CALICO AS COCHECO

Calico – cheap cotton cloth printed in a figure pattern of bright colors, as the dictionary says – was a renowned product of the Cocheco Millworks in Dover, New Hampshire.

The city was not alone. Throughout New England, red-brick mills clustered around rivers seemingly anywhere a dam could be constructed – sometimes leading to factory compounds more than a mile long, like those at Lawrence, Lowell, and Manchester (itself famed for its denim, which gave rise to San Francisco-based Levi Strauss).

Sometimes, the operation would be much smaller, supporting little more than a village.

Upstream, existing ponds were enlarged to guarantee sufficient water flow through the year. Altogether, their commerce left its imprint on the landscape and its character while financing the legacy of the Boston Brahmins.

Likewise, the rain and snowfall flow through many of my poems. It’s not just water over the dam on the Cocheco River, after all, that’s noticed.

RULE OF ECONOMICS

So there we were, in one of our informal noontime forums, this one led by an economist. The group itself was multidisciplinary, which made for some lively discussion.

As we analyzed the problem at hand, we saw that there were downsides to every possible solution we envisioned. No course of action was perfect, although some appeared to be better than others. Any way we turned, we’d be making some kind of mess for someone else to clean up or a burden for one group or another to carry.

We laughed, realizing that this is the way most of life actually is. There’s almost always a cost involved, and often unintended consequences.

And then one of our colleagues summed it up in a line that became our institute’s unofficial motto:

UNMIXED BLESSINGS ARE IN SHORT SUPPLY.

Once in a while, economics really does touch on reality.

BEHIND THE HEADLINES

Hometown News goes behind-the-scenes in the ways decisions are made in reporting the daily life of a seemingly pedestrian community – the kind of place where many of us grew up or perhaps resided. Focused on a family newspaper as it moves to a new generation of leadership, the novel builds on the aspirations of a core of young professional journalists. They share the ideal that aggressive reporting will foster grassroots democracy and an entrepreneurial vision as well as a widespread, healthy community. At most of the nation’s 1,500 daily newspapers, however, the bottom-line corporate outlook has meant that newsroom resources were squeezed to fatten corporate profits, even before the Internet began to erode paid readership. In that business model, readers and advertisers both got less and less for their money, and lively news from the neighborhood went untold. Unlike the Front Page tradition, today’s editors and writers have been stymied more by corporate bean-counters within than by Public Enemies without.

Hometown_News ~*~

To find out more about Hometown News or to obtain your own copy, go to my page at Smashwords.com.

 

HONEY, WE HAVE IGNITION

Finding the perfect fire starter for the wood stove or outdoor grilling has been a challenge. Paper burns too quickly and usually with insufficient heat to do the job, plus it can quickly clog everything and then simply smolder.

Small twigs occupy a lot of storage space, at least during winter. You want to keep them dry, by all means.

Corrugated cardboard leaves a lot of papery ash – nothing you want flying up into the food on the rack.

And so on.

Maybe it was by accident I discovered that using cardboard tubes – those found in toilet paper and paper towels – works much better. Plus, you can crush a few and insert them inside another for extra oomph. They’re firm enough to allow air to circulate while the fire’s starting. And they’re easy to store.

You never do know quite what’s going to turn up in the Barn, do you?

ROAD WORK

I’ve spent a lot of my life behind a steering wheel, and that’s where a number of my poems originate.

From this, I can look at a concept. Lines from the road. Basho? Brautigan? McCord?

Flight or escape remains a central theme in American literature. Kerouac’s On the Road and Hunter Thompson come to mind, along with Zen and the Art of Motorcycle Maintenance and Blue Highways. Of course our two greatest American novels also reflect this action, often with its male bonding and fields of discovery – Moby Dick and Huckleberry Finn. It’s not just some vague sense of the liberty of a frontier to resettle, but with wheels, there’s the thrill of speed more destructive than hiking or canoeing or sailing. As for hobos and the rails? Another era. Outlaws more than vagabonds? As for the Gypsy, there’s an entire community to consider. As well as flights with a destination, in contrast to those lacking.

A FINE STATE OF THE SEASON

Sorting the holiday cards coming into the house renews my appreciation for the human scale of the state we live in.

There’s a card from the governor and her family, and another from our U.S. senator. (Note the singular: the other one’s a national embarrassment who represents the One Percent, non-fulltime-residents of New Hampshire all, even including any who do summer here.)

OK, these cards aren’t personally signed, but it’s still a reminder that retail politics is a Granite State tradition, one that carries some responsibility as well.

