The picture really can change in a day

It was one of those stretches where nothing seemed to be happening. For me, that translates into stuck, or more accurately, an emotional funk.

And then, in a single day, the dumpster arrived, opening way for the big front of the upstairs demo to begin.

The plumber showed up, after a few months on a big project in the Midwest. He made necessary moves preparing the upstairs bathroom and laundry room for walling, lighting, and flooring to be finished before the toilet, bathtub, shower, sinks, and washer and dryer go in.

He also removed our one outdoor faucet, with its leaking pipe in the wall and no indoor shutoff valve, with three new spigots and lines, all of them closer to our gardens. This was a huge quality of life improvement we do enjoy right now.

Three cords of firewood were delivered, about a month after being ordered. It was our first time dealing with them, and while I wasn’t worried that they wouldn’t show up before the first snow fell, this was reassuring and I’m satisfied with the quality of their product. Now I’m spending an hour or so most days stacking it. (Let’s not overdo it, not at my age.)

We heard from the mason, who was slotting us in with other projects around town. He and a helper were on the scene a few days later to repair the top of the chimney. Added to his work were repairs to the facing on the foundation – something noted in the building inspection when we bid on the property – and several future tasks, including moving the wood stove and metal chimney to another part of the front parlor. This was our first time dealing with him, and I can say he takes pride in good work.

Our contractor installed the flooring on the deck, restoring use of the back door to us. The railing is next.

Each of these lifted another obstacle from the horizon. Each one felt quite invigorating. The deck even has us in amazement.

Now, for standing on my head

I’m not sure when or where I began drafting my yoga novel or where, but I know the bones were in place before I began my self-declared sabbatical in 1986-87. Perhaps it was during my month of unemployment before landing in Baltimore. For one thing, I had revisited the ashram in the year before my big writing spree and perhaps even driven past it the previous year. I was hoping to get some answers for questions regarding my manuscript must say the encounter was unsettling. I wasn’t even allowed inside the center, and the woman who had taken over as guru declared herself too busy to say hi. A deputy was dispatched for that, with tea, while I sat beside Swami’s grave.

Well, that was a perk of being “on the road” as a newspaper features salesman, otherwise known as “field representative.” I even got my name in brochures and full-color ads in the industry magazine Editor & Publisher.

My ashram residency a dozen or so years earlier had been life-changing, but the connection broke completely when I relocated to the Pacific Northwest in 1976. Swami had demanded a large chunk of my meagre salary, and besides, I was newly married with a wife in college. The upshot, quite simply, was that I felt ostracized. I was certainly shunned it that social call. In the bigger picture, the yoga movement itself had gone into eclipse and my own spiritual journey had resettled in the Quaker vein.

Still, the yoga life in America was a largely untold story, even if it had put “karma” and “om” into the American vocabulary and mindset.

When I began drafting the book, I had no idea where everyone had scattered and had no way of contacting them. I mean, if I was ostracized, what was the point of contacting the headquarters? Did I even know that Swami had died? Perhaps, though some communication I had with someone who had been a regular guest and went from being a rock-band manager to a Messianic Christian comedian. I managed to make that connection through a wire-service news story I came across before my leap to Baltimore. So now I’m thinking the yoga novel originated even earlier than I’d thought. (I really do need to sit down with my journals for a very deep dive.)

I do see that some of the outtakes from Subway Hitchhikers were woven into what became my second published book, Adventures on a Yoga Farm, which came out as pioneering PDF ebook from PulpBits.com in 2005.

~*~

What do you do with a rogue outfit like ours? I definitely wanted to avoid the sticky sweet guru worship I’d seen in other books, and I definitely wanted to avoid a scandal-mongering expose, though I would later find that nearly all of the religious imports from Asia would face financial or sexual embarrassment. Michael Downing’s 2002 Shoes Outside the Door: Desire, Devotion, and Excess at San Francisco Zen Center would cover that reality in one of the more prominent and, up till then, respectable organizations.

When I sat down to write my novel, I decided to stick to one day in the community’s life. I created a composite of eight young yogis and their woman swami guru. Each resident student represented a different stage of development. It also involved compressing the two years of my experience into a single day. I’m guessing the one-day focus reflected the Greek theater ideal.

And I do stand by my original structure of eight disciples within a single day.

The book was republished via Smashwords in 2013, this time with more popular platform choices than PDF. My, have times changed.

What I really wanted, I think, was my own version of Be Here Now.

I don’t think I could have adequately presented the inner turmoil of a charismatic leader without a college degree now having a tiger by the tail much less uncovered all that got covered up in the frenzy.

Would anyone really care?

Reshuffling the deck   

The unexpected complication of discovering that all of the dumpsters in town were tied up until after the big Fourth of July events forced our contractor to delay the demolition of the front half of our upstairs. Our attention turned instead to the back of the house, where a wheelchair-ramp and small deck were seriously deteriorating. Think of it as a safety issue.

