looking forward while looking back

Somehow, each year here at the Red Barn has taken on a special spin, despite the merry-go-round sequence of postings, categories, themes, and tags. Or maybe because of that.

While I keep looking forward to “retirement” of some kind, new material for this blog hasn’t let up.

Last year, many of my recorded dreams became a regular presentation, but I’ve run out of those. Previously, prose-poems had their run. Newspaper Traditions are now far in antiquity. And many of my poems are available at my Thistle Finch blog for reading or download. Yet I’m living in a newer, much different, world, lucky me.

Many of this coming year’s postings are shaping up as once-a-week series.

Now that the house renovations are actually happening (Huzzah! Huzzah!), you’ll be seeing that progression on Saturdays. I mean, how many times do you get to watch an old house be torn apart and rebuilt while the residents are still within it? As we were or let me say are.

My week out on Penobscot Bay in a historic schooner provided enough text and photos for a series on Sunday mornings. For me, it’s still dreamy. Hope you see it that way, too.

With a presidential election coming up, I’m returning to a clearer understanding of what’s at stake based on the Federalist papers through excerpts you’ll be seeing on Thursdays. It was that or some childish and more current quips of my own. I see this as more principled.

As a break in my Quaking Dover book reflections, I’m turning to a series looking at what’s behind my published novels. See that in contrast to “what they’re about.” That series of posts is set for Fridays.

Add to that is a series on Mondays, looking at authors who have influenced me one way or another. They’re not necessarily my “favorites,” but definitely ones I want to revisit in my years ahead.

Meanwhile, the Tuesday Tendrils, ten items about whatever strikes my fancy, will continue, as will the Sunday night Kinisi.

I promise you these posts will encompass another full year. Please stop by often, and leave comments, especially. I still think your contributions are the best part.

Happy New Year, dear readers.

A few things I’m grateful for in the past year

  1. A second presence in the house year-‘round. Plus our guests.
  2. Seeing the home renovations finally under way. And how.
  3. My maiden voyage in a ship overnight. As you’ll be seeing.
  4. A steady supply of real tomatoes, once they started arriving at the beginning of September, thanks to a serious, raised-bed garden already featured here at the Red Barn.
  5. Our new choral director. We may be a small community, but there’s some deep talent.
  6. The resurrected film society. The showings are followed by some serious discussion into the wee hours.
  7. Contradances, too, both here in Eastport and at the Common Ground Fair.
  8. My appearances resulting from Quaking Dover. You can still find some of them online.
  9. Scallops in season. (And local blueberries, cranberries, lobsters, and crab.)
  10. All the eagles I observed during the alewives’ run and additional encounters after. Always inspiring.