No, we aren’t responding with cards to them as well. But we still wish them a very merry Christmas. And we’re glad they’re on the case.

REGARDING THE THREE-FINGERED MOUSE

I’m inclined to agree with Bukowski in blaming Disney (with all that “happy, happy, happy”) for America’s problems. Or even the world’s. Not that I’d agree with his solution for escaping them, meaning cigarettes and the bottle or a barroom brawl and violent sex.

You see, I’m uneasy when it comes to “happiness” as a goal or a life’s purpose. There’s too much suffering and oppression around us, after all, and no spiritual unity with the universe can exist by denying that. Still, that’s not to argue we need to be pulled under with its negative impact.

As for “fun”? I see that as a self-defeating destination. Its flipside, we should note, is boredom.

Joy, however, is another matter. It’s central to the message of Jesus, as the 16th chapter of John makes clear.

To that we could add bliss or contentment, not in the sense of denying the upheavals and evil of the world but rather in the dimension of accepting a personal inner peace that allows one to labor in furthering the Kingdom of Heaven on earth.

For me, this means learning to be more loving, and that’s a never ending challenge. It’s quite different from being giddy or depressed or self-centered or even blaming, gee, I was at the beginning of this post.

Oops! Back to Square One, once again.

A COSMIC CONNECTION

Question: What do you do when something doesn’t work?

Answer: Fix it.

Q: And what if it still won’t work?

A: You throw it in the trash.

Q: But what if it’s not a thing but a person?

A: You fire ’em.

Q: But what if they’re one of the family?

A: Now the situation gets difficult. Really difficult.

BEYOND DRESSING FOR SUCCESS

Waiting in an airport lounge for their flight to arrive and begin boarding, a wife was describing to her husband the computer she had ordered (not just any computer, mind you) and then detailing the renovations required for the room they were upgrading, or perhaps it was a wing they were adding. He nodded in thoughtful agreement throughout. They appeared to be comfortably retired, and she was resolved that this was what she needed to sit down and begin writing her first novel.

Somehow, it all felt wrong.

Not the writing, but the matter of appearances, as though one begins the volume by posing for the back cover color photograph – tweed for the men, a tasteful blazer for the women. As though writing depends on the workspace itself. As though you just plump down in a picture-perfect setting and turn out a critically acclaimed bestseller. Or at least a hefty advance. It is echoed in the group photographs of famous authors one comes across in Vanity Fair, the half-dozen or more serious novelists arrayed in a two-story private library or a publisher’s corner suite overlooking Manhattan, the happily ever after with afternoon cocktails. Leather and brass.

I’ve long pondered the airport scene, attempting to nail down what has struck such a loud discordant note. Listen to published authors discuss their workspace and you often hear it comes down to a concrete block cell or a corner of an attic or even, thanks to laptops and wi-fi, a booth at McDonald’s – not an interior designer’s photo spread. We write wherever we can – sometimes, as I prefer, in solitude, or other times, as daily papers’ newsrooms, in a large office crowded with shared computers and telephones augmented by TV screens and police radio scanners. They write, I would hope, out of some urgency – some sense each one has something unique to explore and present to the world. It’s what Bukowksi called his daily “butt time.” It’s what you put in to be a writer, the dues you pay, the actual effort rather than any posturing.

This is not a matter of comfort. The best writing, I will argue, comes with discomfort. It’s hard, after all, doing good work. Finishing the first draft is just the beginning, leading into multiple revisions and a pile of correspondence (much of it unanswered, even when the obligatory SASEs are included) attempting to connect with an agent and publisher before embarking on the marketing of the finished work – one of the five hundred or so novels published that week.

Did the retired beginner actually complete a first draft? Or did she find excuses along the way? Did her health hold up? (Writing demands more physical strength than one imagines – especially in maintaining the mental concentration of developing the characters and plot turns.) Did she have a storehouse of memories and exotic experiences to draw upon or a long gestated outline to quickly fill in? Had she done her homework in devising a story fitting a tightly defined marketing niche – one that would easily sell? Had she filled suitcases with letters, notes, and snapshots to prompt specific details or sketched in a lifetime of personal journals? Did she possess crucial contacts who would come to bear on publication?

There’s more to writing than looking like an Author – whatever that is. Maybe in the ensuing years she succeeded. But at the airport gateway, she gave no awareness of the actual struggle ahead. I, for one, cannot wait for the perfect space to appear. Rather, I’ve settled in to work where I could and then plugged away, between sleeping and the commute to my paying job.