The project would fit into the interim.

Unlike a previous owner, we didn’t need the ramp. Basic stairs would do in their place, and that would free up more of our small yard. The existing deck, meanwhile, was too small for our needs, and my coconspirators already had dreamed up designs that included a ground-level apron. For now, we would focus on the upper level just outside the mud room door.

The old deck top and ramp walkway were deposited at the far side of the backyard, where they will serve as a platform for stacking our next firewood delivery, keeping the split wood off the soil itself.

The deck structure itself became more involved than I had imagined. This house renovation is, after all, a vast education for me.

For starters, the new concrete footers were more deeper than the amateur ones and large rocks previously used. Three feet rather than a foot max. No wonder the deck was sagging. I wasn’t surprised there, but I was definitely impressed by seeing the new ones done right.

The underpinnings for the new top were another matter. No 2x4s or X-bracing this time. I wondered if Adam was overbuilding this, but he assured me this was according to code and would support a roof, if we decided at some point in the future to turn this into a screened-in porch. OK, I’m on board.

Carpentry really is about building boxes, as I once heard. The framing above became the rigid system below, awaiting the deck top and railing.

The results so far really are redefining our backyard and its uses. Dining out there without having to consider those nasty fire red ants under your chair is a definite step forward.

 

Poetry has been an influence, too

Through much of my adult life, I’ve spent more time writing and distilling poetry than I did with fiction.

Part of the reason was that poetry fit my once-a-week time for sustained “butt time” addressed to my literary efforts. A novel, in contrast, requires a bigger window, at least for me. I have to admire mothers who put something good together while toddlers and family meals gave little respite.

For me, the practice of poetry, both as a writer and reader, springs from the practice of meditation I took up as a yogi and continued as a Quaker, though now it’s once or twice a week rather than daily.

Prose simply feels more secular and aimed more at a general reader. And even there, I’ve come to see that writing hundreds of thousands of headlines for a living had a poetic component in its brevity. My personal writing was one way of staying sharp there. As for the hundreds of thousands of newspaper pages I designed? They did fall back on that intense visual art training in high school.

Like my fiction, my poetry originated in trying to remember and make sense of what was happening around and within me. Sometimes, when I got around to a manuscript of fiction, I would cannibalize a poem, especially if it hadn’t yet been published in a journal. That was especially true when it came to Nearly Canaan and the Secret Side of Jaya.

I wonder if any of this goes back to my childhood interest in chemistry and then being stymied when I wasn’t taught algebra when I needed it, back in fifth and sixth grades. Freshman year of high school was too late, my line of inquiry had shifted to classical music and visual art.

Poetry is a kind of equation, even geology, rather than the Friday night football game a novel can play.

~*~

My juggling act between the daily journalism that paid my bills and the literary aspirations that I hoped would finally free me did result in what I’ve come to see as literary graffiti – flashes written on the run, even when they then underwent much distillation and refining. I think that’s most obvious in Subway Visions, Nearly Canaan, and the Secret Side of Jaya but also befits everything except What’s Left, and even there may have crept in through the earlier outtakes I wove in.

~*~

Shortly after my books were up at Smashwords, a fine writer I know told me over coffee that I was more of a poet than a novelist. Ouch! He may have even said a better poet than novelist.

I hope I’ve improved since then and have arrived at a better balance in the revised books.

ATVs all around

My introduction came back in the late ‘70s when our landlord acquired a three-wheeler to get him easily from one end of his orchards to the other, and even up to the hill ranch and back. It was certainly easier to navigate through the trees than a tractor was.

These days, though, I see them everywhere.

Even though they’re not my cup of tea, here are some reasons.

  1. The machines themselves: More properly known as all-terrain vehicles, these small open motorized conveyances are either buggies (“quads” or “four-wheelers”) or tricycles (“three-wheelers” or “trikes”) with big, low-pressure tires and a seat that is straddled by a driver who steers with handlebars. So they’re not quite a motorcycle, OK? They are intended for off-road use, but commonly show up running on highway shoulders.
  2. Popularity: Honda introduced the three-wheeler in 1970, followed by the four-wheeler from Suzuki in 1982. They originally appealed to hunters and then sporting trail riders.  Yamaha entered the market in 1987 with the Banshee, which added sand dune riders as fans. By the early 1990s, ATVs had also become a part of the American workplace.
  3. Pure fun: There’s a good reason for the big club down in Dennysville, as well as the recreational riders at the trailhead in Machias during their summer vacations. The activity is seen as a major tourism opportunity. You can zip along and bounce, feeling free. I think of them as a kind of three-season snowmobile.
  4. Ease of getting around: On the Passamaquoddy reservation just to our north, they’re a common way to get from one part of the village to another, no matter the rider’s age. Here in town, they’re still pretty much banned, with some folks complaining of the noise or potential trespassing. The controversy is a hot topic in many localities.
  5. Regulations: Few states require a license to operate an ATV. In Maine, where I live, there is an annual registration fee for an ATV. In addition, no one under age 10 is permitted to operate an ATM, and youths 10 to 16 are required to have completed a safety course and be accompanied by an adult. The rules don’t apply to land where the operator lives or on land owned by the operator’s parent or guardian.
  6. As for kids: Youths can drive them, although children under age 12 are advised not to ride machines having more than 90 cc engines or, under stricter guidelines, no one under 16 should be driving, period. In practice, though, parents do send the kids to the grocery and hear no complaints. In addition, smaller models designed for young riders are available. Engine limiters are among the safety features. Still, an estimated 22 percent of the deaths involved children under 16, as well 26 percent of the reported emergency room injuries.
  7. Safety: From the beginning, deaths and serious injuries occurred, most of them blamed on reckless operation and failure to wear safety gear such as helmets and goggles. Tipping and rollovers accounted for a majority of the accidents. In 1987 a moratorium on the production of three-wheelers went into effect, shifting the market entirely to four-wheelers. In 2021, there were 293 deaths on public roads – 59 of them riders age 29 or less. Texas, West Virginia, and Pennsylvania have the highest fatality rates, followed by Kentucky and California.
  8. Environmental impacts: They’re largely negative. Off-road use contributes to soil erosion, damages vegetation, and disturbs wildlife habitats. All uses increase noise pollution, greenhouse gas emissions, and air pollutants. On the other hand, they’re not as bad as a pickup.
  9. Cost: Roughly $4,000 to $12,000 for a new one, though customization can really up the total.
  10. Annual sales: North America recorded $2.2 billion in sales in 2022, nearly two-thirds of the global market, and it’s growing.

Now, for some ‘Bodoni-Bodoni’

Hometown News is the one novel Cassia from What’s Left didn’t press me to revise, but it got the treatment anyway. At least the title stayed the same, though the subtitle “Reports from Trump country” was added.

Political novels rarely work, so I’ve heard. And I didn’t pitch this was as dystopia, though casting the book more along those lines might have been more successful.

The book still stands apart from my others.

In the time since its first draft and my big round of deep revision, much that I had investigated only worsened. The once powerful newspaper industry was a ghost of itself, and many of the once legendary nameplates were owned by hedge funds whose owners or managers were among the world’s top billionaires. The Rust Belt communities like Rehoboth still hadn’t rebounded – their lucrative unionized manufacturing jobs were never coming back, either.

~*~

Unlike my previous newspapers, the final one I served had job security and decent wages, thanks to our Newspaper Guild representation. I finally made it to median income, even.

Socially, its newsroom broke down into three distinct circles with little overlap. There was the daytime staff, an echo from the days when we still had an afternoon edition; it was the crew that did the features and opinion pages. The nightside staff produced the next day’s daily editions right up to 1 a.m. And the Sunday News staff worked a four-day week culminating in a double shift on Saturday. We got to know each other the most through union meetings revolving around contract time.

At my first paper, where we worked into the night, the staff usually gathered at the bar next door after their shifts and stayed till closing time.

At another, where we were mostly young and without kids, it was on Friday afternoon – the POETS society, as our divorced city editor dubbed it: Piss On Everything, Tomorrow’s Saturday.

Usually, everybody lived at a distance from the newspaper plant. Few could afford the rents or mortgages in the city of publication.

I can’t speak for other office situations or professions, but I did find that close friendships were rare. You knew your coworkers more by a phrase or two they repeated or a favored style of clothing they wore or, as some of the guys seemed to do, by the kind of car they owned.

Still, things came up at parties. Consider the quip from one generally naïve woman regarding the allegator-skin cowboy boots one of the sportswriters once appeared in: “Hey, you look like a pimp. What’s up?” And then the shock we felt a month or two later when he was arrested, having procured women and motel rooms for men in the car racing circles he covered.

At these gatherings we usually huddled around the share our war stories and talk what one spouse dubbed “Bodoni-Bodoni,” after a widely used headline typeface.

Most of the papers I worked at were the smaller operation in a broader market. And I usually was part of a news team with a competitive, aggressive mindset. That part was exciting.

In the revisions, I did have a new paper to draw on, not that it was of the progressive mold I was pursing in the book. The daily interactions, though, could be just as rich.

~*~

From what I’ve seen, the situation of low-level, “shirt-sleeves” managers has only worsened across the board. Perhaps the Covid pandemic work-from-home option has eased the pressures on white-collar jobs, but that happened after my final revision.

There was little job security in working for mass-media companies. When I was with the features syndicate, I’d spend a year nurturing a relationship with the top editor, who promised to buy a certain comic strip or opinion-page columnist or weekly business report from me when the next annual budget was approved – only he was gone by then. Turnover was high, often blamed on “bad numbers” like shrinking circulation or advertising revenue. Or, in one case, because the company headquarters decided to buy a radio and TV broadcast chain.

I do wonder what happened to several of the family-owned papers I called on. They’re top editors didn’t feel a need to attend the usual annual conventions where networking occurred.

I should also mention that several of the papers I worked for did bring in management consultants, giving rise to the team in my novel. Give credit to the one that threw up its hands halfway into the projected year of monthly meetings, declaring that the news business just didn’t fit any of their models.

The Dilbert comic strip touched on many of the office realities, but at a superficial level.

Best-selling management books – Tom Peters’ In Search of Excellence, for example – were exciting but didn’t reflect the everyday realities we faced meeting hourly deadlines leading up to the big, final deadlines. The ones you didn’t dare miss by more than a few minutes.

~*~

So I made tweaks to strengthen the focus on central characters and acknowledge the big hit from the Internet.

~*~

I should say something about public misconceptions of journalists and their papers.

One colleague, who lived a block from me in the town I call Rehoboth, told of a neighbor who complained to him every time the met around the driveway. There was always something wrong with something we’d done. Finally, my buddy fired back. “What do you think the reporter of that story is paid?” The man, a steelworker, fired off a figure. “Less than half of that,” my buddy said, “and she has a Master’s degree.” The man was shocked. After that, he always had something good to say.

As for the right-wing perception of liberal bias, the reality was that many of the biggest papers were unabashedly conservative: Chicago Tribune, Los Angeles Times, Phoenix Republic, Boston Herald, Cincinnati Enquirer, Columbus Dispatch, Indianapolis Star, and probably the majority in the smaller markets. And that was before Fox.

If there’s a bias, it’s for facts rather than presumptions. The Louisville Courier Journal’s Pat Siddons, who covered Bloomington, once said. “I know I have a controversial issue right when I get complaints from both sides of a story I’m covering.”

The fact that journalists are largely low-paid, working nights, weekends, and holidays, did nothing to incline them toward big business, though. One thing we hated was injustice. Another was the lies that accompany it.

~*~

Trying to locate Rehoboth?

It was a composite, drawn mostly from the Rust Belt that extended from Philadelphia and Baltimore west to the Mississippi or so. While my book describes the steel mill that dominated the town, similar communities may have had auto assembly plants, appliance manufacturers, parts makers – the list would be long, like the empty factories they left behind. I observed large swaths of devastated industrial zones in Youngstown, around Pittsburgh and greater Philadelphia or upstate New York or Detroit – places that resembled arial bombing scenes from World War II Germany and Japan. Similar scenes existed along the Lake Michigan shoreline of Indiana, and across Wisconsin and Michigan.

I could now add to that the former papermill towns of Maine.

The fact that there’s personal breakdown as well, as I present in the story, is more than symbolic.

~*~

As for authors and books percolating through me during the final revision and later, the culture J.D. Vance describes in Hillbilly Elegy is one I knew well. Our high school basketball team played his, for one thing, and I had toured its steel mill twice as a Boy Scout. His Middletown could be one more nominee for my Rehoboth.

Add to that Ben Hamper’s Rivethead: Tales from the assembly line, David Foster Wallace’s The Broom of the System, Charles Bukowski’s fiction, a shelf of business case-studies, Kenneth Patchen’s poetry, E.F. Schumacher’s Small Is Beautiful. And Brian Alexander’s Glass House: the 1% economy and the shattering of the all-American town is high on my TBR pile.

~*~

Seeing the loss of status and influence of an independent press has been personally painful, as has the breakdown of communities despite the opportunities of small is beautiful, especially in the Midwest.

Since the final revision, one of the figures in my book, the major scumbag, really, died in a horrific late-night car crash. And pneumonia took out Major Bohroh a little over a year ago.

If I were to tweak Hometown News yet one more time, I’d intensify their evil nature.

A few more inches each way add up

The new window, right, replaced a smaller one like the two-over-two at the left in the gable of our upstairs. The smaller one will soon be upgraded as well, and a closet will be inserted into the space between them to divide the bedrooms. The new double-hung sash windows match the ones downstairs in size. The amount of additional light and the enhanced views already amaze us.

Domestic pestilences

Let’s go alphabetically. Shudder or cringe as you will.

  1. Ants.
  2. Cockroaches.
  3. Deer, where I live. Doesn’t mean we don’t enjoy viewing them, but we know how much they devour. Even the flowers.
  4. Fruit flies.
  5. Houseflies. Even more than mosquitoes.
  6. Maggots.
  7. Mice.
  8. Rats.
  9. Spiders.
  10. Squirrels. And chipmunks. They may be cute, but when they get in the walls, watch out.

What are we overlooking?